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earth-toned floor and cube-shaped seats stage the burberry’s summer 2026 show in london

Burberry Summer 2026 show brings the ‘outdoors’

Burberry returns to Perks Field in Kensington, London, for the Summer 2026 show with a set design covered in earth and cube-shaped seats. The design of the set was built to connect the collection with the theme of British summer music events, such as concerts and festivals, and the country’s outdoors. The space hopes to bring together elements of landscapes and live performance environments. The tent is the central architectural feature, with its inner surface printed with a sky scene that shows clouds stretching across the fabric. It creates the impression of an open-air setting under the cover, supported by tall black truss towers that double as the lighting system.

Each truss tower inside the Burberry Summer 2026 show holds multiple rectangular light panels arranged vertically in groups along the height of the structures. These lights shine onto the runway and highlight the collection throughout as they are placed evenly across the runway length, creating a regular rhythm through the space. Speakers are also attached to the towers, playing the music that backdrops the show. The audience sits on cube-shaped blocks placed in straight rows, their surfaces resembling compacted soil. The rows of cubes were divided by the runway path in the middle, and their color matches the ground covered in an earth-toned material.

all images courtesy of Burberry

cloud-printed tent, earth floor and cube seating in shared space

The main visual connection of the Burberry Summer 2026 show comes from the cloud-printed tent, the earth floor, and the cube seating. They suggest a setting where the outdoors has been brought into a covered space. The set design supports Burberry’s theme of linking fashion to live music events in the UK summer, where open-air stages, temporary seating, and natural ground surfaces are common. Even the collection is built on the relationship between British music and fashion, with the music as the referencing point for shapes, fabrics, and details. 

Daniel Lee, the brand’s Creative Director, explains that the idea of music as self-expression shaped the work. The looks, then, are influenced by how musicians dress on and off stage, and the styling includes elements from different musical genres, showing how clothing and sound both shape identity. The soundtrack of the show was directed by Benji B, a longtime Burberry collaborator. He used songs from the archive of Black Sabbath, a British band known for its influence on rock and metal, and the choice of this music connected directly to the history of UK sound culture and reinforced the collection’s link to music as performance.

the tent’s inner surface is printed with a sky scene

each truss tower inside the Burberry Summer 2026 show holds multiple rectangular light panels

earth-covered floor and cube-shaped seats stage Burberry’s Summer 2026 show in London

the space hopes to bring together elements of landscapes and live performance environments

the floor resembles compacted soil

Daniel Lee, the brand’s Creative Director

project info:

name: Summer 2026 show

brand: Burberry | @burberry

location: Perks Field in Kensington, London, UK

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spiral shell-shaped pavilion for expo 2025 osaka bridges architecture and ecology

Ammonite-Inspired Spiral Shapes Pavilion for Expo 2025 Osaka

The PASONA NATUREVERSE Pavilion, designed by the design labo Inc. for Expo 2025 Osaka, is conceived as a spiral structure inspired by the form of an ammonite. With a diameter of 43 meters, the pavilion establishes a spatial framework where themes of life, ecology, and the interconnection between humanity and nature are explored.

The ammonite form serves as both architectural reference and symbolic gesture, linking the micro- and macro-scale dimensions of natural systems. Visitors are guided along a spiraling path that evokes continuity and cyclical movement, while the geometry reinforces the concept of humanity as part of a broader ecological context.

all images courtesy of the design labo Inc.

design labo integrates sustainability with Cultural Context

For the design labo studio, environmental performance is integral to the design. The pavilion employs a water-based cooling system in which a thin film flows across the roof surface, promoting evaporative cooling and reducing the need for air-conditioning. Rainwater, collected alongside the rooftop water, is reused within the building for non-potable functions, reducing reliance on external resources.

Following the Expo, the pavilion is scheduled to be dismantled and reassembled on Awaji Island, a site recognized as one of Japan’s important ammonite fossil beds. This relocation extends the life of the structure and establishes a continuity between form, place, and geological history. Through its material strategy, environmental systems, and symbolic geometry, the PASONA NATUREVERSE Pavilion integrates sustainability with cultural and ecological reference, presenting architecture as a medium that bridges natural history and contemporary design practice.

the PASONA NATUREVERSE Pavilion stands as a 43-meter ammonite-inspired spiral

designed by the design labo Inc. for Expo 2025 Osaka

the spiral form guides visitors through cyclical pathways

the design emphasizes ecological awareness through spatial form

the spiraling geometry recalls continuity and natural cycles

after the Expo, the pavilion will be dismantled and relocated

project info:

name: PASONA NATUREVERSE
architect: the design labo Inc. / Satoshi Itasaka | @itasaka.satoshi

location: Expo 2025 Osaka, Japan

client: Pasona Group Inc.

design supervision: Maeda Corporation First-Class Architects Office

construction: Maeda Corporation

site area: 3,514.42 sqm

building area: 2,263.83 sqm

total floor area: 2,457.70 sqm

structure: Steel structure

floors: 2 (above ground)

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

edited by: christina vergopoulou | designboom

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maurizio cattelan hides self-portrait miniatures across three cities for global treasure hunt

Maurizio Cattelan announces Global Game of Hide-and-Seek

Maurizio Cattelan, contemporary art’s notorious provocateur, is taking his wit from the gallery into the streets with Where is Maurizio?, a worldwide treasure hunt. To mark the release of We Are the Revolution, his latest limited-edition self-portrait sculpture, three works have been hidden across the globe, waiting to be found by the quickest and most dedicated seekers. The hunt begins in New York City on September 30th, 2025, when the first clue will be revealed on Avant Arte’s dedicated website.

images courtesy of Avant Arte

Cities become Stages with ‘We Are the Revolution’ treasure hunt

The game spans three cities and three sculptures, with each discovery crowning a single winner. Cattelan turns what’s usually a private collecting ritual into a shared citywide adventure. The search turns cities into temporary stages, where passersby might stumble across an artwork that in other contexts requires years of waiting lists and high-stakes bidding.

The object at the heart of this chase is We Are the Revolution, a resin, hand-painted miniature that revisits one of the Italian artist’s most iconic gestures. Standing just 23 centimeters tall, the figure reprises his 2000 work La Rivoluzione Siamo Noi — itself a parody of Joseph Beuys’ felt suit and the dictum that ‘every man is an artist.’ Cattelan counters with the mischievous motto, ‘I am not really an artist,’ poking at the inflated myth of the contemporary creator. The work, mounted on a single nail, continues his long-running series of self-portrait miniatures that turn the artist himself into both subject and satire.

Alongside the three hidden sculptures, the edition is available more conventionally through a run of 1,000 pieces, each hand-painted, individually numbered, and accompanied by a signed certificate of authenticity. While the treasure hunt versions will reward speed and luck, the wider edition is accessible via a draw system closing on October 24th, 2025.

We Are the Revolution is a resin, hand-painted miniature

the edition is available through a run of 1,000 pieces

standing just 23 centimeters tall, the figure reprises his 2000 work La Rivoluzione Siamo Noi

the work, mounted on a single nail, continues the artist’s long-running series of self-portrait miniatures

the edition is accessible via a draw system closing on October 24th, 2025

project info:

name: Where is Maurizio? | We Are the Revolution

artist: Maurizio Cattelan | @mauriziocattelan

dimensions: 23 × 6 × 6 cm

edition size: 1,000

organized by: Avant Arte | @avant.arte

release date: October 24th 2025

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pedrali’s furniture brings a sense of home and well-being to workspaces around the world

PEDRALI CREATES MODERN OFFICES THAT FEEL LIKE HOME

Pedrali is a key contributor to the evolution of the modern workspace, providing adaptable, sustainable, and ergonomically-designed furniture solutions that foster collaboration, well-being, and a sense of feeling at home in diverse global projects. The concept of a professional environment has shifted dramatically, moving past the traditional desk-and-chair setup to become a dynamic ecosystem of agile and functional hubs. designboom takes a look at several of these new settings – from Milan to Paris and beyond – that have embraced this modern philosophy with Pedrali’s versatile collections. 

Capgemini office Milan by DEGW Lombardini22+ | all images courtesy of Pedrali, image © Andrea Martiradonna

ITALIAN CRAFTSMANSHIP MEETS GLOBAL DESIGN

For over 60 years, Pedrali has combined aesthetics, tradition, and innovation to create contemporary furniture for both contract and residential spaces. The company’s versatile collections are the result of a process that merges engineering excellence with high-quality materials like metal, plastic material, wood, and upholstery, all developed and produced in Italy. Their 100% Made in Italy philosophy, coupled with synergistic collaborations with renowned designers, enables Pedrali to consistently produce award-winning collections that are adaptable, functional, and aesthetically rich, making them a perfect fit for modern workspaces.

DCB Montana office in Slovenia by BAX Studio | image © anaskobe

CRAFTING PEOPLE-CENTRIC WORK ENVIRONMENTS

A prime example of Pedrali’s furniture solutions, creating workspaces that feel like cultural hubs rather than corporate offices, is the L’Oréal headquarters in Milan, designed by DEGW – Lombardini22.  Here, the furniture helps create an environment with a strong sense of hospitality and comfort, inspired by the concept of feeling home. Flexible workstations and open spaces are furnished with elegant seating from the Nym collection by Cazzaniga Mandelli Pagliarulo, while Babila barstools by Odo Fioravanti and Héra armchairs by Patrick Jouin contribute to a warm, inviting atmosphere. This approach extends to the outdoor areas, where Tribeca chairs by Mandelli Pagliarulo and Reva Twist sofas by Patrick Jouin transform panoramic terraces into dynamic open-air lounges.

L’Oréal office – Beauty Hub in Milan by DEGW Lombardini22 | image © Andrea Martiradonna

Beyond aesthetics, Pedrali’s furniture is engineered for modern work needs, like collaboration and privacy. At the Scalapay headquarters in Milan, the Buddyhub system offers a perfect solution for acoustic comfort, creating an isolated, sound-absorbing niche for focused work or informal meetings within a larger open plan. Pedrali also extends its expertise to the outdoors, recognizing that open-air spaces are now an integral part of the office. On the terrace of La Maison Brevo in Paris, the Buddy Oasi collection by Busetti Garuti Redaelli with its movable backrest and waterproof lining creates versatile open-air workstations and social areas, while the Reva Cocoon lounge seats provide freedom of use and a striking, woven rope design for a touch of natural elegance.

Scalapay Headquarters in Milan | image © Matteo Bellomo

This focus on adaptability and modularity is also evident in projects for global tech giants. In the Sauvage TV offices in Barcelona, the modular Social seating system by Patrick Jouin and minimalist Toa tables by Robin Rizzini

are used to create flexible social and meeting areas. Similarly, at the PayPal offices in Mexico City, Ila lounge armchairs by Patrick Jouin, and Nemea chairs by Cazzaniga Mandelli Pagliarulo are paired with large Arki-Tables to facilitate collaborative moments and informal meetings. Through these diverse projects, Pedrali demonstrates a consistent ability to create dynamic, welcoming spaces that are a perfect reflection of a modern, people-centric work culture.

Sauvage TV offices in Barcelona by Vania Gaetti | image © Salva Lopez

Sauvage TV outdoor lounge | image © Salva Lopez

lounge area in PayPal Office

project info:

brand: Pedrali | @pedralispa

projects: L’Oréal’s Italian headquarters in Milan, La Maison Brevo headquarters in Paris, Scalapay headquarters in Milan, Sauvage TV offices in Barcelona, PayPal offices in Mexico City

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alastair philip wiper photographs the secret city in oak ridge national laboratory, tennessee

Inside the oak ridge national laboratory in tennessee, USA

Alastair Philip Wiper documents the inside of the Oak Ridge National Laboratory in Tennessee, USA, in the photography project, The Secret City. In the series, the photographer captures the machinery and spaces inside the infrastructure, which was established in 1943 as part of the Manhattan Project. The laboratory’s first purpose was to refine uranium and plutonium for the production of atomic bombs, and it became a town that was built quickly to house workers, with the population reaching 75,000 during World War II. The photographer’s name for the project is not random. It is because the community was called The Secret City, referring to its existence being hidden. Most residents did not know the purpose of their work until the atomic bomb was dropped on Japan in 1945.

After the war, the Oak Ridge National Laboratory changed its mission and became a national center for nuclear research, materials science, biology, energy studies, and computer technology. Today, it is one of the largest science and energy laboratories under the U.S. Department of Energy system. Through the photographs of Alastair Philip Wiper, viewers are afforded the inner workings of the laboratory, from the space housing the first continuously operating nuclear reactor in the world to the major facility of the most powerful reactor-based neutron source in the US. In the images, the photographer managed to document the spaces and what resides in them, including the old machinery and control stations as well as the upgraded tools used for the nuclear research.

all images courtesy of Alastair Philip Wiper

alastair philip wiper captures stations in research facility

The Oak Ridge National Laboratory site includes laboratories, hot cells, reactors, accelerators, computing centers, and utility lines. The design of the laboratory reflects its functions: large buildings for reactors, long corridors for accelerators, and shielded cells for radiochemical work. Utility drain lines manage water and waste produced during experiments. Control rooms operate reactors and accelerators. The facility combines steel, concrete, shielding materials, electronic systems, and high-power computing hardware. In Alastair Philip Wiper’s series, the photographer goes through these areas, even capturing the site’s first major project, the X-10 Graphite Reactor. It began operation in 1943 and ran until 1963 and was the first continuously operating nuclear reactor in the world. 

Its purpose was to prove that plutonium could be produced for nuclear weapons, and after the war, the reactor was used to generate the first nuclear electricity. It also produced radioisotopes for medicine, agriculture, and industry, and these isotopes were used for cancer treatments, crop studies, and industrial testing. Another major facility at the Oak Ridge National Laboratory that the photographer captured is the High Flux Isotope Reactor. It remains the most powerful reactor-based neutron source in the US, producing medical isotopes, including plutonium-238, which is used in NASA space missions. Inside the reactor pools, spent nuclear fuel is stored. The blue glow that appears in the water is known as Cherenkov radiation, which shows the presence of recently irradiated fuel.

control room of the oldest nuclear reactor in the world, the X-10 Graphite Reactor

A US-based laboratory that also studies biological materials

One important instrument at the Oak Ridge National Laboratory that Alastair Philip Wiper photographed is the MaNDi neutron diffractometer. It studies biological materials by scattering neutrons off samples to map atomic structures, and during the COVID-19 pandemic, MaNDi was used to investigate the structure of the SARS-CoV-2 protease. The data supported drug development research for the vaccines later on. 

The laboratory also houses the Radiochemical Engineering Development Center, where technicians handle radioactive isotopes inside hot cells using remote manipulators. One isotope, actinium-225, is being tested in clinical trials for leukemia and brain cancer treatment. The hot cells are enclosed rooms with thick shielding that allow remote operations without direct exposure. This, alongside other setups, makes up the series The Secret City, which aims to present the once war-oriented research facility turned into a nuclear research laboratory. 

part of the Spallation Neutron Source particle accelerator

the MaNDi neutron diffractometer at Oak Ridge National Laboratory studies biological materials

detector at the Spallation Neutron Source particle accelerator

remotely operating arms in a hot cell at the Spallation Neutron Source

view of the X-10 Graphite Reactor

technicians use remote manipulators to handle actinium-225 inside a hot cell

Thomas Zacharia, former director of ORNL in front of Frontier, the fastest supercomputer in the world

project info:

name: The Secret City: Oak Ridge National Laboratory, USA

photographer: Alastair Philip Wiper | @alastairwiper

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