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Cookbook printed with fading ink to mimic dementia patients’ memory loss

A new recipe book has been printed with ink that fades over time to mimic the way people’s memories fade when they’re battling dementia.

Edinburgh-based media platform Boom Salon created the “living cookbook” in collaboration with Maggie Watson, who was diagnosed with Alzheimer’s and Vascular Dementia in 2021.

Boom Salon founder Rachel Arthur describes Watson as her “adopted gran” and the book’s title, 4,4,4&2, comes from her sponge cake recipe, which comprises four ounces each of butter, sugar and flour, and two eggs.

The book includes recipes, photos, stories and scribbled notes, and each copy will fade in a different way, “mirroring the highly personal and unpredictable patterns of memory loss.”

“This publication is as much an act of design as it is of care,” Arthur explains. “It forces us to reframe our understanding of books as static objects, and instead positions them as temporal, evolving vessels for experience and increasing empathy and understanding of others.”

We spoke with her in more depth to find out more about the project, how it works, and why it matters so much.

What is Boom Salon set up to do, and how does this project fit into that wider vision?

Our mission always has been – and always will be – to democratise creativity for good.

We collaborate with extraordinary creative talents too often overlooked or undervalued, inspiring and empowering them to realise their own potential before sharing this with others across books, magazines, performance pieces and events.

Boom Salon’s 4,4,4&2

To date, we’ve had the privilege of working with talented individuals facing complex personal challenges including substance abuse, homelessness, forcible displacement and dementia; together, we’ve produced a range of creative outputs which reframe their narratives and reshape how they are understood by wider society.

This project fits into this mission by collaborating directly with someone living with dementia, Maggie Watson. A lifelong cook, upon diagnosis she was warned of the dangers of working in the kitchen unsupported – immediately removing one of her most creative outlets and feeding into the narrative of inability and worthlessness which our work to date has confirmed many people with dementia experience.

To rewrite this, we collaborated to create a living cookbook together – sharing Maggie’s favourite recipes from her life whilst simultaneously informing readers of the realities of the dementia journey through considered design.

Where previously there was loss and isolation, 4,4,4&2 presents possibility and connectedness again, through the medium of cooking combined with thoughtful design and storytelling.

Where did the idea for this project first come from?

As with all of our projects, a single story, told in passing.

This particular one was of a friend’s grandfather, diagnosed with Alzheimer’s in its early stages and supported to live at home. The family had medical backgrounds and visited regularly, convinced that all was well as they each witnessed him doing his daily crossword each and every day.

Assuming he was still ‘sharp,’ it came as a huge shock when he passed just six months later.

It was only then, when clearing out the family home, that stack upon stack of newspapers were found, filled with the daily crossword – and for the first time, the family looked close enough to see that the same word was repeated over and over again.

This planted the seed of the unknowns of dementia, even within medical fields, at a time when it is the leading cause of death in the UK, it felt particularly pressing to learn more and consider what role design could play in reshaping the narrative.

Boom Salon’s 4,4,4&2

What is the ink made of and what makes it fade?

The ink reacts to air and light, fading differently on each and every stock – the book contains multiple GF Smith stock.

GSM and composition further affect the change, alongside subtle tweaks we make during the printing process itself. 4,4,4&2 is designed to mimic the human brain itself, and the degeneration which can occur during the dementia journey.

In the same way that human interaction can shape this greatly for an individual, so the book is affected by its own, individual treatment.

A copy which is closed and nestled between other books on a shelf will fade wholly differently to one which is left splayed open – mirroring the effects that human interaction and care can have on a person with dementia themselves.

Some of the pages within the book can fade in less than a day; others could last for many months. You will not be able to tell by looking what to expect, just as there are no visual markers for what lies ahead in any person’s own dementia journey.

Why is it important that each copy fades in a different way?

No two people with dementia will experience the same journey; for us, the publication would have fallen flat had we taken the easy route and developed a book which simply faded, in full, in the same manner within each copy.

This narrative is vital to the publication itself and mirrors the many year’s worth of research which went into this publication, alongside the lived experience which is at the heart of all of our dementia work.

Boom Salon’s 4,4,4&2

Gerry’s story, and therefore the resulting book we made with him, is wholly different to Maggie’s; it would have been an injustice to flatten the story to anything less personalised and unique.

The family hand-me-down scrapbooks of recipes which inspired 4,4,4&2 are so very unique in themselves, as well, that there was no option of creating anything uniform.

What impact do you hope the book has on readers?

We hope it nurtures understanding and empathy of the dementia experience – with Maggie’s blessing, it is shared in a personal, truthful manner that I’ve never seen before.

Maggie was adamant that we should share the elements never normally seen – the copy and paste, clinical diagnosis letter which arrives through your door.

The handwritten diary entries which depict exactly how it feels to forget your days. What it means to have others in your life who take the time to understand.

Boom Salon’s 4,4,4&2

4,4,4&2 ends on a hopeful, poignant note: the final chapter is one of “collective recipes,” rewritten and reshared throughout a family so they will never be forgotten.

They are spoken of together, recollected over the phone and scribbled down on the back of a letter from the bank, cooked together, devoured together.

They remind us all of what people with dementia can still do, of what they can give to us as families and individuals. They encourage us to nurture each other and accept the journeys we are each on, whether one of dementia or not.

Why are creative projects like this so good at adding a new dimension to our understanding of serious issues like this?

We always say, in the kindest possible way, that our work is about using design to trick people into having the conversations they should be having – but wouldn’t otherwise.

Creative projects can draw people into these – providing a hook, whether that be an exciting disappearing ink or a perfectly executed ligature. By enjoying, appreciating and consuming them, before we know it we can be delivered a message that, if we’re lucky, might just stick.

Boom Salon’s 4,4,4&2

For us, the dream is to get a publication like 4,4,4&2 into the hands of urban planners and civic leaders who are designing the cities of tomorrow – planting the seed to design inclusively now as opposed to retrofitting and rebuilding, at great cost, in the decades to come.

It’s a tall order for a family cookbook to achieve, but if Maggie’s instilled anything in us it’s to give it a bash.

Boom Salon’s 4,4,4&2
Boom Salon’s 4,4,4&2

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geometric triskele form rises from the earth as hajime yoshida’s shrine in japan

Hajime Yoshida installs 3d triskele form in japanese village

 

Hajime Yoshida Architecture completes Shrine of Triskele in Toga, a mountain village in Toyama Prefecture, Japan, a structure conceived as a meditative land art project that occupies a clearing in the forest where the ground once held a river. The three-dimensional triskele form emerges at the center, rising as a geometric symbol of strength, while its outer skin blends with the earth, recalling the pit dwellings of Japan’s Jomon period. The elements create a place where visitors can look up at the framed sky, listen to the surrounding forest, and quietly reflect in nature.

images courtesy of Hajime Yoshida Architecture

 

 

spiraling into nature for a quiet moment in the woods

 

The chosen site at the foot of the mountains is defined by dense trees and a wide depression at its center. Vegetation grows thickly, reaching upward in unison toward the open sky above. Within this hollow, Japanese architect Hajime Yoshida introduces a structure that mirrors the forces of the landscape, earth rising and swirling, converging to support itself while carving out a void of light above. The small interior space does not stand apart from the forest but connects to it by offering a transition point between the ground and the sky.

 

The triskele itself is interpreted here as a spiraling, three-dimensional geometry that embodies continuity and interconnection. Its placement anchors the clearing as a rising center, a point of orientation, and a vessel for quiet human presence in the midst of natural cycles. By shaping its outer surface to sink into the soil, the project echoes ancient forms of dwelling that once grew out of the earth.

 

Visitors to the Shrine of Triskele are invited to sit, listen, and observe this opening in the forest that draws attention to what already exists: the strength of the earth, the vitality of plants, and the passage of time marked by rivers and cherry blossoms.

Hajime Yoshida Architecture completes Shrine of Triskele in Toga

a structure conceived as a meditative land art project

occupying a clearing in the forest where the ground once held a river

the three-dimensional triskele form emerges at the center

a geometric symbol of strength

its outer skin blends with the earth, recalling the pit dwellings of Japan’s Jomon period

the elements create a place where visitors can look up at the framed sky

the chosen site at the foot of the mountains is defined by dense trees and a wide depression at its center

Hajime Yoshida introduces a structure that mirrors the forces of the landscape

 

project info:

 

name: Shrine of Triskele
architect: Hajime Yoshida Architecture | @hajime.yoshida.architecture

location: Toga, Japan

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: thomai tsimpou | designboom

The post geometric triskele form rises from the earth as hajime yoshida’s shrine in japan appeared first on designboom | architecture & design magazine.

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10 Sailing Paintings to Bring You the Summer Breeze

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BMW art cars by andy warhol and julie mehretu debut at pebble beach concours d’elegance

Warhol and Mehretu land on Pebble Beach

 

Celebrating fifty years of the Art Car, two of BMW‘s ‘rolling sculptures’ arrive to the coastal links of the famed Pebble Beach Concours d’Elegance. The annual event, a beauty pageant for cars, marks the finale of Monterey Car Week and draws the most extravagant vehicles from across the world. This year’s concours was held on August 17th, and over two hundred cars were shown.

 

Backdropped by the rocky coastline and fronted by enthusiastic spectators were two of BMW’s most landmark Art Cars: Andy Warhol’s 1979 BMW M1 Group 4 (see here) and the most recent work, Julie Mehretu’s 2024 BMW M Hybrid V8 (see here).

 

designboom was in attendance this year, and throughout the crowded, stretching show field we overheard mentions of the BMW Art Cars as a overwhelming highlight — especially with its reputation as perhaps the most valuable car in the world, with some guesses ranging from $60-$200 million.

images courtesy BMW Group

 

 

a legendary bmw art car’s global journey

 

BMW’s display at Pebble Beach marks the start of the North American leg of the Art Car World Tour, which has seen Andy Warhol’s Art Car travel across Europe, the Middle East, and Asia throughout this 50th anniversary year. The iconic edition, with its gestural brushstrokes, arrives at California’s Pebble Beach after recent showings in Dubai and Sweden. In April 2025, designboom visited Andy Warhol’s Art Car when it appeared at Art Dubai, a stop along the World Tour which marked its debut in the Middle East.

 

Two months later, we again encountered the Warhol car arrived to southern Sweden for the Aurora Scandinavian Concours in late June, where it was joined by three other historic BMW Art Cars: Alexander Calder’s 1975 BMW 3.0 CSL, the first in the series; Roy Lichtenstein’s 1977 BMW 320i, which renders an abstraction of passing scenery; and Jeff Koons’ 2010 BMW M3 GT2, spotted with the artist’s graphic Pop Art motifs.

 

Julie Mehretu’s Art Car has also has an international presence, debuting at the Centre Pompidou in Paris in 2024 and appearing at the Concorso d’Eleganza at Villa d’Este in Lake Como before its racing deployment at Le Mans.

BMW celebrates 50 years of its Art Car program at the Pebble Beach Concours d’Elegance

 

 

Andy Warhol’s Radical Intervention

 

Andy Warhol’s BMW M1, which displayed at Pebble Beach, was the fourth commission in the series, following Alexander Calder, Frank Stella, and Roy Lichtenstein. Painted in just twenty-eight minutes, the work stands apart for its visible texture. Warhol applied roughly thirteen pounds of paint directly to the car’s surface with visible brushstrokes, foregoing preparatory sketches or scale models.

 

French racing driver and Art Car initiator Hervé Poulain compared the live act of painting to a performance. Beyond its presence in museums and exhibitions, the car competed once at the 24 Hours of Le Mans in 1979, underscoring the dual identity of the Art Cars as both artworks and machines.

Julie Mehretu’s BMW M Hybrid V8 makes its North American debut at Pebble Beach

 

 

julie mehretu continues the legacy

 

Julie Mehretu’s BMW M Hybrid V8 race car — the 20th Art Car — is a continuation of BMW’s legendary series into the present. Using digitally altered photographs, abstract markings, and layered veils of color, her work reimagines the vehicle as a moving painting. The creation builds upon her monumental canvas Everywhen (2021–2023) which measures 10’x10′, and is currently entering MoMA’s permanent collection. The dense, gestural abstraction in ink and acrylic is thus translated onto the racing prototype with BMW.

 

The Art Car competed at Le Mans in 2024 and continues to link artistic practice with motorsport. Mehretu has described the project as a ‘performative painting,’ one completed through the act of racing itself.

 

Mehretu translates her monumental painting Everywhen onto a racing prototype

 

 

the art car world tour

 

The pairing of Warhol’s late-1970s experiment with Mehretu’s digital-age intervention at Pebble Beach emphasizes the breadth of the BMW Art Car program across five decades. Their presentation at Pebble Beach, the centerpiece of Monterey Car Week, coincides with another milestone: fifty years of BMW operating in the United States.

 

After the concours, the two Art Cars will travel to the East Coast, with appearances planned at The Bridge in New York and the Hagerty Drivers Foundation’s Cars at the Capital exhibition in Washington, D.C. The ongoing Art Car World Tour reminds us how these works of art have shifted between racetracks, museums, and public settings like Pebble Beach.

Andy Warhol’s BMW M1 Art Car was painted in just 28 minutes

Mehretu’s BMW Art Car competed at the 24 Hours of Le Mans in 2024

The Warhol BMW Art Car also raced at the 24 Hours of Le Mans in 1979

Warhol applied around thirteen pounds of paint directly to the BMW M1 surface

Julie Mehretu’s BMW M Hybrid V8 was unveiled at the Centre Pompidou in Paris in 2024

 

project info:

 

event: Pebble Beach Concours d’Elegance

cars: Andy Warhol’s BMW M1 Group 4 (#4, 1979) + Julie Mehretu‘s BMW M Hybrid V8 (#20, 2024)

brand: BMW | @bmw

date: August 17th, 2025

photography: © BMW Group

The post BMW art cars by andy warhol and julie mehretu debut at pebble beach concours d’elegance appeared first on designboom | architecture & design magazine.

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Modular desk organizer lets you play around with your workspace

If you’ve ever wished your desk could spark a little more joy and creativity, the Island modular desk organizer is about to become your new favorite tool. Island is not just another desk tidy solution; it is a colorful, customizable ecosystem that brings order and inspiration to your workspace. And if you’re someone like me that needs to have a lot of stationery and supplies on hand, then this kind of organizer is much needed.

Island is not just modular but has a playful take on organization. Instead of hiding away your creative chaos, Island puts it on full display, turning your everyday essentials into a source of inspiration. The heart of the system is a sleek pegboard, ready to be filled with a variety of modules, each one designed to hold everything from pens and markers to sticky notes and paper clips. With over 60 possible configurations, you can rearrange and rebuild your setup as often as your workflow changes. Whether you need a spot for sketching tools, a tray for quick notes, or a safe place for small accessories, Island adapts to your needs without missing a beat.

Designer: Rishikesh Puthukudy

Color is a big part of Island’s appeal. The modules come in five curated color sets, making it easy to match your organizer to your mood or your room. The bold, cheerful palette turns your desk into a creative paradise, while the modern design keeps everything looking tidy and intentional. Sustainability is also built into Island’s DNA. Each piece is designed for 3D printing using recyclable ABS plastic, supporting on-demand and eco-friendly production. If you ever lose or break a module, simply reprint the part you need. There is no waste and no waiting for complicated replacements.

Island does not just keep your workspace neat, it makes organization part of your daily ritual. Grabbing a pen or jotting down a note becomes a satisfying, almost meditative act when your tools are displayed in such a delightful way. The pegboard system encourages you to curate your own setup, mixing and matching modules so your desk reflects exactly how you like to work. The simple clamp attachment means Island fits almost any desk and can be easily repositioned or removed. This flexibility makes it perfect for anyone who likes to switch up their workspace or move between home and office.

For creatives, students, and anyone who wants a little more joy in their everyday routine, Island delivers a fresh approach to desk organization. It is as functional as it is fun, reminding you that your workspace does not have to be dull or cluttered. With Island, your desk becomes a place where creativity and order go hand in hand. Your desk, your rules. Mix, match, and make it yours. Island lets you build a workspace that is as unique as your ideas, transforming ordinary organization into an experience you will actually look forward to every single day.

The post Modular desk organizer lets you play around with your workspace first appeared on Yanko Design.

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Meet The PIN: Luxury Wooden Wireless Earbuds That Speak Your Language

Finding tech that feels as good as it sounds has become surprisingly difficult these days. Most earbuds fall into predictable categories: cheap and disposable, expensive but soulless, or packed with features you’ll never use. The PIN wooden earbuds take a completely different approach, combining tactile craftsmanship with smart AI features.

What sets The PIN apart is how it refuses to compromise between luxury, intelligence, and environmental responsibility. While mainstream earbuds focus on either premium materials or smart features, The PIN delivers both alongside a genuine commitment to sustainability that feels authentic rather than performative.

Designer: Sudeshna Naik

Click Here to Buy Now: $134 $185 ($51 off). Hurry, only 8/105 left! Raised over $107,000.

Founder Sudeshna Naik, a UC Berkeley graduate with a background in technology and sustainability, envisioned The PIN as a bridge between high-performance audio and eco-luxury. Her journey from countless prototypes to the final product reflects a passion for crafting tech that people connect with emotionally as well as functionally.

Handcrafted Wood Meets Modern Engineering

The first thing you notice about The PIN earbuds is how different they feel in your hands. Each pair is handcrafted from FSC-certified wood, available in three distinct finishes that each tell their own story. Bamboo offers a light, smooth texture with a clean, modern appeal that feels contemporary and minimalist. Cherry brings warmth with its soft, natural glow that deepens over time, developing character with age. Walnut delivers rich, dark tones that add quiet luxury and sophisticated elegance to any setting.

The wooden construction brings unexpected benefits beyond aesthetics. These earbuds are actually 20% lighter than standard plastic models, with a matte finish that feels warm and substantial rather than cold and clinical. The ergonomic shape follows natural ear curves, while IPX4 splash resistance ensures everyday durability despite the premium materials. The natural grain patterns mean no two pairs look exactly alike, giving each set a genuinely unique character that plastic simply cannot match.

Your Personal Interpreter Lives in Your Ears

The PIN’s standout feature is built-in AI translation supporting over 150 languages with four specialized translation modes. Free Talk Mode enables direct communication through the earbuds with automatic language recognition and voice playback. Headphones+Phone Mode facilitates two-person communication where one person wears earbuds while the other uses a phone for cross-language dialogue.

Translation Machine Mode turns your phone into a translation device with spoken input and audio output. Dual Ear Click Mode allows two-person communication where each person wears one earbud, with double-click activation for seamless conversation translation and broadcasting. Whether you’re traveling internationally or working with global colleagues, the earbuds become your personal interpreter without missing a beat.

Printed text in a language you’re unfamiliar with? No problem! Just take a photo of the sign, menu, or label, and get instant translations in your ear in over 20 languages. Those embarrassing moments while grobe trekking are now things of the past.

Audio quality gets serious attention with 10mm dynamic drivers and AAC codec support, delivering crisp, immersive sound. Dual environmental noise cancellation uses two microphones per earbud to filter background noise during calls, ensuring your voice comes through clearly even in busy environments. The companion app extends functionality with AI chat assistance powered by a GPT-like large language model, customizable EQ settings, and integration with Google Assistant or Apple Siri.

When Premium Tech Actually Feels Premium

Battery life hits that sweet spot of practical usability with up to 8 hours per charge and 32 hours total with the charging case. The USB-C fast charging gives you 3 hours of playback from just a 15-minute charge, perfect for those rushed morning commutes. Bluetooth 5.4 ensures stable connections with improved energy efficiency.

The touch controls feel intuitive rather than finicky, responding to simple taps for music, calls, and feature activation. The “Find My Earbuds” GPS tracking through the app eliminates the frustration of hunting under couch cushions, while the built-in sleep aid and ASMR library help you wind down after long days. All these features work together seamlessly without requiring monthly subscription fees.

Guilt-Free Luxury That Gives Back to the Planet

The Pin Universe’s approach to sustainability feels genuine throughout their entire production process. Beyond the FSC-certified wood housing, they use recycled aluminum for internal components, bioplastics derived from corn or sugarcane, and recycled silicone for ear tips. Even the packaging is 100% recyclable. Naik’s vision was shaped by a simple lesson: if people feel they’re compromising on performance, they won’t choose sustainability. The PIN was designed to change that.

For every 10 pairs sold, they plant a tree, addressing the growing problem of electronic waste in the audio industry. The tactile quality of real wood creates an emotional connection that’s rare in consumer electronics. These earbuds feel like something you’d want to keep and care for rather than replace when the next model launches.

Breaking the Mold in a Sea of Plastic Earbuds

The PIN earbuds succeed by bridging the gap between luxury craftsmanship, intelligent features, and environmental consciousness. The combination of real wood construction, no-subscription AI translation, and eco-conscious design creates something that feels both timeless and forward-thinking. For anyone seeking earbuds that reflect their values while delivering exceptional performance, The PIN represents a compelling new direction for personal audio.

Click Here to Buy Now: $134 $185 ($51 off). Hurry, only 8/105 left! Raised over $107,000.

The post Meet The PIN: Luxury Wooden Wireless Earbuds That Speak Your Language first appeared on Yanko Design.