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World’s Narrowest Fiat Panda is one anorexic 19-inch-wide EV destined for the record books

Classic cars often become platforms for bold customization, but few reimaginings are as visually striking (or ugly, I have to admit) as this one. Italian mechanic Andrea Marazzi has transformed a 1993 Fiat Panda into what is now being described as the world’s narrowest functioning car. At just 19.6 inches wide, the one-seater electric vehicle looks more like a cartoon sketch brought to life than a road-ready hatchback. Yet it can move, steer, stop, and drive like any other car. That said, I would never imagine myself driving this one-eyed Cyclops in this lifetime.

Marazzi, who works at his family’s scrapyard and mechanical workshop in Bagnolo Cremasco, spent over a year building the vehicle as a tribute to the original Fiat Panda. Nearly every original part of the 1993 car has been reused in the process—doors, lights, roof, and wheels—but the body has been split vertically and rebuilt to shrink the vehicle’s width down to a comically slim profile. What was once a compact city car is now a sculptural slice of steel with just enough room to accommodate a single person, seated at the exact center.

Designer: Andrea Marazzi

Powering this narrow Panda is a small electric motor borrowed from an e-scooter, paired with a 24V battery that gives the car a modest top speed of about 15 kilometers per hour and a driving range of approximately 25 kilometers. It’s not built for real-world commuting, nor is it legally road-registered. But it functions exactly as a basic car should: offering forward and reverse drive, braking, turning, and a working headlight and turn signals. While Marazzi originally created it as a showpiece, the vehicle is fully operational and was recently driven in public at an enthusiast gathering in Pandino, Italy.

The car made its debut at “Panda a Pandino,” a festival celebrating 45 years of the Fiat Panda. Surrounded by thousands of conventionally sized Pandas, Marazzi’s single-seater stood out immediately. Videos and images from the event quickly went viral online, leaving viewers fascinated by its proportions and mobility. Many were amused by how the Panda looks almost flattened, as if it had been squeezed into a 2D shape while retaining its ability to move. Others praised the engineering behind it, describing it as a brilliant blend of creativity, nostalgia, and humor.

Though it’s not street-legal, Marazzi is in the process of submitting the car for a Guinness World Record as the slimmest functioning vehicle ever made. At just a third of the width of the original Fiat Panda, it’s an extreme but fascinating reinterpretation of automotive form. More art installation than transport solution, the narrow Panda invites viewers to rethink proportions, functionality, and playfulness in mechanical design. It’s a rolling experiment—part engineering challenge, part tribute, and part public spectacle.

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This Terminator T-800 Headphone Stand Is A Must-Have for Sci-Fi Audiophiles

Few cinematic antiheros have captured our collective techno-anxiety quite like the T-800 Terminator. That chrome skull with piercing red eyes has haunted our dreams since 1984 when Arnold first uttered those now-legendary words: “I’ll be back.” Four decades later, the endoskeleton design remains a masterclass in mechanical menace, a perfect fusion of human anatomy and cold machine precision. The exposed pistons, hydraulic jaw detail, and that unwavering death stare somehow manage to be both familiar and utterly alien. James Cameron’s creation tapped into something primal about our relationship with technology – the fear that one day our creations might look back at us with those same emotionless eyes.

Now that iconic design has found a brilliantly practical new purpose on your desktop. Someone has finally answered the question nobody thought to ask: what if the relentless killing machine from the future could hold your Sennheisers? The result is this meticulously crafted 3D-printed Terminator Endoskeleton Headphone Stand, and I’m absolutely here for this unexpected fusion of 80s sci-fi nostalgia and modern desktop organization. Standing at approximately 8.5 inches tall, this menacing little skull transforms the mundane act of storing your headphones into something with far more cult weight than your minimalist wood or metal stand. Etsy seller by the name of ‘ProperCrafts’ offers it in two finishes, and judging by the photos, both capture the weathered metallic sheen that made the original so compelling.

Designer: ProperCrafts

The true showstopper here is undoubtedly the glowing red LED eyes, powered via USB. They cast an ominous glow across your desk that hits the perfect balance between practical lighting and nostalgic fan service. The lights activate when plugged in, bathing your workspace in that signature Skynet red that instantly communicates “cybernetic organism” rather than “plastic headphone stand.” This feature transforms what could have been a simple novelty into something genuinely atmospheric. The wiring is cleverly concealed within the stand itself, maintaining the clean aesthetic while providing that essential touch of authenticity.

The side of the cranium features detailed mechanical elements that would make Industrial Light & Magic’s original model makers nod in approval. Even the base has been thoughtfully designed with enough stability to prevent toppling when supporting even the heaviest audiophile-grade headphones.

For the 3D printing enthusiasts looking to take this piece to the next level, an acetone bath can smooth out the visible layer lines for an even more screen-accurate finish. Fair warning, though: this finishing technique requires significant experience with 3D printing materials and can easily ruin the entire piece if performed incorrectly. The standard finish looks fantastic out of the box, so novices should resist the urge to experiment unless they’re comfortable potentially sacrificing their new cybernetic desktop companion to the gods of DIY finishing. A little masking, a little spray paint, and you can actually turn this plastic piece into a shimmering chrome skull that should have the average mother fervently whispering “Santa Maria” every time she enters your room.

While modern CGI has given us more elaborate killer robots, nothing has quite replaced the primal fear of that chrome skull with glowing red eyes. Priced between $121-151 depending on finish options, it’s on the expensive side for sure, but feels reasonable once you consider that it also serves as a detailed movie prop with a fair bit of functionality (just like this Sauron headphone stand). For anyone who grew up watching the Terminator films or simply appreciates retrofuturistic design, this headphone stand delivers both nostalgia and utility in equal measure. Your headphones finally have a resting place worthy of Judgment Day.

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LEGO Artist builds stunning 150,000-piece replica of reagan national airport

LEGO creations have long blurred the line between toy and art, with builders recreating everything from classic cars to full-scale architectural icons. For Richard Paules, it was a childhood passion that turned into an extraordinary pursuit of miniature realism. After winning attention for his detailed LEGO model of Dulles International Airport, Paules has now unveiled his most ambitious build yet: a stunning replica of Ronald Reagan Washington National Airport, constructed from approximately 150,000 LEGO bricks.

The massive model is set to go on display in the ticketing area of Terminal 2 next week, just before the TSA checkpoint. Weighing nearly 120 pounds, the replica showcases the airport’s unique architecture, from the domed ceilings and expansive skylights to the multi-level arrivals and departures layout. It even includes a realistic baggage claim area, gate seating, jet bridges, and signature airfield markings. Every detail, down to the exact floor patterning, has been meticulously replicated with plastic bricks.

Designer: Richard Paules

Paules spent nine months designing and assembling the model, calling it the most challenging project he had ever undertaken. Compared to his previous Dulles build, this one pushed his skills further due to Reagan National’s complex structural features and curved rooflines. As a solo builder, Paules had to manage both the creative vision and the physical logistics, including how to transport such a large and fragile piece safely to the airport. The project, now complete, reflects not only his technical skill but his deep fascination with aviation and public spaces.

The Metropolitan Washington Airports Authority worked closely with Paules throughout the process, helping coordinate installation and display logistics. Airport staff were reportedly stunned by the model’s accuracy, with one operations manager noting how the LEGO version captured the character of the terminal almost perfectly. The model is currently hidden behind a curtain on the ticketing level between doors three and four, and will be unveiled to the public next Monday.

This installation continues a growing trend of using public art and interactive displays in transit hubs to enhance the traveler experience. Instead of rushing past generic hallways, passengers at Reagan National will now encounter an unexpected moment of creativity—one that offers both nostalgia and inspiration. The display also serves as a conversation piece for both aviation buffs and casual travelers, giving them a chance to appreciate the complexity of the airport in miniature.

Following the success of his Dulles model, Paules has again demonstrated how LEGO can transform familiar infrastructure into works of art. His Reagan National build is not just a tribute to architecture or transportation, it’s a celebration of patience, precision, and play. For many who pass through Terminal 2, this impressive creation will likely become an unexpected highlight of their journey. For LEGO enthusiasts, well… it’ll be another build to take inspiration from and come up with something equally stunning.

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Clicker Pen Key Holder Concept Turns Everyday Keys Into Pocket Perfection

There is something oddly frustrating about fishing around for the right key while juggling a phone, bag, or coffee cup. Traditional key holders sometimes make things tidier, but they still leave you with a tangle of metal, mystery jingles, and the occasional scratch on your favorite gadget. The simple act of grabbing a key shouldn’t feel like a daily puzzle, yet for many of us, it somehow does.

Key holders have existed for ages, but their designs rarely change. After all, keys are just keys, right? That’s why when an entrepreneur set out to rethink this small but stubborn daily problem, they partnered with a design team to create a truly clever alternative. The result is Keyo—a sleek, minimal organizer that borrows inspiration from those classic multi-cartridge pens you might remember from school.

Designer: Diego Mata, NOS Design

Keyo is compact, with a shape that feels natural in your hand or pocket. It’s designed to simplify one of those little interactions you repeat countless times a week. The hard plastic shell protects your keys from scratches and damage, while also keeping them from scratching anything else in your pocket or bag. It’s the kind of thoughtful upgrade that makes you wonder how you ever managed the old way.

The real fun comes with the sliding mechanism. With a satisfying click, you can deploy each of the three stored keys individually, so you always get the one you want, right when you need it. No more fumbling or flipping through a ring of lookalikes. This smooth action feels almost like using a fancy pen: one push, one key, and you’re set.

Keyo’s design also means less noise and less clutter. By housing everything inside a lightweight and durable shell, it cuts down on the jangling sound that follows most keychains. The body is available in several colors, making it easy to match your mood or style. Whether you prefer understated black or something a bit more playful, there’s a version for everyone.

Inside, the mechanism is designed to fit a wide variety of key shapes and sizes. The length of Keyo is carefully tuned to accommodate the most common key heads on the market, so you don’t need to order custom keys or make modifications. Just load them in and you’re ready to go, no fuss or extra trips to the hardware store required.

It’s the sort of concept that makes everyday life just a little smoother. With Keyo, searching for the right key becomes a thing of the past, replaced by a quick, intuitive motion that feels both familiar and refreshingly new. For anyone tired of the daily key shuffle, it’s a smart solution waiting to be brought into reality.

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Duck-inspired thermometer concept makes taking temperature fun for kids

Now that you’re an adult, taking your temperature is no big deal—maybe even pretty routine. But if you think back to when you were a kid, it was sometimes more of a struggle with your parents, especially if you were really feeling under the weather. There aren’t any needles involved, but it can still be a scary experience for young children, particularly when they don’t understand what’s happening. But what if checking their temperature could be a bit more fun and playful?

That’s the idea behind the Ducky Thermometer for Kids—a concept thermometer designed to bring comfort, safety, and a touch of fun to a child’s health routine. As its name suggests, it’s shaped like an adorable, friendly rubber ducky that helps put kids at ease by making them feel like they’re just playing. It can transform a potentially stressful moment into an engaging and playful interaction.

Designer: Geonwoo Kang

The ducky shape isn’t just adorable and inviting for kids—it’s thoughtfully designed to fit comfortably in small hands, allowing children to hold it themselves. This sense of involvement can help reduce anxiety, as kids feel more in control when they’re able to participate in the process, such as helping a parent position the thermometer on their forehead. To make the experience even more engaging, there’s a sound mode that can be adjusted with a slider, adding a playful touch to every temperature check.

What makes this thermometer even more unique is the display at the bottom of the duck, which shows the child their temperature—not with numbers, which might be confusing or intimidating—but with expressive ducky faces. There are three kinds of duckies to represent different temperature ranges: Active Ducky, with a smiling and happy look, represents a normal temperature; Resting Ducky, sitting down with a worried expression, appears if there’s a mild fever; and Sick Ducky, who looks unwell, shows up when the child has a high fever.

Although the product renders don’t show it, including a display for parents to view the exact temperature would be a valuable addition, as this information is essential for assessing and managing a child’s illness. Even so, small innovations like the Ducky Thermometer remind us that parenting doesn’t have to be all stress and worry. By blending playful design with practical functionality, Ducky turns everyday health checks into moments of comfort and connection—helping both parents and children feel a little more at ease, no matter what the day brings.

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Innovative Starter Home Concepts Are Designed To Tackle Los Angeles Housing Crisis

Los Angeles has long been at the epicenter of America’s housing crisis, with high costs and limited inventory making homeownership unaffordable for many. The multiple fires this year have also made the situation worse. This year, a new wave of optimism and hope arrived with the “Small Lots, Big Impacts” initiative, a collaboration between the City of Los Angeles, UCLA’s CityLab, and advocacy group LA4LA.

Their design competition invited architects to reimagine starter homes for city-owned small lots, challenging the notion that space is the primary barrier to affordable, family-friendly housing. The result is a collection of inventive, buildable homes that could reshape the city’s housing landscape. The competition was divided into two categories, “Gentle Density” and “Shared Future,” each encouraging creative approaches to maximize livability on minimal footprints.

Designers Featured: WORD, SSK, Light & AirOlsun Kundig

One of the entries is Shared Steps, designed by California architecture studios WORD and SSK. Responding to the challenges of infill development, the team devised a composition of stepped buildings that reads as a single, cohesive residential facade from the street. Behind this unified exterior, however, are three separate, three-storey buildings, each accompanied by its accessory dwelling unit (ADU).

Also in the Gentle Density category, Brooklyn-based studio Light and Air presented 4X4X4, a scheme that brings four three-level houses to a single lot, each with the capacity for ground-floor ADUs. The design uses precast concrete panels punctuated with generous cutouts, allowing for floor-to-ceiling glass and expansive terraces. These features cultivate an indoor-outdoor lifestyle that resonates with Los Angeles’ climate and culture, while the stacked format delivers the density required to make a real impact on housing availability.

Nationally recognized firms also made their mark on the competition. Olson Kundig’s entry envisions a “vertical neighbourhood,” using a scalable mass-timber structure clad with solar panels. This design weaves together three primary buildings with shared amenity spaces, and its modular units can be removed or reconfigured to carve out outdoor spaces as needed. The flexibility of this plan is particularly valuable in a city as dynamic and diverse as Los Angeles, offering the possibility for custom-tailored community spaces and a sustainable, adaptable housing model.

What ties these projects together is their blend of density, flexibility, and a deep sensitivity to context. Rather than imposing generic solutions, the designs respond to the unique qualities of Los Angeles’ neighborhoods and the economic realities of its residents. These refreshing and impressive concepts leverage small lots and innovative design strategies, and could help unlock thousands of new homes, making the dream of affordable homeownership and vibrant, walkable communities more attainable for all Angelenos.

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Hello Kitty and Crocs Bring Swarovski Sparkles to Clogs This Summer

There is a special kind of magic when childhood nostalgia meets a touch of glamour, and the latest Hello Kitty x Crocs Jibbitz collection is proof. These new charms are not just accessories; they are tiny, sparkling celebrations for your feet. With Hello Kitty’s familiar face and that unmistakable red bow, each charm feels like a playful wink at memories gone by, now dressed up for a night out.

Sanrio’s characters have been everywhere lately, popping up on everything from plush toys to kitchen gadgets. But this collaboration takes things up a notch, inviting fans to show off their love for Hello Kitty and friends with every step. Crocs have always been a blank canvas for self-expression, and shoe charms have turned into the must-have collectible for fans of all ages. These new Jibbitz make it clear that shoe charms are no longer just for kids; grown-ups can join the fun too.

Designer: Sandrio x Crocs

The real scene-stealer here is the addition of Swarovski crystals. Each Hello Kitty charm is adorned with hand-placed gems, turning a cheerful face into a dazzling little jewel. The crystals catch the light with every movement, giving your favorite character a sense of luxury that feels both unexpected and perfectly fitting. It is a playful twist on the idea of footwear, mixing the everyday comfort of Crocs with the sparkle of high-end jewelry.

This collaboration is not alone in the trend. Brand partnerships are popping up everywhere, bringing together icons from pop culture and the world of fashion. Crocs has made a name for itself by joining forces with designers, artists, and now luxury brands to create limited-edition pieces that fly off the shelves. The Hello Kitty x Crocs x Swarovski collection is the latest in a string of releases that blur the lines between collectibles and wearable art.

Personalization is at the heart of this movement. With shoe charms, each pair becomes a reflection of its owner, sometimes sweet, sometimes bold, always unique. The Hello Kitty Jibbitz invite you to embrace your inner child, but they also let you indulge in a little grown-up sparkle. It is a combination that feels fresh and irresistible, and the rush to grab these limited-edition charms only adds to the excitement.

If you have ever wanted to put a little extra skip in your step, now is your chance. The Hello Kitty x Crocs Jibbitz with Swarovski crystals captures the spirit of the moment, blending nostalgia, personality, and a dash of luxury in a way that feels just right. And if you’re a fan of the whole Sanrio family, there are studded Jibbitz for cute My Melody and Naughty Kuromi, too! This summer, let your shoes do the talking, and maybe a little sparkling too.

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Jeff Bezos’ Wedding Invite Looks Worse Than An 8-Year Old’s Scrapbook

Remember the entire Oscars debacle when La La Land was accidentally announced as the Best Picture winner when the award actually belonged to Moonlight? Remember when the design of the announcement card leaked online and the entire internet agreed that the layout was RIDDLED with readability errors? Or maybe you remember the time a Citibank employee accidentally transferred $900 million to the creditors of Revlon instead of paying the actual $7.8 million? The review of the banking dashboard’s graphic design exposed how bad design is often MUCH costlier than good design, given the severe impact it can have on societies.

Cut to the year 2025, and to the world’s third-richest man’s wedding invite: Bezos is marrying his long-time girlfriend Lauren Sanchez in Venice, and a leak of the wedding invite just shows how little the world’s elite think about design in general. The card, which looks like it was pulled from an MS Word template in the 90s, has the least creative design I’ve seen as a 34-year-old man who’s attended enough weddings in his life to know what a good invite looks like. At YD, we usually credit the designers, but this might be the first time I’m choosing not to. Not because I don’t know who designed the card, but because this is one of those rare occasions where we talk about the ‘lack of design’ rather than the presence of it.

Image Credits: Jeff Bezos

It’s estimated that Bezos and Sanchez are spending around $56 million on their wedding (although rumors in December indicated ‘falsely’ at a $600 million spend). It’s safe to say that even with a conservative budget of 1/10th that amount, Bezos could put together a much better invite. So what’s wrong with the invite’s design? Let’s get a little technical.

We start with the most obvious lack of any actual information. Sure, Bezos has a lot of name recognition, but does it hurt to put your name on your own wedding invite? Maybe a date too? These seem much more crucial to the invite than perhaps a dress code, or even a location (considering Bezos apparently rented ‘most of Venice’ for the nuptials). The lack of any identifying information really steals the credibility of the invite. More so, the word ‘WEDDING’ seems to be missing from the entire text, too. Strange…

As for the graphical layout itself, it lacks any sort of character or panache. Text in the center, with haphazard stickers on the outside that look like they came in a free PNG pack. Gondolas, feathers, birds, butterflies, all hideously generic pieces of clip art that only an 8-year-old would use. Centrally aligned text in that italic font is difficult to read too, and with just the words UNESCO and CORILA in bold, it really undercuts what the invite is all about – a wedding. And sure, one could argue that a wedding invite hardly has the same impact as accidentally announcing the wrong winner at the Oscars, or sinking hundreds of millions of dollars because of human error… but it’s the attitude towards good design that’s the problem. Fix that and you fix culture.

But hey, the invite literally has the entire design community talking… and that’s what’s so horrendously powerful about bad design – or polarizing design too. It spreads like wildfire, doing a far better job than good design at acquiring more eyeballs. I assume that’s probably why Bezos’ Blue Origin rocket looks the way it does too…

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handcrafted from a naturally fallen tree, sati rocking chair reflects on life, death and impermanence

Cheer Manlekha’s Sati is made from a fallen street tree in Brent

 

Sati, designed by Cheer Manlekha as part of the MA Industrial Design program at Central Saint Martins, University of the Arts London, is a handcrafted wooden chair made from a fallen street tree in Brent, London. The project explores themes of presence, impermanence, and material life cycles through an everyday object.

 

The term ‘Sati’ derives from the Thai language, meaning ‘to remember,’ ‘to recollect,’ or ‘to bear in mind.’ The design draws influence from Zen meditation practices, particularly the concept of ‘just sitting’ without specific objective or outcome. ‘The project, beyond a chair, is also a profoundly personal exploration on existentialism, fears of death, and the process of letting go of things which lie beyond our control. It is a record of a fragment of time spent here in this life and a pursuit to come to terms with death through a design object carefully hand-crafted by natural elements as a contemplative means to reflect the smallness of human existence within the vast, continuous cycle of life in the simplest form of a mundane everyday object; a chair,’ shares the designer.

all images courtesy of Cheer Manlekha

 

 

a flat back and curved front base characterize Sati timber chair

 

Structurally, Sati is a non-traditional rocking chair characterized by its flat back and a curved front base. This configuration requires the user to engage their legs for balance and stabilization, encouraging physical awareness and grounding in the present moment, leaving all unnecessary scattered thoughts behind. The chair’s deliberate unevenness invites active participation from the user, fostering bodily engagement rather than passive sitting.

 

Materiality plays an important role in the project narrative by designer Cheer Manlekha. By using timber from a naturally fallen tree in Brent, London, the design foregrounds memories of the time spent on Earth and a message that something once dead can find a new purpose again. Like any living being, the chair ages over time, gaining scars and marks that reflect a life lived, lessons learned, and the beauty of being alive. This approach reflects an acceptance of natural aging processes, both in materials and in human life, normalizing death as an inseparable part of life that all beings must one day come to face with. The design process of ‘Sati’ reflects an interest in existential themes, with the chair acting as a tool for contemplation and reflection on temporality. Its form and balance encourage moments of stillness, aligning with the broader objective of fostering awareness of one’s body and surroundings. 

the chair draws influence from Zen meditation practices, encouraging moments of stillness and awareness

the form of the armrest and the backrest mimics the organic sprouting of plants from the ground

 

a flat back and a curved front base define the chair’s non-traditional rocking form

the structural configuration encourages users to engage their legs for balance and stability

raw wood parts as a reminder that the chair is crafted from a living thing that once stood, grew, and fell

visible imperfections reflect the chair’s origins and its previous life as part of an urban tree

 

the structural configuration encourages users to engage their legs for balance and stability

the project uses a single everyday object—the chair, to frame themes of temporality and letting go

natural material aging is integrated into the design intent, embracing impermanence

Sati acts as both a functional object and a contemplative tool for spatial and existential reflection

designer Cheer Manlekha

 

project info:

 

name: Sati: A Chair of Existentialism and Fears of Death
designer: Cheer Manlekha

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

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The 2025 Core77 Design Awards Design for Social Impact Winners

The 2025 Professional winner in the Design for Social Innovation is The Lotus Ring from Julia Lemle at Lotus. With this ring you can control anything—lights, fans, appliances, even TVs. With this product you can convert any space into an accessible space in seconds—and you can take it with you wherever you go.

The Design for Social Innovation Student category goes to Chelsea Greenwell at Academy of Art University for Bio Lumi. Bio Lumi is safe and accessible lighting, harnessing the same technology designed by nature for those that need it most. Light is created by adding an effervescent tablet from a stainless-steel tablet container, housed in the lamp, which is dropped into water creating light for 20+ hours.

The jury team for Design for Social Impact was led by Valerie Kramis the co-founder at Agenda28. Kramis was joined by Cecile Rivera the Founder & Lead Consultant at CRL Communications Consultants, and by Luis Acosta who is a Country Manager at 47 Brand.

The 2025 Design for Social Impact celebrates projects designed to directly benefit social, humanitarian, community or environmental needs including social impact work for community or environmental impact initiatives, products for underrepresented communities, distribution systems, disaster relief, and the fight for racial justice and humanitarian efforts.

Design For Social Impact Award Honorees












See All The Honorees of the 2025 Core77 Design Awards Here:

Apps & Platforms | Built Environment | Branding | Commercial & Industrial Equipment | Consumer Technology | Design for Social Impact | Emerging Technologies | Furniture & Lighting | Home & Living | Interaction | Lifestyle Accessories | Medical & Healthcare | Packaging | Speculative Design | Sports & Outdoor | Sustainability | Tools | Toys & Play | Transportation | Visual Communication