By

Feel Book Concept Imagines a Tactile, AI-Powered Future for Accessible Reading

Reading remains one of humanity’s most fundamental activities, yet millions of visually impaired people face significant barriers when trying to access books, magazines, or educational materials that rely heavily on visual content. Current solutions like audiobooks handle text well but completely miss images, diagrams, and visual elements that often carry crucial information. E-readers with Braille displays exist but remain expensive, limited, and unable to convey the rich visual content that makes many books complete experiences.

The Feel Book concept by Young Jin Jeong and Dong il Lee tackles these limitations through a visionary approach that imagines what reading could become with advanced AI and tactile technology. This speculative device proposes a future where both text and images become accessible through a combination of intelligent recognition, audio feedback, and revolutionary tactile display technology that doesn’t yet exist in practical form.

Designers: Young Jin Jeong, Dong il Lee

The design philosophy centers on thoughtful simplicity and seamless integration into everyday life. Feel Book features a minimalist, portable form that’s designed to be easy to perceive through touch, with spatial harmony ensuring all controls fall naturally under the user’s fingers. The device is intended to blend into any environment, supporting reading anywhere without drawing attention to the user’s visual impairment.

The AI camera system represents the concept’s most achievable element with current technology. The device would scan physical book pages, using artificial intelligence to recognize both text and images in real time. The text gets converted to speech, providing clear audio narration that follows along as users turn pages, creating a natural reading rhythm that mimics sighted reading experiences.

The revolutionary aspect lies in the proposed tactile image display. As the AI camera detects illustrations, photographs, or diagrams, the concept envisions rendering these images as touchable graphics on the device’s surface. Users could feel the outlines of characters, explore the shapes of diagrams, or understand the composition of photographs through their fingertips, creating a truly multisensory reading experience.

Of course, this tactile image rendering remains firmly in the realm of speculation. Current technology can’t dynamically create detailed, real-time tactile graphics with the resolution and speed this concept would require. Existing tactile displays are limited, expensive, and nowhere near the sophistication needed to translate complex images into meaningful touch experiences.

That said, the concept’s value lies in pushing boundaries and inspiring new thinking about accessibility. By imagining what’s possible rather than accepting what’s practical, Feel Book challenges designers and technologists to develop solutions that seemed impossible just a few years ago. The concept serves as a north star for inclusive design, showing what we should be working toward.

You’ll notice how Feel Book embodies the principle that accessibility drives innovation for everyone. The tactile clarity, spatial harmony, and intuitive navigation would benefit all users, not just those with visual impairments, suggesting that inclusive design often creates better experiences across the board.

The Feel Book concept invites us to imagine a future where reading becomes truly universal, where every book becomes accessible regardless of visual ability. This kind of speculative thinking helps expand our understanding of what technology should accomplish and inspires the innovations that might eventually make such visions a reality.

The post Feel Book Concept Imagines a Tactile, AI-Powered Future for Accessible Reading first appeared on Yanko Design.

By

DAB Motors lights up the Future with its Tron-Inspired 80s Futurism Bike

DAB Thursday Experiment is a creative initiative by DAB Motors, where every Thursday, they publish a new design iteration. These new ideas push the boundaries of conventional motorcycle design as the intent is to merge art, fashion, design, and culture with the core engineering of electric motorcycles. Some experiments remain as conceptual visuals; others may influence actual production or limited-edition versions.

Their latest mockup is an eye-popping addition to the series that arrives just in time for the release of Tron: Ares. This version, dubbed Experiment 007: 80s Futurism, takes cues from the futuristic neon aesthetic of 1980s sci-fi movies, where digital interfaces and glowing grids shaped the era’s imagination. The design channels cinematic nostalgia through illuminated body lines, minimal geometry, and glowing color gradients reminiscent of Tron’s synthetic world. The concept draws further inspiration from the sleek metallic interiors of Drake’s private airplane, tying luxury cues into the cyberpunk theme.

Designer: DAB Motors

Experiment 007 follows a growing archive of weekly concepts that reinterpret the brand’s electric motorcycle form in unexpected ways. The first in the line, Experiment 001: Bricks Bodywork, introduced a playful twist with pixelated panels resembling toy building blocks. It explored modularity in design, replacing fluid surfaces with rigid “brick” structures that reflected a new design language. The next in sequence, Experiment 002: High Heels, borrowed inspiration from fashion, sculpting the rear section and stance around the elegance and posture of a stiletto shoe. These experiments gave the motorcycles exaggerated personalities—bridging utilitarian machines with cultural expression.

Later editions moved toward thematic reinterpretations rather than structural reinventions. One week saw a Gulf-inspired racing livery, light blue and orange hues that honored motorsport heritage, while another transformed the minimal e-bike silhouette with industrial stainless finishes, highlighting the tactile rawness of metal. Each experiment draws influence from a new discipline, whether architecture, pop culture, or product design, forming a catalog of visual thought rather than commercial intent. The Thursday Experiment series operates like a weekly design playground where ideas move fast and boundaries blur. Every creation begins with a consistent electric foundation but diverges visually and emotionally, reflecting the freedom of digital craftsmanship. The process embodies experimentation over production, using 3D rendering and visual storytelling to communicate what electric motorcycles might look like in parallel design universes.

With Experiment 007, DAB revisits the cinematic optimism of the 1980s, when technology promised an exciting future, and reinterprets it through modern electric mobility. The result is not just a tribute to retro sci-fi, but a reflection of how design cycles back through decades of inspiration. As the series continues, each Thursday becomes a new opportunity to imagine what form motion, light, and culture might take next!

The post DAB Motors lights up the Future with its Tron-Inspired 80s Futurism Bike first appeared on Yanko Design.

By

5 Paintings by Piet Mondrian You Wouldn’t Believe Were His

The post 5 Paintings by Piet Mondrian You Wouldn’t Believe Were His appeared first on DailyArt Magazine.

By

Stonehenge: Incredible Facts and Fascinating Theories

The post Stonehenge: Incredible Facts and Fascinating Theories appeared first on DailyArt Magazine.

By

Rose Valland: How One Woman Saved Thousands of Artworks From the Nazis

The post Rose Valland: How One Woman Saved Thousands of Artworks From the Nazis appeared first on DailyArt Magazine.

By

grafton architects arrives at university of arkansas with passive, mass-timber building

Anthony Timberlands Center opens at university of arkansas

 

The Anthony Timberlands Center for Design and Materials Innovation opens at the University of Arkansas in Fayetteville, marking Grafton Architects’ first completed project in the United States. Designed in collaboration with local firm Modus Studio, the 42,000-square-foot mass-timber building stands as a new precedent for environmentally-responsive campus architecture informed by material research and regional identity.

 

The center is both an academic facility and a working laboratory dedicated to timber design, sustainable forestry, and digital fabrication. With classrooms, studios, galleries, and a double-height fabrication hall, the building is a core component of the university’s growing Art and Design District.

 

Dean Peter MacKeith describes the center as ‘a living curriculum’ which allows students to engage with the full lifecycle of architecture, from material sourcing to assembly. At the same time, the project supports faculty research into affordable housing, forestry, and emerging timber technologies.

images © Tim Hursley

 

 

grafton architects’ ‘story book of timber’

 

True to Grafton Architects’ material-driven approach, the building is conceived as a ‘Story Book of Timber.’ Its structure reveals layers of Southern Yellow Pine, white oak, red cedar, and other native species sourced from Arkansas forests. The Pritzker Prize-winning architects top the structure with a cascading roof system of cross-laminated timber (CLT) panels supported by monumental glue-laminated beams that function as rainwater gutters.

 

This roof performs as both infrastructure and climate mediator — shading interiors from the southern sun, directing runoff to a bioswale, and defining the center’s architectural character. Circulation routes thread between the fabrication hall and teaching spaces, opening framed views toward the courtyard and surrounding campus. Passive strategies, such as calibrated glazing and natural ventilation, reduce dependency on active systems like air conditioning.

the Anthony Timberlands Center opens as Grafton Architects’ first project in the US

 

 

international design informed by local expertise

 

The partnership between Grafton Architects and Modus Studio brought together international design experience and regional construction expertise. While Grafton shaped the conceptual framework, the team at Modus translated it into local material systems and fabrication methods, and ensured that Arkansas’s forests and industries were integral to the process.

 

Thus, the building merges global architectural discourse with regional culture. Chris Baribeau of Modus Studio emphasized the ambition to ‘bridge international design with regional application,’ a balance evident in the project’s technical sophistication and material authenticity.

 

Located within the University of Arkansas’ growing Art and Design District, the Anthony Timberlands Center adds to a larger campus district that includes the Windgate Studio and Design Center and the forthcoming Windgate Gallery and Foundations Building. A shaded pedestrian courtyard planted with loblolly pines connects the structures, and serves as a landscaped outdoor classroom.

the building joins the University of Arkansas’ growing Art and Design District

its mass-timber structure uses locally-sourced lumber

a cascading CLT roof shades interiors and channels rainwater into a bioswale

Grafton Architects is supported by regional expertise from Modus Studio

passive environmental strategies demonstrate climate-responsive timber architecture

classrooms surround an 11,000 square-foot fabrication hall dedicated to hands-on learning

 

project info:

 

name: Anthony Timberlands Center

design architect: Grafton Architects | @graftonarchitects

local architect: Modus Studio | @modusstudio

location: Arkansas, USA

client: University of Arkansas | @uarkansas

completion: 2025

photography: © Tim Hursley | @timhursley

The post grafton architects arrives at university of arkansas with passive, mass-timber building appeared first on designboom | architecture & design magazine.

By

Google Japan’s “Revolutionary” Gboard Dial Edition Keyboard

It’s time for Google Japan’s annual wacky UI experiment, where they design an absurdist keyboard. (See previous ones here and here.) This year’s iteration of the Gboard, as the object is called, is the Gboard Dial Edition. Its design harkens back to the time when rotary phones were king.

The pitch video for the design is hilarious (turn the subtitles on); the developers sing the praises of the “revolutionary” design completely deadpan.

Who says engineers don’t have a sense of humor?

By

Inexpensive, Inside-Out Parachutes Based on Kirigami

You’ve heard of origami, but perhaps not its cousin, kirigami. Origami involves folding paper. Kirigami goes a step further, adding cuts to the paper that allow it to form new shapes.

Researchers at Canada’s Polytechnique Montréal started messing around with kirigami “purely out of curiousity,” to see what would happen if they cut precise patterns of slits into a parachute. Their findings were surprising. By using a lasercutter to slit a plastic sheet…

…they found that when they dropped it from height, it achieved a remarkably smooth and straight downward flight.

They then began testing higher drops using a drone, with a payload attached to the ‘chute.

The inside-out parachute works because the slits all generate a slight amount of turbulence, and these work in concert to slow the descent. Furthermore, they don’t drop precipitously faster than a conventional parachute, as you might expect:

We show that at low load-to-area ratios, kirigami-inspired parachutes exhibit a comparable terminal velocity to conventional ones. However, unlike conventional parachutes that require a gliding angle for vertical stability and fall at random far from a target, our kirigami-inspired parachutes always fall near the target, regardless of their initial release angle. These kinds of parachutes could limit material losses during airdropping as well as decrease manufacturing costs and complexity.

The research team is also investigating how the parachutes could sort their cargo by weight. “We could have parachutes that move to one side if they are carrying water, while those carrying a lighter payload would move to the other side, so the cargo would be sorted as soon as the parachutes are released,” he suggests. “The idea is to see how we can program the descent in different ways.”

By

MIT Scientists Unveil Electron Conducting Carbon Concrete That Can Store and Supply Power

Imagine a future where the walls and floors of your home do more than just support your furniture. They actually store and supply electricity as well. This vision is coming closer to reality thanks to innovative research from scientists at MIT. Their latest breakthrough centers around a new type of carbon-infused concrete that can conduct electrons, effectively turning ordinary building materials into large-scale batteries.

Traditionally, concrete has been valued for its strength and durability, not its ability to conduct electricity. However, the MIT team has changed the game by incorporating a blend of carbon black—a fine, powdery form of carbon—into the concrete mix. This addition creates a network within the concrete that allows electrons to move freely, transforming the material from a passive structure into an active energy storage device. The idea is both simple and revolutionary: the carbon black forms continuous paths throughout the concrete, enabling it to function somewhat like the electrodes found in traditional batteries.

Designer Name: Massachusetts Institute of Technology

The research, detailed in the Proceedings of the National Academy of Sciences, demonstrates that this new material can store significant amounts of energy. For example, a block of this electron-conducting concrete could theoretically power a set of LED lights or supply backup energy for a home during a blackout. The possibilities extend even further, including the potential to store renewable energy from solar panels during the day and release it at night, or to help balance loads in urban power grids.

One of the most exciting aspects of this technology is its scalability. Because concrete is already one of the most widely used building materials on the planet, integrating energy storage directly into new construction projects could be both cost-effective and environmentally friendly. Large-scale applications might include parking garages, office buildings, or even entire neighborhoods that double as massive energy storage units. This could help reduce the need for separate, resource-intensive battery banks and lower the environmental footprint of new developments.

There are still challenges to overcome before this technology can be widely adopted. The research team is continuing to optimize the mix to maximize conductivity and storage capacity while maintaining the structural integrity that makes concrete so useful in the first place. They are also studying the long-term durability of the material and looking for ways to scale up production for commercial use.

The potential impact is enormous. Imagine roads that could help power electric vehicles as they drive, or disaster shelters that store their own emergency electricity. As global demand for energy storage grows alongside renewable energy adoption, innovations like MIT’s electron-conducting carbon concrete could play a crucial role in shaping the smart, sustainable cities of tomorrow.

The post MIT Scientists Unveil Electron Conducting Carbon Concrete That Can Store and Supply Power first appeared on Yanko Design.

By

peel-and-stick wallpaper by love vs design rethinks temporary interiors for modern living

Peel-and-Stick Wallpaper: Stylish, removable, and Apartment-safe

 

Peel-and-stick wallpaper by Love vs. Design is redefining interior design for renters and small-space dwellers. Designed for easy application and removal, it offers a practical alternative to paint or traditional wallpaper, allowing spaces to be transformed without surface damage or long-term commitment.

 

Each wallpaper design is printed using advanced color technology developed for stationery production, ensuring precision and consistency across patterns. The result is a collection that emphasizes flexibility, customization, and visual coherence in modern apartment design.

Retro Rainbows Wallpaper | all images courtesy of Love vs. Design

 

 

Love vs. Design removable wallpaper: No Damage and No Stress

 

Love vs. Design, launched in 2020, specializes in creating customizable removable wallpapers and murals. The brand emerged as a sister company to BasicInvite.com, a Utah-based company known for its Truly Custom invitation and holiday card design technology. By adapting the same digital customization platform, Love vs. Design extends this approach to interiors, offering a wide range of patterns and color variations that users can personalize online.

 

Through this approach, Love vs. Design bridges graphic design and interior application, translating digital creativity into physical spaces while maintaining accessibility and ease of use for renters and homeowners alike.

Private Prairie Wallpaper | image by @spacelivinggrace⁠

Private Prairie Wallpaper | image by @alittlebitoftrish

Wildflower Print Wallpaper | image by @herlittlevillage

Damask Blooms Wallpaper | image by @simplyanamaria

Damask Blooms Wallpaper | image by @simplyanamaria⁠

Wild Trellis Wallpaper | image by @orangegrove.home

Wild Trellis Wallpaper | image by @orangegrove.home

Handmade Scallop Wallpaper | image by @knottsandco

Hand Drawn Daisy Wallpaper | image by Love vs. Design

 

Soft Dots Wallpaper | image by Love vs. Design

 

 

project info:

 

name: The essential Peel and stick Wallpaper
designer: Love vs Design | @lovevsdesign

lead designer: Eric Mortensen

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post peel-and-stick wallpaper by love vs design rethinks temporary interiors for modern living appeared first on designboom | architecture & design magazine.