Sep
17

By

A Hot Wheels inspired six-wheeled cab fit for Mad Max franchise

Category: YankoDesign

There are eye-popping restomods, and then there are ones that are in a league of their own. This one by Aaron Buck of Milk Man Concepts is surely something that you don’t see on an ordinary day. Meet the Cab Over Evolved, built out of a Ford pickup cab having a 5.9-liter Cummins 6BT turbodiesel inline-six salvaged from a 1991 Dodge D250 as its guts. This thing looks straight out of the Mad Max world, fused with Hot Wheels action. I still can’t imagine this is not an AI-generated vehicle design; in fact, it is a road-legal monster ready to take on anything in its path.

The six-wheeled cab-over-engine custom truck rides on front 24-inch wheels, and 28-inch wheels on the rear for more stability. You could compare it to a flatbed trailer in a small package but with the same aggressive stance, and of course, the intimidating look. When initially created in 2021, inspired by the Hot Wheels Ed ‘Big Daddy’ Roth, this behemoth was called the 1991 Dodge D200. Aaron wanted to make this one street-legal, hence the proportions of a toy car slathered onto the robust Ford steel cab. Later on, this monster came to be known as Cab Over Evolved.

Designer: Milk Man Concepts

Starting from the raw steel body of the Ford, he shortened the chassis roof for a low-slung look. Then he extended the body into new sections and modified the fenders for the new body shape. The added body section was secured using running boards for the structural integrity of the final unified body. Mind you, all these body parts are made out of steel, making the vehicle a moving rampage machine if some protagonist takes the wheel. Other than the main body chassis and the engine, the donor RAM and Dodge components were used to build this vehicle. The Hotrod cab has a tubular chassis and independent front suspension for a smoother ride. To secure the twin rear axles, there is a four-link suspension system, and the rig supplies the power via a 46RH four-speed automatic gearbox. A thing this big requires potent braking power; therefore, the disk brakes are not ordinary either.

The wheel rims on this one have pointed steel teeth, which further justifies the Mad Max-inspired persona. Cab Over Evolved has a triangular grille upfront, complemented by the vertical guards and front bumpers done in metallic orange. The vehicle kind of reminds me of the Jeepers Creepers movie, and a sequel to that crazy flick would do with this monster on the road. Moving onto the rear, the elongated cab has truck-like fenders which engulf the whole of the wheel arches. Taking it over bumpy roads or speed breakers could be a handful by the looks of it. The oval taillights and the body carry a similar intimidating presence, done in a rustic paint job.

On the inside, the six-wheeled cab has a custom dashboard with an elliptical, centrally mounted instrument panel. Everything is kept very minimal with a retro flair, be it the gear knob in metallic silver, steering wheel in the same orange as the exterior, or the elliptical seats in matte leather orange. The doors carry the same persona, making it a handsome affair on the inside. At the time of writing, the Cab Over Evolved has a bid of up to $137,000 with a few more days to go. Clearly, this thing will go for a high price given its unique road presence that guarantees more than just second looks.

The post A Hot Wheels inspired six-wheeled cab fit for Mad Max franchise first appeared on Yanko Design.

Sep
17

By

AI camera concept adds innovation in photography

Category: YankoDesign

While most “ordinary” people right now would probably use their mobile phones to take pictures, there’s still a segment of the market that prefers using digital cameras. Whether you’re at a concert, an event, taking artsy photos, or simply want a more “nostalgic” feel, there are many options to choose from, each with different features, capabilities, and added bonuses to make your photos better. If there’s something that would let me take great photos even if I just have a basic knowledge, then I’d probably go for it.

Taking photos may become even easier with the introduction of the AI Camera, a conceptual design by Inspire Curve that reimagines the creative process. Moving beyond traditional manual settings, this device leverages advanced artificial intelligence to offer a more intuitive and seamless experience for photographers of all skill levels. By automating complex tasks, the AI Camera empowers users to focus on composition and artistic vision rather than getting bogged down by technical adjustments.

Designer: Inspire Curve

This innovative camera stands out with its minimalist and geometric aesthetic. The design emphasizes clean lines and smooth curves, giving it a stylish yet professional look that feels like both a sophisticated tool and a modern art object. The understated design allows for a perfect blend of form and function. One of its standout features is the full‑auto mode, which intelligently analyzes the scene and automatically adjusts parameters such as exposure and focus. It even provides composition guidance, making it easier than ever to capture the perfect shot with just a simple press of the shutter.

Unlike many cameras that rely on a single, fixed approach, the AI Camera’s intelligence allows it to adapt to various scenarios. Whether you are capturing a fleeting moment or a carefully composed portrait, the device acts as an intuitive photography assistant. It removes the need for professional skills, allowing anyone to achieve high‑quality images. The camera’s ability to simplify complex settings while maintaining artistic control is a game‑changer, promising to make professional‑grade photography accessible to the general market. With its sleek design and intelligent features, the AI Camera concept represents a bold step toward a future where technology works in harmony with human creativity.

The AI Camera concept merges cutting‑edge technology with timeless design, turning every snap into a confident, creative act. Whether you’re a seasoned shooter or a casual enthusiast, it promises to make high‑quality photography feel effortless so you can spend less time tweaking settings and more time capturing the moments that matter.

The post AI camera concept adds innovation in photography first appeared on Yanko Design.

Sep
17

By

roman bauer arquitectos designs photographers studio in bohemian district of lima, peru

Category: Design Boom

a photographers’ workshop for an artist neighborhood

 

Peru-based practice Roman Bauer Arquitectos takes to Lima’s bohemian district of Barranco to design a studio, workshop, and exhibition space for photographers. The project is organized around two landscaped courtyards that frame a lofty central workspace. Visitors enter through a forecourt where cantilevered planters infuse the space with greenery before reaching the main hall. Sliding doors retract fully to create a continuous flow from the entry courtyard through the interior and into a second sunlit garden at the rear.

 

This main space is joined by a small kitchen and two flexible rooms that function as more private offices or even temporary bedrooms for visiting artists. Only the bathrooms and a darkroom are fully enclosed, preserving the open, adaptable character of the plan. The layout supports both focused photographic work and the possibility of public gatherings or gallery-style installations.

images © Juan Solano Ojasi

 

 

roman bauer sculpts a folding roofline

 

With the structure of its photographers workshop, Roman Bauer Arquitectos combines reinforced concrete block walls with a timber roof supported by large steel trusses. The roofline folds gently, descending from the second-floor office toward the rear courtyard, and is punctuated by four rectangular skylights. These overhead apertures, fitted with operable upper windows on pulley systems, fill the studio with daylight and encourage cross-ventilation. The architects note that their proportions recall the lanterns and ceiling lights of Barranco’s traditional houses.

 

Huayruro wood, a common wood in Peru, is used extensively across carpentry elements, including partitions, framing, furniture, and the staircase to the upper level, lending a warm tonal contrast to the cool concrete walls. Inside, walls of exposed stone are smoothly finished, while the courtyard’s walls show a textured relief that doubles as a surface for hidden lighting or climbing plants.

a studio and workshop for photographers opens in Barranco, Peru

 

 

a studio between two courtyards

 

Flooring throughout the first level is laid in handcrafted yellow terrazzo tiles that extend into the rear garden. There, a planter of concrete slats surrounds a ceibo tree, creating the atmosphere of an outdoor room. The success of the interiors lies in the contrast between the austere stone walls at eye-level and the complex, warm-toned structure which caps the space and draws the eye upward.

 

The project comes to life with its spatial sequencing, ambient sunlight, and a palette of expressive materials. Through its courtyards and finely tuned roof structure, Roman Bauer Arquitectos has created a workspace that is at once adaptable and quietly expressive, bringing a versatile setting for creative production as well as exhibitions. In this way, it serves the needs of both local and visiting photographers, and respects the artistic character of historic Barranco.

Roman Bauer Arquitectos designed the flexible studio and exhibition space

the plan centers on two courtyards that connect through sliding doors

huayruro wood warms the roof, stair, and built-in furniture

a central workspace extends between the front and rear gardens

reinforced concrete block walls lend structure and subtle texture

four skylights with pulley windows bring daylight and cross ventilation

 

project info:

 

name: Studio-Workshop for Photographers

architect: Roman Bauer Arquitectos | @romanbauer_arquitectos

location: Barranco, Peru

area: 189 square meters (2,035 square feet)

completion: 2025

photography: © Juan Solano Ojasi | @juansolanoojasi

 

lead architects: Jose Bauer, Augusto Román

design team: Alexandra Larrea, Ailed Tejada, Lilian Wong, Karen Galarza
structural: Luis Takahashi
electrical: Cesar Pacheco
MEP: Julio Gamboa

The post roman bauer arquitectos designs photographers studio in bohemian district of lima, peru appeared first on designboom | architecture & design magazine.

Sep
17

By

Here’s How They Clean the Balls in a Ball Pit

Category: Core77

Ball pits, invented by designers Charlotte Rude and Hjördis Olsson-Une for Ikea in 1970, went on to become wildly popular. Fast food restaurants, amusement parks, play centers and community recreation facilities have all featured them.

To the wary parent, they seem like hotbeds of germs. Anecdotal stories (like these or these on Reddit, from people who worked at facilities with ball pits) of the slapdash way they’re cleaned—or not cleaned—don’t help the rumors:

– “A place I worked with a ball pit would just load up the balls in mesh bags and have one of the janitors drive through a car wash with the balls in the bed of their truck.”
– “I worked at this play place called Catch Air. We would clean the balls individually by hand every few weeks. Really shitty job.”
– “Sometimes little kids being little kids, there will be someone who’d poop or throw up in the ballpit. And a messy job too, its almost guaranteed you’ll get covered in it if you are the lucky one who goes in to fish out every ball.”
– “Babies will also chew and sneeze on everything, including the balls in the pit.”
– “When I worked at Chuck E Cheese we had a late night scheduled every six months to clean the ball pit. We would empty them all into bus tubs and run them thru the giant dishwasher. They smelled VERY strongly of urine, as I recall.”
– “Worked at McDonalds for years. The only time the ball pit got cleaned was when kids started coming out with poo on them.”
– “If you think they are nasty under normal circumstances, wait until they have about 12 years of dust sitting on them. The kind that gets sticky after awhile … Yeah it was as disgusting as you are picturing it.”

That said, ball pit cleaning machines do exist, and responsible facilities like TQ Playtopia in Oklahoma City use them regularly.

“Our amazing cleaning crew uses Tuesdays to deep clean the entire playground, and sanitize EVERYTHING,” the company writes. “Every ball from every pit gets run through our ball washer- that alone takes 5 hours!”

Here’s what the machines do:

Sep
17

By

Portable display concept has the potential to redefine on-the-go creativity

Category: YankoDesign

A new portable display concept wants to change how creators work outside the studio. The device resembles a slim, lightweight panel that can be folded or rolled, allowing users to carry high‑resolution visual output wherever inspiration strikes. Its design emphasizes modularity: detachable hinges and magnetic connectors let the screen expand to a full‑size display or collapse into a compact form that fits into a standard messenger bag. Materials such as brushed aluminum and a matte‑finish polymer give it a premium feel while keeping the overall weight under 1.2 kg.

Power efficiency is another focal point. Integrated lithium‑polymer batteries provide up to eight hours of continuous use, and a USB‑C port supports fast charging and direct video input from laptops, smartphones, or tablets. The display utilizes an OLED panel with a 4K resolution, delivering vibrant colors and deep blacks—crucial for graphic designers, photographers, and video editors who rely on accurate color representation.

Designer Name: Eslam Mhd

Beyond hardware, the concept includes a suite of software tools tailored for mobile creators. A companion app offers customizable workspaces, allowing users to arrange toolbars, presets, and color palettes that sync across devices. The app also supports wireless casting via Wi‑Fi Direct, enabling seamless collaboration in co‑working spaces or on‑site meetings without the need for cables.

Eslam Mhd’s inspiration stems from the growing demand for flexible work environments. “Creativity doesn’t stay in one place,” he says, noting that many artists and designers travel frequently and need reliable, high‑quality displays that don’t tether them to a desk. The portable display addresses this gap by merging the visual fidelity of a desktop monitor with the convenience of a tablet. The combination of a thin, foldable OLED screen and robust connectivity aligns with trends in flexible electronics, such as rollable smartphones and detachable laptops. If brought to market, the device could compete with existing portable monitors that rely on LCD technology, offering superior contrast ratios and lower power consumption.

Potential challenges remain, however. Manufacturing foldable OLED panels at scale still presents cost and durability concerns. Repeated folding can stress the flexible substrate, possibly leading to pixel degradation over time. Additionally, ensuring a seamless hinge mechanism that maintains structural integrity while allowing smooth transitions between folded and expanded states will require precise engineering.

If this portable display moves beyond the prototype stage, it could set a new benchmark for on‑the‑go creativity, empowering artists, designers, and content creators to showcase their work with the same visual quality they expect in a fixed studio environment. The concept underscores a broader shift toward adaptable, high‑performance tools that keep pace with the evolving demands of the modern creative workforce.

The post Portable display concept has the potential to redefine on-the-go creativity first appeared on Yanko Design.

Sep
17

By

Sculptural light concept blends nature and design

Category: YankoDesign

The Arc Lamp by designer Divyansh Tripathi captures the quiet elegance of a bent wooden arm supporting a softly glowing bulb, turning a simple lighting fixture into a piece of art. Inspired by the swing of a pendulum, the lamp’s curve follows a smooth, fluid line that suggests movement even while it remains still. The natural grain of the timber adds an organic texture, while the suspended bulb offers a gentle, diffused light that creates a warm, inviting ambience in any room.

The lamp’s design begins with a single piece of wood that is carefully bent into an arc, echoing the natural sway of a pendulum. This curvature not only provides visual balance but also distributes the weight of the bulb evenly, allowing the light source to hang delicately from the apex of the curve. The result is a sculptural silhouette that feels both sturdy and light, inviting the eye to trace its line from base to bulb.

Designer: Divyansh Tripathi

Material choice plays a crucial role in the concept’s appeal. Bent wood brings warmth and a tactile quality that metal or plastic cannot replicate. The visible grain patterns add depth and character, making each lamp unique. Paired with a low‑profile LED bulb, the lamp emits a soft, even glow that enhances the wood’s natural tones without overwhelming the space. This combination of texture and light creates a quiet visual presence that can serve as a focal point in a living room, bedroom, or boutique setting.

Beyond aesthetics, the Arc Lamp addresses functional considerations. The suspended bulb is positioned to reduce glare and provide ambient illumination, ideal for reading, relaxing, or setting a cozy mood. The wooden arm can be finished with natural oils or matte varnish to protect the surface while preserving its organic feel. The design’s simplicity also makes it adaptable to various interior styles, from minimalist Scandinavian to rustic farmhouse décor.

Collectors are drawn to the lamp’s sculptural nature, viewing it as both a functional object and a piece of contemporary art. Its limited‑edition status, highlighted in the designer’s portfolio, adds an element of exclusivity that appeals to those seeking unique home accessories. The concept’s emphasis on balance, warmth, and quiet elegance resonates with a growing audience that values sustainable materials and thoughtful design.

The Bent Wood Arc Lamp transforms the everyday act of lighting a room into an experience of visual harmony. By marrying the natural elegance of bent timber with the gentle weight of a suspended bulb, Divyansh Tripathi creates a lamp that feels sculptural, elegant, and timeless. Whether placed on a side table, a console, or a bedside shelf, the lamp offers a subtle yet powerful statement of design that celebrates both form and function.

The post Sculptural light concept blends nature and design first appeared on Yanko Design.

Sep
17

By

Hybrid Footwear Design: Combining the Best Parts of a Slipper and a Boot

Category: Core77

Up until now, a slipper and a boot have been opposite pieces of footwear, functionally speaking. Slippers are soft, easy to pull on and made for padding around inside. Boots are stiff, require onerous lacing and are made to provide traction on rugged terrain.

This ReEmber Camp Slip On, by California-based footwear brand Teva, takes the best of both. It’s soft and features a quilted upper for warmth, a grippy rubber outsole for traction, a cushioned footbed, a collapsible heel if you just want to jam them on, and a single strap if you need a little more fit.

Though designed with campers in mind, it will also appeal to those who live in suburban or rural areas. There are plenty of times when you need to step outside for just a moment, like retrieving a package at the end of an icy driveway, or traveling a gravel path to the garden, where these would be just the ticket.

They run $80 and come in whole-number sizes only. Both men’s and women’s versions are available.

Sep
17

By

Who First Invented the Ball Pit? Two Young Ikea Designers, in 1970

Category: Core77

In 1968, Charlotte Rude and Hjördis Olsson-Une were two young graduates of Sweden’s Konstfack University, where they had studied art and design. The two moved to Älmhult, Sweden, where a glassworks was located; having caught the material exploration bug at design school, the two wanted to experiment with glass.

The pair had very little money and shared an apartment. To furnish it, they bought inexpensive leftover particle board from a nearby construction site, and built pieces they designed themselves.

Älmhult was also where Ikea had opened their first store, back in 1958, and was where their headquarters were based. Some of Rude and Olsson-Une’s neighbors worked for Ikea, and when they saw the designers’ self-created furniture, encouraged them to try to sell the designs to Ikea. The neighbors introduced them to Ikea manager Gillis Lundgren.

Lundgren didn’t buy their designs. Instead he offered them full-time jobs. The duo accepted, and soon began designing furniture.

In 1970s, the Ikea store in Stockholm suffered a fire and needed to be rebuilt. The brass decided they may as well add a large play area for children. The task of designing the play area fell to Rude and Olsson-Une, who were then Ikea’s youngest designers. The two designed a sort of indoor playground filled with pillows, ropes and platforms.

But “the biggest star of the play area,” according to Ikea, “was the ball pit.”

The idea came when Charlotte and Hjördis were opening boxes containing a new type of protective packing material. It consisted of small plastic balls, and reminded Charlotte of the then wildly popular bean bags that kids would sit and lie down in.

They imagined how one could jump and swim around in a sea of balls if it was deep and wide enough. However, these balls were too small. Children might put them in their mouths and choke. At the time, plastic was growing fast as a material, and the young designers soon found lighter and bigger multicoloured balls to use.

A huge wooden box – deep enough to jump into – was built with particleboard and filled with thousands of balls. When the play area opened in 1971, the ball pit became a huge hit. Kids loved it, and families were soon rushing to IKEA to let their children try out the new invention. Later in the 1970s, ball pits of all sorts started popping up in everything from amusement parks to fast-food restaurants, but the ball pit in the Stockholm IKEA store in 1971 was likely the first one in the world.

Rude and Olsson-Une didn’t stay at Ikea for long; after just five years, in 1973, they moved to Copenhagen to pursue graduate studies at the Royal Danish Academy of Fine Arts. They took on freelance design work–and apparently faded into obscurity. I can find no record of their work after their time at Ikea.

Sep
17

By

Top 5 Innovative Power Bank Designs That Break The Mold

Category: YankoDesign

Power banks have been tech’s most boring necessity for years. While phones became design masterpieces and earbuds turned into fashion statements, portable chargers stayed stubbornly bland. The assumption was simple—nobody cares how emergency power looks, just that it works. These rectangular slabs hid in bags, forgotten until battery warnings appeared.

That era is finally ending. Designers are waking up to the fact that the devices we carry daily deserve better than utilitarian bricks. These five power banks don’t just store electricity—they reimagine what portable charging can be. They communicate through light, transform into tools, push boundaries, and even make you smile. Function meets genuine innovation.

1. Nothing Power (1): When Charging Becomes Communication

The Nothing Power (1) turns charging into visual storytelling. Its Glyph interface isn’t just pretty lights—every LED serves a purpose, showing battery levels, charging status, and phone notifications. Inspired by circuit pathways from Nothing’s phones, it makes your power bank part of your device ecosystem rather than just another accessory you plug in.

This product delivers serious grunt, too. The 20,000mAh capacity and 65W fast charging hit 50% battery in under 20 minutes. The transparent design doesn’t sacrifice durability for looks—it enhances usability by making processes visible and meaningful. Multiple ports handle any device you throw at it, while that distinctive design screams quality over commodity.

What we like

The glyph interface provides intuitive visual feedback for charging status and notifications.
Massive 20,000mAh capacity with lightning-fast 65W charging speeds.

What we dislike

Currently remains a concept design without a confirmed production timeline.
Transparent construction may show internal wear and dust accumulation over time.

2. RedMagic Go: The Geometric Transformer

The RedMagic Go looks like it rolled out of a sci-fi movie set. Instead of another boring rectangle, it uses geometric shapes that actually mean something—one section breaks away into a cylinder that hints at dry-cell batteries. It’s clean, angular, and suggests this device does more than just sit there looking pretty.

The 5,000mAh capacity won’t win any endurance contests, but it’s perfectly sized for daily rescue missions. It charges two devices simultaneously, putting out 20W for solo charging or 15W each when splitting duty. The form factor fits naturally into modern workflows without screaming “emergency gear,” making it feel more like an intentional design than a backup plan.

What we like

Distinctive geometric design that stands out from generic rectangular power banks.
Dual-device charging capability with intelligent power distribution.

What we dislike

Relatively small 5,000mAh capacity compared to high-capacity alternatives.
Power output drops significantly when charging two devices simultaneously.

3. Xiaomi 212W HyperCharge: The Desktop Destroyer

The Xiaomi HyperCharge doesn’t mess around. With 25,000mAh capacity and 212W peak output, it’s basically a portable wall outlet that puts laptop chargers to shame. This isn’t for topping off your phone—it’s for people who refuse to accept charging compromises. MacBook Pro at full speed? Check. Gaming handheld mid-session? No problem. Multiple devices without breaking a sweat? Obviously.

Calling this “just a power bank” misses the point completely. It’s mobile infrastructure for creators, travelers, and anyone whose work doesn’t pause for inadequate power. The numbers are genuinely impressive—212W output means desktop performance in your backpack. For professionals who live mobile, this eliminates the anxiety of finding outlets in airports, coffee shops, or client locations.

What we like

Unprecedented 212W output that charges laptops and multiple devices at full speed.
Massive 25,000mAh capacity eliminates range anxiety for extended use.

What we dislike

Significant size and weight make it less suitable for everyday pocket carry.
Premium power output likely comes with correspondingly premium pricing.

4. Loop Gear SK05Pro MAO: The Illuminated Powerhouse

The SK05Pro MAO asks a brilliant question—why are flashlight tubes when pockets are flat? This palm-sized powerhouse measures just 0.88″ × 1.89″ × 4.17″, thinner than most power banks yet infinitely more useful when darkness hits. The aluminum body features actual grip grooves rather than decorative nonsense, while thumb controls switch between spotlight, flood, side light, and charging modes.

The specs are genuinely impressive—4,360 lumens reaching 405 meters from something that fits in your phone pocket. Dual 18650 batteries provide 8,000mAh charging capacity, weighing 7.93oz loaded. That’s substantial heft that translates to substantial capability. The flat profile makes pocket sense while delivering emergency illumination and power that could save your day during outages or adventures.

What we like

Innovative flat form factor maximizes pocket efficiency while delivering powerful illumination.
Dual functionality eliminates the need to carry a separate flashlight and power bank.

What we dislike

Higher weight than standard power banks due to robust construction and batteries.
Specialized design may not appeal to users who prefer dedicated single-purpose devices.

5. “Little Ice Cream”: The Deliciously Functional Charger

The “Little Ice Cream” proves that functional design can spark genuine joy. This wireless charging power bank looks exactly like its namesake dessert, making charging feel like a treat rather than a technical necessity. The stick component doubles as a built-in data cable, creating integrated charging that supports multiple devices with one charming solution.

The cuteness doesn’t compromise capability. It handles Android and Apple devices through two-way fast-charging technology, supports simultaneous wired and wireless charging, plus magnetic attachment. Reverse charging powers other gadgets, while double-click switching enables low-current mode for different needs. The tactile design creates an emotional connection that transforms routine charging into daily satisfaction moments.

What we like

Charming ice cream design creates emotional connection and visual appeal.
Comprehensive charging options, including wireless, wired, and reverse charging capabilities.

What we dislike

Novelty design may not appeal to users preferring professional or minimalist aesthetics.
Built-in cable design could create durability concerns compared to removable cable solutions.

The Future of Power Bank Design

These designs represent genuine evolution in portable power thinking. The days of treating power banks like necessary evils are ending, replaced by accessories that deserve design consideration, matching the devices they power. Whether through intelligent lighting, geometric beauty, raw performance, dual functionality, or pure charm, each proves innovation enhances rather than compromises practicality.

The common thread isn’t just departure from rectangular conventions—it’s recognition that good design amplifies functionality. Nothing’s Glyph interface makes charging more intuitive. RedMagic’s geometry serves a purpose alongside aesthetics. Xiaomi prioritizes performance for users needing maximum power. Loop Gear solves real pocket problems while adding value. Little Ice Cream’s charm doesn’t diminish its technical capabilities. This evolution reflects changing consumer expectations and technology maturation, inspiring further industry experimentation.

The post Top 5 Innovative Power Bank Designs That Break The Mold first appeared on Yanko Design.

Sep
17

By

contrasting gable and mono-pitched metal roofs top wood-clad coley’s point house in canada

Category: Design Boom

Woodford Architecture builds a coastal residence in Canada

 

Nestled within the serene coastal landscape of Coley’s Point, Canada, Woodford Architecture’s contemplative residence embraces its dramatic maritime setting with restrained elegance. Composed of intersecting gable and mono-pitched volumes, the form echoes the quiet vernacular of Newfoundland’s built tradition while articulating a modern silhouette. Textural contrast defines the exterior. Vertical, dark-grey cladding is juxtaposed with crisp, horizontal white wood siding to sculpt a nuanced interplay of light and shadow. Strategic window placement frames extended views of the harbor, drawing the sea into daily life, while sheltered courtyard spaces mediate between interior comfort and coastal exposure.

all images by Jane Brokenshire

 

 

Coley’s Point House stands as a reflection of its coastal setting

 

Inside, the home is designed with an emphasis on simplicity, light, and connection to its surroundings. Expansive windows fill the living areas with natural light throughout the day, while warm, carefully chosen finishes create a sense of intimacy against the wide horizon outside. The design team at Woodford Architecture arranges spaces in a way that encourages both quiet retreat and moments of gathering, with views and movement thoughtfully considered at every turn. The overall effect is one of balance, between openness and shelter, tradition and modernity, landscape and dwelling. More than a residence, Coley’s Point House stands as a reflection of its setting, offering calm, clarity, and enduring connection to the rugged Newfoundland coast. It is a home that feels both timeless and deeply rooted, shaped by the rhythms of land and sea.

the residence by Woodford Architecture is set within the coastal landscape of Coley’s Point, Canada

the home embraces its maritime setting with intersecting gable and mono-pitched volumes

the house’s contemporary form is rooted in the vernacular traditions of Newfoundland

vertical dark-grey cladding paired with horizontal white siding defines the exterior

window placement carefully frames views of the harbor

a play of light and shadow emerges from contrasting materials

expansive glazing fills the living areas with daylight throughout the day

warm finishes provide intimacy against the wide coastal horizon

interiors emphasize simplicity, natural light, and connection to the landscape

views and circulation are carefully considered in the plan

spaces are arranged to support both quiet retreat and communal gathering

design balances openness with a sense of shelter

connection to the rugged Newfoundland coast is embedded in the design

 

project info:

 

name: Coley’s Point House

architects: Woodford Architecture | @woodford_architecture
design team: Chris Woodford, Devan Burry, Kathy Oke, Keita Foley-Tanaka
location: Coley’s Point, Bay Roberts, Canada

photographer: Jane Brokenshire | @janebrokenshire

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post contrasting gable and mono-pitched metal roofs top wood-clad coley’s point house in canada appeared first on designboom | architecture & design magazine.

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