5 Thing You Need to Know About The Last Judgement by Michelangelo
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Sep
19
Sep
19
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Sep
19
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Sep
19
Anagram Architects unveils 1200 square feet flagship store for ARKS, a lifestyle label based in Bandra West, Mumbai, translating its identity into a physical space. Conceived by Hindi cinema actor Ranbir Kapoor, the store features a restrained layout punctuated by bold red sculptural elements, including a sweeping display rod and a central bench that doubles as seating and focal point. Targeting a young, urban demographic, the space organizes circulation through a linear podium, concealed back-of-house zones, and a stage-like alcove for fitting rooms and a photo booth.
all images courtesy of Anagram Architects
Set back from the street, the store, designed by Anagram Architects, is accessed through a metal gate and forecourt before ascending a short flight of steps to the entrance. Inside, the podium integrates the billing desk and product display, while the suspended red rod above anchors the visual rhythm of the interior. On one side, a veneer-paneled wall conceals service areas; on the other, the alcove for changing rooms is framed by drapery, a chandelier, and carpet, creating a contained zone within the open plan. The spatial sequencing reflects the India-based studio’s focus on guiding movement through subtle transitions rather than overt partitions.
the design translates the brand’s identity into a physical space
The design adopts ARKS’ signature colors of red, black, and white. The exterior pairs a white bulkhead with black-tiled cladding and a red metal portal finished in ACP. Inside, neutral walls and flooring are punctuated by red accents on display elements, seating, and branding, while black hardware and tiles provide contrast. A Barrisol stretch ceiling conceals lighting to reduce visual clutter, with mirrored beam fascias used to counteract the low 7-foot height and extend the perception of space. The combination of these elements creates a structured retail environment that reflects the brand’s identity through material and form.
mirrored beam fascias reflect the Barrisol ceiling to heighten spatial perception
strategic red accents energize the muted palette
a sculptural red bench serves as a bold visual anchor
the sculptural red bench — designed for both seating and display
the contours of the bench
the material palette features ARKS’ signature colours: red, black, and white
the billing desk extends into a continuous podium; above it, a sweeping red rod anchors the merchandise display
the sweeping red display rod, with hangers stamped with the abstract red logomark
the toilet interior continues the red, black, and white palette, echoing ARKS’ brand identity
project info:
name: ARKS Flagship Store
designer: Anagram Architects
The post red sculptural elements define ARKS flagship store by anagram architects in mumbai appeared first on designboom | architecture & design magazine.
Sep
19
We’ve all been there. You drop your shiny new iPhone, time slows down as it tumbles through the air, and that sickening crack sound follows. Your $1,200 device now sports a spider web across its gorgeous display, and suddenly you’re kicking yourself for not spending thirty bucks on a decent screen protector. The psychological damage almost hurts worse than the financial hit. Your premium experience instantly transforms into a constant reminder of that one careless moment.
Prevention beats regret every single time, which is why a good screen protector is perhaps more important for your phone than splurging hundreds on AppleCare+. In fact, I don’t even begin using my phone until it’s been shielded from damage – I guess the metaphor is fitting, given that I too can’t function without first wearing my spectacles! That being said, for people springing for a new iPhone 17 or 17 Pro, TORRAS has engineered their best screen protector ever. The new OrigArmor is being pitched as the “World’s First Anti-Reflective Screen Protector with 3D Full-Coverage Curved Edge.” That is a mouthful, but it basically means they are aiming to solve every screen woe with one elegant solution, letting you “Feel Nothing, See Everything” and stay shielded.
Designer: TORRAS
Click Here to Buy Now: $26.99 $29.99 (10% off) | Website (use coupon code “ORIGARMOR17” to get the best deal). Hurry, deal ends in 48-hours!
Let us dig into that “See Everything” part first. The OrigArmor leverages cutting-edge Anti-Reflection Technology, which boosts visibility and by extension, even battery life. Let me explain – the tech cuts glare significantly, keeping your screen clear without you needing to blast the brightness and drain your battery in the process. The screen protector boasts less than 0.8% reflectivity and an impressive 95% light transmittance. Compare that to your average tempered glass, which often reflects more than 4.5% and transmits only 91% of light. This translates to enhanced clarity, minimized distortion, and true-to-life color reproduction, so your photos look exactly as they should, even poolside.
Full coverage protection gives you 100% bezel to bezel protection without missing a micrometer. Regular screen protectors typically shrink 0.4 to 0.8mm from the edge, creating those annoying black borders. The OrigArmor minimizes edge shrinkage to just 0.2 to 0.4mm, achieving 100% coverage of your iPhone’s display. The 3D curved edge also eliminates those sharp corners that catch on everything in your pocket and start peeling within days. The military-grade protection layers also mean your phone survives drops that would otherwise end in tears and wallet pain.
Installation anxiety has ruined many relationships between users and their screen protectors. TORRAS addressed this with their innovative roller tray system, featuring a 35-degree silicone roller that smoothly pushes out air bubbles without needing those old-school auto-venting structures. The 0.075mm fluorine release film automatically captures dust during application, solving the eternal problem of those maddening dust specks that always appear the moment you’re about to apply. The system also preserves the anti-fingerprint coating, ensuring it remains effective longer than competitors.
At $34.99, you’re paying premium pricing, but the combination of anti-glare technology, and all-round protection with proper edge coverage justifies the cost when you consider that the alternative is replacing a cracked iPhone 17 Pro Max display. Stay protected, kids.
Click Here to Buy Now: $26.99 $29.99 (10% off) | Website (use coupon code “ORIGARMOR17” to get the best deal). Hurry, deal ends in 48-hours!
The post This $35 Screen Protector’s Anti-Reflective Coating Can Actually Save Your iPhone’s Battery Life first appeared on Yanko Design.
Sep
19
When you walk into a space, it has a certain vibe or an atmosphere that you can feel, especially if you’re sensitive to energy. Ever wondered why hospitals can feel tense or cold, while schools and shopping malls often feel lively or welcoming? Some places feel uplifting, others strangely heavy. That’s because space isn’t just structure but it is matter, and matter holds energy.
Beyond layout and lighting, it is the materials that shape how we feel. The cool smoothness of marble, the raw honesty of exposed brick, the comforting softness of wool rugs or velvet cushions as each texture creates an emotional impact. Materials are more than elements of design as they carry emotion, memory, and presence.
NAU Design’s Winter 2025 collection, designed by Tom Fereday, presents four distinct pieces that reflect the brand’s philosophy of material integrity, functional elegance, and purposeful design. The Ayva Table introduces a sculptural, single-leg form crafted from solid timber, offering space efficiency without sacrificing stability. The Cove Collection celebrates exposed craftsmanship, with visible joinery and a refined timber frame paired with feathered cushions. The Nola Lamp explores the relationship between material and light, contrasting crystal glass with solid stone to create varied lighting effects. Completing the collection, the Sia Chair adapts an indoor silhouette for outdoor use, employing durable materials that retain its original sculptural language.
Rooted in Melbourne, NAU grounds its designs in traditional joinery techniques and sustainable local timber sourcing. This commitment to craftsmanship and responsible production shapes both the aesthetic and ethical identity of the brand. Local manufacturing not only supports the region’s design economy but also reinforces the brand’s focus on durability, authenticity, and long-term value in contemporary furniture.
When we begin to truly listen, we create spaces that feel alive, intentional, and deeply human via texture, tone and thought.
Texture functions as a design element and is the first thing we sense in a space even before we consciously register it. In interiors, a matte wall can soothe, a velvet cushion invites touch, while raw concrete introduces a bold, tactile edge. Soft textures like linen and cotton evoke breezy summer days, while rich fabrics like velvet feel intimate and cocooning in winter.
Also, smooth textures often carry a feminine softness, while rough, rugged materials lend a more masculine energy. Whether it’s the rhythmic grain of timber on a façade or the sleek sheen of steel, texture defines not just how a space looks, but how it feels. Layering contrasting textures like ceramic against cork, or linen against metal can infuse depth, especially in monochrome interiors.
A traditional Kumiko panel is crafted through precise joinery and layered patterns and has always been a tactile marvel. Every interlocked piece of wood creates a surface that doesn’t just display pattern but radiates texture. Inspired by this, a Canadian maker asked: what if Kumiko could be 3D-printed? The question sparked a three-month experiment that led to a desktop-sized lattice, rendered in vivid plastic but still rich in the layered, touch-inviting geometry of its wooden ancestors. With over 1,000 individual inserts and 196 hours of print time, the final piece achieves something remarkable: a seamless grid of dovetails and interlocking tiles that looks and feels like traditional joinery, without glue or nails.
Though this version trades cedar for filament, it preserves the soul of Kumiko with its intricate tactility, quiet symmetry, and mesmerizing play with light and shadow. Each triangular unit catches highlights and casts soft recesses, creating a surface that shifts with your movement. Up close, your fingers want to follow the rises and grooves. Step back, and the grid becomes a woven field of pattern and rhythm. Free to download and endlessly customisable, this 3D-printed Kumiko blends old-world craftsmanship with modern accessibility. It proves that texture isn’t just something you see but it is something you experience, even when built in 0.2-millimetre layers.
Every colour holds a certain energy, some feel light and airy, while others are bold and grounding. Soft whites and pale tones often reflect summer’s brightness, while earthy greens and sun-washed woods offer a grounded, organic feel. Jewel tones like sapphire or ruby add drama and elegance, while sunny yellows breathe happiness and optimism into a space. Tone, more than just colour, creates emotional depth and sets the rhythm of a room.
Exterior tones shift with sunlight, giving the same surface different personalities throughout the day. A dark grey wall at dawn feels entirely different at golden hour. In interiors, tone influences how we feel and move through space. When curated thoughtfully, tonal harmony weaves everything together, making rooms feel connected, meaningful, and alive with intention.
The Dong Dong sofa is more than just functional but is a burst of joy for any living space. With its vibrant yellow hue, this piece instantly lifts the mood of a room, infusing it with warmth, brightness, and a playful, summery vibe. The cheerful colour acts like sunshine indoors, making even the most neutral spaces feel more alive and welcoming. It is not just a sofa but is a a statement of positivity.
Its plush, buoyant cushions are inspired by inflatable pool rings and the soft curves of ocean waves, adding a whimsical yet modern touch to the décor. The rounded, friendly form softens the space visually while inviting relaxation. This is furniture that doesn’t just serve a purpose as it sparks happiness, encourages lounging, and adds a pop of personality to your home. Whether you’re using the hidden massager or simply enjoying the soft embrace of its cushions, the Dong Dong sofa transforms any room into a brighter, more joyful place to be.
Every material chosen for a space carries its own story, where it came from, how it was crafted, and why it was selected. Thoughtful design goes beyond aesthetics, considering sustainability, cultural heritage, function, and emotional resonance. Materials can hold memory, too. A simple brick wall might evoke childhood or a familiar place, while the style of furniture can reconnect us with family traditions or a slower way of living.
Design with purpose becomes a form of storytelling. Reclaimed wood doesn’t just conserve resources as it carries the spirit of its past life. Locally sourced stone anchors a space to its land, while eco-conscious paints and low-VOC adhesives care for both people and the environment. When we choose with intention, we create spaces that are not just visually beautiful, but emotionally grounded and deeply human.
Given Iceland’s breathtaking natural landscape and its relatively small population of approximately 300,000, traditional architectural enclosures such as walls and ceilings can often feel both restrictive and redundant particularly in the open countryside. In a place where privacy is seldom an issue and nature offers unparalleled visual richness, the need for conventional barriers diminishes. Here, design with purpose means embracing openness, allowing the environment itself to take centre stage.
The Panorama Glass Lodge exemplifies this philosophy through its all-glass construction, intentionally blurring the line between interior and exterior. Rather than adorning its interiors with decorative elements, the space is thoughtfully designed to showcase the surrounding natural beauty. Floor-to-ceiling glass panels provide uninterrupted views of Iceland’s striking terrain during the day and the ethereal aurora borealis at night. In this setting, design with purpose transforms the lodge into a living gallery where nature is the artwork, and the architecture exists solely to frame it.
By tuning into the texture, tone and intention of materials, we move beyond surface-level aesthetics toward purposeful design. Spaces start to embody feeling, memory and meaning. From the inviting warmth of wood to the soothing power of colour design transforms into a subtle language that influences how we live, feel and connect with our surroundings.
The post Top 3 Trends To Explore Texture in Interior Design: For Transforming Your Home Instantly first appeared on Yanko Design.
Sep
19
EDC tools have evolved far beyond simple utility, becoming personal statements that reflect both function and philosophy. The best examples tell a story through their design, creating moments of delight that transform mundane tasks into something memorable. HatchBlade, a titanium everyday carry tool currently crowdfunding on Kickstarter, takes this concept to its logical conclusion by literally embodying transformation in both form and motion.
When folded, HatchBlade resembles a smooth, rounded egg, its titanium surfaces flowing seamlessly into an organic shape that feels natural in your palm. Deploy the blade using its unique hook ring mechanism, and the tool unfolds into something unmistakably bird-like, with the blade extending forward like a beak while the hook ring suggests outstretched wings. This isn’t just clever industrial design; it’s storytelling through mechanical motion.
Designer: Roger Chen
Click Here to Buy Now: $32 $49 (34% off). Hurry, only a few left!
The transformation happens through a deployment system that feels unlike anything else in the EDC world. Place two fingers on the titanium tail, hook your third finger through the integrated ring, and leverage the mechanism to unfold the blade in one fluid motion. The movement is organic and satisfying, turning the simple act of opening a knife into a small ritual that you’ll find yourself repeating just for the tactile pleasure.
Premium materials elevate the experience beyond novelty. The handle is milled from a single block of Grade 5 titanium, creating a tool that’s both incredibly strong and surprisingly lightweight. Titanium’s natural resistance to corrosion means HatchBlade will look and perform like new even after years of daily carry. The 7Cr stainless steel blade offers excellent sharpness and edge retention for everyday tasks while remaining easy to maintain and resharpen when needed. In other words, it’s not just a uniquely designed piece of art, but also a reliable tool built to withstand everyday use.
Ergonomic details reveal thoughtful engineering throughout the design. Triple grip grooves provide secure handling even with gloves or wet hands, while the tailored edges and surfaces feel comfortable during extended use. The snap-lock detent closes the blade with a satisfying click that feels both secure and mechanically precise, giving you confidence that the tool won’t accidentally open in your pocket.
HatchBlade’s compact size makes it genuinely practical for everyday carry. Small enough to disappear on a keychain or in a pocket, yet distinctive enough to spark conversations when deployed, it strikes that perfect balance between discretion and personality. The tail loop hole accommodates lanyards, paracord, or keyring attachments, letting you customize the carry method to match your preferences and lifestyle.
The kinetic nature of the deployment mechanism adds an unexpected dimension to daily use. Opening HatchBlade becomes a moment of tactile satisfaction, whether you’re cutting tape on a package or just fidgeting during a meeting. The smooth, controlled motion and the visual transformation from egg to bird create a sense of anticipation and reward that generic utility knives simply can’t match.
Within the crowded EDC market, HatchBlade occupies a unique position by prioritizing experience alongside function. While most pocket knives focus purely on cutting performance or portability, this tool recognizes that the best everyday objects should engage multiple senses and create positive emotional connections. Future versions may support blade replacement through modular accessories, potentially extending the tool’s lifespan and versatility. It’s a rare forward-thinking approach that suggests that HatchBlade could evolve beyond its current form, playing on that bird metaphor again.
HatchBlade represents something refreshing in the world of everyday carry tools. By drawing inspiration from nature’s most iconic moment of transformation and translating it into mechanical motion, the designers have created an object that delights as much as it functions. The egg-to-bird metamorphosis serves as a daily reminder that even the most practical tools can surprise, engage, and connect us to the natural world around us.
Click Here to Buy Now: $32 $49 (34% off). Hurry, only a few left!
The post HatchBlade Titanium EDC Tool Turns Pocket Utility into an Egg-to-Bird Moment first appeared on Yanko Design.
Sep
19
NOT A HOTEL announces its latest iteration for the Japanese island of Yakushima, this time with architecture by Jean Nouvel. The lush, rain-soaked location for this upcoming boutique hotel is a UNESCO World Heritage site celebrated for its ancient cedar forests and shifting coastal weather. Commissioned by the hospitality brand NOT A HOTEL, the project will hide within a landscape defined by moss-covered rocks and misty green canopies.
Jean Nouvel’s design draws directly from the island’s topography, embedding the building within the natural contours of the terrain. Walls of locally-sourced stone and broad panes of glass form a low, grounded structure that can be gradually discovered as the forest unfolds. Thus, the architecture reflects the island’s elements, welcoming the rain and shadow as a part of its atmosphere.
images © NOT A HOTEL, Ateliers Jean Nouvel
Ateliers Jean Nouvel approaches the design of NOT A HOTEL YAKUSHIMA as a celebration of absence. ‘The most sophisticated things belong to nature — its landscapes, its paths, its reliefs, the views that will be revealed; everything else is absence,’ the architect explains, describing his approach. His words emphasize the project’s restraint. The built space becomes a quiet frame for Yakushima’s scenery, rather than an object within it.
Inside the hotel, spaces open broadly onto the forest and sea, creating an atmosphere that is at once contemplative and immediate. Subtle transitions between indoor and outdoor areas invite guests to move freely with the rhythms of weather and daylight. The stone surfaces collect rainwater and reflect shifting skies, while glass expanses channel sounds of wind and water.
the retreat stands on the lush UNESCO World Heritage island of Yakushima
‘At its base lies the stone — a permanent presence, shaped by time, rain, and wind, carrying the patina of years,’ Jean Nouvel adds, describing the influence of Yakushima’s landscape on his design for NOT A HOTEL. Rocks and stone blocks are arranged as if they have always been part of the island, their textures blending with the surrounding forest floor and nearby cliffside. This tactile connection to the site lends a design that values permanence and encourages quiet observation among the trees.
The interplay of light and shadow reinforces the sense of continuity with the landscape. Openings frame views of the sea and distant peaks, while the interiors are softened by the shifting glow of Yakushima’s ever-changing weather. The design team seeks to inspire a slow engagement with the environment and highlights the delicate balance between built form and otherwise untouched landscape.
stone and glass walls follow the natural contours of the terrain
As part of NOT A HOTEL’s larger group of retreats across Japan, the project is a flexible model of ownership and hospitality. Members can purchase a residence and share it as a hotel stay when unoccupied, with the brand managing maintenance and operations. Sales for NOT A HOTEL YAKUSHIMA are set to begin in summer 2026.
stone surfaces and glass expanses capture shifting light and sound
Nouvel describes nature as the most sophisticated presence
project info:
name: NOT A HOTEL YAKUSHIMA
architect: Ateliers Jean Nouvel | @ateliersjeannouvel
location: Yakushima, Japan
client: NOT A HOTEL | @notahotel_official
visualizations: courtesy NOT A HOTEL, Ateliers Jean Nouvel
The post NOT A HOTEL unveils yakushima island location with architecture by jean nouvel appeared first on designboom | architecture & design magazine.
Sep
19
If you’ve been following Nothing’s journey, you know Carl Pei’s startup has always thrived on doing things differently, sometimes bordering on the dramatic. Their third-gen flagship, the Nothing Ear (3), just dropped, and true to form, they’ve done something that’ll make even the most jaded tech enthusiast raise an eyebrow. Forget about the see-through aesthetic for a second, because this time, the real showstopper is the case. Yes, the charging case. With a feature called the Super Mic, Nothing has effectively turned it into a makeshift walkie talkie for the TikTok era.
Before we get to the weirdness, let’s acknowledge that Nothing has become a sort of cult disruptor. Ever since the first Ear (1) landed with its transparent plastic and minimalist UI, the company’s been building a loyal following, all while poking fun at Apple’s walled garden. The Ear (3) keeps that see-through vibe, but adds a hint of recycled metal and a slightly tweaked shape for better comfort and pressure relief. At $179, it’s priced a bit higher than the original, but you’re getting 12mm drivers for punchier bass, Bluetooth 5.4 with multipoint, LDAC support, and up to 45dB of real-time adaptive ANC. Battery life is a notch up too, with 5.5 hours on a single charge (ANC on) and a total of 38 hours if you count the case. Both the buds and the case have an IP54 rating, so you can sweat it out at the gym or get caught in the rain, no stress.
Designer: Nothing
But let’s be real, the Super Mic is the conversation starter here. The idea is disarmingly simple: press the Talk button on the case, and suddenly, you’re speaking into the case itself, not the buds in your ears. The case packs a dual-mic system that Nothing claims can slice up to 95dB of background noise, a leap if you’re the kind who takes calls from bustling cafes, subway platforms, or, I don’t know, the front row of a metal concert. The case becomes your mic stand, and apparently, this makes your voice cut through chaos like a hot knife through butter. You can even use it to record voice notes with automatic transcription on Nothing OS-equipped phones. It’s odd, but oddly logical for people who want a next-level mic experience without lugging around extra gear.
There’s a wink-and-nudge at Apple here, too. Nothing’s launch materials make it clear they think AirPods Pro’s “best-in-class” ANC is fair game for a little friendly fire. Pei and team love to use Apple as the measuring stick, but the real question is: can Nothing keep thriving if they ever step out of Apple’s shadow? Their whole marketing playbook is built on “not Apple” energy, whether it’s squaring up against AirPods or riffing on iOS’s walled garden. It’s a clever strategy that works for now, but one wonders if the company can define its own lane once the novelty wears off.
Still, for people who want something different, Ear (3) delivers. Beyond the Super Mic, the earbuds are loaded with three mics per bud, a bone-conduction voice pickup, and support for spatial audio, low-latency gaming, in-ear detection, and all the usual app-based customization. You even get ChatGPT and Nothing’s Essential Space integration if you’re running the right phone. As for colors, you get the classic black and white options, and they’re already up for grabs on Nothing’s website and Amazon, with a wider release set for September 25.
The post Nothing Ear (3) turns the earbuds case into a Walkie Talkie first appeared on Yanko Design.
Sep
19
Perched on the dramatic cliffs of Ixtapa-Zihuatanejo, Casa Yuri feels like it was carved from the coastline itself. This expansive oceanfront home, completed in 2023, takes everything beautiful about traditional Mexican architecture and reimagines it for contemporary living. The result is a residence that manages to be both jaw-dropping and surprisingly intimate.
The journey to Casa Yuri begins with a lushly landscaped ramp that winds up from the motor lobby, building anticipation with each step. Spanning nearly 3,000 square meters across a breathtaking oceanfront site, the home unfolds like a series of discoveries. Architects Daniel Zozaya Valdés and Enrique Zozaya had the rare gift of complete creative freedom from their client, and they used it to create something truly special—a house that pushes boundaries while staying rooted in place.
Designer: Zozaya Arquitectos
What immediately catches your eye is the massive palapa that crowns the residence. At 17 meters across, this traditional thatched-roof structure is the largest the firm has ever built for a private home. But this isn’t just about size—the palapa becomes the heart of daily life, creating a shaded outdoor room where the ocean breeze flows freely and the boundaries between inside and outside simply disappear. Under its soaring canopy, you’re simultaneously sheltered and completely connected to the sea.
Then there’s the pool—a bold stroke that seems to float in mid-air as it cantilevers over the rocks below. This isn’t just architectural showing off; the floating pool creates an incredible sense of being suspended between earth and sky. When you’re swimming, you’re essentially hovering over the Pacific, with nothing but ocean stretching to the horizon.
The house works as well as it looks. Passive cooling keeps things comfortable in the coastal heat, while water recycling systems and native materials like stone and wood make the home both sustainable and authentically Mexican. These aren’t afterthoughts—they’re integral to how the house feels and functions.
Living at Casa Yuri means waking up to endless ocean views, spending afternoons in the shade of that magnificent palapa, and taking evening swims that feel like floating above the world. The architects have created spaces that flow naturally from one to the next, each offering a different way to experience the spectacular setting.
The home represents something larger about contemporary Mexican architecture—how you can honor tradition while embracing the future. The palapa and natural materials speak to centuries of coastal building wisdom, while the floating pool and modern proportions look boldly forward. It’s this balance that makes Casa Yuri more than just a beautiful house; it’s a genuine reflection of what it means to live well by the sea.
Every detail, from the grand gestures to the quiet moments of shelter and shade, shows the careful hand of architects who understand both drama and comfort. Casa Yuri doesn’t just sit on its clifftop site—it celebrates it, creating a home that feels as eternal as the waves below.
The post Floating Above The Pacific: Casa Yuri’s Dramatic Clifftop Design Redefines Mexican Coastal Living first appeared on Yanko Design.