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AYANEO Pocket DS Brings Dual-Screen Nostalgia to Modern Gaming

Handheld gaming has always been about finding that perfect balance between portability and functionality. The Nintendo DS proved that dual screens could work brilliantly for gaming, offering unique gameplay possibilities that single-screen devices simply couldn’t match. Even years after the DS line ended, many gamers still miss that distinctive clamshell design and the creative ways developers used two screens.

The AYANEO Pocket DS resurrects this beloved form factor with a thoroughly modern twist. This clamshell handheld features two touchscreens in a folding design that immediately feels familiar yet surprisingly fresh. The upper screen measures 7 inches with sharp 1920 x 1080 OLED resolution and up to 165Hz refresh rate, while the lower 5-inch LCD screen runs at 1024 x 768 in a classic 4:3 ratio perfect for retro gaming.

Designer: AYANEO`

Under the hood, the Pocket DS packs the Qualcomm Snapdragon G3x Gen 2 processor with Adreno A32 graphics, providing enough power to run demanding Android games and advanced emulation. The massive 8,000mAh battery should deliver impressive runtime, especially when you can turn off one screen to conserve power. The device includes PC-style cooling with a turbofan and copper components to manage heat during intensive gaming sessions.

The control layout feels immediately comfortable, with dual analog sticks, a proper D-pad, ABXY buttons, and shoulder triggers arranged around the lower screen. Both displays support touch input, which opens up interesting possibilities for multitasking, creative workflows, or games that benefit from direct manipulation. Built-in vibration motors and speakers provide tactile and audio feedback that enhances the gaming experience.

Running Android 13 means the Pocket DS can handle everything from native Android games to sophisticated emulation of classic consoles. You can run two apps simultaneously, with custom software that lets you swipe between screens with three-finger gestures. The device excels at Nintendo DS and 3DS emulation, where each physical screen displays exactly what it should, creating an authentic retro gaming experience.

What makes the Pocket DS genuinely special is how it bridges retro nostalgia with modern capabilities. Playing classic dual-screen games feels natural and authentic, but you can also run contemporary Android titles, use one screen for gaming while watching videos on the other, or display system information and controls on the secondary display while focusing on gameplay above.

The hinge allows the screens to open at any angle between 0 and 180 degrees without fixed position locks, giving users complete flexibility in how they position the device. A magnetic closing mechanism keeps everything secure when folded, while the stepless construction means you can find the perfect viewing angle for any situation.

The device does have some obvious limitations. The clamshell design makes it bulkier than typical handhelds when folded, though it’s still genuinely pocketable. The dual OLED and LCD screens naturally consume more power than single-screen alternatives, though the massive battery helps offset this. The learning curve might be steeper for users accustomed to traditional handheld layouts.

The AYANEO Pocket DS proves that some classic designs deserve a second chance with modern hardware. Rather than simply copying the Nintendo DS, AYANEO has created something that captures the spirit of dual-screen gaming while offering Android capabilities and performance that would have seemed impossible just a few years ago. For gamers who’ve been waiting for a worthy successor to the DS line, this might be exactly what they’ve been hoping for.

The post AYANEO Pocket DS Brings Dual-Screen Nostalgia to Modern Gaming first appeared on Yanko Design.

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The Amazon Delivery Missile: 30 Second Deliveries

This 30 Second Delivery sculpture is by Seattle-based artist Sunday Nobody.

Whether he’s commenting on shoppers’ demands for ever-faster package delivery, Jeff Bezos’ preoccupation with rockets, or a link between a consumerist economy and wars fought over resources isn’t clear; perhaps all three are valid interpretations.

The artist has committed to taking orders for just two weeks, having started on July 26th and running until August 9th.

He’s also selling a limited run of the blueprints for $45.

His pricing model for the delivery missiles is interesting: He sold the first one for $30, and increased the price of each subsequent sale by another $30; at press time they were going for $990 a pop.

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5 Best Automotive Designs Of July 2025

July 2025 felt different. While most months bring the usual parade of incremental updates and committee-approved designs, this July delivered automotive moments that truly surprised me. These aren’t your typical concept car reveals or minor model refreshes—they’re bold and unique statements from designers who clearly stopped caring about playing it safe.

The common thread running through all five designs is this refreshing fearlessness. Each design tackles a completely different problem, but they all do it with solutions that feel both obvious and impossible at the same time. From student concepts that rival professional work to million-dollar customs that redefine craftsmanship, July showed us what happens when automotive creativity gets unleashed.

1. Electrom

This all-weather e-bike tackles the problem that keeps most of us indoors when the weather turns nasty. The polycarbonate cowling isn’t just for show—it provides genuine protection from rain, wind, and cold without turning your bike into some bulky scooter monstrosity. When conditions get really brutal, a full-body tarpaulin creates what’s basically a weatherproof cocoon on wheels.

The body cover lifts and lowers to protect your legs while improving aerodynamics, actually extending your range when deployed. Getting in and out is handled by a swing-away front fairing that makes the whole system feel natural rather than claustrophobic. The riding experience strips away all the complexity that intimidates new riders—no gear changes, just throttle and brakes. The generator chain drive system kicks in when you need pedaling assistance, creating this hybrid approach that works for people who want transportation without the mechanical learning curve.

What we like

Weather protection that works in real-world conditions.
Simplified controls make it accessible to anyone.

What we dislike

Enclosed feeling might not suit riders who love the open-air experience.
Storage space takes a hit compared to traditional motorcycles.

2. Peralta S

The Peralta S proves that sometimes less really is more. Built on MC20 bones, this wedge-shaped custom achieves something impressive: it strips away visual noise while somehow amplifying dramatic impact. Those hand-formed aluminum and carbon fiber surfaces look so clean they seem computer-generated, but underneath sits the real deal: a 3.0-liter twin-turbo V6 cranking out 621 horsepower.

This isn’t one of those all-show, no-go customs. That Nettuno engine will rocket this thing to 60 mph in 2.9 seconds and push past 200 mph if you can find the road space. The eight-speed dual-clutch transmission feels telepathic, channeling all that power to the rear wheels with surgical precision. What impresses me most is how the design borrows from technology aesthetics rather than traditional automotive playbooks. Like Apple’s MacBook Air, it achieves maximum impact through reduction, not addition.

What we like

The minimalist approach stands out in a market obsessed with visual complexity.
Backs up the striking looks with genuine supercar performance.

What we dislike

Custom nature means you can’t just walk into a dealer and buy one.
Bold design choices might not age as gracefully as more conservative approaches.

3. Porsche 99x Concept

The Porsche 99x concept feels like someone grabbed Le Mans aesthetics from 2040 and dropped them into today’s design conversation. Created by independent designer “R a d u .”, this unofficial concept asks what would happen if Porsche’s motorsport division got complete creative freedom with zero regulatory constraints. The answer looks like this: a low-slung, impossibly aggressive track weapon that somehow feels both familiar and alien.

This hypercar concept shows how you can stretch familiar brand elements into completely new territory while keeping that unmistakable Porsche DNA. The bodywork combines endurance racing functionality with hypercar theatrics in ways that make you reconsider what Porsche could become as we move toward electrification and digital design processes. It exists in that fascinating space between something you could build and pure fantasy, which makes it compelling as both eye candy and serious design study.

What we like

Pushes Porsche design language into unexplored territory without losing brand identity.
Shows how motorsport heritage can evolve rather than just repeat the past.

What we dislike

Concept-only status means we can’t test whether the design works.
Extreme proportions might not translate to anything you could drive daily.

4. Koenigsegg Variera Concept

Maximilian Tyrot’s Koenigsegg Variera concept tackles one of the toughest challenges in automotive design: can hypercar DNA work in a city car? Working directly with Koenigsegg’s actual design team, this Lund University student created something that looks unmistakably like the Swedish brand while being completely different from anything they’ve ever built.

The electric city car maintains Koenigsegg’s athletic stance and aggressive air intake design while working for urban mobility. Those front fascia elements scale the brand’s signature look appropriately for city use, while the distinctive headlight shapes create instant recognition despite dramatically different proportions. The premium automotive DNA translates across completely different vehicle categories without losing essential character. It opens up brand expansion possibilities that seemed impossible before electric platforms started democratizing performance.

What we like

Successfully translates hypercar brand identity into an accessible city car format.
Electric platform enables premium performance in a compact package.

What we dislike

Student project status means an uncertain path to actual production.
Raises questions about whether Koenigsegg would want to enter the mass market.

5. Ducati 821

Bandit9’s custom Ducati Monster 821 represents what happens when obsessive craftsmanship meets unlimited vision. This isn’t motorcycle modification, it’s complete reimagination. Every single component was hand-fabricated from scratch to achieve what they call “unity,” turning disparate motorcycle parts into a flowing form that looks carved from a single block of metal.

The liquid metal philosophy creates something closer to Apple’s Liquid Glass interface, rendered in physical form, rather than traditional bike customization. Originally commissioned as a one-off (now expanded to nine units at $44,900 each), this machine makes conventional panel gaps and mounting points look primitive. The polished aluminum transitions seamlessly into MotoGP-grade carbon fiber, creating visual continuity that feels more like sculpture than transportation.

What we like

Hand-fabricated construction creates aesthetics impossible through mass production.
Liquid metal design philosophy pushes motorcycle customization into art territory.

What we dislike

Extreme pricing puts it beyond reach for most motorcycle enthusiasts.
Custom nature means parts availability and service could be challenging.

Automotive Design Has Found Its Edge Again

These five designs show that automotive creativity is having a moment. Each tackles completely different problems, but they all arrive at solutions that feel both obvious and impossible once you see them—which is usually the hallmark of really great design. The range here is incredible: practical weather protection sitting alongside pure aesthetic experiments. This is what happens when designers decide to stop worrying about committee approval.

Each design is great on its own, but watching how they’re collectively nudging the whole industry in new directions. That all-weather e-bike is completely rethinking what protection and accessibility mean. The Peralta S shows that stripping things down can make a supercar more dramatic, not less. The Porsche 99x takes decades of racing heritage and launches it into territory we’ve never seen before. The Koenigsegg city car proves brand DNA is way more flexible than anyone thought. And that Bandit9 Ducati? It basically turned motorcycle customization into fine art.

The post 5 Best Automotive Designs Of July 2025 first appeared on Yanko Design.

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Home robotic arm can revolutionize rehabilitation

Reemo by Yungwon Kang is a groundbreaking home-based robotic arm created to bridge the rehabilitation gap that many patients face after leaving the hospital. While the comfort of home supports emotional well-being and the goal of regaining daily independence, the reality is that nearly 40 percent of patients in rehabilitation end up returning to the hospital due to a lack of adequate care. This is especially true for people recovering from neurological disorders like stroke, Parkinson’s, and ALS, who often struggle with fine motor skills, fatigue, and upper limb discomfort.

Reemo is designed as a medical coaching tool focused on upper limb rehabilitation, guiding users through functional, repetitive exercises in their everyday environments. Unlike traditional therapy tools such as grip balls or clay, which can be limiting and lack feedback, Reemo combines advanced robotics with a user-friendly approach. Its form is not just inspired by the human arm, but is engineered based on essential rehabilitation movements and precise range of motion data, making therapy more realistic and effective for users.

Designer: Yungwon Kang

The robotic arm features multiple axes, allowing it to mimic a wide range of human arm movements. Its soft rubber handle is comfortable to grip, and a built-in gyroscope sensor ensures that wrist movements stay within safe and effective angles, accommodating the specific needs of rehabilitation patients. The head-mounted camera only operates during sessions, collecting valuable data for motion tracking and telemedicine. This allows for remote consultations and helps patients and doctors track progress through a connected mobile app.

During rehabilitation mode, users grip the handle and follow Reemo’s step-by-step guidance for exercises such as wrist supination and pronation, flexion and extension, and arm strength training. Each exercise is designed to mirror daily actions and gradually expand mobility and control. For example, Reemo gently guides the handle for wrist movements, while arm strength exercises replicate motions like opening a drawer, providing safe and controlled resistance. Grip strength is another crucial aspect of recovery. Reemo uses pressure sensors to measure grip in real time, delivering feedback on intensity and progress. Its auto-lock system stabilizes the handle and adjusts resistance, ensuring that every session is personalized for safety and effectiveness.

Reemo is also able to empower users to take control of their rehabilitation journey. Many patients report that the hardest part of recovery is not the physical pain but the loss of agency and independence. By acting as a familiar, accessible tool rather than a replacement for human effort, Reemo supports users in reclaiming their confidence and capability. Its Assistant Mode even helps with daily tasks that might otherwise require caregiver support, recognizing that true recovery is about regaining the ability to do things on your own. Reemo transforms the rehabilitation experience from a passive process into one where users can proudly say, “I did it myself.” Yungwon Kang’s innovative design not only addresses the critical needs of home-based rehabilitation but also brings hope and independence back into daily life for countless patients.

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project ara turns inflatable structures into light, adjustable packaging inspired by biomimicry

Project Ara’s inflatable structures as packaging methods 

 

Protoéditions and WINT team up for Project Ara, a design research project that turns inflatable structures into lightweight, adjustable packaging methods inspired by biomimicry. By using air, the teams explore the idea of producing structures that can protect objects and even architectural projects. They begin by looking at tiling in nature, such as patterns found around shells and skins, which often create sturdy surfaces. They’ve already worked with airtight membranes that can be shaped using machines controlled by computers, and the equipment has created patterns in fabric by sealing certain areas with heat or pressure, making them sealed. 

 

When air is added, the structures inflate and change shape, and the method is similar to how some biological systems grow. To realize the inflatable structure of Project Ara, Protoéditions and WINT use a digital welding process that allows the creation of air-ready shapes based on computer-generated patterns. These patterns are created using parametric design, which means changing one part of a design automatically changes the rest, helping make designs that adjust to different shapes and functions. The results give modular packaging methods that are light, flexible, and smart. They use their shape to provide protection, and some possible uses include building temporary walls or safety gear. These structures are not products yet, but they show how future objects could be built.

all images courtesy of Protoéditions and WINT

 

 

Reusable lightweight textile that can inflate and deflate

 

One aim of Project Ara is to use air to create new ways of protecting objects and building spaces. Current packaging and support systems often use hard materials, and once used, they are thrown away. They also do not fit different shapes well, so producing more to fit the objects is often a step taken. Project Ara tries to solve it by using inflatable structures that can change depending on the weight or shape of the item being protected. They inflate or deflate to take on the shape of what they’re protecting, and they’re also reusable, which helps reduce material waste. Digital tools also allow for different sizes for different needs, from small boxes to large structures.

 

Project Ara employs lightweight textile materials for the inflatable structures of the design teams. Protoéditions and WINT weld these fabrics into patterned shapes and fill them with air. By studying nature and using air as a key material, the project explores how design can become more responsive and efficient. The results could help in many areas, including architecture, transport, safety, and storage. The process also shows how inflatable, air-powered structures can replace old ways of building and protecting. So far, the project is yet to be realized.

the teams explore the idea of producing structures that can protect objects and even architectural projects

the style is inspired by patterns found around shells and skins, which often create sturdy surfaces

when air is added, the structures inflate and change shape

detailed view of the structures

the adjustable packaging is similar to how some biological systems grow

these patterns are created using parametric design

digital tools also allow for different sizes for different needs

the research employs lightweight textile materials

preview of the potential use of the research design

 

project info:

 

name: Project Ara

design: Protoéditions and WINT | @protoeditions.xyz, @wintdesignlab

The post project ara turns inflatable structures into light, adjustable packaging inspired by biomimicry appeared first on designboom | architecture & design magazine.

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Spiral system is an innovative, tool-free joinery technique for designers

The Spiral System, developed by former industrial designer Antonio Gaia, is making waves in the world of woodworking and furniture design. This innovative method introduces a tool-free joinery technique inspired by the Fibonacci spiral, a pattern found throughout nature. Gaia’s approach is not only visually intriguing but also practical, offering a new way to connect materials without the need for screws, nails, or adhesives.

The Spiral System uses interlocking spiral forms that fit together tightly, relying on precise geometry to hold pieces in place. The concept came from Gaia’s fascination with natural patterns and his desire to create sustainable, easily assembled furniture. The spiral joinery method is engineered so that the tension and friction between the spiral curves create a strong, stable bond. When pieces are rotated into place following the spiral path, they lock together securely but can also be taken apart with ease.

Designer: Antonio Gaia

The Fibonacci spiral, which underpins Gaia’s design, is a mathematical sequence that appears in everything from sunflowers to seashells. By applying this natural geometry to joinery, Gaia has found a way to make connections that are both strong and aesthetically pleasing. The result is a system where the joint itself becomes a visible, beautiful feature of the finished product, rather than something to be hidden.

Gaia’s demonstrations, as seen in his YouTube video, reveal just how simple and effective the Spiral System can be. He shows how furniture components can be assembled by hand, aligning and twisting the spiral joints until they snap into place. This eliminates the need for specialized tools or skills, making the method accessible to a wide audience—whether you are a DIY enthusiast, a professional designer, or someone just looking to try something new. The system is also reversible, so furniture can be disassembled and reassembled many times without damaging the components.

One of the biggest advantages of Gaia’s Spiral System is its sustainability. By removing the need for metal fasteners or glue, the design reduces waste and simplifies recycling or repairs. This aligns with the growing movement toward eco-friendly and modular furniture that can adapt to changing needs. The visible spiral joints add a unique, organic style to the furniture, appealing to those who value both form and function.

Antonio Gaia’s Spiral System is not just a technical breakthrough but also an inspiration for creative thinking in design and construction. By looking to nature and mathematical beauty, Gaia has offered a fresh perspective on how we build and connect. As more people discover this tool-free joinery method, the Spiral System is set to influence the future of sustainable, user-friendly furniture design. Whether you are a maker or a collector, the Spiral System by Antonio Gaia is a concept worth exploring for its ingenuity, simplicity, and natural elegance.

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designboom launches events guide to spotlight must-visit international events

designboom promotes must-visit events of the year

 

In July 2025, designboom proudly launched its brand-new Events guide, a vibrant destination spotlighting the most exciting happenings in design, architecture, technology, and art around the globe. With over 3.5 million monthly readers, this dedicated guide connects our international audience with must-visit exhibitions, art fairs, conferences, and workshops, while giving event organizers a powerful platform to get the word out. Whether you’re planning a major design week showcase or an intimate gallery talk, our new guide offers the perfect opportunity to share what’s coming, where, when, and why it matters.

 

 

reaching designboom’s global audience with the event guide

 

More than just a listing, the designboom Events guide is a living calendar for the creative world open to everyone. Submitting your event is quick and easy: simply fill out a short form including your event name, highlight images, key details, and dates. We offer two submission packages: Core ($249), where your event entry includes homepage visibility, daily newsletter inclusion, and a feature in our monthly event round-up; and Supreme ($999), which adds prominent banner promotion on top of the Core package.

 

This is a call to creators, curators, studios, and institutions alike! Our Events guide is your chance to step into the spotlight, fuel excitement, and connect with a worldwide network of design enthusiasts. Let the world know what’s next; submit your event and be seen

 

Discover all the designboom events currently running and choose your next visit!

 

MAISON&OBJET 2025 SEPTEMBER EDITION

 

04-08 Sep 2025
Paris, France
maison-objet.com
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Returning to Paris for its fall edition, the fair invites 450 new brands to join a total of 2,000 brands spread across six sectors in interior design, products, and crafts. The program highlights once again includes its talks, where 25 conferences will take place throughout the week.

 

IFA 2025

 

05-09 Sep 2025
Berlin, Germany
ifa-berlin.com
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The technology fair showcases the latest innovations, from AI to audio and smart homes to sustainability. The exhibitors include leading brands, visionary start-ups, and tech enthusiasts all coming together to showcase what is next in the world of innovation.

 

DESIGN SHANGHAI 2026

 

12-15 Mar 2026
Shanghai, China
designshanghai.com
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Asia’s leading international design event, returns to the historic Shanghai Exhibition Centre for its 13th edition with a dynamic program of satellite events planned throughout Shanghai. This expansion aims to spread creative energy across the city, forging closer ties between the global design community and the cultural heartbeat of Shanghai.

 

LONDON DESIGN FESTIVAL 2025

 

13-21 Sep 2025
London, UK
londondesignfestival.com
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The annual event promotes the city’s creativity, drawing in the country’s greatest thinkers, practitioners, retailers and educators to a deliver an unmissable celebration of design, aiming to connect the design community and engage the public with the latest trends and ideas. 

 

DESIGN MIAMI.PARIS 2025

 

22-26 Oct 2025
Paris, France
designmiami.com
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This edition will welcome the largest gallery and Design at Large program yet, presenting rare and exceptional contemporary and historic works in direct dialogue with the magnificent surroundings of the 18th century mansion, some in harmonic conversation, others in striking contrast.

 

DUBAI DESIGN WEEK 2025

 

04-09 Nov 2025
Dubai, United Arab Emirates
dubaidesignweek.ae
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The event will feature a diverse program including exhibitions, installations, talks, workshops, a weekend market, and the leading design fair in the region, Downtown Design, bring both local and global brands together under one roof. Dubai Design Week aims to showcase global architectural and design projects, while also highlighting regional design talent. This is strategically spread across the Dubai Design District, also known as d3.

 

CES 2026

 

06-09 Jan 2026
Las Vegas, USA
ces.tech
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Also known as Consumer Electronics Show, CES is the most powerful technology event in the world with global innovators – from individuals to multinational corporations – that debut new products and technologies through networking events and keynote speeches.

 

DESIGN MIAMI/ 2025

 

03-07 Dec 2025
Miami, USA
designmiami.com
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The 21st edition of the fair will feature museum-quality 20th and 21st-century furniture, lighting, and objets d’art from leading international galleries. It will also showcase immersive design collaborations and offer a program of talks, curated installations, and special projects that explore the intersection of design, culture, and commerce.

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nik bentel’s dinner bag sets impromptu tablescape for spontaneous meals on the go

Nik Bentel Studio Designs Dinner Bag as a Wearable Dining Object

 

Nik Bentel Studio introduces the Dinner Bag, a multifunctional handbag designed as both a fashion accessory and a portable dining surface. The design integrates key elements of a place setting into a structured leather bag, combining playful storytelling and unexpected materials.

 

The front of the bag incorporates a ceramic dinner plate alongside a stainless steel fork and knife, all mounted directly onto its surface. This configuration transforms the bag into a mobile dining setup, allowing it to serve as an impromptu eating station.

all images courtesy of Nik Bentel Studio

 

 

Compact enough for daily use, curious enough for conversation

 

Constructed from leather, the Dinner Bag maintains structural integrity while accommodating the added weight of ceramic and metal components. The design is offered in three color variations, black, red, and brown, and is priced at $300.

 

Although playful in concept, the Dinner Bag is designed as a fully functional accessory, exploring the intersection of utility, fashion, and object design. It follows Nik Bentel Studio’s ongoing interest in reinterpreting everyday forms through material experimentation and conceptual transformation.

designed by Nik Bentel Studio as a wearable dining setup

the Dinner Bag combines fashion and function in a single design

a ceramic plate, fork, and knife are integrated into the front of the bag

structured leather supports the weight of dining elements

a handbag that reinterprets the everyday dinner table

stainless steel utensils are mounted directly onto the bag

designed for occasions where spontaneity meets style

compact enough for daily use, curious enough for conversation

a fashion accessory transformed into an impromptu dining experience

Nik Bentel Studio explores new uses for common items

 

project info:

 

name: The Dinner Bag

designer: Nik Bentel Studio | @nikbentelstudio

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post nik bentel’s dinner bag sets impromptu tablescape for spontaneous meals on the go appeared first on designboom | architecture & design magazine.

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sinuous steel ribs flow around unsangdong architects’ art museum in korea

unsangdong architects completes park1538 Gwangyang

 

In Gwangyang, South Korea, a city with a longstanding steelmaking heritage, Park1538 is conceived as a sinuous structure that invites light to ripple across its layered metal form. Designed by UnSangDong Architects with POSCO A&C, the project reclaims a former industrial site, transforming it into a civic space that intersects technology and public life, and forming a venue for arts and culture. Named after both the melting point of steel (1,538°C) and the Korean words for light (gwang) and sunlight (yang), the museum’s sweeping steel ribs and reflective cladding evoke movement and atmosphere, offering a spatial expression of the city’s identity through the very material that defines it.

 

This undulating silhouette is formed by a series of individually calibrated ribs that curve and taper with rhythmic precision, creating a shell-like structure that appears to hover above the ground. These elements are clad in PosMAC (POSCO’s proprietary magnesium-aluminum alloy) which enables the realization of complex geometries while showcasing the material’s reflective, corrosion-resistant finish. Altogether, over 4,400 tons of steel were used to form the structure, reinforcing its role as both exhibition and artifact.

all images courtesy of UnSangDong Architects

 

 

reclaiming an industrial site for a public arts venue

 

Beyond this striking visual impact, the form posed significant technical challenges for the design team. UnSangDong Architects thus ensured that each rib responds to different spatial needs and load conditions, demanding a completely non-standard construction process. From early-stage 3D simulations to close collaboration across fabrication and engineering teams, the design process unfolded as an iterative dialogue between skin, structure, and space. The structure, as a result, reads as both sculpture and infrastructure.

 

Inside, vertically layered programs interconnect without hierarchy. A ground-level public plaza extends into the site, inviting visitors inward from the surrounding streetscape, while a floating gallery space is elevated above, offering panoramic views and immersive exhibitions. At the core of the building, the architects have organized an educational center around an open atrium, with shared staircases promoting movement and exchange.

Park1538 Gwangyang’s sinuous structure invites light to ripple across its layered metal form

 

 

drawing on the city’s steelmaking legacy

 

Landscape design, too, plays a key role in rooting the project within its industrial past. Recycled steelmaking byproducts are integrated into the plaza and planting beds, anchoring the site in its material history. Soft green interventions reintroduce nature into a formerly hard-edged terrain. The site becomes a place for gathering and reflection, bridging architecture and ecology in shared evolution.

altogether, over 4,400 tons of steel were used to form the structure

a series of individually calibrated ribs that curve and taper with rhythmic precision

vertically layered programs interconnect without hierarchy

the undulating language continues through to the interiors

UnSangDong Architects reclaims a former industrial site, transforming it into a civic space

rooting the project within its industrial past

multimedia exhibits within

functioning as an art museum

honoring the heritage of the city

soft green interventions reintroduce nature into a formerly hard-edged terrain

 

project info:

 

name: Park1538 Gwangyang

architect: UnSangDong Architects | @unsangdong

client: POSCO

location: Jeollanam-do, Gwangyang-si, Korea

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: ravail khan | designboom

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pharrell williams & NIGO partner with NOT A HOTEL on ‘japa valley tokyo’, launching in 2027

limited-run destination Japa Valley Tokyo to open in 2027

 

Singer and fashion designer Pharrell Williams and artistic director of Kenzo, NIGO, present Japa Valley Tokyo, a one-hectare art, retail, and hospitality complex sited near Yurakucho Station in central Tokyo, set to open in 2027. Conceived in partnership with NOT A HOTEL, the project transforms the site of the former Shin-Yurakucho Building, currently a temporary park developed by Mitsubishi Estate, into a limited-run destination. Drawing from California’s Napa Valley as a conceptual model, the duo reimagines the wine region through a Japanese lens, replacing vineyards with sake breweries.

 

Japa Valley Tokyo is designed to operate as a temporary yet fully immersive precinct, built to channel a vision that Pharrell and NIGO have cultivated over more than two decades of friendship and collaboration. The two creatives serve as co-chief visionaries of the site, which will also feature artwork by KAWS and pop-up installations from a rotating lineup of artists, chefs, and designers. While much remains under wraps, the project’s scale and vision suggest a kind of tourism that values cultural depth and thoughtful design.

images courtesy of Japa Valley Tokyo

 

 

Pharrell and NIGO appointed Creative advisors for not a hotel

 

Founded in 2020, Japanese hospitality startup NOT A HOTEL has carved out a distinctive business model in the Japanese market, currently operating at four sites, and has announced upcoming properties in Ishigaki, Minakami, and Setouchi (the latter designed by Bjarke Ingels Group), with further expansions underway. Pharrell and NIGO’s recent appointment as creative advisors and investors in the company formalizes their growing influence in how the brand defines hospitality as a curated experience.

 

Pharrell and NIGO’s partnership with NOT A HOTEL has been steadily expanding. In early 2025, the company announced THE NIGO HOUSE, a cliffside retreat in Futtsu, Chiba, curated in its entirety by NIGO, down to the vintage Prouvé furniture and the hand-built tea room for the traditional sadō ceremony. In the fall of that year, Pharrell’s auction platform JOOPITER offered a chance to stay at the house before its public opening.

 

In Japa Valley Tokyo, this fresh, short-term experiment of theirs, they aim to bring people together through seasonal experiences that shape a sense of place.

Pharrell Williams and NIGO present Japa Valley Tokyo, a one-hectare art, retail, and hospitality complex

the site will feature artwork by KAWS and pop-up installations from a rotating lineup of artists, chefs, and designers

the project’s scale and vision suggest a kind of tourism that values cultural depth

set to open in 2027

 

project info:

 

name: Japa Valley Tokyo | @japavalley_official

creative advisors: Pharrell Williams | @pharrell, NIGO

development: NOT A HOTEL@notahotel_official

location: near Yurakucho Station, Chiyoda, Tokyo, Japan

site area: approx. 1 hectare

 

featured artist: KAWS | @kaws

site development: Mitsubishi Estate

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