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Xiaomi’s SkyNomad Brings Living Space Thinking to the Family SUV

Xiaomi is broadening its automotive ambitions with the SkyNomad series, a new SUV line built around space, flexibility, safety, and family-focused practicality. The range launches with two models, the SkyNomad N90 and the SkyNomad N70, giving Xiaomi a wider reach beyond the more driver-oriented SU7 and YU7 lineup.

Both models are built on Xiaomi’s newly designed Kunlun platform, which underpins the brand’s push into large, versatile SUVs. One of the platform’s defining features is a completely flat floor. That packaging decision supports easier movement through the cabin and gives Xiaomi more freedom to shape the interior around comfort, modularity, and open space.

Designer: Xiaomi

Two SUVs with different seating priorities

The SkyNomad N90 Max is positioned as the larger and more versatile of the two. It uses a 2+2+3 seating layout, giving it seven seats and a configuration aimed at larger families, multi-generational travel, and mixed personal and business use. Measuring 5,285 mm long with a 3,080 mm wheelbase, it sits firmly in full-size SUV territory.

Alongside it, the SkyNomad N70 Max takes a sportier approach with a confirmed 2+3 seating layout. That five-seat format makes it the more straightforward option for buyers who want the SkyNomad concept in a two-row package, while still benefiting from the same emphasis on cabin openness and flexibility enabled by the Kunlun platform. At 4,960 mm long with a 2,950 mm wheelbase, it is the more compact of the pair, though it still feels substantial in person.

Flat-floor platform defines the cabin

The completely flat floor is more than a technical detail. It is central to how Xiaomi wants SkyNomad to feel and function. By removing the usual floor intrusion, the platform helps create a more lounge-like interior, improves second-row and third-row usability, and makes it easier to reconfigure the cabin for different scenarios.

In the N90 Max, Xiaomi pushes that idea further with six sliding rails and a center console that can move 650 mm back and forth. The setup allows the cabin to be used with tables, bed arrangements, and other furniture-style layouts, giving the vehicle a more modular character than a conventional family SUV. Features such as a roughly 9-liter fridge and a 21.4-inch rear display with Xiaomi TV and remote control further underline the living-space concept.

The N70 Max carries the same thinking into a sportier two-row package. It supports face-to-face seating and a full bed mode, while Xiaomi claims up to 1,400 mm of maximum rear legroom and around 1,002 liters of rear cargo space. Even without the third row, it is clearly designed to prioritize comfort and usability over a traditional SUV layout.

Safety is a major part of the pitch

Xiaomi is also using the SkyNomad launch to underline the safety credentials of the new Kunlun Technology Architecture. The company says it has been carrying out real-life road load testing since 2024. As of June 30, 2026, more than 500 test vehicles had accumulated 4.28 million kilometers over 628 days.

The body structure makes extensive use of 2200 MPa Xiaomi Hyper Strength Steel across 16 key areas. According to Xiaomi, that includes a 13-in-1 integrated design spanning the A, B, C, and D pillars, a layout intended to improve lateral body load capacity and strengthen the passenger cell. The N90 Max also comes equipped with 12 airbags, reinforcing its positioning as a large family SUV where occupant protection is expected to be a central selling point.

Xiaomi also highlighted battery durability and protection as part of the Kunlun platform package. The company claims a cell lifecycle of more than 2,000 charge cycles, which it says is roughly double the national standard. It also says the battery unit is protected by an 18-layer safety structure, while the floor has been reinforced to improve fire resistance, impact protection, and overall structural security around the pack.

Performance and range round out the package

Both the N90 Max and N70 Max use dual-motor all-wheel drive and a 76 kWh battery. Xiaomi quotes a 0 to 100 km/h time of 5.9 seconds for the N90 Max and 5.5 seconds for the N70 Max, while both models have a top speed of 190 km/h.

Range figures are also notable. Xiaomi lists the N90 Max with a CLTC combined range of 1,705 km and a CLTC pure electric range of 464 km. The N70 Max is rated for a CLTC pure electric range of 505 km.

First-hand impressions from the briefing

During a media briefing and hands-on session, both the N70 Max and N90 Max stood out for their reconfigurable seating and spacious cabins. Even in a short test, both SUVs felt notably roomy, and the seats themselves came across as comfortable and well suited to the space-first character Xiaomi is trying to establish for the series.

The N90 Max in particular showed how far Xiaomi is pushing the concept. One of the most striking demonstrations was its face-to-face seating reconfiguration, which transformed the cabin into something closer to a lounge than a traditional SUV interior. That setup reinforced Xiaomi’s broader pitch that SkyNomad is meant to function as more than transport, serving as a flexible living space for travel, rest, and family use.

Cargo capacity was another standout. In its maximum rear trunk space configuration, the N90 Max was loaded with six 20-liter carry-on cases, a foldable bicycle, a folded baby stroller, and additional camping gear, while still leaving plenty of room in the back. The demonstration underlined the SUV’s family and lifestyle focus, especially for buyers who need genuine carrying ability rather than just a large exterior footprint.

Xiaomi also showed the N90 Max in a more leisure-oriented setup with an air mattress laid out in the cabin. Lying down inside, the space felt comfortable, and the panoramic sky roof gave a clear view upward. That added to the sense that the vehicle is being designed as a place to spend time, not just a machine for getting from one point to another.

That impression carried across both models. Even with limited time behind the scenes, the N70 Max and N90 Max both felt impressively roomy, and Xiaomi’s emphasis on reconfigurable seating did not come across as a gimmick. Instead, it felt like a practical extension of the Kunlun platform’s flat-floor packaging and the brand’s attempt to create SUVs that are genuinely adaptable to modern family life.

A broader move into family SUVs

With SkyNomad, Xiaomi is moving beyond the more driver-focused identity of its earlier vehicles and into a segment where comfort, flexibility, safety, and interior usability matter just as much as technology. The N90 and N70 are not just larger additions to the lineup, but a clear signal that Xiaomi sees family-oriented, space-led SUVs as an important part of its next phase in the auto market.

On first impression, that strategy looks thoughtful. Between the flat-floor Kunlun platform, the emphasis on reconfigurable interiors, and the effort to pair lifestyle versatility with serious safety messaging, SkyNomad gives Xiaomi a distinctive angle in an increasingly crowded field of large electrified SUVs.

The post Xiaomi’s SkyNomad Brings Living Space Thinking to the Family SUV first appeared on Yanko Design.

DJI Osmo Pocket 4P Review: Finally a Pocket Camera That Flatters Faces

Compact cameras have gotten remarkably capable over the past few years. Smartphones shoot impressive footage, action cameras have become tiny powerhouses, and entry-level mirrorless setups deliver results that would have seemed professional a decade ago. But most of these smaller options share a common visual limitation: they default to wide-angle perspectives that capture environments and movement well, without always doing the most flattering things to faces and portraits.

That’s the gap the DJI Osmo Pocket 4P is designed to close. Building on the stabilized pocket-gimbal formula that made earlier Pocket cameras popular, this fourth-generation model adds a dedicated 60mm medium-telephoto lens alongside the wide camera, with an f/1.8 aperture purpose-built for more flattering, more cinematic portrait shots. It’s a design decision that shapes not only how the camera performs, but also how it makes you think about framing. But is that enough to make a significant difference, or does the Osmo Pocket 4P have other surprises in store? Read on to find out.

Designer: DJI

Aesthetics

At a glance, the Osmo Pocket 4P still belongs to the same family as its predecessors, with a compact upright body, a small rotating touchscreen, and a stabilized gimbal head on top. Look a little closer, though, and the dual-lens arrangement immediately sets it apart. There’s something more camera-like about it now, in the best possible sense, rather than a gadget that happens to record video.

DJI offers the Pocket 4P in two finishes, classic black, which was our review unit, and pearl white, both of which carry a premium, polished feel without going into flashy territory. The materials have that familiar blend of structured plastic and matte-finish surfaces that DJI tends to do well, feeling solid without being unnecessarily heavy. Neither colorway draws attention to itself in an obvious way, which actually works in the camera’s favor as a daily-carry tool.

What makes the design feel complete is how the accessories extend the camera’s visual language rather than disrupting it. The fill light clips on cleanly, the handle and tripod give it a more grounded foundation, and the FrameTap remote adds a secondary screen without making the whole setup look like a patchwork rig. Fully assembled for a shoot, the Pocket 4P has the coherent look of a purpose-built creator system, not a Frankenstein of parts.

The presence of two lenses changes what the camera communicates even before it’s switched on. Earlier Pocket models read as action-friendly video tools. The Osmo Pocket 4P reads as something closer to an intentional image-making device, and that shift comes almost entirely from the addition of the portrait lens. Rather than simply adding more specs, DJI gave this camera a more considered point of view, and that reads clearly in the design.

Ergonomics

One of the best things about the Osmo Pocket line has always been how easy it is to grab and go, and the Osmo Pocket 4P keeps that up. It slips into a jacket pocket or small bag without fuss, and it’s ready to record almost immediately. Twisting the touchscreen to power it on takes barely a second, which matters more than it sounds when something worth filming is happening right now.

Handling the Pocket 4P day to day is comfortable, especially once the threaded handle is attached. It gives the camera a stable grip and a flexible mounting solution for tripods and other accessories. The touchscreen is compact and works well for quick adjustments, though it favors speed and simplicity over deep menu navigation. That’s a natural consequence of the body’s slim profile and carry-first design philosophy.

The dual-lens head makes the camera noticeably heavier and more top-heavy than earlier Pocket models, and you’ll feel that difference during longer sessions. But that added mass is a physical consequence of housing a second optical system in such a compact body, which makes it a worthwhile trade. The included handle and mini tripod become genuinely useful for that reason, giving the whole setup a more balanced, natural feel.

Performance

At the heart of the 4P’s imaging system is a 1-inch CMOS sensor paired with a 20mm wide lens, and alongside it, a 1/1.28-inch sensor powering a 60mm medium-telephoto lens with an f/1.8 aperture. Together, they give the camera two genuinely different visual identities: the wide camera for movement, environments, and establishing shots, and the telephoto for faces, details, and compositions where subject isolation matters most.

The 1-inch sensor on the wide camera carries 17 stops of dynamic range, which means tricky lighting situations, such as backlit faces, strong sunsets, or mixed indoor light, tend to resolve more naturally than you’d expect from something this small. Colors look accurate and grounded rather than oversaturated, and skin tones in particular come through with a warmth and believability that most compact cameras don’t typically manage.

The 60mm telephoto lens is where the Pocket 4P starts telling a more complete story. At f/1.8, it creates a natural compression and background separation that a wide lens simply can’t replicate, which makes portrait shots, talking-head videos, and product close-ups look considerably more flattering and cinematic. Wide-angle lenses can make subjects look slightly distorted, particularly around the edges of the frame. The telephoto doesn’t, and that difference is immediately noticeable.

Video recording shows how seriously the Osmo Pocket 4P takes its professional aspirations. It supports 10-bit D-Log 2, a color profile with enough tonal latitude to recover highlights and lift shadows in post-production without the footage falling apart, making grading feel genuinely flexible. The standard color profile also deserves credit for looking natural and grounded straight out of camera, giving creators who don’t want to grade a polished result with minimal effort.

Stabilization comes from a 3-axis mechanical gimbal rather than electronic cropping, keeping footage smooth in a way that feels physically grounded. ActiveTrack 8.0 handles subject tracking reliably enough that solo creators can set the camera up, step in front of it, and let it do the work. Slow-motion recording is equally impressive, with the wide lens supporting exceptionally high frame rates that transform ordinary moments into something far more dramatic.

The telephoto camera is best treated as a specialized portrait and close-up lens rather than a full duplicate of the main sensor. It doesn’t support D-Log 2, only 10-bit D-Log, so that color workflow difference is worth planning around before a shoot. The 103GB of built-in storage, fast transfer speeds, and a quick-charging battery that holds up through hours of shooting on a single charge make the overall experience feel refreshingly low-friction.

Sustainability

There’s a practical case for the 4P being a more sustainable choice than it might first appear. A compact camera that handles wide landscapes, tight portraits, slow-motion action, and stabilized everyday shots is genuinely harder to outgrow. That kind of versatility tends to extend a product’s useful life, making it less likely that a single creative limitation will push someone toward a hardware upgrade they don’t actually need.

DJI’s ongoing firmware support has already added meaningful features since launch, including 10-bit HDR recording and auto media transfer to compatible iOS devices. The 103GB of built-in storage also means one less memory card to buy, lose, or eventually replace, and the broad accessory ecosystem lets the camera adapt to new shooting scenarios without requiring a full hardware upgrade. That’s a quieter form of sustainability, but a genuine one.

Value

Although available solo, the Osmo Pocket 4P also comes in a Vlog Combo that packs significantly more than just the camera itself. The box includes a threaded handle, FrameTap remote with its own screen, fill light, DJI Mic Mini 2 wireless microphone, mini tripod, and carrying accessories. Pricing it as an assembled creator kit rather than a standalone camera body makes the overall cost feel far more proportionate to what’s actually being offered.

Compared to a smartphone, the Pocket 4P offers better stabilization and a more cinematic image. Compared to an action camera, it brings a portrait lens and a significantly more refined look. And compared to a mirrorless kit with a separate gimbal and microphone, it’s dramatically smaller and faster to deploy. It won’t replace a dedicated mirrorless setup in every scenario, but for most creators, it comes close enough to matter.

Verdict

What makes the DJI Osmo Pocket 4P worth noticing goes beyond better hardware or higher specs. DJI made a considered design decision to add a second lens that genuinely changes how the camera approaches perspective. That 60mm portrait focal length lets it tell more complete visual stories, handling the wide context shots and the tighter, more flattering moments that a single wide lens simply can’t manage as naturally.

For travel creators, vloggers, portrait-focused photographers, and anyone who’s wanted something that shoots more like a serious camera without the bulk, the Osmo Pocket 4P makes a genuinely strong case for itself. There are trade-offs, but they’re manageable, and the overall package in the Vlog Combo configuration is one of the more thoughtfully considered compact creator kits available right now. It’s a camera worth carrying, and more importantly, worth reaching for.

The post DJI Osmo Pocket 4P Review: Finally a Pocket Camera That Flatters Faces first appeared on Yanko Design.

Dimplex’s 370°C Electric BBQ Makes a Strong Case Against Gas

The backyard barbecue is one of those rituals people rarely question. You lug out the gas bottle, check whether it’s running low (it always is), spend ten minutes fumbling with the igniter, and eventually commit to cooking in a cloud of smoke that follows you wherever you stand. It’s tradition, sure, but tradition and convenience are not always the same thing.

The Dimplex Crossray eXtreme is a fairly bold reframe of what a BBQ can actually be. It’s fully electric, runs on infrared technology, and looks sleek enough to sit in a kitchen showroom rather than rust quietly beside the garden shed. My first reaction was skepticism. Electric grills have a long history of underwhelming people who care about serious heat, and the category has never exactly won over grill purists. The Crossray eXtreme, to its credit, seems to understand that, and it comes in swinging.

Designer: Dimplex

At its core are two 1100W carbon-fibre infrared elements pulling a combined 2200W of power. That setup delivers cooking temperatures over 300°C, with searing temperatures on the grill capable of exceeding 370°C. For context, most gas grills on the market sit in that same range, so the “electric can’t get hot enough” argument loses traction quickly. The heat isn’t just high, it’s even. The patented angled burner design covers the entire cooking surface, which means no more hot and cold zones and no more shuffling your food around trying to catch a hot spot.

The design deserves attention. The high hood gives you real room to work with for larger cuts, roasts and whole chickens especially, and a meat probe is included as standard. Instead of cutting into something to check doneness, you set your preferred internal temperature and let the grill tell you when you’re there. The digital display lets you monitor and adjust elements and temperature independently, so you’re not stuck hovering anxiously over the grill the entire time hoping for the best. It’s a small thing, but it changes how relaxed the whole experience feels.

The grill plates also carry a patented design that shields the infrared elements from direct fat drip and splatter. That reduces flare-ups significantly and keeps smoke to a minimum. That last point matters more than people often realise, particularly on apartment balconies, rooftop terraces, or outdoor spaces in denser living situations where smoke can quickly become a neighbour issue or even a fire code concern.

The most interesting thing about the Crossray eXtreme isn’t any single feature. It’s the philosophical shift it represents. For years, electric grilling was seen as the compromise choice, a grudging concession for people who couldn’t use gas or charcoal. The eXtreme doesn’t feel like a compromise. It feels like a deliberate upgrade. Plug it in, heat it up in seconds, then grill, roast, smoke, or even cook pizza. The versatility is genuinely impressive, and the fact that it’s portable at around 23.6 kg with compact dimensions means it travels more easily than a full gas setup ever could.

The optional trolley adds storage and mobility for a more permanent setup, and for those wanting to go further, there’s a full outdoor kitchen version built with sintered stone benchtops that are scratch, heat, UV, and stain resistant. It scales from a weekend portable grill to a fully fitted outdoor cooking station, depending on how far you want to take it.

Is it perfect? The upfront cost places it firmly in premium territory, and if you’re deeply attached to the charcoal ritual, no infrared grill will replicate that exact smoky flavour profile. But for anyone who wants consistent results, cleaner cooking, and a product that doesn’t make maintenance feel like a second job, the Crossray eXtreme builds a genuinely compelling case.

Outdoor cooking is evolving, and the BBQ, that most stubborn of design objects, is finally catching up. The Crossray eXtreme is what happens when someone decides that electric doesn’t have to mean underwhelming, and frankly, it’s hard to argue with the results.

The post Dimplex’s 370°C Electric BBQ Makes a Strong Case Against Gas first appeared on Yanko Design.

5 Best Bedroom Gadgets for Men in 2026 That Actually Earn Their Space on Your Nightstand

The average nightstand is a collection of individual decisions made at different points of frustration. An alarm clock here, a white noise machine there, a lamp chosen because it was on sale. None of it was designed to work together. Most of it arrived one problem at a time, and collectively it creates a surface that looks more like a staging area than something assembled with any actual intention.

The five products below approach that surface differently. Each earns its place because it occupies a lane the others don’t: sound and wake, passive amplification, sleep tracking, scent, and air quality. None are trying to do everything. They’re each doing one thing well enough that you’d miss it if it weren’t there, which is the only real standard worth applying to anything that gets permanent real estate beside your bed.

1. Divoom FlowToo

The FlowToo makes the clearest case of any product here for what a modern nightstand gadget should do: replace three things you already own without compromising on any of them. It’s a Bluetooth speaker, a white noise machine, and an alarm clock occupying the footprint of one compact device. At $99.99, it costs less than most dedicated alarm clocks at the category’s upper end, and brings a 10W amplifier and 45mm full-range driver to the audio side of that equation.

The more than 90 built-in sounds cover what people actually reach for at night, from rain and ocean ambience to forest tones and beyond. The 2.26-inch display cycles through clock faces, music visualizers, and sleep scene animations that shift the room’s atmosphere without demanding much attention. The Divoom app handles alarm setting and sound selection from your phone, keeping the device simple to operate without buttons nobody remembers how to press. Waking up gets the same consideration: natural sounds grow gradually louder alongside a gentle light, which makes a real difference to how the morning starts.

What we like:

The 3-in-1 consolidation is genuine and not a compromise; the speaker, white noise, and alarm functions each stand on their own merits
The gradual light-and-sound wake replaces a jarring alarm without requiring any meaningful setup

What we dislike:

The 2.26-inch display may feel small for anyone who wants a clock face readable from across the room
Full functionality depends on the Divoom app, which adds a layer of dependency a simple alarm clock never carries

2. Battery-Free Amplifying iSpeakers

There’s a particular appeal to a speaker that requires no power at all. The iSpeakers amplify passively, using the acoustic properties of their form to direct and increase sound from your device without drawing from a battery or a wall socket. On a nightstand already populated with cables and devices competing for outlets, removing one power dependency entirely is its own design achievement. No setup, no Bluetooth pairing ritual, and no depleted battery to discover at the worst possible moment.

The design sits in a category that gets dismissed as novelty, which undersells what a well-executed passive speaker actually does. Amplification through acoustic shaping rather than electronics produces a warmer, more direct sound character than most powered options at a comparable price, and the absence of digital circuitry keeps the listening experience honest. For bedside use, where the goal is quiet background audio rather than filling a room with volume, the passive approach turns out to be exactly appropriate to the context.

Click Here to Buy Now: $179.00

What we like:

No battery and no power source means one fewer cable on the nightstand, which is precisely the kind of problem a bedroom gadget should be solving
Passive amplification produces a naturally warm sound that suits quiet, close-range listening well

What we dislike:

The volume ceiling is set by acoustic design rather than adjustable electronics, so louder listening simply isn’t on the table
Sound quality is device-dependent; the iSpeakers work with whatever your phone’s driver gives them

3. Sleepal

The most honest criticism of sleep tracking wearables is that they make you physically aware of your body at the one moment you most need to forget it. Sleepal sidesteps that problem entirely by building 60 GHz millimeter-wave radar into a bedside lamp, detecting chest micro-movements at 0.1mm precision without any contact. You set it up once, and after that it just works. No ring to charge, no watch to put on, nothing to adjust before getting into bed.

Behind the lamp form sits a sleep AI model trained on nearly 100 million parameters and a clinical database built alongside polysomnography testing at multiple hospitals. That foundation makes the sleep-stage reporting more accurate than most mainstream wearables, according to Sleepal’s own clinical comparisons. The smart alarm avoids deep sleep and REM to find a more natural exit point each morning, and built-in breathing guidance and relaxation audio give you practical tools to wind down before the tracking even begins.

What we like:

Contactless tracking removes the physical awareness that most wearables introduce into the very activity they’re trying to measure
The clinical foundation behind the accuracy claims is grounded in actual polysomnography data, not just product marketing

What we dislike:

The lamp design is primarily functional; it won’t anchor a nightstand aesthetically the way a more considered light object would

4. Zenflow Personal Aroma Diffuser

Scent is the most underrepresented variable in the average bedroom setup, which is interesting given how consistently it appears in the research around sleep and relaxation. Lavender, eucalyptus, and cedarwood all have documented effects on cortisol and the body’s wind-down response. The Zenflow is a personal aroma diffuser, sized and designed for immediate proximity rather than filling a room from across it. That distinction matters on a nightstand: you want the effect close and controlled, not ambient and accidental.

The personal scale is worth dwelling on. A full-room diffuser runs until you remember to turn it off and commits the whole space to one fragrance whether you’re in it or not. A personal diffuser concentrates the experience where you actually are, giving you the benefit without that trade-off. The Zenflow is built for that specific use case, sized to sit cleanly among other nightstand objects rather than requiring its own dedicated space or any special accommodation around it.

Click Here to Buy Now: $170.00

What we like:

Placing the diffuser at nightstand level makes consistent nightly use far more likely than a diffuser sitting on a shelf across the room
The personal scale keeps the scent effect targeted and easy to control

What we dislike:

The benefit is highly individual and depends entirely on which oils or scents you choose to use with it
Personal diffusers require regular refilling, which is a simple maintenance rhythm but still an ongoing one

5. Airthings Renew

Air quality is the nightstand variable almost nobody thinks about until it becomes a problem. Most bedrooms have minimal airflow overnight with doors closed, and the particulate matter and volatile organic compounds that accumulate in enclosed spaces have a measurable impact on sleep depth. The Airthings Renew handles four-stage filtration, ending with a HEPA-13 filter that removes 99.97 percent of particles down to 0.3 microns, while a real-time laser particulate sensor adjusts filtration intensity automatically through the night.

What separates the Renew from a standard bedroom air purifier is the design language. Inspired by Nordic interiors, it arrives in muted charcoal with soft corners, a matte finish, and a fabric exterior that reads more like furniture upholstery than plastic housing. A Silent mode keeps it inaudible through the night, and the form works vertically or horizontally depending on available space. For anyone already in the Airthings ecosystem, the app ties home-wide air quality data into a single picture alongside everything else the system monitors.

What we like:

HEPA-13 filtration with a real-time particulate sensor makes the air quality benefit substantive rather than decorative
The Nordic design language means it can live beside a bed or on a low shelf without reading as a utility appliance that wandered in from another room

What we dislike:

The Renew is a floor or low-shelf unit rather than a true nightstand object; the air quality benefit reaches the bed, but the device itself won’t sit on one
The washable pre-filters require periodic cleaning that most people will keep up with initially and quietly stop doing

The Only Standard That Matters Beside Your Bed

These five products together cover the full environmental picture of a bedroom designed for rest: the sound you go to sleep to, the passive audio you keep nearby, the sleep being tracked without your involvement, the scent that marks the shift into rest, and the air moving through the space while everything else does its job. Each earns its place. None are asking you to reorganize your life to accommodate them.

The nightstand test is simple: remove something and notice whether the absence registers the next morning. These five all pass. The FlowToo at $99.99 anchors the list because it does the most and occupies the least. The rest fill in the picture around it, and together they make the case that a well-edited nightstand isn’t about owning fewer things. It’s about being more deliberate with what earns a permanent spot beside the bed.

The post 5 Best Bedroom Gadgets for Men in 2026 That Actually Earn Their Space on Your Nightstand first appeared on Yanko Design.

A Czech Pigsty, Raw Concrete, and 32 Square Meters of Restraint

Most summer houses get built by tearing something old down and putting something new up. Lenka Milerová did the opposite. She found a crumbling pigsty in Panoší Újezd, a small village in the Czech Republic, and asked what it could become rather than what it should be replaced with. The answer turned out to be one of the most quietly compelling small buildings I’ve come across this year.

The backstory matters here. The client, referred to as Mrs. F., had inherited a property she found too large. Rather than sell or renovate the whole thing, she pared it back to just the old pigsty and a small garden patch. It’s the kind of decision that sounds impractical until you see the result. On paper, it reads as radical downsizing. In person, it apparently reads as near-total reconstruction, carried out brick by brick, mason by mason, over a project that kept growing beyond its original brief.

Designer: Lenka Milerová Architektka

What came out of that process is a 32-square-meter summer house (22 square meters of usable space) that holds a single main room. The existing stone walls stayed. They received a cement spray finish that gives the exterior a rough, almost weathered unity without erasing what was already there. New window openings were cut into the walls, each one framed by monolithic concrete jambs that flow directly into a concrete bench running the full perimeter of the room. That bench does everything: it’s a step, a sofa, a storage unit for firewood, and yes, it also holds a bath. One continuous gesture, one continuous material.

I’ll be honest about my bias here. Raw concrete in small spaces has been done to death, and badly, by enough designers to make me skeptical whenever it shows up. But Milerová earns it. Her statement about the project puts it plainly: “The architectural approach centered on exposing the structural materials and utilizing the most basic construction techniques. Concrete became the medium for detail.” That’s not a vague philosophical statement. You can see exactly what she means in the way the window reveals and the interior bench are cast from the same pour, the same thinking, the same hand.

The windows themselves are steel profiles without a thermal bridge, supplied by Kaltmeyer using Jansen systems. Because this is a summer house, Czech building codes don’t require the same thermal performance standards as a year-round residence. That exemption sounds like a loophole, but here it’s actually design freedom. It means the frames can be honest about what they are. No layered insulation, no concealed systems, no pretense.

The personal dimension of this project is what gives it something extra. Milerová is from the same district as her client, and her father welded the steel brackets that mount the front door. That level of handmade involvement, where the architect’s own family literally built parts of the building, isn’t something you see in most residential projects, let alone ones that end up on Dezeen. It pulls the whole thing closer to craft than to architecture in the institutional sense, which I think is exactly the right register for a building this small and this specific.

The outdoor kitchen sits alongside the entrance, with hanging pots and an open-air sensibility that makes clear this isn’t a house trying to be a house. It’s a summer place. It knows its season and its purpose.

Panoší Újezd Summer House completed in 2024, photographed by Radek Šrettr Úlehla, and it’s been making the rounds online for good reason. At 32 square meters, it proves that scale is the wrong measure of ambition. The better question is whether a building knows what it is and commits to it fully. This one does, without apology and without excess.

The post A Czech Pigsty, Raw Concrete, and 32 Square Meters of Restraint first appeared on Yanko Design.

This Italian-Designed Glass Hip-Flask Is the Most Thoughtful Gift You Will Find in 2026

The spirits world has spent decades perfecting what goes inside the bottle. The vessel that carries those spirits once you leave home has received considerably less attention. BARKUTAN, a Hong Kong-registered brand with Italian design roots, spent 19 months asking why that gap exists, and the glass hip flask it produced is essentially its answer. The core is lead-free glass, the same material distillers trust to preserve aroma and flavor integrity, wrapped in a removable top-grain leather sleeve that covers every surface of the bottle in a 360-degree embrace.

What separates this from leather-wrapped glass flasks already on the market comes down to how the sleeve attaches. Existing options either glue the leather to the glass permanently, meaning a cracked bottle wastes the whole product, or they use a removable sleeve that only wraps part of the flask. The BARKUTAN design wraps the glass completely and still allows the sleeve to be pulled off entirely, a combination the brand holds a premium patent on. Two capacities are available, 100ml and 210ml, in six leather colors.

Designer: BARKUTAN

Click Here to Buy Now: $109 $159 (31% off). Hurry, only 273/300 left!

At the heart of the BARKUTAN flask is a simple, powerful idea: your drink should taste like your drink. That metallic tang that often comes with a traditional flask is an accepted flaw, but it’s a flaw nonetheless. Using glass as the container material eliminates that issue entirely. Glass is neutral, it’s clean, and it respects the complex profile of a fine beverage. It’s the reason premium drinks are bottled in glass in the first place, so extending that logic to a portable vessel just feels like common sense that’s been a long time coming.

The design details show an obsessive level of thought. A beautiful, convex lens-style window is cut into the leather, letting you check the fill level at a glance. It’s a practical touch that also looks fantastic, sort of like a porthole into your own personal supply. The cap system is equally clever. It uses a combination of cork and silicone liners to create a genuinely leak-proof seal, because no one wants a damp pocket. The cap itself is connected to the flask with a custom snap-button tether, a feature common on metal flasks but rarely seen on glass ones, solving the age-old problem of fumbling with a loose cap outdoors. They even integrated a tiny label slot into the tether, so you can tell your different concoctions apart.

While it’s a great personal accessory, the BARKUTAN really shines as a gift. A flask is a classic choice for groomsmen, graduates, or any special occasion, but the personalization options here take it to another level. Unlike most brands that might offer a simple text engraving, BARKUTAN lets you customize up to four different areas: the leather sleeve, the stainless steel cap, the wooden cap, and even the cap tether’s snap button. With over 300 free templates to choose from, you can add names, dates, or custom emblems to create something truly personal. It already arrives in a premium gift box, so it’s ready to impress right out of the mail.

A great gift is also one that lasts, and this flask is designed for the long haul. The removability of the 360-degree leather sleeve is the main event. It provides full protection, but if the unthinkable happens and you drop it at just the wrong angle, the gift isn’t ruined. You just slide the sleeve off and pop in a new glass insert; every BARKUTAN even ships with a spare. This transforms the flask from a disposable item into a buy-it-for-life piece of gear. That spare wooden cap, full cleaning kit, and extra liners are all part of the package, making it a complete experience from day one.

BARKUTAN is offering the flask in two sizes. There’s a pocket-friendly 100ml version that’s TSA-compliant for your carry-on, perfect for a single responsible serving. Then there’s the larger 210ml flask for longer trips, bigger gatherings, or for those who just have a bit more of a habit to satisfy. Both sizes are available on Kickstarter with Early Bird pricing starting at $109 for the 100ml flask and $125 for the 210ml. You can grab a set with both sizes for $209. The top-grain leather sleeves come in six classic colors: Black, Brown, Dark Brown, Navy Blue, Olive Green, and a rich Cherry Red. The flasks come with a 1-year warranty and lifetime support, which, for a vessel built to be repaired instead of replaced, seems just about right.

Click Here to Buy Now: $109 $159 (31% off). Hurry, only 273/300 left!

The post This Italian-Designed Glass Hip-Flask Is the Most Thoughtful Gift You Will Find in 2026 first appeared on Yanko Design.

5 Best Off-Grid Essentials Every Nomad Needs in July 2026

Going off-grid used to mean a specific kind of bargain. You traded reliability for freedom, comfort for silence, and convenience for open space. That trade felt reasonable for a long weekend and increasingly difficult to justify for anything longer. The gear didn’t match the ambition. People who wanted to live this way, genuinely and for extended periods, were left assembling systems that weren’t built to work together and hoping the result held.

In 2026, that bargain no longer applies. A small number of products have quietly redefined what off-grid living can actually look like, and none of them ask you to accept a trade you’d regret by the third day. The five here represent a complete kit. From the base you sleep in to the water you drink to the wrist you wear when your phone goes silent, this is how you leave the grid and mean it.

1. Aboard T4 Electric Travel Trailer

The Aboard T4 is the most capable piece of mobile living infrastructure available at a consumer level. Developed by California-based Aboard RV, it is a 24-foot self-propelled travel trailer built around a hybrid electric drivetrain with more than 200kWh of onboard power. A 41kWh LFP battery handles the daily load. At the same time, a 60kW range-extending generator recharges in under 30 minutes, stretching off-grid capability well beyond a long weekend without requiring any active energy management on your part.

What separates the T4 from anything else in its category is how completely it covers the stack of problems extended off-grid living creates. A 52-gallon fresh water tank, a 35-gallon grey water tank, and a 30-gallon black water tank manage water independently. An induction cooktop, refrigerator, and microwave give the kitchen real function. Two convertible lounges sleep four, a bathroom doubles as a mudroom with two separate entries, and 270-degree panoramic glazing brings the landscape into the interior without asking you to step outside to see it.

What we like

200kWh+ onboard power with a range-extending generator that recharges in under 30 minutes
Fully integrated three-tank water system handles fresh supply and waste without any external hookup

What we dislike

$80,000 starting price places this well outside casual off-grid use
No confirmed release date, with reservations open now via a $100 fully refundable deposit

2. Airflow 8-Panel Fire Pit

A fire at the end of a day off-grid is not optional. It is the thing the day builds toward. The Airflow 8-Panel Fire Pit from Sanyo Works takes that seriously. Holes at the base of each panel channel primary airflow upward through double-walled cavities, triggering a secondary burn that produces a cleaner and more efficient fire than a conventional ring. The result is minimal smoke and a flame that sustains itself with less wood, which means you sit closer and stay out longer.

The eight removable panels give you control that fixed fire pits never offer. Opening or closing sections adjusts how the combustion chamber breathes, letting you dial intensity up or down without constant attention. Sanyo Works brings deep metal processing expertise to this design, and the precision of the airflow mechanics reflects that background in every use rather than in any surface flourish. For a product in a category full of objects that warp and degrade after a season, the Airflow is built to earn its place as permanent kit rather than a single-summer purchase.

Click Here to Buy Now: $325.00

What we like

Secondary combustion system produces minimal smoke for a noticeably cleaner and more efficient burn
Adjustable 8-panel design gives real control over fire intensity without constant management

What we dislike

Eight individual panels mean more components to account for when packing down at the end of a trip
Wood-only combustion with no gas compatibility

3. GoSun Flow Solar Water Purifier

The T4 carries 52 gallons of fresh water, which handles the first stretch of serious off-grid living without a second thought. Extended stays ask for more. The GoSun Flow is a solar-powered water purifier and pump that compresses into a backpack and turns any freshwater source into potable water at one liter per minute, eliminating 99.99 percent of pathogens through a three-stage filtration system. A flexible faucet clamps to branches, tables, or tailgates, turning a stream bank or a riverside clearing into a fully functioning water station.

The detail that changes the conversation entirely is the solar-heated shower. After the integrated solar panel charges the pump’s power bank, the GoSun Flow delivers warm water from whatever source you fed it. On a multi-day off-grid stay, that is not a comfort feature. It is the difference between feeling like you chose this life and merely tolerating it. The filter manages up to 1,000 liters before replacement, USB power covers days when solar input is limited, and the entire system packs back into the bag you arrived with.

What we like

Three-stage filtration eliminates 99.99% of pathogens at one litre per minute from virtually any freshwater source
Solar-heated shower capability from a system compact enough to carry in a standard backpack

What we dislike

Cannot process saltwater, which limits utility at coastal campsites
Multiple components mean more parts to track and potentially leave behind in the field

4. Blackout Beam Tactical Flashlight

Darkness at a remote campsite is a different quality of dark than anything urban life prepares you for. The Blackout Beam handles that gap with 2,300 lumens of output, a 300-meter beam throw, and a 0.2-second response time that puts light in your hand before your eyes have finished adjusting to reaching for it. The aluminum body carries an IP68 rating for complete water and dust resistance. In a wildlife encounter, a navigation situation after sundown, or a power failure inside the T4, the speed of that response matters more than the lumen count.

What separates the Blackout Beam from a high-output flashlight you’d pick up at a hardware store is the combination of instant response and a design language that earns daily carry well before any emergency arrives. It fits cleanly in a jacket pocket, sits without drama on a surface inside the T4’s interior, and reads as a considered object rather than declared emergency equipment. Off-grid gear that actually gets packed is gear that doesn’t announce its purpose before it’s needed. The Blackout Beam earns that carry without making any demands.

Click Here to Buy Now: $90.00

What we like

2,300-lumen output with a 300-meter beam reach and 0.2-second response built for real outdoor conditions
IP68-rated aluminum body handles water, dust, and impact without any concession to portability

What we dislike

Maximum lumen output draws battery faster during extended use
Tactical aesthetic doesn’t integrate seamlessly into every EDC or interior setup

5. O-Boy Satellite Smartwatch

Everything else on this list extends how long you can stay off-grid and how well you live while you’re there. The O-Boy addresses the one scenario none of the others touch. Developed by Brussels-based studio Futurewave, it is a satellite-connected smartwatch built for environments where mobile networks simply do not reach. In those places- mountains, open water, remote work sites- it transmits an emergency alert directly via satellite regardless of what infrastructure exists beneath your feet. No carrier plan covers this. O-Boy does.

What Futurewave got right beyond the technology is the design brief. O-Boy does not read as tactical or survival-coded. It does not look like something that belongs exclusively to alpinists or emergency response professionals. It looks like something a person who spends real time in remote environments would wear on an ordinary day, which is the only design decision that makes its safety layer genuinely accessible. The people who most need satellite-backed coverage are not always those who identify with extreme sport. O-Boy is built for anyone who travels further than their phone can follow them.

What we like

Satellite connectivity transmits emergency alerts from locations with zero mobile network coverage
Utilitarian design reads as wearable well beyond strictly tactical or adventure-specific contexts

What we dislike

Satellite communication functionality typically requires an ongoing subscription service
Smartwatch form factor means battery management becomes a daily consideration in the field

The Grid Was Always Optional

These five cover the full range of what off-grid living actually asks of you. The T4 provides the foundation. The GoSun Flow extends it to wherever fresh water runs. The Airflow firepit anchors the evening. The Blackout Beam handles the dark. The O-Boy covers the distance your phone cannot. Each product solves a specific problem this life has always created, with enough design intelligence that the solution feels like an upgrade rather than a workaround.

That is the shift that defines where off-grid living stands in 2026. The gear has finally caught up to the ambition. Staying further out, for longer, without giving anything meaningful up is no longer a matter of tolerance or planning around known deficiencies. It is a matter of choosing the right five things. The grid was always optional. These are the five that make leaving it feel like the obvious call.

The post 5 Best Off-Grid Essentials Every Nomad Needs in July 2026 first appeared on Yanko Design.

Rimowa’s $6,300 Dartboard Case Is Outrageous. It’s Also Perfect.

Rimowa did not need to make a dartboard case. That much is obvious. The German luggage brand has spent decades building an identity around precision-engineered aluminium travel cases, the kind that earn airport sideways glances and the occasional “nice case.” A dartboard cabinet was not on anyone’s 2026 bingo card. And yet, here we are.

The RIMOWA Dartboard Case in Silver is exactly what it sounds like: a wall-mounted dart cabinet built in collaboration with professional dartboard maker Winmau, encased in Rimowa’s signature anodized grooved aluminium, complete with custom latch locks, plane-engraved rivets, and a classic black leather handle. Inside sits a custom Winmau Blade X board, which happens to be the official dartboard of the PDC, and two sets of professional-grade darts. It looks like someone took a classic pub cabinet and ran it through a very expensive German design studio. Which is, apparently, exactly what happened. The price? Around $6,300. Limited edition. Available from July 30 at select Rimowa stores worldwide.

Designer: Rimowa

Before the inevitable eye-rolling begins, it is worth sitting with what Rimowa has actually done here. Darts is a sport with a real public image problem in the luxury space. It lives in pubs, in basement rec rooms, and on television specials that tend to run alongside beer commercials. It is beloved, genuinely, by millions of people, but it does not typically share shelf space with luxury goods at this price point. Rimowa walked right into that tension and, rather than trying to “elevate” the sport in some condescending way, they treated it with the same seriousness they would apply to a carry-on. That distinction matters.

The Winmau Blade X is not a novelty prop. It is the most advanced dartboard Winmau has ever made, engineered specifically for the PDC’s elite professional circuit, with 13% longer scoring segments and a premium layered hardwood backboard designed to minimize bounce-outs. Pairing that level of performance hardware with Rimowa’s aluminium craftsmanship is not a gimmick. It is a genuine meeting of two serious makers operating at the top of their respective fields.

The campaign starring actor Walton Goggins leans into the absurdity just enough. Set inside the Rimowa factory in Cologne, Goggins wanders the factory floor, distracted by the pressure of watching his favorite football team play, and stumbles onto the dartboard case. He starts throwing darts, as if a bullseye might somehow influence the match. It is a sharp, funny piece of brand filmmaking, and it works because it does not take itself too seriously, which is the exact right energy for a product that costs more than most people’s first car payment.

What makes the design compelling is how little had to change. Rimowa’s grooved aluminium aesthetic translates almost naturally into a wall cabinet format. The co-branded double-door construction, the custom latch hardware, the leather handle, it all feels like a luggage piece that simply chose a different destination. That continuity is harder to achieve than it looks, and it is the reason the object does not feel like a brand collaboration manufactured purely for press attention.

Is anyone actually going to play darts with this? Probably yes, and probably in a very nice home bar. Is it also, without question, a collector’s object that will live mostly on walls rather than in rotation? Also yes. Luxury design has always occupied that strange dual space between function and art object, and the Rimowa Dartboard Case is comfortable in both. You can play a real game on it. You can also just stare at it.

At $6,300, Rimowa is clearly not pitching this to the after-work league player. But for the design-obsessed, the darts enthusiast with money to spend, or the collector who has simply run out of interesting things to put on the wall, it makes a strange and compelling case for itself. Sometimes the things that do not need to exist are the most interesting ones.

The post Rimowa’s $6,300 Dartboard Case Is Outrageous. It’s Also Perfect. first appeared on Yanko Design.

Insta360’s foldable drone patent targets DJI Neo 2 at sub-250g

Insta360 built its reputation on cameras that see in every direction at once. It’s literally in their name. The X series made 360-degree capture accessible; the Luna Ultra brought Leica optics to a handheld gimbal. Flying something, though, is a different category of challenge, and the patent images that appeared in July 2026 show the company working through what a foldable drone looks like with Insta360 DNA. The illustrated design at the bottom shows folding arms, a ring-shaped propeller guard, and a dedicated locking mechanism, a form factor that prioritizes the moment of packing away just as much as the moment of takeoff.

DJI’s Neo 2 has the casual drone segment largely to itself in the sub-250g category, with a rigid one-piece frame and a 19-minute flight time that have made it a reliable default for creators who want aerial footage without the complexity of a serious drone setup. Insta360 entering that space would break what has effectively been a two-player market, with Zero Zero Robotics’ HoverAir as the only real alternative. The folding design alone gives Insta360 a structural argument against the Neo 2; a potential 360-degree camera, if it materializes, would give it a creative one. What a wonderful year for foldables, eh? We’re expecting a folding iPhone in September, and Insta360 might give us a folding drone too!

This isn’t just some forum rumor, either. The patent images (from patent file CN223865117U), which started making the rounds on July 16th and were highlighted by outlets like Tech Court, are pretty specific. They show a drone body with the “Insta360” logo stamped on it, with fully folding arms that tuck into the chassis and a distinctive ring-shaped guard protecting the propellers. There’s even a dedicated locking mechanism detailed, which tells you just how seriously they’re taking the whole “fold-and-go” concept. This is a design that screams it was made to be stuffed into a pocket, not carefully placed in a bespoke case.

But here’s the thing: this isn’t Insta360’s first aerial rodeo. Before they decided to put their own name on a drone, they sent in a scout team under the sub-brand Antigravity. The A1 drone they launched was, frankly, a bit of a monster: a sub-249g drone with a wild dual-lens setup that shot 8K 360-degree video and made the drone itself invisible in the footage. It was a spec-sheet beast and a clear shot across DJI’s bow, proving Insta360 had the engineering chops to compete in the sky. It was their way of testing the waters.

Now, it looks like they’re done testing. This new patent is the second, more direct shot. And here’s the kicker: for a company obsessed with 360-degree video, the patent images don’t show a fisheye lens. At all. It’s a huge question mark hanging over the whole project. Are they hiding the tech, or are they planning to launch a drone that, for the first time, doesn’t have their signature feature? If they’re aiming for a rumored sub-$200 price point, leaving the 360 camera on the cutting room floor might be the only way to get there. It’s a move that would be both shocking and, in a weird way, perfectly logical.

You also can’t forget that this is all happening while the two companies are actively suing each other in China. This isn’t friendly competition; it’s a full-blown hardware rivalry. Insta360 came for DJI’s gimbals, tested the drone market with a sub-brand, and is now preparing a direct assault on DJI’s most accessible drone. With a release window expected somewhere between late 2026 and early 2027, we’re not just watching a new product being born. We’re watching the next chapter in a tech soap opera, and it’s about to get very, very interesting.

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A Bell-Powered Playground for Collective Listening

French artist Céleste Boursier-Mougenot is widely known for uncovering the musical potential of objects and materials that were never intended to function as instruments. Rather than composing music in a conventional sense, he creates situations in which sound emerges through movement, interaction, chance, and the surrounding environment. His exhibition points de suspension, presented at Frac Normandie in Caen as part of the Normandie Impressionniste Festival, extends this approach across the cloister and galleries of a former seventeenth-century convent.

At the center of the courtyard is envolée, a playable musical installation made from swings and antique church bells. A circular steel structure, reminiscent of the bandstands that once animated public gardens, supports eight wooden swings. Above each one hangs a bronze bell of a different size, allowing every swing to produce its own distinct tone when set in motion.

Designer: Céleste Boursier-Mougenot

Visitors are invited to sit, push away from the ground, and activate the installation through the familiar movement of swinging. As the wooden seats rise and fall, the bells respond with changing rhythms and overlapping tones. No two performances can be repeated precisely. The resulting composition depends on how many people participate, how quickly they move, and whether their rhythms align or interrupt one another.

Boursier-Mougenot does not prescribe a melody for the group to perform. Instead, he designs the conditions from which a collective composition can emerge. The work only becomes fully active through the gestures of its participants, temporarily transforming strangers into performers. Individual actions accumulate into a shared sonic environment, allowing visitors to influence one another without needing to speak or coordinate deliberately.

The swing itself introduces another cultural and emotional layer to the installation. Appearing across civilizations as an object of ritual and recreation, it has been associated with ancient Egypt, seasonal festivities, springtime renewal, and the ornamental gardens of seventeenth-century France. It has also been understood as an object marking transitions between childhood and adulthood.

Within envolée, this nostalgic object is reframed as a device for reconsidering how bodies inhabit a public space. Swinging no longer belongs exclusively to childhood. It becomes a method of synchronizing movement, sound, attention, and proximity. The participant is simultaneously a listener, a performer, and an active component within the installation.

Extending beneath the structure is plage, a 900-square-meter field of crushed glass. Its shimmering surface resembles a crystalline body of water, reflecting the architecture, changing light, and movements of the visitors above it. The material produces an intentionally ambiguous landscape: dry yet apparently fluid, solid yet visually unstable. The courtyard of the former convent is consequently transformed into a glittering garden or an abstract lake, where the church bells form an evolving open-air score.

The experience continues inside the galleries with cameraobscura. Here, Boursier-Mougenot enlarges the optical principle of the camera obscura to the scale of an exhibition room. The exterior courtyard and its moving installation are projected upside down across the interior space, creating an immersive, inverted landscape. Suspended swings encourage visitors to pause beneath this reversed horizon, observing the world outside from an unfamiliar perspective.

The ringing bells remain audible indoors, connecting the projected image with the actions taking place outside. Sound shapes the perception of the moving image, while the projected movement gives visual form to the composition being created in the courtyard. Seeing and listening can no longer be understood as separate experiences. Instead, the two installations operate together, collapsing the boundaries between image, sound, architecture, and bodily movement.

Throughout his practice, Boursier-Mougenot draws resonance from ordinary materials and situations. At Frac Normandie, however, the instrument expands beyond the swings and bells to include the convent’s architecture, the reflective glass landscape, the changing light, and the people who temporarily occupy the site.

Points de suspension does more than ask visitors to interact with an artwork. It proposes another way of inhabiting public space—one that values curiosity, play, unplanned encounters, and collective attention. Through a simple act of swinging, visitors are encouraged to remain in the space a little longer, listen to those around them, and participate in a composition that belongs to no single person.

The post A Bell-Powered Playground for Collective Listening first appeared on Yanko Design.