Masterpiece Story: Gallery of the Louvre by Samuel Morse
The post Masterpiece Story: Gallery of the Louvre by Samuel Morse appeared first on DailyArt Magazine.
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The Samsung Galaxy Z Flip7 represents a pinnacle of foldable phone technology, combining cutting-edge engineering with sophisticated design sensibilities. Yet this marvel of modern innovation faces a fundamental challenge that has plagued premium smartphones since their inception: how do you protect something so beautifully crafted without compromising its aesthetic appeal or functional brilliance? For foldable devices, this dilemma becomes even more complex, as traditional case designs simply cannot accommodate the unique mechanics of a phone that literally bends in half.
Enter the i-Blason Cosmo Series Case, a protective solution that promises to safeguard your Galaxy Z Flip7 without sacrificing the very qualities that make Samsung’s foldable so compelling. This isn’t just another phone case trying to wrap itself around an unconventional form factor. Instead, i-Blason has engineered a two-piece system that works with the Z Flip7’s folding mechanism rather than against it, incorporating everything from military-grade drop protection to MagSafe compatibility. But does this case truly deliver on its ambitious promises, or does it fall into the same traps that have ensnared so many foldable phone accessories before it?
Designer: Jet Weng
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The i-Blason Cosmo Series Case immediately impresses with its commitment to minimalist design philosophy, staying remarkably faithful to the Galaxy Z Flip7’s own sleek aesthetic language. Rather than attempting to reinvent the wheel or add unnecessary visual flourishes, i-Blason has crafted a case that feels like a natural extension of Samsung’s original design vision. The two-piece construction divides protection duties intelligently: the lower half houses the magnetic circle and hinge protector, while the upper half integrates the built-in 9H tempered glass screen protector seamlessly into the overall design.
Color options remain refreshingly simple with clear and frost black variants, though the clear version adds a subtle twist with its frosted glass surface on the lower half. This design choice creates an interesting visual contrast that prevents the case from looking too clinical or sterile. The matte surface treatment across both color options serves dual purposes, effectively avoiding the fingerprint smudges that plague glossy cases while providing enhanced grip security. The TPU material promises resistance to the yellowing and discoloration that often affects clear cases over time, though only extended use will truly test this claim.
What strikes you most about the Cosmo Series is how it manages to add protection without adding visual bulk or design confusion. The case doesn’t fight for attention against the phone’s own aesthetic merits. Instead, it quietly enhances the Z Flip7’s form factor while maintaining the clean lines and sophisticated proportions that make Samsung’s foldable so visually appealing in the first place.
Installation proves refreshingly straightforward, requiring mere seconds to snap both pieces into place without the wrestling matches that characterize many protective cases. The precision-engineered fit means you won’t spend frustrating minutes trying to align corners or force stubborn edges into submission. However, the hinge protection does introduce a slight wobble when the phone is placed on flat surfaces, which might feel awkward during extended use sessions or when trying to use the device while it’s resting on a desk.
Despite this minor quirk, the case maintains excellent accessibility to all essential functions and ports. Cutouts for the USB-C port, speakers, microphones, and the power button with integrated fingerprint scanner are precisely positioned and generously sized. You won’t find yourself struggling to connect charging cables or experiencing muffled audio output. The fingerprint scanner remains fully responsive, maintaining the quick unlock experience that makes the Z Flip7 so convenient for daily use.
The case’s ergonomic profile strikes a careful balance between protection and usability. While the hinge protection adds a small amount of thickness, it doesn’t fundamentally alter how the phone feels in your hand or pocket. The matte surface treatment provides enough grip enhancement to inspire confidence without feeling sticky or attracting lint and debris.
The Cosmo Series delivers comprehensive military-grade protection that addresses the unique vulnerabilities of foldable phone design. The strong magnetic connection ensures seamless compatibility with MagSafe accessories and wireless chargers, eliminating the frustration of accessories that work intermittently or require precise positioning. The raised lip extends slightly taller than typical cases, providing enhanced protection for the camera lenses that protrude from the Z Flip7’s rear surface.
Perhaps the most valuable performance feature is the built-in 9H tempered glass screen protector, which eliminates both the additional expense and the tedious installation process of purchasing and applying a separate screen protector. This integration feels seamless and maintains the outer display’s touch sensitivity and visual clarity. The built-in kickstand proves genuinely useful for video watching and video calls, though its utility remains limited to these specific use cases rather than broader functionality.
The case does make one notable compromise in its protection strategy. The inner rim isn’t raised as dramatically as the outer edges, allowing the phone to fold completely flat but providing less protection for the internal foldable screen. This design decision prioritizes the Z Flip7’s core folding functionality over maximum protection, which feels like the right choice for most users who want their foldable to actually fold properly.
The Cosmo Series relies primarily on polycarbonate and TPU plastics for its construction, materials chosen more for their protective properties than their environmental credentials. i-Blason’s sustainability approach focuses less on using recycled or bio-based materials and more on creating a durable, long-lasting product that extends the lifespan of the expensive device it protects. This philosophy recognizes that the most sustainable case might be one that prevents you from needing to replace a $1,000 smartphone due to accidental damage.
The durability-focused material selection should theoretically result in a case that maintains its protective properties and visual appeal over extended use periods. The TPU’s resistance to discoloration and the polycarbonate’s impact resistance suggest this case could provide reliable protection throughout the typical smartphone ownership cycle. By helping users avoid costly repairs or premature device replacements, the Cosmo Series contributes to sustainability through device longevity rather than material innovation.
While the case doesn’t break new ground in sustainable materials or end-of-life recyclability, its focus on protection effectiveness aligns with the broader sustainability goal of maximizing the useful life of electronic devices. Sometimes the most environmentally responsible choice is simply making products that work well and last long.
The i-Blason Cosmo Series Case delivers exceptional value for Galaxy Z Flip7 owners seeking comprehensive protection without premium pricing. When you consider that a quality tempered glass screen protector alone typically costs $15-25, the integrated protection becomes even more attractive. The case provides military-grade drop protection, MagSafe compatibility, and built-in screen protection at a price point that makes it accessible to most smartphone users rather than just those willing to spend premium prices for premium protection.
The built-in kickstand adds practical value for users who frequently watch videos or participate in video calls on their phones. While this feature might seem minor, it eliminates the need for separate phone stands or the awkward propping arrangements that characterize life with most smartphones. The strong magnetic connection ensures compatibility with a wide ecosystem of MagSafe and magnetic accessories, potentially saving money on specialized foldable phone accessories.
Compared to other protective solutions in the foldable phone space, the i-Blason Cosmo Series offers a compelling combination of features, protection, and affordability. The case doesn’t try to be everything to everyone, but it executes its core mission of protection and compatibility with impressive competence and attention to detail.
The i-Blason Cosmo Series Case succeeds where many foldable phone accessories fail by understanding and working with the Galaxy Z Flip7’s unique design requirements rather than fighting against them. Its two-piece construction, integrated screen protection, and thoughtful feature set create a protective solution that enhances rather than compromises the foldable phone experience. While the hinge protection does introduce a minor wobble and the inner screen receives less protection than some might prefer, these represent reasonable compromises in service of maintaining the device’s core functionality.
For Galaxy Z Flip7 owners seeking reliable, affordable protection that doesn’t sacrifice style or usability, the Cosmo Series Case represents an excellent choice. It delivers military-grade protection, MagSafe compatibility, and integrated screen protection at a price point that makes comprehensive protection accessible rather than prohibitively expensive. Sometimes the best design solutions are the ones that solve problems elegantly rather than dramatically, and i-Blason has created exactly that kind of thoughtful, effective accessory.
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The post i-Blason Galaxy Z Flip7 Cosmo Case Review: A Clever Solution for Foldable Style first appeared on Yanko Design.
Jul
27
As the Nintendo Switch 2 gains traction, users are already experimenting with its hardware capabilities, particularly its integrated magnetic connectors. GamiFries is a 3D printed accessory that allows users to mount a McDonald’s fries box directly onto the console.
Designed by fan-artist 7R135, GamiFries leverages the Switch 2’s magnetic interface to secure a fry holder in place. The attachment is specifically modeled to accommodate a McDonald’s medium fries container and is intended to function in both handheld and docked controller modes. The 3D print model is available for free on MakerWorld and is custom-crafted to fit the fries box with a secure and satisfying snap.
all images courtesy of 7R135
The design by user 7R135 addresses common challenges faced by hungry gamers, allowing access to food without disrupting gameplay. GamiFries positions the fries within reach, reducing the need to pause or reposition during use. The model is fully 3D printable and requires no additional fasteners or tools beyond the console’s built-in magnet system. Its form factor ensures a close fit and secure hold.
By incorporating everyday packaging dimensions into its geometry, the GamiFries accessory explores how gaming hardware can be adapted through small-scale fabrication. This fan-made 3D print turns Nintendo’s Switch 2 into the ultimate fry delivery system, mounting a box of McDonald’s fries directly onto the controller using magnets.
GamiFries mounts a McDonald’s fries box directly onto the Nintendo Switch 2
designed by fan-artist 7R135, the accessory uses the console’s magnetic connectors
the 3D printed holder is shaped to fit a medium McDonald’s fries container
the design aligns with the Switch 2’s built-in magnet system for secure mounting
the attachment keeps fries within reach, minimizing in-game distractions
the model’s geometry mirrors everyday packaging for a precise fit
GamiFries allows users to snack mid-game without interrupting play
the accessory reduces the need to pause when hunger strikes
its form factor ensures stability and ease of use during gameplay
compact and practical, GamiFries emphasizes small-scale customization
GamiFries attaches with a satisfying snap, no fasteners required
project info:
name: GamiFries
designer: 7R135
designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.
edited by: christina vergopoulou | designboom
The post mid-game snacking made easy with GamiFries accessory for nintendo switch 2 appeared first on designboom | architecture & design magazine.
Jul
27
I live in a country where Christmas starts as soon as the -ber months hit. So we don’t find it weird when brands start teasing as early as now what they are coming up with for the holiday season. If you’re into advent calendars, you have around a hundred days or so to go before they actually start, so it’s good to start looking for one now. And if you’re into sweet things, then this one from a beloved French preserves brand may be one you need to add to your cart soon.
Bonne Maman has returned with its ninth annual advent calendar, and the 2025 edition brings a stunning visual transformation that’s already creating buzz among holiday enthusiasts. This year’s Limited Edition Bonne Maman Advent Calendar features a completely reimagined design: a beautifully illustrated Christmas tree scene that captures the magic of the holiday season in vintage-inspired artistry.
Brand: Bonne Maman
The calendar for this year features warm, nostalgic holiday artwork, which depicts a charming winter wonderland complete with snow-covered trees and festive details. The vintage-inspired design shows a nostalgic holiday scene that transforms the packaging into a decorative piece worthy of display throughout the season. Unlike previous years’ designs, this Christmas tree motif creates a more cohesive and enchanting visual story that appeals to both gift-givers and recipients. Behind the beautiful exterior lies the calendar’s true treasure: 24 mini jars of premium spreads, jams, and preserves. Each 1-ounce jar represents exceptional value at just $2.29 per pot when you consider the $54.99 total price. The inside has two dozen “charmingly designed” compartments, each containing a limited-edition Bonne Maman flavor, making every day leading up to Christmas a delicious discovery.
This year’s flavor selection includes several exciting limited-edition varieties that showcase the brand’s commitment to innovation. Some of this year’s tasty limited-edition flavors include Strawberry with Passion Fruit Spread, Mango and Ginger Spread, Caramel Spread with Coffee, and Pear and Mandarin with Cinnamon Spread. Just reading these out loud makes me crave them already. These unique combinations demonstrate the brand’s ability to blend traditional French preserve-making with contemporary flavor profiles. Quality remains paramount in the 2025 edition, with all spreads made without high-fructose corn syrup, artificial colors, or preservatives. This commitment to natural ingredients aligns with growing consumer preferences for clean, wholesome products during the holiday season.
Unlike typical holiday countdowns, this advent calendar actually has dual functionality. The packaging serves as both an attractive seasonal decoration and a practical gift that keeps giving long after the holidays. Once the jams are finished, the person you gave the calendar to can repurpose the little glass jars for everything from crafting supply storage to liquid travel containers. Given the calendar’s track record of selling out annually, early purchase is essential. The combination of the stunning new Christmas tree design, exclusive flavor varieties, and the brand’s reputation for quality makes the 2025 Bonne Maman Advent Calendar a standout choice for anyone seeking a sophisticated and delicious way to celebrate the countdown to Christmas.
The post Bonne Maman’s advent calendar for 2025 is a festive, nostalgic feast (with jams!) first appeared on Yanko Design.
Jul
27
The aging population continues to grow worldwide, but most mobility aids still feel like they were designed decades ago. Traditional scooters work fine outdoors but become useless indoors, while walkers help with stability but offer no place to rest or carry groceries. Seniors end up juggling multiple devices that never quite work together.
Most assistive devices force users to choose between indoor and outdoor functionality, rarely offering both in a single package. They also lack basic features like integrated storage for shopping trips or comfortable seating for rest breaks. This fragmented approach leaves elderly users managing multiple gadgets instead of enjoying seamless mobility throughout their day.
Designer: Geonwoo Kang
The WIMO concept tackles these limitations with a genuinely clever modular approach that combines scooter, walker, cargo carrier, and portable chair in one adaptable device. Rather than forcing seniors to compromise, WIMO transforms to meet whatever situation they encounter, whether navigating tight indoor spaces or covering longer outdoor distances.
The control system keeps things refreshingly simple with front-mounted acceleration buttons that respond to pressure. The right button moves forward, the left goes backward, and releasing either brings the scooter to a complete stop. A clear display shows current speed, battery level, and whether the device operates in scooter or walker mode.
WIMO really shines when users need extra stability or want to stretch their legs. Walker mode lets seniors with unsteady balance walk more safely while still having support for carrying loads or taking breaks during longer journeys. This flexibility means the device adapts to fluctuating energy levels and mobility needs throughout the day.
The rear section houses the most interesting feature: a detachable robot that serves multiple purposes depending on the situation. When attached to the main scooter, it functions as a rear warning light for safety in traffic or crowded areas. Detach it, and the robot uses autonomous driving technology to follow users naturally while carrying personal belongings.
This cargo robot goes beyond simple load-carrying by transforming into a chair whenever rest is needed. The storage space handles shopping bags, purses, or anything else that would normally weigh down the user. Having a robotic assistant that follows you around while shopping or running errands sounds almost too futuristic to believe.
WIMO addresses the emotional aspects of aging just as thoughtfully as the practical ones. The sleek, modern design avoids the clinical appearance that makes many seniors reluctant to use mobility aids. By combining advanced robotics with intuitive controls, the concept maintains user dignity while providing genuine independence.
The modular approach reflects broader trends in aging-in-place design, where technology serves human needs rather than forcing adaptation to rigid systems. WIMO recognizes that seniors want flexibility, not limitations, and that good design can preserve both mobility and self-respect.
WIMO demonstrates how thoughtful design and emerging robotics can transform mobility aids from necessary medical equipment into empowering lifestyle tools. For a growing population that refuses to let age define their limitations, concepts like this point toward a future where independence and comfort go hand in hand.
The post Mobility Scooter Concept for Seniors Features Detachable Robot Assistant first appeared on Yanko Design.
Jul
27
Most people think of pottery as a craft that produces delicate bowls and graceful vases, but there’s a hidden side to every studio. For every flawless cup, there are a dozen pieces that never make it to the shelf. Cracked mugs, warped bowls, and failed experiments quietly pile up, destined for the discard bin and, eventually, the landfill.
It’s a reality that pottery students see up close. In class, making just one perfect piece means tossing out countless others along the way. The waste is easy to overlook at first, but once you start to notice, it’s hard not to ask what happens to all those discarded ceramics. That lingering question was the spark behind Daon, a project that sets out to turn forgotten pottery into something new.
Designers: Jungeun Kim, Chaeyeon Yoo, Mingi Cho
Daon didn’t begin with a grand plan. It started with curiosity and a desire to see if there was a better answer to all that waste. Instead of treating broken ceramics as trash, the team started treating them as raw material. They dug into the process, looking for ways to give those cast-off pieces a second life, and let the project unfold from there.
The design draws inspiration from birds and their nests, one of nature’s original upcycling solutions. The main product is the nest, designed to hold and gather. The smaller pieces act as birds, able to flock together or stand apart, letting users mix and match as they like. It’s a playful motif that adds a layer of meaning to the collection’s practical side.
Getting from pile of discards to finished product wasn’t a straight line. The process started with carving gold foam to explore forms and figure out what shapes worked best. After that, the team experimented with blending recycled bisque-fired ceramics, adjusting the mix until it held together and looked right. It took more than a few tries to get it just so.
With the right proportions in hand, production finally got underway. The end result is a set of pottery pieces that carry their own story, each one made from fragments of past work, now transformed into something that feels cohesive and intentional. Every piece ties back to the original question about waste, showing how a problem can become a starting point for new design.
Daon is a reminder that not every project needs to start with perfection in mind. Sometimes, it’s about asking the right questions and being willing to experiment. By turning studio leftovers into something worth keeping, Daon gives new meaning to the idea of upcycling and makes it personal. Even the scraps from a creative process can be brought back to life with a little curiosity and care.
The post Daon Pottery Concept Gives New Life to Discarded Ceramics first appeared on Yanko Design.
Jul
27
Our family used to have a small video rental store so things like betamax tapes, VHS tapes, and eventually VCDs bring up a certain vivid memory for me. While most likely Gen Zs and even younger millennials have no idea what those things were, those who lived through those days of rewinding tapes to get to some parts will get nostalgic feels when talking about them. They’re relics now but some creative people still find a way to bring them back in one form or another.
A creative tech enthusiast has turned heads by successfully embedding a miniature video player inside a VHS cassette, creating a fascinating fusion of retro aesthetics and modern technology. The project demonstrates how far miniaturization has come while paying homage to the beloved analog format.
Designer: david83k
The innovative hack began with a promotional video card purchased from AliExpress, which provided the essential components for a tiny LCD MP4 player. The hack started with a promotional video card via Ali Express, which is a cheap enough way to get a tiny LCD player MP4 playing micro. What makes this project particularly impressive is that the creator managed to fit all the necessary electronics inside the VHS shell without destroying the original tape mechanism.
The project showcases the dramatic evolution of technology over the decades. While VHS tapes once required bulky VCR machines to play their content, this modified cassette contains its own complete playback system within the same form factor. Miniaturization in action. The video player probably cost about the same as the original VHS when you account for inflation. This observation highlights how components that would have been impossible to miniaturize in the 1980s can now fit comfortably inside the very media they once required room-sized equipment to operate.
The technical achievement is particularly noteworthy given the space constraints within a VHS cassette. Standard VHS tapes contain two reels of magnetic tape, leaving limited room for additional components. The creator had to carefully remove and rearrange the internal mechanisms while preserving the cassette’s external appearance and basic functionality. This project represents more than just a clever technical demonstration. It bridges the gap between analog nostalgia and digital convenience, creating an object that looks entirely familiar from the outside but contains thoroughly modern technology within. For VHS collectors and retro technology enthusiasts, it represents both innovation and potential controversy, as modifying original media formats can be seen as either creative evolution or unwelcome alteration.
The success of this modification also speaks to the accessibility of modern electronics for hobbyists and makers. Components that were once exclusive to major manufacturers are now available to individual creators, enabling projects that would have been impossible just a few years ago. This democratization of technology continues to fuel innovation in unexpected directions, as demonstrated by this clever marriage of vintage aesthetics and modern functionality.
The post DIY project hides tiny video player within VHS tape first appeared on Yanko Design.
Jul
27
In Arles, France, a decade-spanning journey unfolds across the gallery walls of Palais de l’Archevêché. U.S. Route 1 (After Berenice Abbott), a collaborative exhibition by photographers Anna Fox and Karen Knorr, offers a contemporary retelling of Berenice Abbott’s 1954 expedition along the Eastern Seaboard. First presented as part of the Rencontres d’Arles festival, the project spans nearly a decade of travel and reflection, and tracks the evolving identity of the United States during a politically fractured era.
Set against the legacy of Abbott’s extensive photographic archive, Fox and Knorr began their own journey in 2016, starting in Key West and eventually making their way north to Maine. Like Abbott, they documented motels, diners, storefronts, signage, and the everyday lives of Americans, but did so through the lens of post-2016 political unrest, social upheaval, and a rapidly transforming digital landscape. The resulting body of work, made with a mix of iPhones, DSLRs, and a Phase One medium format camera, resists nostalgia. Instead, it focuses on the contradictions and tensions of the present. designboom visited the exhibition in Arles, which is on view between July 7th and October 5th, 2025, and opened along with launch of their book.
Karen Knorr and Anna Fox, Balsam Valley, 2023
In contrast to the commercial optimism captured by Abbott in the 1950s, Anna Fox and Karen Knorr’s images linger on the subdued, often uneasy quiet of a slower U.S. Route 1. Once a major artery of American progress, the road today has a less forward-looking spirit. Their photographs trace the undercurrents of contemporary American life: The remnants of local economies, the signage of political allegiance, and the architecture of disenfranchisement. ‘They searched for a sense of what is happening today and how that differs from what Abbott and Gadd found,’ writes Dr. Charlene Heath in the exhibition essay for Rencontres D’Arles.
This search became particularly charged during the Trump presidency, especially during the COVID-19 pandemic. Fox and Knorr continued their project by gathering images from social media, including documentation of the January 6th Capitol riot. The line between observation and participation, fact and filtered performance, became a subtle undercurrent in the work. What began as a road trip became a drawn-out search for the identity of America.
Karen Knorr and Anna Fox, Camden 2023
The exhibition’s attention to roadside architecture and landscape becomes a device for social commentary. Cafés and motels sit alongside gun shops and protest placards, and cheerfully painted exteriors front histories of exclusion or economic decline. Fox and Knorr don’t editorialize overtly, but their framing choices are deliberate, drawing out the dissonance between place and policy. In one image, a sunny Southern storefront is disrupted by a mural of Trump and Elon Musk seated beside Robert Kennedy eating burgers on Trump Force One.
This moment was captured through the digital feeds on social media, and speaks to the ways photography has shifted since Abbott’s time. The road is no longer just a site of discovery. It has become a scrolling feedback loop. As Heath notes, the project is informed by contemporary movements such as #MeToo and Black Lives Matter, as well as the rollback of reproductive rights. Though rarely shown directly, these forces haunt the spaces Fox and Knorr depict, hinted at through shuttered shops and bumper stickers.
Karen Knorr and Anna Fox, Lobster Shack, Islamorada 2016
Though long-established in their own right, Anna Fox and Karen Knorr approach U.S. Route 1 as a unified artistic inquiry. Fox, known for her incisive portraits of British social life, brings a sense of saturated realism and cultural critique. Knorr, whose conceptual images often explore class and gender, contributes a more formal, staged sensibility. Together, they navigate the road’s visual and political terrain without forcing a single narrative.
Both artists also share a commitment to supporting women in photography. As co-founders of the research initiative Fast Forward, they continue to advocate for greater equity in the field. This ethos permeates the project. ‘Despite being one of the most advanced economies, USA is still surprisingly conservative,’ Heath observes. The photographs illuminate to this conservatism in ways that are subtle and accumulative.
Karen Knorr and Anna Fox, Biscayne, Blvd 2025
Karen Knorr and Anna Fox, Fort Pierce 2024
Karen Knorr and Anna Fox, Belfast, 2024
Karen Knorr and Anna Fox, Swainsboro 2017
Karen Knorr and Anna Fox, Islamorada 2016
Karen Knorr and Anna Fox, Nr Pleasant Point 2024
Karen Knorr and Anna Fox, Soil fertilisation, Canal Point 2024
project info:
exhibition title: U.S. Route 1 (After Berenice Abbott)
artists: Karen Knorr, Anna Fox
event: Rencontres D’Arles | @rencontresarles
book publisher: Trolley Books | @trolleybooks
location: Palais de l’Archevêché
on view: July 7th — October 5th
The post photographers anna fox and karen knorr exhibit ‘slice of american life’ in arles, france appeared first on designboom | architecture & design magazine.