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designboom’s guide to paris design week 2025: highlights in and out of maison&objet

designboom guide to Paris Design Week 2025

 

Paris Design Week 2025 marks its 15th edition from September 4th to 13th, turning the French capital into a playground for design. Over ten days, Paris becomes an open-air gallery where creativity meets innovation, bringing together professionals, brands, and design enthusiasts. Running in synergy with Maison&Objet, the event expects more than 250,000 visitors and features the work of 500+ designers across 375 venues.

 

This year’s edition unfolds in showrooms, galleries, boutiques, museums, hotels, and workshops across four key districts, Rive Gauche, Marais – Bastille – République, Opéra – Concorde – Étoile, and Palais-Royal – Place des Victoires – Pigalle. Highlights include Le Labyrinthe by Jérémy Pradier-Jeauneau at the Hôtel de la Marine, an immersive, three-part installation that guides visitors through the cour d’honneur, ceremonial salons, and the loggia in a poetic exploration of space and storytelling. At Lafayette Anticipations, DESIGN DISCO CLUB celebrates the energy of disco with around forty emerging designers alongside fashion houses such as Dior, Jean Paul Gaultier, and Marine Serre. And for the first time, the Colonne de Juillet becomes home to Aude Franjou’s Coraux de la liberté, a monumental linen installation designed by Florence Guillier Bernard, rising from floor to ceiling as a striking coral-shaped expression of rebirth and freedom.

 

designboom’s Paris Design Week Guide highlights the must-see exhibitions, temporary installations, product launches, and immersive experiences of this year’s edition — keep reading to discover what not to miss.

illustration by Haus of Grace

 

 

MAISON&OBJET 2025

 

Maison&Objet’s September 2025 edition embraces creative freedom and accessibility under the theme WELCOME HOME. Running from September 4th to 8th, 2025, at Paris Nord Villepinte, this edition continues to position itself as a cornerstone for interior design and lifestyle trends, bringing together 2,000 brands, including 450 new names, across six sectors. Visitors can expect a program of 25 talks and conferences, product launches, and design solutions that reflect the industry’s evolving landscape.

 

For this edition, Maison&Objet entrusts its artistic direction to designer Amélie Pichard whose vision sets the tone for an experience that is both intimate and effervescent. Under her curation, the concept WELCOME HOME: An Open House – Open to All redefines the traditional trade fair into a living installation. The space celebrates unclassifiable design, joyful disorder, and the openness of disciplines, bridging craftsmanship and artificial intelligence in surprising ways. At the heart of this creative narrative is a symbolic piece — a house-teapot or perhaps a teapot-house — embodying the dialogue between imagination and reality.

 

where: Paris Nord Villepinte Exhibition Centre, ZAC Paris Nord 2, 93420 Villepinte, France
when: 4-13 September 2025

image courtesy of Maison&Objet

 

 

PARIS DESIGN FACTORY 

 

In 2025, Paris Design Week Factory retakes center stage as the hub where new talents, trends, and aesthetics emerge. In synergy with Maison&Objet, the Factory brings together over 130 designers across four thematic exhibitions (Collectible, Edition, Craft, and a special China section) drawing 23,000 visitors, including professionals, journalists, and design enthusiasts eager to discover tomorrow’s innovations.

 

Curated by Jean-Baptiste Anotin of Waiting For Ideas and Thibault Huguet, this year’s Factory spotlights the vitality of the emerging generation, showcasing their creativity and ambition across a dynamic program of exhibitions and installations. The event highlights the energy and diversity of contemporary design, offering a glimpse into the trends and visions that will shape the future of the industry.

 

where: Espace Commines, 17 Rue Commines, 75003 Paris

Galerie Joseph, 7 rue Froissart and 116 Rue de Turenne, Paris
when: 4-13 September 2025

image courtesy of Paris Design Week

 

 

installations and exhibitions

 

 

Jérémy Pradier-Jeauneau – Le Labyrinthe

 

As part of Paris Design Week and the Journées Européennes du Patrimoine, Jérémy Pradier-Jeauneau presents Le Labyrinthe at the Hôtel de la Marine. This monumental installation combines contemporary design, French craftsmanship, and heritage within an immersive, three-part scenography spanning the cour d’honneur, ceremonial salons, and the loggia. Le Labyrinthe offers a sensitive and poetic experience, paying tribute to French artisanal expertise, the myth of Daedalus, and the monument’s history as the Garde-Meuble de la Couronne at the end of the 18th century. Designed like a cinematic narrative, a nod to Pradier-Jeauneau’s first profession in film, the installation tells the stories of heroes and heroines navigating challenges, ultimately rising to achieve fulfillment and perspective.

 

where: Hôtel de la Marine, 2 Pl. de la Concorde, 75008 Paris
when: 3-21 September 2025

image courtesy of Hôtel de la Marine

 

 

Pli Office – DESIGN DISCO CLUB

 

From September 6th to 12th, 2025, Pli Office presents DESIGN DISCO CLUB at Lafayette Anticipations. Inspired by the disco era and the iconic song Disco Inferno, the exhibition reflects on design as a space for freedom and sharing while examining our relationship with time, production, and creativity. Around forty emerging designers join established names such as Uchronia, Soft Baroque, Samy Rio, Petite Friture, Lambert & Fils, François Azambourg, Fabien Cappello, Laurids Galée, and Studio Poirier Bailay. Fashion houses including Dior, Jean Paul Gaultier, Marine Serre, Marie-Ève Lecavalier, and Mugler present emblematic pieces that embody the disco spirit. The scenography is by Paf atelier, and the event includes a program of talks curated by Christopher Dessus with Isabelle Moisy-Cobti and the Fonds de Dotation Quartus.

 

where: Lafayette Anticipations, 9 Rue du Plâtre, 75004 Paris
when: 6-12 September 2025

image © Paf atelier

 

 

Aude Franjou – Coraux de la Liberté

 

Textile sculptor Aude Franjou transforms the historic Colonne de Juillet with a monumental installation dubbed Coraux de la Liberté that reimagines public space. Working entirely by hand with linen thread using her signature coating technique, Franjou creates dense, sculptural forms inspired by roots, vines, and corals. The hand-woven linen vines, in deep red, intertwine with the stone and metal of the column, introducing a living material into a heritage site and forming a dialogue between architecture, history, and contemporary creation. This installation complements her exhibition, marking the first time the Colonne de Juillet has hosted a contemporary artwork of this scale.

 

where: Colonne de Juillet, Pl. de la Bastille, 75004 Paris
when: 3-13 September 2025

image courtesy of Aude Franjou

 

 

Lucas Huillet & Alexandre Helwani – Folie

 

Following their 2024 installation Eau Fraîche, designer Lucas Huillet and perfumer Alexandre Helwani present Folie on the terrace of the Hôtel de Sully. The multisensory installation features a monumental conversational sofa under floating fabric sculptures, creating a space for reflection and calm. Scents crafted with Amandine Clerc-Marie, Principal Perfumer at dsm-firmenich, draw on the emotiOn neuroscientific program to evoke serenity.

 

where: Hôtel de Sully Terrace, Paris

when: 4-13 September 2025

image courtesy of Maison&Objet

 

 

Sophia Taillet – Silent Dance

 

At the Musée de la Chasse et de la Nature, Sophia Taillet presents Silent Dance, a kinetic installation designed for open-air contemplation. In dialogue with the museum’s architecture, nine mirrors move in circular motion, creating shifting reflections and transforming the courtyard into a theatre of perception. Rooted in the notion of circularity, the piece blends craftsmanship, design, and choreographic gesture for a sensory, hypnotic experience.
 
where: 62 rue des Archives, 75003 Paris
when:
3-14 September 2025 

image courtesy of Sophia Taillet

 

 

Marianna Ladreyt – Plastic Glamping

 

Marianna Ladreyt presents Plastic Glamping, an XXL camping tent installed in the courtyard of the Hôtel d’Albret in the Marais district. The immersive installation allows visitors to enter the tent, explore the furniture, and experience this playful, experimental habitat. Created from upcycled beach buoys, repurposed furniture, and reinterpreted iconic chairs, the project combines sewing, weaving, and knotting to transform industrial materials into a humorous, and inventive environment.

 

where: Cour de l’Hôtel d’Albret, 31 rue des Francs-Bourgeois, 75004 Paris
when: 4-13 September 2025

image courtesy of Marianna Ladreyt

 

 

Yves Salomon Éditions – Pastorale Collection

 

Maison Yves Salomon Éditions unveils Pastorale, a collection of 17 unique shearling intarsia pieces handcrafted in its Parisian workshops, at Pierre Marie’s gallery. The series includes seating, poufs, cushions, throws, and lighting, showcasing Pierre Marie’s ornamental style combined with meticulous craftsmanship.

where: La Galerie de Pierre Marie, 21 rue Victor Massé, 75009 Paris 
when: 4-14 September 2025

image courtesy of Yves Salomon Éditions

 

 

5.5 – 577 Chairs

 

Designers Claire Renard and Jean-Sébastien Blanc, co-founders of 5.5, present a monumental installation in collaboration with Festival du Monde: 577 unique chairs, crafted from recycled materials in partnership with leboncoin. The number echoes the 577 seats of the French National Assembly. Each chair is humanized by the designers and inscribed with words questioning democracy. The installation is on view in the courtyard of the National Archives from 4 to 13 September, and again during the Festival du Monde from 18 to 21 September.

 

where: Archives Nationales 60 rue des Francs Bourgeois, 75003 Paris
when: 3-14 September 2025

image courtesy of 5.5

 

 

Galerie Gastou – 40 Years of Design

 

For its 40th anniversary, Galerie Gastou presents an exhibition retracing the key works that shaped its history. A tribute to founder Yves Gastou and his pioneering vision, the show celebrates the gallery’s distinctive taste through iconic pieces, while looking forward under the direction of Victor Gastou.

 

where: Galerie Gastou, 12 rue Bonaparte, 75006 Paris
when: 4 September-4 October 2025

image courtesy of Galerie Gastou

 

 

New Store 4.0 – Fashion Farming

 

New Store 4.0 – Fashion Farming sets up at the Atelier Néerlandais, transforming the space into an experimental ground for regenerative fashion. The pop-up introduces locally sourced sheep wool, spun, designed, dipped, and dyed to create an endless garment that continuously gains value.

On September 5, a special conversation led by Philip Fimmano will bring together Claudy Jongstra (artist/designer), Andrée-Anne Lemieux (Director of Sustainability at Institut Français de la Mode), and Klaas Kuitenbrouwer (Nieuwe Instituut) to explore how holistic fashion practices—from education and design to industry—can reshape systems for the future.

 

where: Atelier Néerlandais, 22 Avenue Victoria, 75001 Paris
when: 4–12 September 2025

coloring process by Studio Claudy Jongstra | photo by Heleen Haijtema

 

 

Ronan Bouroullec at Galerie Kreo 

 

Galerie kreo presents a new exhibition, Clair-obscur, by Ronan Bouroullec, continuing his exploration of light: its ability to shape, anchor, and elevate matter. The series features slender structures suspended in space, punctuated by glass halos. Positioned between drawing and sculpture, each piece expresses a quiet and essential language, inviting contemplation.

 

where: Galerie kreo, 31 rue Dauphine, 75006 Paris
when: 4 September-1 November 2025 

image © Morgane Le Gall courtesy Galerie kreo

 

 

TIPTOE – 10th Anniversary Exhibition

 

As part of TIPTOE’s 10th anniversary celebrations, the brand presents a special exhibition at Galerie ELLIA in the Marais, Paris. The show features 10 one-of-a-kind pieces created by a lineup of celebrated artists and designers (Wendy Andreu, Big-Game, Sophie Dries, Jean-Baptiste Durand, Julien Renault, Wilmotte, Olimpia Zagnoli, Constance Guisset, Kann Design, and Rudy Guénaire) each reinterpreting TIPTOE’s iconic table leg.

 

where: Galerie ELLIA, Marais, Paris
when: 4-13 September 2025

image courtesy of TIPTOE

 

 

Thierry Lemaire – Mineral Origins

 

As part of Paris Design Week, Thierry Lemaire presents the exhibition Mineral Origins. At the center of the collection, onyx enters into a dialogue with white and titanium travertine, revealing raw, sculptural lines. Each piece appears hewn from the rock itself, like a fragment torn from the mountain, still bearing traces of its origin. To showcase this new collection, Thierry Lemaire honors the abundant natural beauty of Mexico with a window installation featuring lush vegetation.

 

where: Galerie Thierry Lemaire, 11 Rue Bonaparte, 75006 Paris
when: 3 September – 31 December 2025

image courtesy of Thierry Lemaire

 

Sandra Benhamou x Métaphores – STARS AND BLOSSOM

 

Sandra Benhamou collaborates with Métaphores to present the STARS AND BLOSSOM installation. Opening on September 4th at the Maison de Victor Hugo in Place des Vosges, the exhibition is on view until September 13th. Beneath the historic arcades, amidst trees, a fountain, and an ancient bench, Benhamou gently places her furniture collection within a light fabric canopy. Highlights include the Annetta daybed and Dolly stools, upholstered in Métaphores’ new outdoor fabric collection, the Marcel chess table in stone, and the Luna console in glazed lava stone.

 

where: Maison de Victor Hugo, 6 Place des Vosges, Paris
when: 4-13 September 2025

image courtesy of Sandra Benhamou

 

 

Pinto – Serpentis Vanitas

 

Pinto unveils Serpentis Vanitas, an installation featuring the new porcelain collection created in collaboration with the Manufacture de Couleuvre. Each piece reflects a dialogue between tradition and modernity, highlighting French craftsmanship. The exhibition also introduces the AMOK and OTO light fixtures, designed by artist Stefan Mocanu for Pinto.

 

where: Pinto, 11 Rue d’Aboukir, 75001 Paris
when: 3-14 September 2025

image © Jacques Pépion

 

 

FLYING FLEA X ÉCOLE DUPERRÉ

 

Flying Flea, EV lifestyle brand, transforms École Duperré into a creative hub celebrating urban mobility as art. From September 6th to 7th, the legendary design school hosts a four-floor exhibition featuring a number of installations, including multidisciplinary artist Mattia Biagi’s sculptural art bike based on the Flying Flea C6, Motototem. Students reinterpret the FF.C6 through photography and individual art pieces, embracing Flying Flea’s Live Lightly philosophy. The showcase includes masterclasses with brand designers, rooftop panel discussions, and live podcasts.

 

where: École Duperré, 11 Rue Dupetit-Thouars, Paris
when: 6-7 September 2025

image courtesy of Flying Flea and École Duperré

 

 

showrooms

 

 

Issey Miyake – [N]either [N]or

 

Issey Miyake launches [N]either [N]or, a collection exploring ambiguity as a way to connect contrasting binaries in material, form, and meaning. The pieces draw inspiration from the work of Austrian artist Erwin Wurm, reflecting a dialogue between fashion and art.

 

where: 28 rue François 1er 75008 Paris
when: 3-14 September 2025 

image courtesy of Erwin Wurm

 

 

Crosby Studios

 

Crosby Studios debuts its new Paris gallery for Design Week with an immersive dive into Harry Nuriev’s Transformism — everyday materials reimagined as spatial experience at the crossroads of art, design and culture.

 

where: 8 rue des Beaux Arts 75006 Paris

image courtesy of Crosby Studios

 

 

MycoWorks – Reishi in the Nordic Light

 

MycoWorks presents Reishi in the Nordic Light, a curated collection of objects co-created with five acclaimed Danish designers: OEO Studio, Frederik Gustav, Cecilie Manz, Maria Bruun, and Atelier Axo. Curated by Marie-Louise Høstbo, the collection explores the innovative possibilities of Reishi, MycoWorks’ groundbreaking material, through the lens of Scandinavian design aesthetics.

 

where: MycoWorks Showroom, 14 Avenue de l’Opéra, 75001 Paris
when: September 4–10 2025

image courtesy of MycoWorks

 

Buccellati – NATURALIA

 

After its debut at Milan Design Week, NATURALIA arrives in Paris for the second chapter of its sensory journey, transforming Buccellati’s boutique on Rue Saint-Honoré into a contemporary cabinet of curiosities. Running from September 12th to 18th, 2025, the exhibition invites visitors to explore a poetic dialogue between exceptional savoir-faire and nature, expressed through immersive scenography.

 

The installation unfolds as a wunderkammer, where botanical compositions, soundscapes, and narrative design create an enchanting atmosphere. At its heart, the Furry Animals collection captures attention with exquisitely crafted deer, rabbits, foxes, and squirrels, rendered in ultra-thin silver filaments that mimic the delicate softness of fur. Surrounding these creatures, silver leaves and flowers from the Natura collection complete a dreamlike celebration of the natural world.

 

where: Buccellati Boutique, 239 Rue Saint-Honoré, 75001 Paris
when: 12-18 September 2025 

image by Silvia Rivoltella courtesy of Buccellati

 

 

India Mahdavi

 

Tiny Room – Les Crafties ‘Holy Craft’

 

Invited to exhibit in India Mahdavi’s Tiny Room, Les Crafties present Holy Craft, a trio of folding screens created especially for Paris Design Week. Each piece is entirely handmade in their atelier in Sète, showcasing meticulous craftsmanship and attention to detail.

where: 3 Rue Las Cases, 75007 Paris
when: 4-13 September 2025

 

 

Project Room – PIN–UP HOME ‘Afterglow’

 

At India Mahdavi’s Project Room, PIN–UP HOME presents Afterglow, featuring the new POD candleholders by Vincent de Rijk. The resin pieces, in shades of cloud white, dawn pink, mist green, sun yellow, and wave blue, are displayed in a vibrant tablescape, capturing the joy and lingering light of shared gatherings.

where: 29 rue de Bellechasse, 75007 Paris

when: 4-13 September 2025

image via @pinup.home

 

 

Petits Objets – Steven Coëffic ‘Capsula Collection’

 

At India Mahdavi’s Petits Objets Boutique, Steven Coëffic presents his Capsule Collection. 

where: 19 Rue de las Cases, 75007 Paris
when: 4-7 September 2025

 

 

Maison Morel x Constance Guisset

 

Heritage eyewear manufacturer Maison Morel collaborates with designer Constance Guisset to create a unique collection. Drawing inspiration from the fluid gestures of calligraphy, Guisset explores lines and variations in thickness, transforming eyewear into objects of visual poetry. Each model in the collection reflects an aesthetic approach that balances ergonomics, delicacy, and imagination.To mark the launch, Constance Guisset’s studio opens its doors to the public for the first time on September 4th, 2025.

 

where: Constance Guisset Studio, 14 rue Cavé Paris 18ème
when: 4 September 2025 

 

image courtesy of Constance Guisset

 

 

Garnier & Linker x Studio KO

 

Garnier & Linker presents its first lighting collection co-signed with Studio KO. Comprising four pieces, the collection reflects the designers’ shared vision of creating precise responses to specific lighting needs, from illuminating bookshelves to highlighting architectural details.

 

where: Garnier & Linker Showroom, 22 Rue de l’Échiquier, 75010 Paris
when: 3-30 September 2025 (exhibition)

image courtesy of Garnier & Linker

 

 

Fleur Delesalle

 

Fleur Delesalle unveils a series of new pieces that embody her signature neo-classical inspirations while embracing bold color and material contrasts. The collection features an ‘extra-large’ mirror, an ‘extra-long’ console, and an ‘extra-round’ pedestal table, all dressed in a vivid palette of greens, yellows, pinks, alongside marble and chrome finishes inspired by nature.

 

where: Fleur Delesalle, 1 Rue de Vaugirard, 75006 Paris
when: 4-13 September 2025

image courtesy of Fleur Delesalle

 

 

around the city 

 

BOURSE DE COMMERCE – CLINAMEN BY Céleste Boursier-Mougenot

 

The Rotunda of the  Bourse de Commerce in Paris transforms into a mesmerizing aquatic and musical landscape with clinamen, an immersive installation by French artist Céleste Boursier-Mougenot. On view until September 21, 2025, this large-scale work invites visitors into a multisensory experience where water, porcelain bowls, and invisible currents create a delicate choreography of sound and movement. At the center of the Rotunda, an 18-meter-wide basin reflects the Parisian sky through the museum’s glass dome. Floating across its surface, white ceramic bowls are carried by subtle currents, producing random, melodic chimes as they gently collide.

 

where: Bourse de Commerce — Pinault Collection, 2 rue de Viarmes, 75001 Paris
when: until 21 September 2025

image courtesy of Bourse de Commerce—Pinault Collection

 

CENTRE POMPIDOU – Wolfgang Tillmans

 

The Centre Pompidou gives Wolfgang Tillmans carte blanche for a major installation at the Bibliothèque Publique d’Information (Bpi), occupying 6,000 square meters on level two. This experimental project creates a dialogue between his work and the library space, exploring its role as both architecture and a site for knowledge sharing. The exhibition spans over 35 years of Tillmans’ practice, including portraiture, still life, architectural studies, documentary images, abstraction, as well as moving images, music, and sound. Performances and texts complement the display, which challenges conventional exhibition formats.

 

where: Centre Pompidou, Place Georges-Pompidou, 75004 Paris
when: 13 June-22 Septeber 2025

Wolfgang Tillmans (1968, République fédérale d’Allemagne), exhibition view at Centre Pompidou | image courtesy of Centre Pompidou

 

 

Mathieu Lehanneur’s Cauldron is back

 

One year after the Paris Olympics, Mathieu Lehanneur’s Cauldron returns to the Tuileries Garden. The metallic structure, which became a centerpiece of the Games, rises into the sky as a symbol of athletic achievement and the Olympic spirit.

 

where: Tuileries Garden, 75001 Paris
when: until 14 September 2025

image courtesy of Mathieu Lehanneur

 

 

Le Corbusier’s Maison La Roche

 

Located in the Opéra / Concorde / Étoile district, Maison La Roche (1923–1925) by Le Corbusier and Pierre Jeanneret stands as a manifesto of modern architecture. Designed for art collector Raoul La Roche, it was the first project to fully apply Le Corbusier’s Five Points of a New Architecture: pilotis, roof terrace, open plan, free facade, and ribbon windows. The house-gallery offers a purist architectural promenade, blending clean forms, natural light, and functional design—an essential example of modernism in practice. During Paris Design Week, the Maison La Roche hosts The Conundrum of the Organically Angular exhibition by artist Lilian Tomasko, creating a dialogue between contemporary art and this architectural landmark.

 

where: Maison La Roche,  8-10 Sq. du Dr Blanche, 75016 Paris
when: 2 September-4 October 2025 (exhibition)

image courtesy of Fondation Le Corbusier

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OMA completes harajuku quest in tokyo, unveiling stepped terraces and transparent facade

Harajuku Quest by oma to open on september 11th, 2025 in tokyo

 

OMA completes Harajuku Quest, a commercial complex in the heart of Tokyo set to open on September 11th, 2025, when the first stores welcome visitors, followed by a phased rollout from November onwards (find designboom’s previous coverage here). Designed within NTT Urban Development Corporation’s wider strategy for Harajuku, the 4,300-square-meter project bridges the two distinct contexts of the grand, tree-lined Omotesando Avenue and the dense, intimate Oku-Harajuku district.

 

The redevelopment, which began construction in October 2022, shapes its volume differently in each side. Toward Omotesando, the volume is pinched and pulled within its zoning envelope, resulting in a monolithic, transparent facade that recedes at both ground and roof level. The setback at the street creates a funneling passage into Oku-Harajuku, while the upper recess brings daylight deep into the block. On the opposite side, the mass steps and fans out into terraces facing Harajuku, offering open-air platforms where programs spill outward. 

images by Forward, unless stated otherwise

 

 

reinterpreting Harajuku’s Legacy Through Hybrid Hub

 

Since its original debut in 1988, the former Harajuku Quest has been closely tied to the evolution of the area, adapting to the shifting currents of fashion, youth culture, and urban change. The reconstruction by the team at OMA, led by Shohei Shigematsu, seeks to update the complex, reinterpreting that legacy for the present, proposing a hybrid form that mediates between globalized retail architecture and the human-scaled fabric of backstreets known for independent shops and creative subcultures. The building acts as a gateway, drawing flows of people between Omotesando’s flagship-lined boulevard and the winding alleys of Oku-Harajuku for the first time.

 

A second-level public plaza centers the design, conceived as a new civic datum within the district. This elevated space expands the conventional retail experience into a stage for cultural programs and gatherings, weaving local life into the site and blurring the threshold between commerce and community. Along with alleys, squares, and casual meeting spots, the project builds on NTT’s With Harajuku (2020) by extending the pedestrian network and strengthening Harajuku’s identity as a meeting and exchange point.

OMA completes Harajuku Quest

a monolithic, transparent facade that recedes at both ground and roof level

former Harajuku Quest has been closely tied to the evolution of the area | construction images by Ko Tsuchiya

the reconstruction by the team at OMA, led by Shohei Shigematsu, seeks to update the complex

the building acts as a gateway

drawing flows of people between Omotesando and Oku-Harajuku for the first time

 

project info:

 

name: Harajuku Quest

architect: OMA | @oma.eu

partner: Shohei Shigematsu | @shohei_shigematsu

location: Shibuya-ku, Tokyo, Japan

gross floor area: 4,300 square meters

 

client: NTT Urban Development Corporation

associates: Takeshi Mitsuda, Fernan Bilik, Tetsuo Kobayashi, Kohei Sugishita, Yuzaburo Tanaka, Timothy Tse, Chiao Yang

executive architect: NTT Facilities

structure: NTT Facilities

MEP: NTT Facilities

landscape architect: Landscape Plus

lighting design: Lighting Planners Associates

graphics, signage, wayfinding: Daikoku Design Institute, Bikohsha

general contractor: Kumagai Gumi

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aranchii architects’ holy trinity church in kyiv combines sacred space and air raid shelter

Aranchii Architects Creates Church and Shelter Complex in Kyiv

 

Located in Kyiv’s Obolon district, the Holy Trinity Ukrainian Greek Catholic Church by Aranchii Architects combines religious, civic, and protective functions within a single architectural complex. The project integrates a sacred space for worship, a landscaped public square, and an underground air raid shelter, reflecting the dual need for community gathering and safety in wartime conditions.

 

The church is designed with a footprint of 812 sqm, complemented by 5,398 sqm of landscaped grounds. Seasonal planting defines the square, with trees and greenery providing shade in summer, color in autumn, and a calm setting throughout the year. This outdoor space supports both religious ceremonies, such as the blessing of the Christmas tree, and informal daily use by local residents.

all images courtesy of Aranchii Architects

 

 

Holy Trinity Church merges Worship, Landscape, and Protection

 

Central to the project is the integration of a fully functional air raid shelter. Directly accessible from the main public areas, the shelter ensures rapid transition to safety during missile alerts while preserving the openness of the overall design. In this way, the church acts as both a spiritual and physical refuge for the community.

 

Architecturally, the design team at Aranchii Architects draws from the traditions of the Ukrainian Greek Catholic Church while responding to contemporary needs. The composition balances sacred symbolism with practical considerations of resilience, accessibility, and protection. By combining worship space, communal square, and shelter within one cohesive scheme, the project demonstrates how architecture can adapt to present realities while maintaining continuity with cultural and spiritual heritage.

the project integrates a sacred space, public square, and air raid shelter

seasonal planting shapes the square with changing colors and textures

a fully functional air raid shelter is integrated within the complex

the public square supports religious ceremonies and everyday gatherings

trees provide shade in summer and vibrant tones in autumn

accessibility and protection are central design considerations

 

project info:

 

name: Holy Trinity Church (UGCC) with shelter and public garden

architect: Aranchii Architects | @aranchiiarchitects
design team: Dmytro Aranchii, Mariia Drobenko, Daria Suk, Vladyslav Lutsyk, Oleksandr Polikrovskyi, Bohdan Hadzhylov
location: Kyiv, Ukraine

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

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Crocs goes into smartphone cases with SLBS partnership

Crocs is a brand that is polarizing, but the ones who love it, really love it. We’ve seen some pretty unique collaborations and co-branding efforts, which, again, if you’re a fan, you probably loved or maybe even bought for yourself. If you’re one of the fans, or if you like the design but wouldn’t want to wear them on your feet, you’ll love this newest collaboration with Korean techwear label SLBS. Well, that is, if you have a Samsung Galaxy S25 Ultra or one of the newer iPhones.

The SLBS x Crocs phone case is set to make your mobile phone cooler (or lamer, if you’re not a fan). It is designed to look like Crocs footwear, but this time, it’s a phone case to protect your smartphone. There are lots of personalization options as well, since you’ll be able to attach whatever Jibbitz charms you want to adorn your device.

Designer: SLBS

The phone case uses TPU material and features the ventilated upper design similar to the footwear. It also has a detachable and adjustable modular strap, so you can carry your phone easily if you want to. The cover itself has a soft-touch finish, so you’ll be able to grip your phone without it slipping (well, unless you’re really clumsy). It also provides protection for your device if you happen to drop it.

The cases come mostly in pastel shades like mint green and blush pink, as well as more classic colors like ivory, baby blue, and black. They also have the perforated holes you see in the shoes, so you can attach the Jibbitz charms there. Previously, it was available only for the Galaxy S25 Ultra, but now iPhone users can also join in on the fun. It’s now available on Korea’s biggest fashion platforms, and it seems to be available for international shipping.

The cases do look cute in the photos, even if I’m not really a Crocs fan. But you can think of it as just a TPU phone case (and there are several on the market) that you can customize with a bunch of charms, since a lot of people do like personalizing their smartphone cases anyway. Collecting those Jibbitz charms seems to be fun, and there are tons to choose from. That’s actually the only draw for me when it comes to Crocs products so if given the chance, maybe I would actually like to have this phone case.

The post Crocs goes into smartphone cases with SLBS partnership first appeared on Yanko Design.

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A tribute to German designer Peter Schmidt (1937 – 2025)

Nowadays when we talk about branding, it goes without saying that we mean a comprehensive view of communication. We no longer think of logos or digital platforms in isolation, but look at brand identity in an holistic way.

One of the first designers in Germany to understand this principle, and shape how it is applied, was Peter Schmidt.

With his work, he laid the foundations on which many branding strategies are still based today – and that is true far beyond the borders of Germany.

Peter Schmidt passed away in July at the age of 87. He leaves behind a creative legacy that reads like a catalogue of modern design history.

Peter Schmdit’s logo for Grohe

An holistic understanding of brand

Corporate design was a relatively new discipline in the Germany of the 1970s and 80s, and it was Peter Schmidt who defined the rules of the game. He approached design not as surface, but as strategic foundation.

For him, design was the architectural core of a brand, capable of generating recognisability, appealing to emotions, and building trust in equal measure.

One of his first works was also one of his most influential – a young fashion designer asked him to create a logo for her. Her name was Jil Sander.

The fact that she was able to establish herself as a fashion icon, make German fashion socially respectable, and build her reputation as the “queen of less” is also a result of the consistency with which Peter Schmidt shaped her into a brand.

Peter Schmidt’s identity for Jil Sander

He broke with all prevailing conventions right from the start, with the logo itself.

Instead of resorting to the usual clichés for frisky female fashion, he placed Jil Sander’s minimalist style at the centre of the design and took references from the headlines of the tabloid newspapers that were emerging at the time.

He developed a powerful wordmark in all caps that would remain unchanged for more than 50 years.

At the same time, however, Peter Schmidt was thinking beyond the logo to the product design. The perfume bottles he designed for Jil Sander became timeless icons. His most outstanding work in this area was Pure Woman, a simple creation comprising basic geometric shapes – a cube and a cylinder.

The product was so revolutionary that it ended up in New York’s MoMA.

Peter Schmdit’s Pure Woman perfume bottle for Jil Sander

Germany’s best-dressed designer

Peter went onto established himself in the fashion and lifestyle segment. He recognised that fashion doesn’t work solely through garment collections, but by means of brand codes – visual markers that convey attitude, style, and lifestyle.

His flair for typography, materiality, and visual clarity made him one of the most significant designers for brands that introduced German fashion and lifestyle to the world. He played a decisive role in ensuring that brands like Joop! and HUGO BOSS were perceived as aesthetically sophisticated and internationally relevant.

His business associates appreciated Peter not only because of the work he did, but also because he shared their understanding of the power of fashion.

Wolfgang Joop described him as “Germany’s best-dressed designer.” His co-workers recall that he meticulously noted what he wore to each client meeting, to make sure he never showed up in the same outfit twice.

“Aesthetics without ethics is cosmetics”

His success in the field of lifestyle branding made Peter Schmidt a sought-after partner in other industries as well.

His passion for making the world a better place through design extended to every area of life, from product brands to stage sets, from books and magazines to everyday consumer goods.

Peter Schmdit’s Form 2026 tableware

His Form 2026 tableware for Arzberg is an aesthetic classic. An appealing interplay of basic geometric shapes. A combination of contrasting forms that simultaneously create tension and harmony. Pure and reduced to the essentials.

And the bottle he designed for Apollinaris also set new standards. It recalls the design language of a jug while at the same time alluding to the purity of flowing water. Above all, however, its design created added value.

Suddenly it made sense that an iconic bottle available only in restaurants was more expensive than comparable products available in supermarkets.
It is also true that anyone who shapes brands, products, and experiences across all industries leaves a lasting impression.

“Peter Schmidt drove the boring conventionality out of German companies,” wrote journalist Joachim Schirrmacher.

Peter himself was keenly aware of the social leverage of design. “You can kill people with ugliness, just like you can with an axe,” he maintained. But also – almost poetically – he believed, “Aesthetics without ethics is cosmetics.”

Peter Schmidt’s Apollinaris bottle

Taking German design to the international stage

Peter Schmidt’s work puts him on a par with design icons like Massimo Vignelli, Raymond Loewy, and Paul Rand.

Just as these designers shaped the understanding of brands in the USA and Italy, Schmidt fulfilled a similar role in Germany, defining German design on the international stage as precise, clear, and impactful.

Peter Schmidt elevated German brands to global awareness. He proved that good design is more than just visual form – it is cultural capital that creates trust, recognisability, and desirability.

This makes him not only a pioneer of German branding, but an icon of international design whose influence extends beyond his lifetime.

Peter Schmidt’s Davidoff logo

Would he have been uncomfortable with this assessment? Probably, because although his designs reliably attracted attention, Peter remained a man of few words.

He was not interested in volume, in being loud, but in making an impact. The focus was always on the idea, not the designer.

Those who got to know him were usually surprised how shy and reserved he could be. Even in meetings, you always had to listen closely so as not to miss a word or a thought.

Colleagues once asked him what he wanted to leave behind for posterity. “I don’t care,” he replied, knowing full well that nothing lasts forever and that life is a constant state of change.

Continuing his legacy

But we, his colleagues, did care.

It is important to us to continue working in his spirit. After all, the Peter Schmidt Group he founded not only bears his name, but many employees have absorbed his philosophy for decades – straightforward elegance, holistic design, precision and timelessness.

Meaningful aesthetics that not only serve themselves, but always follow a purpose. This approach has made the agency successful. It is now one of the largest in Europe, with offices in Germany, Portugal, Italy and Japan.

In addition to anchoring his ideas in our work, we also want to ensure that Peter Schmidt remains visually present in our creative community and continues to shape the agency’s image.

That’s why, a few years ago, we developed our new corporate typeface on the basis of his handwriting.

The new fonts created from Peter Schmidt’s handwriting

During a workshop Peter Schmidt, focused and immersed in the task at hand, used three different dip pens to write words like “Walküre,” “Hamburg,” “Trommelwirbel,” and “Elephant” – we needed every letter of the alphabet in his personal style.

Surprisingly, no two letters were alike. Every word was different – new and surprising each time. We almost suspected Peter was just trolling us. Or perhaps he didn’t want to be pinned down so easily?

Nevertheless, it was obvious what typified his handwriting – it was his versatility.

The many nuances and subtle details. An unexpectedly long stroke above every “i.” A surprising flourish on the “o.” The special features are manifold and found in every detail.

Today, the font is installed on every computer in the agency, so a part of Peter Schmidt’s personality is still shaping our communication and will continue to the future.

Lukas Cottrell is CEO of the Peter Schmidt Group.

Peter Schmidt inspects the new typefaces
The new fonts created from Peter Schmidt’s handwriting

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concrete, mon amour: stefano perego’s book captures a decade of modernist architecture

Concrete, mon amour: The Raw Imprint of Modernism

 

Italian photographer Stefano Perego presents Concrete, mon amour: The Raw Imprint of Modernism, a photographic study of modernist concrete architecture spanning 98 buildings across 29 countries. Documented over ten years between 2015 and 2025, the book explores the formal and material language of concrete structures built in the mid-to-late 20th century — monolithic constructions that reflect the architectural ambition and ideological shifts of the era. Through a deliberately raw visual approach, Perego focuses on the expressive geometries, surface textures, and spatial presence of these buildings, from urban landmarks to isolated outposts.

Medical center, by architect Ágoston Miklós, 1981. Budapest, Hungary. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

 

 

Stefano Perego explores layered meanings behind constructions

 

The book organizes its subjects without privileging fame or recognition, instead offering a broad view of how concrete was used to shape civic, religious, residential, and infrastructural environments. Each structure is photographed in its current state, whether well-preserved or visibly weathered, providing visual insight into the endurance and evolution of these architectural forms over time. Beyond documenting aesthetics, Concrete, mon amour by Stefano Perego also interrogates the layered meanings behind the constructions. Some appear as enduring symbols of progressive vision, while others reveal associations with political power and cultural transformation. The book frames concrete not just as a material choice but as a medium of expression — at once brutal and intentional, utilitarian and sculptural.

 

The IItalian photographer ultimately highlights the complexity of modernist legacies: how the permanence of concrete continues to prompt reflection on the ideals, ambitions, and contradictions embedded within the built environment. The publication is both a visual archive and an invitation to reconsider the impact and relevance of architectural modernism today.

Johannes XXIII church, by architect Heinz Buchmann and sculptor Josef Rikus, 1968. Cologne, Germany. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

St. Joseph Church, by architects Marius Šaliamoras, Kęstutis Akelaitis and Gintaras Čaikauskas, 2016-2020. Vilnius, Lithuania. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

Saint Nicholas church, by architect Walter Maria Förderer, 1962-1971. Hérémence, Switzerland. photo: Stefano Perego, Concrete Mon Amour, gestalten 2025.

Monument “Peace”, by sculptor Nugzar Manjaparashvili, 1970s. Nukriani, Georgia. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

former administrative building of Põdrangu State Collective Farm, by architects Maara Metsal and Maia Laul, 1976-1977. Põdrangu, Estonia. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025

Technical Library, by architect Georgiy Bichiashvili, 1985. Tbilisi, Georgia. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

Flame monument, by architect Alexander Barov and sculptor Stefan Stoimirov, 1975. Panicharevo, Bulgaria. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

Ilinden memorial, also known as Makedonium, by Jordan Grabuloski and Iskra Grabuloska, 1974. Krushevo, North Macedonia. photo: Stefano Perego, Concrete Mon Amour, gestalten 2025

Residential towers, built in the 1980s. Riga, Latvia. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

Church of Our Lady of Boavista, by architect Agostinho Ricca, 1975-1979. Porto, Portugal. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

Ilinden memorial, also known as Makedonium, by Jordan Grabuloski and Iskra Grabuloska, 1974. Krushevo, North Macedonia. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

Ilinden memorial, also known as Makedonium, by Jordan Grabuloski and Iskra Grabuloska, 1974. Krushevo, North Macedonia. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

Parking Garage, by architect Hans Asplund, 1963-1965. Stockholm, Sweden. photo: Stefano Perego, Concrete Mon Amour, Gestalten 2025.

cover of Concrete, mon amour: The Raw Imprint of Modernism

 

 

project info: 

name: Concrete, mon amour: The Raw Imprint of Modernism
photographer: Stefano Perego | @stepegphotography
publisher: Gestalten | @gestalten

The post concrete, mon amour: stefano perego’s book captures a decade of modernist architecture appeared first on designboom | architecture & design magazine.

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NocFree’s Ergonomic Keyboard Does What Apple’s Magic Keyboard Can’t: It Splits in Half

As an ergonomic keyboard owner myself, there’s often a weird design trade-off we make for the sake of comfort. Not a single ergonomic keyboard I’ve seen is made to be sleek. They’re all created in the same vein of exaggerated anthropometrics, designed to evoke a sense of tactile comfort but visual bulk. Even the ones that sidestep the bulky design often treat ‘ergonomics’ as a medical issue, rejecting the need to make the keyboard look cool. In short, most ergonomic keyboards don’t look as stunning as their slimmer, sleeker, non-ergonomic counterparts… but the NocFree & hopes to change that with a rather simple idea.

A new contender, the NocFree &, proposes a solution by treating the keyboard not as a single, immovable block, but as a fluid, shapeshifting system. It enters the scene with a design philosophy that feels both revolutionary and strikingly familiar. The core concept is a split keyboard, which is hardly new, but its execution challenges the very idea of what a high-performance ergonomic device should be. This is a keyboard that acknowledges your desk is for more than just typing; it’s a canvas for your entire digital life. It understands that comfort should not demand a compromise on aesthetics or versatility, and it accomplishes this by quite literally splitting the difference.

Designer: Xing An

Click Here to Buy Now: $269 $349 ($80 off). Hurry, less than 72 hours left! Raised over $216,000.

The device carries the torch of Apple’s design language, which is perhaps its most brilliant trick for winning over both nerds and newcomers. It has the proportions of a Magic Keyboard; the same impossibly slim profile, the same elegant wedge shape, and the same commitment to premium materials. NocFree & takes that beloved industrial design and puts a clean slice right down the middle, resulting in a familiar 84-key, 75% layout. The chassis is CNC-milled from a single block of aluminum and finished with a 150-grit zirconium sandblasting process, giving it a fine, matte texture that feels substantial. Weighing in at 450 grams for the left half and 583 for the right, it has a satisfying heft that keeps it planted during intense work sessions.

That premium feel extends right down to the components that define the typing experience. It is the first low-profile split with a gasket-mount structure, a design where the switch plate is cushioned by flexible gaskets to absorb vibration. This creates a softer, more refined tactile feedback loop, a sensation complemented by a clean, white backlight with a breathing effect for understated visibility. This small detail transforms the act of typing from a series of harsh, clattering impacts into a smoother, more refined experience. The durable PBT keycaps feel solid under the fingers, ensuring the legends will not fade over time, and the entire board is hot-swappable, giving users the freedom to install their own switches without soldering.

To complement this structure, the creators co-developed their own low-profile linear switches. The standard version requires just 40 grams of force to actuate, while the silent linear option needs a mere 37 grams. These numbers translate to a light, effortless keystroke with a short travel distance, reducing the muscular effort needed for typing. This meticulous focus on reducing finger fatigue demonstrates a deep understanding of what true ergonomic design entails; it is about the entire kinetic chain, from your posture down to the tiniest movements of your fingertips. The optional tenting kit elevates this further, setting the left half at a 10-degree angle and the right at 7.7 degrees to achieve a more natural forearm rotation.

The true genius of the NocFree &’s split design isn’t ergonomics, it’s the void it creates. The space between the two keyboard halves is an active, functional part of its design, a concept amplified by the standalone 21-key numpad. This is where the keyboard truly adapts to the user, allowing the desk to become a modular command center. That newly claimed territory can now house a graphics tablet, a gaming controller, or a phone on a wireless charging mat. The ergonomic benefit of spacing your hands at shoulder width is almost a happy byproduct of this spatial liberation. The keyboard no longer dictates the layout of your desk; you do.

Cutting the cord is the final act of this liberation. The NocFree & is a true three-piece wireless system, powered by a robust 1100 mAh battery in each keyboard half and a 650 mAh battery in the numpad. It connects via a proprietary low-latency 2.4Ghz protocol, but also supports switching between up to three Bluetooth devices, making it a powerful tool for multi-device workflows. A Type-C port allows for both charging and a classic wired connection. This untethered design, paired with the optional tenting kit that doubles as a charging stand, turns the keyboard into a piece of functional sculpture when not in use. Using a single set of CNC-milled aluminum parts, the tenting kit transforms your keyboard in three distinct ways. Use them to lift the two halves of the keyboard to achieve an ergonomic angle that’s more comfortable for your forearms. When you’re not using them, stand them upright to create a stylish desk sculpture. Plus, they can charge in this position, ensuring they’re always ready for your next use.

Most split keyboards demand that you unlearn years of muscle memory, but NocFree & sidesteps this barrier by retaining its familiar layout and ensuring broad compatibility. It works seamlessly across macOS, Windows, Linux, iOS, Android, and iPadOS. In fact, the MacOS version of the keyboard comes with OS-specific keycaps as well as all function keys working right out of the box… no remapping needed. Its intuitive configuration software, NocFree Link, allows for full key remapping, custom macros, and up to eight programmable layers, satisfying both beginners and power users. By offering dedicated layouts for both ANSI and multiple ISO variations, it makes its ergonomic benefits accessible to a global audience from day one, proving that a healthier way of working does not require a punishing ordeal to get there.

Click Here to Buy Now: $269 $349 ($80 off). Hurry, less than 72 hours left! Raised over $216,000.

The post NocFree’s Ergonomic Keyboard Does What Apple’s Magic Keyboard Can’t: It Splits in Half first appeared on Yanko Design.

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Beyond the National Gallery and Tate: Best London Art Museums

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The National Gallery in London: Where to Start?

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10 Masterpieces You Need To See in London

The post 10 Masterpieces You Need To See in London appeared first on DailyArt Magazine.