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alastair philip wiper photographs the secret city in oak ridge national laboratory, tennessee

Inside the oak ridge national laboratory in tennessee, USA

 

Alastair Philip Wiper documents the inside of the Oak Ridge National Laboratory in Tennessee, USA, in the photography project, The Secret City. In the series, the photographer captures the machinery and spaces inside the infrastructure, which was established in 1943 as part of the Manhattan Project. The laboratory’s first purpose was to refine uranium and plutonium for the production of atomic bombs, and it became a town that was built quickly to house workers, with the population reaching 75,000 during World War II. The photographer’s name for the project is not random. It is because the community was called The Secret City, referring to its existence being hidden. Most residents did not know the purpose of their work until the atomic bomb was dropped on Japan in 1945.

 

After the war, the Oak Ridge National Laboratory changed its mission and became a national center for nuclear research, materials science, biology, energy studies, and computer technology. Today, it is one of the largest science and energy laboratories under the U.S. Department of Energy system. Through the photographs of Alastair Philip Wiper, viewers are afforded the inner workings of the laboratory, from the space housing the first continuously operating nuclear reactor in the world to the major facility of the most powerful reactor-based neutron source in the US. In the images, the photographer managed to document the spaces and what resides in them, including the old machinery and control stations as well as the upgraded tools used for the nuclear research.

all images courtesy of Alastair Philip Wiper

 

 

alastair philip wiper captures stations in research facility

 

The Oak Ridge National Laboratory site includes laboratories, hot cells, reactors, accelerators, computing centers, and utility lines. The design of the laboratory reflects its functions: large buildings for reactors, long corridors for accelerators, and shielded cells for radiochemical work. Utility drain lines manage water and waste produced during experiments. Control rooms operate reactors and accelerators. The facility combines steel, concrete, shielding materials, electronic systems, and high-power computing hardware. In Alastair Philip Wiper’s series, the photographer goes through these areas, even capturing the site’s first major project, the X-10 Graphite Reactor. It began operation in 1943 and ran until 1963 and was the first continuously operating nuclear reactor in the world. 

 

Its purpose was to prove that plutonium could be produced for nuclear weapons, and after the war, the reactor was used to generate the first nuclear electricity. It also produced radioisotopes for medicine, agriculture, and industry, and these isotopes were used for cancer treatments, crop studies, and industrial testing. Another major facility at the Oak Ridge National Laboratory that the photographer captured is the High Flux Isotope Reactor. It remains the most powerful reactor-based neutron source in the US, producing medical isotopes, including plutonium-238, which is used in NASA space missions. Inside the reactor pools, spent nuclear fuel is stored. The blue glow that appears in the water is known as Cherenkov radiation, which shows the presence of recently irradiated fuel.

control room of the oldest nuclear reactor in the world, the X-10 Graphite Reactor

 

 

A US-based laboratory that also studies biological materials

 

One important instrument at the Oak Ridge National Laboratory that Alastair Philip Wiper photographed is the MaNDi neutron diffractometer. It studies biological materials by scattering neutrons off samples to map atomic structures, and during the COVID-19 pandemic, MaNDi was used to investigate the structure of the SARS-CoV-2 protease. The data supported drug development research for the vaccines later on. 

 

The laboratory also houses the Radiochemical Engineering Development Center, where technicians handle radioactive isotopes inside hot cells using remote manipulators. One isotope, actinium-225, is being tested in clinical trials for leukemia and brain cancer treatment. The hot cells are enclosed rooms with thick shielding that allow remote operations without direct exposure. This, alongside other setups, makes up the series The Secret City, which aims to present the once war-oriented research facility turned into a nuclear research laboratory. 

part of the Spallation Neutron Source particle accelerator

the MaNDi neutron diffractometer at Oak Ridge National Laboratory studies biological materials

detector at the Spallation Neutron Source particle accelerator

remotely operating arms in a hot cell at the Spallation Neutron Source

part of the Spallation Neutron Source particle accelerator

view of the X-10 Graphite Reactor

technicians use remote manipulators to handle actinium-225 inside a hot cell

Thomas Zacharia, former director of ORNL in front of Frontier, the fastest supercomputer in the world

hot cell at the Radiochemical Engineering Development Cente

 

project info:

 

name: The Secret City: Oak Ridge National Laboratory, USA

photographer: Alastair Philip Wiper | @alastairwiper

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Welder Foldable Keyboard Blends Tactile Typing With Touchscreen Magic

Portable keyboards have always involved frustrating compromises between typing comfort, functionality, and actual portability that you can live with daily. Most travel keyboards sacrifice key feel for size, while others maintain decent typing but become too bulky for regular carry. The Welder folding mechanical keyboard attempts to solve this dilemma by adding something unexpected: a 12.8-inch touchscreen that transforms any laptop into a dual-screen workstation.

The engineering challenge of cramming a quality display, mechanical switches, and a robust folding mechanism into a portable package becomes apparent when you examine the Welder’s construction details. CNC-machined aluminum chassis provides the structural integrity needed for both the 180-degree folding hinge and the precision required for consistent key feel across all 84 switches. The result weighs about 1kg, which sounds heavy until you consider you’re getting a mechanical keyboard, secondary display, and charging hub.

Designer: Welder

Click Here to Buy Now: $359 $699 ($340 off). Hurry, only 498/500 left! Raised over $52,000.

The 180-degree folding design represents genuine innovation in portable keyboard engineering, allowing the device to fold completely flat for transport like a laptop. When unfolded, the hinge locks securely to provide a stable typing platform that won’t flex or wobble during intensive use. The aluminum construction ensures the folding mechanism can handle daily use without developing the looseness or instability that plagues cheaper folding devices over time.

The 12.8-inch IPS touchscreen delivers 1920×720 resolution with 10-point capacitive touch, providing enough real estate for meaningful multitasking without overwhelming your desk space. The display supports seamless window extension from your laptop, letting you drag applications between screens with the same fluidity you’d expect from a traditional dual-monitor setup. Whether you’re coding with documentation on the secondary screen, streaming while gaming, or monitoring social media while editing, the workflow feels natural.

Mechanical keyboard enthusiasts will appreciate that the Welder doesn’t compromise on typing feel despite its innovative features and portable design. The 84-key layout maintains essential keys while staying compact, and the mechanical switches provide the tactile feedback that makes long typing sessions comfortable and accurate. RGB backlighting offers 18 different modes ranging from subtle breathing effects to reactive touch patterns, allowing users to match their lighting to their mood.

The RGB customization goes beyond mere aesthetics, with modes like Gaming Mode, Reactive Touch, and various flowing patterns that respond to your typing rhythm. One-touch switching between effects means you can quickly adapt your setup for focused work, creative sessions, or gaming without diving into complex software menus. The lighting system integrates seamlessly with the aluminum chassis, creating even illumination that enhances rather than distracts from the typing experience throughout extended use sessions.

Connectivity reflects modern workflow needs with dual USB-C ports and one USB-A port for flexible device connections. The keyboard provides 65W power delivery to charge laptops while simultaneously offering 30W for peripherals, essentially functioning as a powered USB hub alongside its input and display functions. Fast OGT data transfer ensures responsive touch input and smooth video performance when extending your laptop’s display for multitasking scenarios.

The Welder excels in scenarios where traditional portable keyboards fall short, particularly for users who need genuine multitasking capability while traveling or working in temporary spaces. Content creators can monitor chat or social media on the keyboard display while streaming, programmers can keep documentation visible while coding, and business users can reference spreadsheets while taking notes or writing reports without constantly switching between windows.

What makes the Welder particularly compelling is how it addresses the fundamental limitation of laptop productivity: screen real estate. By providing a secondary display that’s always available and doesn’t require additional setup or dongles, it transforms any laptop into a more capable workstation. The mechanical switches ensure that extended typing sessions remain comfortable, while the premium aluminum construction suggests this device is built for years of daily use.

The Welder represents a thoughtful evolution in portable productivity tools, combining the tactile satisfaction of mechanical keyboards with the workflow benefits of dual-screen computing. By integrating these traditionally separate functions into a single, foldable device, it offers a glimpse of how mobile workstations might evolve to meet the demands of increasingly complex digital workflows.

Click Here to Buy Now: $359 $699 ($340 off). Hurry, only 498/500 left! Raised over $52,000.

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This 1,307-Square-Foot Mountain Cabin Costs $2.5 Million—And It’s Worth Every Penny

High up on Utah’s Powder Mountain, there’s a cabin that looks nothing like what you’d expect to find at a ski resort. No massive log beams, no stone fireplaces big enough to roast a whole elk, no trophy antlers mounted on every wall. Instead, the Horizon Cabin feels more like something you’d stumble upon in the forests of Scandinavia—clean lines, enormous windows, and a sense that every single detail has been carefully thought through.

The story behind this unusual mountain retreat starts in Halifax, Nova Scotia, where MacKay-Lyons Sweetapple Architects have been quietly building a reputation for creating beautiful, unpretentious buildings. When Summit Powder Mountain came calling, asking them to help reimagine what a ski resort could look like, they brought their Maritime sensibilities to the Utah mountains with stunning results.

Designer: MacKay-Lyons Sweetapple Architects 

Built in 2018, this 1,307-square-foot cabin perches on stilts above rugged landscape, barely disturbing the ground beneath. The design philosophy emphasizes “mountain modern”—a Nordic-inspired approach that prioritizes quality over quantity. Floor-to-ceiling windows imported from Finland create seamless indoor-outdoor connections, while a massive 13-foot picture window transforms the living room into nature’s front-row seat. Every element serves both functional and aesthetic purposes, embodying what architects call “intentional living.”

The two-story layout maximizes efficiency without sacrificing comfort. Two en-suite bedrooms occupy the main level, while a cozy loft provides additional sleeping space. Vaulted ceilings create spatial drama despite the compact footprint, and light wood floors maintain Nordic warmth. Radiant floor heating powered by propane ensures comfort during harsh Utah winters. The thoughtful design accommodates both intimate retreats and social gatherings, with spaces flowing naturally from private to communal areas.

The cabin represents Summit Powder Mountain’s revolutionary approach to resort development. Instead of massive chalets competing for attention, the community features homes averaging 2,500 square feet, capped at 4,500 visible square feet. This creates a cohesive architectural landscape that enhances rather than dominates the natural setting. The “inverted resort” design places the village atop the mountain, minimizing environmental impact while maximizing dramatic views throughout the 650-home community.

Currently accepting backup offers at $2.5 million, the fully furnished cabin demonstrates a growing appetite for thoughtful mountain architecture. The turnkey property proves luxury comes from design quality rather than flashy fixtures or excessive square footage. The Horizon Cabin’s market success shows that sophisticated buyers increasingly value restraint over excess. This innovative retreat establishes a new model for mountain living, where great architecture honors both human comfort and natural beauty through careful, considered design.

FAQs

Why does a 1,307-square-foot cabin cost $2.5 million?

The price reflects several premium factors: the ski-in/ski-out location directly on Powder Mountain’s slopes, award-winning architectural design by internationally recognized MacKay-Lyons Sweetapple Architects, high-end materials like Finnish-imported windows, and inclusion in an exclusive 650-home community. The cabin comes fully furnished and represents a new luxury model that prioritizes design quality and location over square footage.

Who are MacKay-Lyons Sweetapple Architects, and why were they chosen for this project?

MacKay-Lyons Sweetapple Architects is a Halifax, Nova Scotia-based firm with over 30 years of experience and 170+ design awards, including the Royal Architecture Institute of Canada’s 2014 Firm Award. They were selected for their expertise in creating minimalist, site-sensitive architecture that respects natural landscapes—perfect for Summit Powder Mountain’s vision of “mountain modern” design that emphasizes thoughtful restraint over traditional ski resort excess.

What makes Summit Powder Mountain different from typical ski resort developments?

 Summit Powder Mountain features an “inverted resort” design with the village built on top of the mountain rather than sprawling across slopes. The development caps home sizes at 4,500 visible square feet and emphasizes Nordic-inspired “mountain modern” architecture over traditional log cabin styles. This creates a cohesive community that enhances rather than overwhelms the natural landscape, while offering direct ski access across 2,700 acres of terrain.

The post This 1,307-Square-Foot Mountain Cabin Costs $2.5 Million—And It’s Worth Every Penny first appeared on Yanko Design.

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The CMF Headphone Pro is almost like an apology for the quirky $299 Nothing Headphones

Was the Nothing Headphone (1) actually a smart play? When Carl Pei’s company dropped those transparent, industrial-looking cans for $299 last year, the tech world split pretty cleanly between people who thought they looked like something from a sci-fi movie and people who thought they looked like construction equipment. Sure, they got attention, generated buzz, and probably moved some units to early adopters who wanted to be walking billboards for the Nothing ecosystem. But they also left a lot of potential customers scratching their heads, wondering why they’d pay flagship money for headphones that looked like they belonged in a factory.

Enter the CMF Headphone Pro, launching September 29th, and suddenly Nothing’s strategy becomes crystal clear. This isn’t just another product launch, it’s practically an apology tour. Where the Nothing Headphone (1) was all sharp angles and see-through panels, the CMF version is chunky, colorful, and aggressively normal. Where the flagship cost almost three hundred bucks, this one will probably land somewhere around the hundred-dollar mark. Most telling of all, where the original headphones seemed designed to make you explain your choice to everyone who saw them, these new ones look like they’re trying to blend into every coffee shop and college campus in America.

Designer: CMF By Nothing

The design language tells the whole story. CMF has ditched the transparent aesthetic entirely, opting instead for solid colors that actually look fun rather than intimidating. Orange, green, gray, all in that slightly retro, slightly chunky form factor that screams “I’m approachable and I won’t break your budget.” The swappable earcups are pure genius from a business perspective, giving users the customization Nothing loves to talk about without requiring them to commit to looking like a cyborg. Want to match your outfit? Swap the cups. Get tired of orange? Buy new ones. It’s modular design for people who shop at Target, not people who read industrial design blogs.

Nothing clearly learned something from watching consumer reaction to their flagship headphones. The CMF Headphone Pro strips away everything that made the original polarizing while keeping the stuff that actually matters: decent sound, solid build quality, and enough personality to stand out from the sea of black plastic dominating the budget headphone market. This feels like Nothing admitting that maybe, just maybe, they got a little too clever with their first attempt at over-ear audio.

The mysterious “energy slider” everyone’s trying to decode probably isn’t that mysterious at all. Based on the three-dot symbol and the way CMF is teasing it, this looks like a physical bass boost control, pure and simple. Think of it as an instant “make my music sound more exciting” button for people who don’t want to mess around with EQ apps. It’s the kind of feature that sounds gimmicky until you realize how many people just want their hip-hop to hit harder or their rock to sound more aggressive without having to become audio engineers. The fact that it’s a physical slider instead of a software toggle fits perfectly with CMF’s whole vibe: simple, immediate, and satisfying to use.

This launch feels like Nothing’s admission that sometimes the best design isn’t the most challenging design. The CMF Headphone Pro won’t win any industrial design awards or generate heated debates about aesthetic philosophy, but it might just fly off shelves in a way the original headphones never could. Sometimes an apology product is exactly what a brand needs to find its footing with mainstream consumers.

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casa tao: HW studio frames calm courtyards through minimalist concrete interiors

a shadow as a space for living

 

Casa Tao by HW Studio stands in Puerto Vallarta, Mexico, as an architecture shaped by the coastal sun and shade. Rather than chase a postcard view, the concrete house faces a tree-lined courtyard, drawing in breezes and scents while filtering the intense Pacific sunlight. Its quiet stance responds to the climate as much as to the personal histories of its owners.

 

The project began with the silent memory of those who inhabit it,the architects explain. Gustavo, who grew up in Puerto Vallarta, hoped for a house that promised coolness and retreat, recalling the modest home of his childhood where shade was essential. His wife, Cynthia, shared a fascination with Japanese design after a trip with their daughters.

 

The clients told the design team: We’d like to feel as if we were living inside a Japanese museum,’ describing a place where time slows and silence is tangible. These experiences shaped every decision, giving Casa Tao a language of restraint and depth.

image © Hugo Tirso Domínguez

 

 

casa tao: a composition of simple geometries

 

HW Studio organized the plan of its Casa Tao as a composition of stacked forms. Bedrooms, garage, and service areas create a grounded base, while a light, double-height volume floats above with the social spaces. By lifting the living areas, the architects surrounded them with air and treetop views, capturing the ocean breeze without exposing the interiors to direct sunlight.

 

We wanted the presence of the plaza to be sensed without being overwhelmed by heat,’ the architects note. Instead of large panes of glass, angled openings frame glimpses of trees and sky, allowing the house to observe the neighborhood at a measured diagonal.

 

Inside, the bedrooms gather around a secluded patio where a curved wall and a single tree create a soft threshold. This arrangement encourages movement that is slow and deliberate. ‘Shade here is an emotional condition,’ the team continues,a promise of calm and silent protection.’ The house turns inward yet remains permeable as breezes carry the fragrance of the sea through subtle apertures, and shafts of daylight slip across the walls.

image © Hugo Tirso Domínguez

 

 

hw studio takes cues from japanese design logic

 

Concrete forms Casa Tao’s structural core, chosen by HW Studio for its durability and tactile depth. Exposed surfaces absorb the coastal sun with a muted glow, while white finishes heighten the gentle contrast between shadow and light.

 

We wanted the material to settle light, not bounce it,’ HW Studio explains. Over time, the concrete will warm and soften to become a surface that records use and weather rather than resisting them. The combination of solid mass and delicate illumination gives the house a meditative stillness.

 

The architects hope to invited lingering throughout the home. Elevated patios become terraces for contemplation, where the scent of flowers mixes with the sound of leaves in the wind. Each space is an atmosphere for quiet observation. The team seeks to echo the reflections of 20th century Japanese author, Junichirō Tanizaki in his essay, In Praise of Shadows, where subtle light reveals depth and texture. HW Studio captures that spirit, allowing light and shade to guide the senses and slow the day. In this way, dwelling becomes a study in presence.

image © Hugo Tirso Domínguez

image © César Belio

image © César Belio

image © Gustavo Quiroz

image © Hugo Tirso Domínguez

image © César Belio

 

project info:

 

name: Casa Tao

architect: HW Studio | @hwstudioarq

location: Puerto Vallarta, Mexico

completion: 2025

photography: © Gustavo Quiroz, © Hugo Tirso Domínguez, © César Belio
video: Mavix (Hugo Tirso Domínguez)

 

lead architect: Rogelio Vallejo Bores
architects: Oscar Didier Ascencio Castro, Nik Zaret Cervantes Ordaz
team: Juan Pablo Camacho Ayala
structural engineering: ARGA Constructora
construction: COMAQSO

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