Suzanne Valadon: Model, Painter, Rebel
The post Suzanne Valadon: Model, Painter, Rebel appeared first on DailyArt Magazine.
Sep
23
The post Suzanne Valadon: Model, Painter, Rebel appeared first on DailyArt Magazine.
Sep
23
When Snapmaker first appeared on the desktop fabrication scene, they didn’t waste time making a name for themselves among hobbyists, educators, and tinkerers who wanted more from their 3D printers. Their original all-in-one machines, like the Snapmaker Original and the Snapmaker 2.0, fused CNC carving, laser engraving, and 3D printing into one impressively sleek modular box. The philosophy was clear: why clutter your workspace with three separate machines when you could have a single beautifully engineered gadget do it all? That approach paid off, and Snapmaker’s gear became a staple for people who like to experiment, iterate, and make things happen in their garages or living rooms. The Snapmaker ethos has always been about giving the masses access to pro-level tools, but with a user experience that satisfies even the most discerning power-user.
Now Snapmaker has dropped their latest creation, the U1, and it’s a completely different beast. This is their first dedicated 3D printer, ditching the multi-tool approach for laser focus on one thing: making multi-color 3D printing actually work for regular humans. The U1 is built around a revolutionary auto-swapping four-toolhead system that eliminates the biggest headaches in color printing. No more bulky AMS boxes eating up desk space, no more endless filament purging between color changes, and no more failed prints because your single extruder couldn’t handle the complexity. The U1 holds four different toolheads simultaneously and swaps between them mid-print with surgical precision, making multi-material printing as smooth as single-color jobs.
Designer: You Li
Click Here to Buy Now: $799 $999 ($200 off). Hurry, only 635/2000 left! Raised over $17 million.
The heart of the U1 is that four-toolhead carousel system, and it’s genuinely impressive engineering. Each toolhead locks into a modular docking station with built-in sensors that ensure perfect alignment every single time. When the printer needs to switch from, say, red PLA to black PETG, it parks the current toolhead in its dock and grabs the next one without missing a beat. The whole swap takes seconds, and because each material stays in its own dedicated nozzle, there’s zero purging required. That means cleaner color transitions, faster print times, and way less wasted filament. The system comes with four 0.4mm stainless steel nozzles as standard, though Snapmaker mentions more nozzle options are in testing for those who want different capabilities.
The U1’s print quality specs are impressive across the board. The build volume is a generous 270mm x 270mm x 270mm, giving you plenty of room for larger projects or multiple smaller parts. Print speeds hit up to 500mm/s with acceleration rates reaching 20,000mm/s², putting it squarely in high-performance territory. The heated bed supports temperatures up to 100°C for engineering plastics like ABS and PETG. Each toolhead can reach 300°C, opening the door to high-temp materials like polycarbonate and nylon. The machine supports standard 1.75mm filaments, so you’re not locked into proprietary spools, and the side-mounted spool holders keep up to four rolls loaded and ready to go.
Setup and operation are refreshingly straightforward, something Snapmaker’s users have come to expect from all their machines. The filament routing system guides each material from its spool to the correct toolhead without tangles or cross-contamination. Auto-leveling handles bed preparation, while the 3.5-inch touchscreen interface walks you through material selection and print settings. The slicer software automatically assigns colors and materials to different parts of your model, then generates the toolhead swapping commands. Loading new filament is as simple as feeding it through the clearly marked tubes, and the machine handles the rest. Maintenance is simplified too, since each toolhead can be removed individually for cleaning or nozzle changes.
What sets the U1 apart from other multi-material printers is how clean and quiet it runs. Traditional color-changing printers create a mess of purge towers and waste filament with every material switch. The U1 eliminates that entirely, making multi-color prints nearly as efficient as single-color ones. The enclosed versions run quietly enough for overnight printing in bedrooms or apartments. Even the open version is surprisingly subdued, thanks to quality stepper motors and a rigid frame that minimizes vibrations. The air filtration system in the flagship model is particularly impressive, keeping your workspace fresh during extended print sessions.
You’ve got an aluminum extrusion frame (quite like the ones seen on Snapmaker’s other machines) with precision-machined components throughout. The machine measures 584mm x 499mm x 730mm and weighs 18.2kg, giving it substantial presence without being unwieldy. The heated bed uses a flexible steel sheet with PEI surface that works with most filament types without adhesion aids. The wiring is clean and protected, with drag chains managing cable movement. The touchscreen is responsive and intuitive, displaying real-time temperatures, progress, and toolhead status. Even small details like the built-in 2-megapixel chamber camera and comprehensive connectivity options show thoughtful engineering.
Material compatibility is extensive and grows with optional accessories. Out of the box, the U1 handles PLA, PETG, TPU, and PVA for basic multi-material printing. Add the optional top cover, and you unlock PET, ABS, ASA, PA, and PC for more demanding applications. Go all the way with the top cover and hardened steel nozzles, and you can print carbon-fiber-reinforced polymers and glass-fiber-reinforced materials that would destroy standard brass nozzles. The automatic filament system with RFID recognition means the printer knows exactly what material you’ve loaded, adjusting settings accordingly.
Snapmaker’s U1 represents a genuine leap forward in desktop 3D printing technology. By solving the fundamental problems that have plagued multi-material printing for years, they’ve created something that feels genuinely revolutionary rather than just incrementally better. The four-toolhead system, combined with thoughtful industrial design and user-friendly operation, makes the U1 a machine that could finally bring color 3D printing to the mainstream. Whether you’re a designer prototyping products, an educator teaching engineering concepts, or a hobbyist who wants to push creative boundaries, the U1 delivers capabilities that were previously limited to industrial machines costing ten times more.
Starting at just $799, the U1 blows its competition out of the water, undercutting companies like Bambu, Prusa, Creality, etc. by hundreds of dollars while providing high-end functionality and multi-filament printing. Each U1 ships with 4 toolheads and 4 PLA filament reels, and can be used right out of the box. Add-ons like filament dryers or a transparent top cover do cost extra. The Snapmaker U1, which has racked a staggering $14 million USD on Kickstarter, ships starting December. Users are entitled to a 1-year warranty on the printer and a 3-month warranty on the extruders and filament holders. EU customers (along with Switzerland, Iceland, and Norway) get a 2-year warranty on the U1 printer.
Click Here to Buy Now: $799 $999 ($200 off). Hurry, only 635/2000 left! Raised over $17 million.
The post Snapmaker U1: The $799 Multi-Material 3D Printer That’s Terrifying Bambu, Prusa, and Creality first appeared on Yanko Design.
Sep
23
See a curated selection of product innovations, from smart home tech to sustainable beverages, submitted by designboom guest readers from around the world. These posts showcase a wide range of projects, from modular furniture and reconfigurable systems to sustainable materials and thoughtful new solutions to everyday problems.
designboom’s guest reader submissions give architects, designers, and makers a platform to share their projects with a vast international audience. This initiative fosters an open, inclusive dialogue within our global creative community.
Every submission receives an article on designboom’s readers’ page, with standout projects selected by our editorial team for broader promotion. With millions of monthly readers, it’s a unique opportunity to gain global visibility. Submit your project today!
name: Homebox
designer: Seung Keun Kim
Homebox is a smart storage solution developed to address the growing issues of package theft, weather damage, and delivery mismanagement in residential settings. The project aims to merge durability, security, and connectivity into a single, unobtrusive product that integrates seamlessly with the home environment. The unit is constructed from stainless steel, ensuring strength against forced entry as well as resistance to outdoor conditions such as rain and snow. Inside, a weight sensor detects package placement and triggers communication with the companion mobile app. Users receive instant notifications and can track delivery status remotely. To provide immediate visual feedback, LED indicators are embedded on the exterior: white signals readiness, green confirms delivery, and red alerts when the box is full.
Unthinkables! by BBH Singapore
agency: BBH Singapore
product: Unthinkables!
Chewing gum is famously banned in Singapore. To mark the nation’s 60th birthday, BBH Singapore has introduced what could be the country’s first legal chewing gum: a product called Unthinkables!. It looks, tastes, and chews like gum, but is made without a gum base — a deviously lateral solution that makes it technically legal. The project is a statement about the creative agency’s appetite for impossible ideas: those that make the unthinkable possible and tackle business problems with fame-driving solutions.
SELLO by Antonio Lanzillo & Partners
name: SELLO
designer: Antonio Lanzillo & Partners
manufacturer: Las Mobili
‘Chair + Stool?’ This simple question, scribbled down as a flash of intuition by designer Antonio Lanzillo, led to a revolution in furniture. The result is the Las Mobili SELLO, which boldly merges the functions of a chair and a stool into a single, typologically innovative piece. SELLO redefines the very act of sitting, offering a creative and forward-thinking response to the evolving needs of contemporary design.
CANOVA Toothpaste Dispenser by Mara Pezzotta, Chrome Cherry Team
name: CANOVA Toothpaste Dispenser
designer: Mara Pezzotta, Chrome Cherry Team
CANOVA is a sculptural toothpaste dispenser that elevates everyday design, making the morning routine feel more like a ritual than a rush. Conceived by industrial designer Mara Pezzotta and the Chrome Cherry team, the product bridges clean design with everyday simplicity, crafted from materials reminiscent of Italian Neoclassical sculpture and bringing a sense of calm and minimalism to the bathroom.
Electric Beer by Einride Design
name: Electric Beer
designer: Einride Design
collaborator: Carlsberg Sweden
What happens when electric freight meets brewing tradition? Electric Beer is the unexpected fusion of cutting-edge freight technology and iconic brews. The bold collaboration between tech trailblazer Einride and brewing icon Carlsberg Sweden celebrates a beer that is delivered entirely by electric trucks and designed to tell its own story. This alcohol-free beer turns sustainable transport into an experience. From hops to hand, it’s a taste of the future.
name: Heritage
original design: Marian Sigmund (c.1958)
creative direction & redesign: Maja Ganszyniec Studio
manufacturer: Paged Furniture
At Salone del Mobile 2025, Paged Furniture presents Heritage, a new collection that brings a 1950s Polish design back into the contemporary conversation. Under the creative direction of designer Maja Ganszyniec, the project uncovers and reinterprets the nearly forgotten B-621 chair, originally created by modernist designer Marian Sigmund. Sigmund, a key figure in post-war Polish architecture and furniture design, worked with Paged in the late 1950s on a series of bentwood chairs destined for Western Europe and Scandinavia. Though widely distributed abroad, many of his designs faded from public memory in Poland. Now, after six decades, Paged and Ganszyniec have revived one of his most refined forms.
Fuse Seung Keun Kim, Wenqi Zheng
name: Fuse
designer: Seung Keun Kim, Wenqi Zheng
Inspired by the evolving needs of health-conscious, on-the-go users, designer Seung Keun Kim set out to reimagine the personal blender as an elegant and intuitive companion for daily rituals. The result is Fuse, a compact, sculptural blender that transforms the preparation of smoothies and health drinks into a seamless, sensory experience of thoughtful design and interaction. With intuitive swipe controls, a magnetic drive system, and a rhythmic form language, it transforms a daily routine into a quiet ritual.
Inspired by these innovative submissions? We’re always on the lookout for exciting new work. Don’t wait to share your project with our global audience – submit your project today!
The post furniture, product, and food and beverage innovations by designboom guest readers appeared first on designboom | architecture & design magazine.
Sep
23
Modern homes present a cleaning challenge that most vacuums simply can’t handle. You’ve got hardwood in the living room, tile in the kitchen, and plush carpets in the bedrooms, each demanding different cleaning approaches. Pet owners know this struggle intimately, watching traditional wet dry vacuums work beautifully on hard floors while leaving carpets completely neglected. The constant switching between devices gets exhausting fast.
The Dreame H15 Pro CarpetFlex tackles this frustration head-on by becoming Dreame’s first wet dry vacuum engineered to excel on both carpets and hard surfaces. Most wet dry vacuums hit a wall when they encounter rugs or carpeted areas, forcing you to drag out a separate vacuum or accept mediocre results. This machine breaks that limitation entirely through its innovative Dual-Brush System.
Designer: Dreame
Click Here to Buy Now: $699.99 | Amazon Link.
The genius lies in how effortlessly you can switch between cleaning modes. Swap the hard floor brush for the carpet brush, and the vacuum automatically recognizes which attachment you’ve installed, adjusting its cleaning algorithms accordingly. The hard floor brush handles the familiar wet-dry routine of vacuuming and mopping simultaneously, while the carpet brush focuses on deep extraction of embedded debris and pet hair from fiber depths. The result is a seamless cleaning experience: one powerful device that handles all your floor types, from carpet to hard floors, and cleans up any mess, wet or dry, in one go.
What sets the H15 Pro CarpetFlex apart for allergy sufferers and pet owners is the MistLock Dust Control system, boasting Dreame’s industry-leading technology. Traditional vacuums kick dust back into the air during cleaning and disposal, making allergies worse. This machine captures dust particles with ultra-fine water droplets, transforming them into damp clusters that stay safely contained in the used water tank. The difference becomes immediately obvious when you empty the tank and see wet debris instead of clouds of airborne dust.
The ThermoTub Hot Water Self-Cleaning system eliminates one of the biggest pain points of wet dry vacuums: maintenance. Press a button, and the machine flushes its roller with 212°F water, instantly dissolving grease and grime that would normally require manual scrubbing. The full-path hot air drying cycle follows, circulating 194°F air through the entire system to prevent odors. The whole process runs at just 63dB, quieter than most conversations.
Performance specs back up the convenience features, boasting 23,000Pa of suction power that rivals many next-generation stick vacuums and easily handles everything from spilled cereal to ground-in dirt. The TangleCut 2.0 system deserves special mention for pet owners, featuring 15% denser comb teeth that capture and cut hair with impressive precision. Homes with multiple pets will appreciate how this eliminates the tedious brush cleaning that usually comes with heavy shedding seasons.
The user experience feels thoughtfully designed throughout. The SmoothGlide system adapts wheel resistance based on surface type, making the vacuum feel effortless to push across thick carpets or smooth hardwood. RGB dirt detection automatically adjusts suction power when it encounters different types of messes, while the LED display and voice prompts keep you informed without being intrusive or overwhelming.
Technical specifications reveal a machine built for real-world use: a 6 x 5,000mAh battery provides up to 60 minutes of runtime, while the 780ml clean water tank and 700ml waste tank handle substantial cleaning sessions. At 5.8kg, it feels substantial but manageable, and the 180° lie-flat design lets you clean under furniture without the awkward maneuvering that plagues most upright vacuums.
The H15 Pro CarpetFlex fits naturally into busy household routines. It’s quiet enough for evening cleaning without disturbing sleeping children, powerful enough for deep weekend sessions, and smart enough to handle daily maintenance with minimal input. The combination of automated features and genuine multi-surface capability means less time spent managing cleaning tools and more time enjoying clean spaces.
Dreame has created something that feels like the next logical evolution in home cleaning technology. The H15 Pro CarpetFlex does more than just clean different surfaces. It adapts to them intelligently, maintains itself hygienically, and operates with the kind of quiet confidence that makes advanced technology feel effortless. For homes that demand both convenience and thorough results, this represents a significant step forward in what a single cleaning device can accomplish.
Click Here to Buy Now: $699.99 | Amazon Link.
The post Dreame H15 Pro CarpetFlex: Dreame’s First Wet Dry Vacuum That Truly Cleans Carpets and Hard Floors first appeared on Yanko Design.
Sep
23
In Batuan, south of Ubud, RF Studio completes a residence for Yayasan Bali Purnati, a foundation dedicated to the performing arts in Bali. The project expands the foundation’s grounds with three villas and nine guest rooms designed to host artists-in-residence and support public programming. The architects conceive the form as an extension that integrates into the landscape with minimal intervention, merging with rice fields, native vegetation, and the rhythms of daily life on the island.
The design draws inspiration from the existing features of the site, including trees, volcanic stone, bamboo, salvaged wood, and terracotta, and weaves around the site’s contours to create a series of interconnected living spaces.
all images by Tommaso Riva
The collaboration between the lead designer of RF Studio’s team and artist Rafael Freyre and Yayasan Bali Purnati began in 2002, when the Peruvian architect first arrived on the island with drawings in hand, accompanied by the late theater director Robert Wilson after a summer at the Watermill Center in New York.
The residence complements the foundation’s amphitheater and stage, framing architecture as part of a living system. Interiors were realized in close collaboration with local artisans, with all furniture and fixtures crafted specifically for the site. ‘It’s not about building something new. It’s about uncovering what is already here. The spirit of the place is older than us. The architecture just listens and reacts,’ Freyre notes.
in Batuan, south of Ubud, RF Studio completes a residence for Yayasan Bali Purnati
Yayasan Bali Purnati is a platform where Balinese traditions intersect with contemporary experimentation, founded in 2000 by dancer Restu Imasari, writer Leonard Lueras, journalist and cultural organizer Justin B. Smith, Willem Eisenbeis, and Christopher Frank. Since its inception, it has welcomed artists across performance, dance, music, design, and visual arts, maintaining a strong connection to the local cultural fabric. Its artist-in-residence program, established in 2005, invites practitioners to spend extended time on the compound developing projects and often culminates in free public presentations.
With the new residence, the foundation strengthens its capacity to host international artists and offers an alternative to the rapid overdevelopment of the island. Daily acts like resting, bathing, watching the moon, and tending to gardens become part of a broader performative experience. ‘Rafael has created an architectural artwork in the heart of Bali’s leading international arts foundation, renewing a tradition that started 26 years ago in the rice fields south of Ubud,’ co-founder Justin B. Smith reflects.
the foundation is dedicated to the performing arts in Bali
expanding the foundation’s grounds with three villas and nine guest rooms
designed to host artists-in-residence and support public programming
an extension that integrates into the landscape
the design draws inspiration from the existing features of the site
trees, volcanic stone, bamboo, salvaged wood, and terracotta shape the project
a series of interconnected living spaces
the buildings weave around the site’s contours
stage area of the Yayasan Bali Purnati
framing architecture as part of a living system
the residence complements the foundation’s amphitheater and stage
since its inception, Yayasan Bali Purnati has welcomed artists across performance, dance, music, design, and visual arts
inviting practitioners to spend extended time on the compound
project info:
name: Nine-room residence for Yayasan Bali Purnati
architect: RF Studio | @rfstudioperu
location: Batuan, Bali, Indonesia
lead architect: Rafael Freyre
client: Yayasan Bali Purnati (The Bali Purnati Center for the Arts) | @balipurnati
photographer: Tommaso Riva | @tommasorivaphotography
The post RF studio expands performing arts foundation in bali with bamboo retreat for artists appeared first on designboom | architecture & design magazine.
Sep
23
Apple treated the human ear as a construction site, mapping thousands of scans before design began. That data shaped AirPods Pro 3, where hidden geometry and micron-level precision unlocked new room for fit and health features. The project started with a deceptively simple brief: fit more ears, add meaningful health value, and keep the silhouette unchanged. Kate Bergeron, Apple’s VP of Hardware Engineering, described it as the kind of challenge her team thrives on. “Trying to improve both features and fit and comfort in a very small volume product is a challenge the engineering team loves,” she said. The constraints shaped every design decision, from geometry to materials to hidden electronics.
Designer: Apple
Using those scans, Apple simulated bud geometry and ear tip interfaces virtually, placing structures only where anatomy allowed. The new AirPods Pro look deliberately familiar from the outside, a calculated design choice that masks profound internal changes. The most sophisticated engineering advances live within invisible spaces. Here, material science, optical engineering, and antenna design converge in ways that redefine what’s possible in such constrained volumes. Each component placement required micron-level precision, transforming limitations into opportunities for breakthrough innovation.
Geometry came first. Apple reduced the bulb volume so the buds could fit more ear types, then used tens of thousands of ear scans to validate the shapes before tooling. Bergeron explained that the team relied on its “really large tens of thousands of participants’ ear database” to optimize both bud geometry and ear tip interfaces virtually, before moving into physical testing.
Seal stability is critical in real use, whether you’re talking, chewing, or biking. Apple’s approach is systematic: model in simulation, then validate in hardware. This avoids chasing ergonomic problems after the fact and turns design into a predictive process instead of trial and error.
The most visible change is the tip itself. Apple redesigned the material composition, combining silicone with foam-infused elements on a smaller attachment mechanism. “The change of material from a performance and engineering perspective, I would say, yes, is necessary,” Bergeron noted. Pro 2 tips simply would not fit the reduced hardware, and the combination creates better passive attenuation that enables the 2× ANC improvement, working alongside algorithmic advances.
Airpods Pro 3 (left) + AirPods Pro 2 (right)
Firmer tips demand more sizes to keep comfort in balance. Apple expanded to five options, including XXS, and encourages users to mix sizes left and right when necessary. This ensures more people can achieve a proper seal without forcing the bud deeper into the canal.
What it solves: A better seal means less algorithmic effort for ANC, improved silence on planes, and greater stability during movement. Firmer tips can feel less forgiving for some ears, especially compared to the softer Pro 2 material. Bergeron emphasized that Apple expanded to five tip sizes to help more people find a proper fit. She also acknowledged that extended ANC use “for some people can be fatiguing, right? Like there’s this psychoacoustic thing,” and said Apple would be monitoring long-duration feedback as more users adopt the new design.
Airpods Pro 3
Airpods Pro 2
Adding health tracking inside such a small form required both space creation and precise placement. After redesigning several components (driver, battery, and in-ear sensor) to reduce volume, Apple’s team worked through 16 candidate sensor locations, used ear scan heat maps, and refined placement down to hundreds of microns to land the final site. “We actually started with 16 candidate locations and through simulation, tried to find the best one,” Bergeron explained.
The optics follow ear geometry. The emitter and detector surfaces curve to match the canal, hidden behind an IR window that keeps the touch surface comfortable. Because the window reduces energy, Apple plated the inside of the microcylindrical wells to create complete internal reflection. The result: a fifteen percent signal boost in a cavity measured in microns.
The payoff is a heart rate sensor “massively smaller” than watch versions, yet accurate against chest strap comparisons. For many users, the ear proves a more reliable site than the wrist, since it moves less and avoids interference from tattoos or arm motion.
The stem conceals one of the most elegant design moves. Previous approaches often parked a flex antenna along a wall, which stole volume from microphones or sensors. Apple’s solution integrates the antenna directly with the SIP. “We worked on a technology to pad print the antenna geometry onto the outside of the SIP surface,” Bergeron said. The team then laser-drilled vias into the electronics and plated a conduction path to the ground plane.
The outcome is simple to describe but difficult to execute: the antenna “literally take up no space.” It shares the same surface as the electronics, fixes its position relative to the body, and preserves the bud’s clean profile. This consistency keeps radio performance steady without compromising thickness or microphone placement.
AirPods are not just tools. They are cultural signals seen essentially everywhere, the ultimate everyday carry. Their success depends on adding function without disrupting their social presence. The Pro 3 design extends function (health tracking, hearing features, translation) while preserving the familiar form.
Apple knows wear behavior goes beyond specs. Bergeron acknowledged that extended ANC sessions can be fatiguing for some. The company studies real-world usage to refine materials and software accordingly. Quiet design here means more than aesthetics. It is about creating a socially acceptable, all-day wearable that feels invisible in daily life.
AirPods Pro 3 are designed from the inside out. Foam-infused tips turn seal into structure. Optics curved to the body, boosted with plated wells, enable continuous heart rate. A printed antenna shares space with the SIP to free volume for other systems.
Each move treats space as a design material instead of a limit. The result is an everyday object that behaves like architecture at thumb scale: practical, elegant, and nearly invisible – an everyday architecture, worn as naturally as keys or glasses.
The post Kate Bergeron explains how Apple redesigned AirPods Pro 3 from the inside out first appeared on Yanko Design.
Sep
23
No, Balenciaga didn’t suddenly release TWS earbuds, but if they did, you’d hope they look exactly this good. The brand has, for a while now, leaned into a sort of ‘ugly-is-edgy’ playbook, where a certain deliberate awkwardness is the main event. That’s why these renders from PDF Haus feel like such a breath of fresh air. They propose a version of Balenciaga that’s still provocative and forward-thinking, but one that achieves its impact through stunning sculptural design rather than just shock value.
These aren’t real products, mind you, although if they were, they would probably be announced during Paris Fashion Week alongside some deconstructed blazers and $2,000 grocery bags just for the shock value. The design captures something about the Balenciaga 2019 DNA: sculptural, slightly impractical, and engineered to make you question whether you’re looking at audio equipment or a piece of wearable art that happens to play music.
Designers: Hyoyeong Kim & PDF Haus
What makes this concept particularly compelling is how it sidesteps the usual tech industry playbook entirely. Instead of chasing specs or promising revolutionary sound quality, this imaginary product leans hard into the idea that your earbuds should be as much about signaling taste as they are about delivering your podcast feed. It’s a philosophy that luxury brands have been dancing around for years, with varying degrees of success and confusion.
The case itself channels serious Jawbone energy, back when that company was making Bluetooth speakers that looked like they belonged in a contemporary art museum rather than your gym bag. Remember those? They had this amazing knack for making tech feel like luxury accessories, with textured surfaces and organic shapes that made you want to leave them sitting on your coffee table instead of hiding them in a drawer. These Balenciaga renders capture that same vibe, but cranked up to eleven with that distinctive ribbed exterior that practically screams “I cost more than your rent.”
Pop open the elongated tube and you’re greeted with a layout that’s clearly inspired by Nothing’s Ear Stick, with two earbuds nestled in individual compartments like precious artifacts. The purple interior lighting adds theater to the whole experience, because apparently even your charging case needs mood lighting now. It’s the kind of detail that serves no functional purpose whatsoever but absolutely nails the luxury positioning, which is exactly the point.
Balenciaga’s actual track record with product diversification reads like a masterclass in controlled chaos. They’ll drop a $1,800 trash bag one season, partner with Crocs the next, then randomly collaborate with hardware crypto wallet makers because why not. The strategy seems less about coherent brand expansion and more about maintaining constant cultural conversation, which honestly works better than most traditional product roadmaps. Their collaborations often feel like art projects first and commercial ventures second, creating desire through scarcity and controversy rather than utility.
This is where these conceptual earbuds hit different. They’re not trying to compete with Sony or Apple on technical merit because that’s not the game luxury fashion plays. When you’re shopping at this level, you’re not comparing frequency response charts or battery life specs. You’re buying into a narrative, a lifestyle signal, an aesthetic choice that says something about how you want to be perceived. The fact that they might also deliver decent audio is almost beside the point.
The genius of this concept lies in understanding that luxury tech doesn’t need to make logical sense. It just needs to make emotional sense to the right audience. These earbuds would probably cost three times what they should, offer half the battery life of mainstream alternatives, and sell out immediately anyway. Because sometimes the most irrational purchase decisions create the most satisfaction, especially when you’re the only person in your circle walking around with what essentially amounts to functional jewelry that also happens to connect to your phone.
Whether Balenciaga will ever actually make earbuds remains to be seen, but concepts like this prove there’s definitely an appetite for tech that prioritizes design language over everything else. In a world where most consumer electronics look increasingly similar, maybe what we need is more products that dare to be beautiful first and practical second.
The post Balenciaga Sculptural Earbuds Concept Blurs the Line Between High-Fashion and Tech first appeared on Yanko Design.
Sep
23
In a world where concert venues are typically synonymous with marble columns and gilded balconies, Ark Nova stands as a radical reimagining of what musical spaces can be. This extraordinary inflatable concert hall, born from a collaboration between British sculptor Sir Anish Kapoor and late Japanese architect Arata Isozaki, recently made its European debut at Switzerland’s prestigious Lucerne Festival, marking a pivotal moment in its remarkable journey. From a distance, Ark Nova resembles a giant purple donut or bean, depending on your vantage point, challenging conventional notions of what concert venues should be.
Ark Nova’s story begins not with artistic ambition, but with human resilience. Created in 2013 as a direct response to the devastating Fukushima earthquake and tsunami of 2011, this mobile concert hall emerged as Switzerland’s Lucerne Festival sought to bring cultural programming to Japan’s devastated northeastern regions. The project’s name, evoking Noah’s Ark, wasn’t chosen by accident—it represents hope, renewal, and the power of art to heal communities in crisis. The structure made its world debut in Matsushima, Japan, opening with a concert on September 27, 2013, and for over a decade, it toured tsunami-affected areas, providing what organizers called “cultural events as an agent for new beginnings.”
Designer: Anish Kapoor & Arata Isozaki
The distinctive purple shape isn’t merely aesthetic—it’s the result of sophisticated engineering that transforms a simple inflatable membrane into a fully functional concert venue. The structure requires no supporting framework, relying instead on its pneumatic form to provide structural integrity and acoustic properties. This inflatable PVC textile surface needs no complementary metallic structures because its own shape guarantees rigidity and self-bearing properties. Technical innovation came through collaboration with specialized engineering consultancy Tensys, which worked closely with Kapoor to realize his sculptural vision while meeting the practical demands of a touring concert hall.
The installation process is surprisingly swift: using two cranes, the entire structure can be erected and inflated in approximately one hour. Originally designed to accommodate 500 visitors, the venue was scaled to 300 for its Swiss residency to optimize acoustics for the intimate festival setting. The engineering had to reach the level of sculptures Anish Kapoor is world-renowned for while creating a structure that can withstand various weather conditions and maintain touring capabilities across different locations and climates.
After spending over a decade exclusively in Japan, Ark Nova’s 2025 European debut at the Lucerne Festival represented a significant milestone. The eleven-day program showcased the venue’s versatility, hosting performances ranging from classical chamber music to jazz and folk, demonstrating how the unique architectural environment enhances different musical genres. Beyond its function as a performance space, the Lucerne Festival offered guided tours, allowing visitors to experience Ark Nova as a work of art in its own right. During daylight hours, natural light filtering through the membrane creates an ethereal atmosphere that transforms throughout the day.
Ark Nova proves that exceptional cultural experiences don’t require permanent, monumental architecture. Instead, it offers something perhaps more valuable: accessibility, mobility, and the ability to bring world-class performances to communities that might otherwise never experience them. As this inflatable marvel continues its journey, it carries forward Isozaki’s architectural legacy and Kapoor’s sculptural vision, demonstrating that sometimes the most profound artistic statements come wrapped in the most unexpected forms. The structure serves as a democratic gesture, a hall without marble pillars or gilded balconies, yet its impact remains just as powerful in creating meaningful community experiences wherever it travels.
The post World’s First Inflatable Concert Hall Is Made Using PVC & Looks Like A Giant Purple Donut first appeared on Yanko Design.
Sep
23
Mansory introduces the transformed Ferrari 12Cilindri Equestre, the first complete conversion of the vehicle in coupe or spider version. Debuting at the Monaco Yacht Show 2025, which runs between September 24 and 27, the modded vehicle follows the release of the Ferrari 12 Cilindri in late 2024, the same year that the car modification firm presented the MANSORY Pugnator, based on the Ferrari Purosangue SUV. The Equestre receives changes to almost all visible body parts as Mansory built new components in forged full carbon fiber.
This material is used for the front apron, hood, wheel arch extensions, sills, and rear apron, and all attachments are dyed-through carbon, not painted after production. The front of the car has enlarged air intakes built into a redesigned apron, sending airflow directly to the radiators on the left and right sides, while the side flaps placed in front of and behind the front wheels guide air around the body to increase downforce on the front axle. The hood is also fully made of carbon fiber, and the wheel arch vents and extended front fenders continue the carbon structure.
all images courtesy of Mansory
From the side of the Ferrari 12Cilindri-converted Mansory Equestre, new panels widen the arches and connect to new carbon sills. At the rear, the modification team designed a carbon apron with an integrated third brake light, and the rear does not have a spoiler, keeping the original Gran Turismo roofline of the car model. The vehicle also includes a painted stripe running across the full body in the colors of the Italian flag.
As with all Mansory conversions, the interior is custom-built, and customers can choose materials, colors, stitching, and carbon trim designs. In the launch vehicle, the full interior is covered in grey Alcantara, combined with purple accents on the seats, dashboard, and doors. The roof lining is also covered in Alcantara and fitted with small LED lights. There’s an illuminated Mansory logo built into the roof section, and carbon fiber trim is used across the dashboard, console, and door elements. The steering wheel is made of carbon and leather, with a built-in shift indicator, while the seat belts include embroidered Mansory logos.
rear view of the vehicle
Sports pedals are made of aluminum, and the floor mats are quilted and tailored with Mansory branding. The body panels on the exterior of the Ferrari 12Cilindri-converted Mansory Equestre are made of forged full carbon. The rims are produced by forging aluminum alloy under pressure to make them stronger and lighter compared with cast wheels. The exhaust system is built in stainless steel and coated for heat resistance.
Specs-wise, the 12-cylinder engine results in 755 horsepower and 730 Newton meters of torque. The exhaust system includes four pipes, two catalytic converters, and a valve control system. The Ferrari 12Cilindri-converted Mansory Equestre is the first vehicle to use Mansory’s new VF.5 forged, one-piece lightweight rims. The launch version shows the rims in glossy black, but other colors and sizes will be offered for future projects. So far, the modification firm has introduced the converted car during the Monaco Yacht Show 2025.
Mansory introduced the transformed Ferrari 12Cilindri Equestre
this is the first complete conversion of the Ferrari 12Cilindri by Mansory
a painted stripe runs across the body in Italian flag colors
the Equestre receives changes to almost all visible body parts as Mansory built new components in carbon fiber
the front of the car has enlarged air intakes built into a redesigned apron
purple elements and color for the launch edition
glimpse inside the vehicle
the full interior is covered in grey Alcantara, combined with purple accents on the seats
even the steering wheel is made of carbon and leather
project info:
name: Mansory Equestre
companies: Mansory, Ferrari | @mansory, @ferrari
The post mansory converts ferrari 12cilindri into purple equestre sports car with illuminated logo appeared first on designboom | architecture & design magazine.
Sep
23
The 2025 Toyota GR Corolla Premium Plus manual makes you work for speed. This top-tier hot hatch doesn’t give instant power like most modern cars. Slide behind the wheel and fire up the turbocharged 1.6-liter engine. Drop into first gear expecting immediate drama. Instead, the engine feels sleepy below 3,000 RPM. It delivers power with all the urgency of a grocery-getter heading to Target. But keep climbing past 3,000 RPM and feel the turbo kick in. The GR Corolla transforms from mild-mannered hatchback into something remarkable. This approach makes the GR Corolla different from instant-power performance cars.
Designer: Toyota
Rally character shows in every part of the manual GR Corolla. Modern cars hide mechanical connections, but this one puts you right in touch with the machine. After driving hundreds of miles through mountain passes and daily commuting, the manual transmission becomes addictive. It makes every GR Corolla trait stronger while asking more from you than most cars dare. The automatic version smooths things out and appeals to more people. But the six-speed manual keeps that raw connection alive. This transforms the car from just another all-wheel-drive performer into something special. Daily driving shows the compromises right away with road noise, vibration, and constant clutch work. But these mechanical realities create real connection. Most modern cars hide all this behind electronics. This honest approach gives you deeper satisfaction than push-button alternatives.
Performance numbers don’t tell the whole story. The manual transmission makes you develop skills that electronics usually handle for you. You need proper clutch work and rev timing instead of relying on launch control. This shows the car’s philosophy of rewarding engaged drivers over electronic help.
The turbocharged 1.6-liter engine has two personalities that work very differently from most modern cars. Below 2,800 RPM, this engine feels lazy. It gives you enough power for parking lots but nothing like the 300 horsepower Toyota claims. Everything changes at 3,000 RPM when the turbo kicks in and torque hits hard. Driving the manual GR well means watching your engine speed, gear choice, and boost constantly. Automatic transmissions handle this electronically, but you do it manually here. You need to keep revs between 3,000 and 6,500 RPM for full power. This demanding setup creates a learning curve that separates serious drivers from casual ones.
Peak performance arrives through the dramatic transformation between 3,000 and 6,500 RPM, where the exhaust note changes from subtle burble to rally-car growl that vibrates through the shifter into your palm.
The GR-FOUR all-wheel-drive system transforms raw turbo power into controllable traction through three distinct modes that enhance the manual transmission’s mechanical connection. Normal mode splits torque 60:40 front-to-rear for balanced everyday driving. Gravel mode provides 50:50 distribution for maximum traction on loose surfaces. Track mode varies from 60:40 to 30:70 depending on steering input and throttle position, allowing you to rotate the car with power application that would simply create understeer in front-drive competitors. The six-speed rewards skill development over electronic assistance, creating deeper satisfaction from well-executed launches than push-button drama provides. This combination of manual control and intelligent all-wheel drive creates performance that feels both raw and refined. Such mechanical harmony becomes the foundation for everything else the GR Corolla accomplishes.
Chassis dynamics complete the performance package through components engineered for both track capability and daily comfort, striking a balance that few hot hatches achieve successfully. The four-piston front calipers bite hard with excellent initial feel, maintaining consistent pedal response through repeated mountain descents without the fade that plagued earlier hot hatches. The suspension strikes an impressive balance between track capability and daily comfort, controlling body roll during aggressive cornering while absorbing road imperfections that would punish occupants in harder-core competitors. The MacPherson front struts and multi-link rear setup provide precise feedback about road surface and grip levels. Setup firmness becomes noticeable during extended highway cruising. This chassis communication creates the direct connection that separates the GR Corolla from sanitized competitors.
The 2025 facelift brings meaningful functional improvements disguised as aesthetic updates, with the revised front fascia packaging additional cooling capacity through improved intercooler airflow and brake ducting that serves the turbocharged engine’s demands. The Premium Plus includes a sub-radiator as standard equipment, along with the forged carbon fiber roof that reduces weight and lowers the center of gravity. The bulged hood with functional air vents provides enhanced cooling for the intercooler and engine bay, changes that become apparent during extended mountain driving where previous GR Corollas would show heat soak.
The Premium Plus trim distinguishes itself through functional performance upgrades that enhance both track capability and daily usability. The matte black 18-inch 15-spoke alloy wheels with 235/40R18 Michelin Pilot Sport 4 tires provide visual distinction while maintaining optimal grip. The head-up display keeps critical information in your sight line during spirited driving, eliminating the need to glance down at gauges when maintaining focus on the road ahead.
Inside, the Premium Plus delivers technology that balances performance focus with daily convenience. The 12.3-inch digital gauge cluster provides clear, customizable information display, while the 8-inch Toyota Audio Multimedia system includes wireless CarPlay and Android Auto connectivity that works seamlessly during daily commuting. The JBL 8-speaker system with subwoofer and amplifier delivers surprisingly good audio quality for a track-focused car, though wind noise at highway speeds can overwhelm subtle musical details.
The heated synthetic-leather trimmed seats and heated steering wheel prove essential during cold-weather driving, while dual-zone automatic climate control maintains comfort without requiring constant adjustment. Front and rear parking assist helps during tight maneuvering, though the system occasionally triggers false alerts during spirited driving on narrow mountain roads.
The six-speed shifter borrows its precise, mechanical action from the GR86, creating immediate connection between your hand and the transmission internals that modern cars typically isolate. Each gear change provides tactile feedback about clutch engagement, synchronizer operation, and drivetrain loading. The rev-matching system helps beginners develop proper technique, but experienced drivers disable it immediately to feel every blip and heel-toe downshift personally.
But this mechanical honesty comes with daily-driving compromises that become immediately apparent. Road noise transfers through the drivetrain more directly than the automatic allows, vibration reaches the cabin through solid transmission mounts, and low-speed maneuvering requires constant clutch work that creates fatigue in stop-and-go traffic. The driving position works well for my 5’10” frame with adequate support during spirited driving, though rear passengers face cramped quarters that limit family duty to short trips.
Cargo practicality reveals the GR Corolla’s hot hatch compromises clearly. The rear hatch opens to 19.3 cubic feet of storage space that proves adequate for weekend getaways or daily errands, though the sloped roofline limits vertical space for larger items. The rear seats fold flat to expand cargo capacity significantly, creating enough room for track day tire sets or camping gear. Daily usability works well for grocery runs and gym bags, but families looking for SUV-like cargo flexibility will find the GR Corolla limiting for larger purchases or extended vacation packing.
Toyota Safety Sense 3.0 comes standard across all GR Corolla trims, providing adaptive cruise control, lane-keep assistance, and pre-collision systems that function seamlessly with the manual transmission. Climate controls remain physical buttons, maintaining easy access during spirited driving when you don’t want to navigate touchscreen menus while managing throttle and clutch inputs.
At $46,000 as tested, the Premium Plus trim positions the GR Corolla above both the $37,895 Civic Type R and closer to the $43,645 Golf R’s territory, but these price comparisons miss fundamental philosophical differences. The Honda Civic Type R comes exclusively with a manual transmission and front-wheel drive that delivers impressive dry-pavement performance but leaves you helpless in snow or rain. The Volkswagen Golf R offers only DSG automatic transmission with all-wheel drive, providing refined daily driving but eliminating the mechanical connection that defines enthusiast driving.
Therefore, the GR Corolla provides something neither competitor offers: the specific combination of manual transmission, all-wheel drive, and rally-derived character. The Civic Type R beats it on dry pavement but can’t match its all-weather capability. The Golf R provides more refined daily driving but lacks the raw mechanical connection and homologation special character that makes the Toyota feel genuinely different from sanitized modern performance cars.
This positioning becomes more significant when you consider that Toyota sits uniquely in the middle of this triangle. You can’t get a manual all-wheel-drive Golf R, and you can’t get an all-wheel-drive Civic Type R at any price. The GR Corolla manual Premium Plus with its forged carbon roof and performance enhancements offers the most focused package in this comparison while providing the only combination of three-pedal engagement and all-weather traction.
The GR Corolla presents a fascinating efficiency paradox: you can extract reasonable fuel economy from a 300-horsepower rally weapon if you resist using that capability most of the time. EPA ratings of 21 city and 28 highway MPG for the manual transmission proved accurate during my testing, with overall averages of 24.3 MPG despite aggressive driving through mountain passes.
Highway cruising at 75 MPH consistently returned 27-28 MPG, proving the turbo triple’s efficiency credentials. The small-displacement direct-injection engine sips fuel during cruising while maintaining the ability to deliver substantial power when demanded. But achieving these numbers requires restraint that contradicts the car’s performance nature and the engaging powerband that encourages exactly the kind of aggressive driving that destroys fuel economy.
Beyond competitive positioning, potential buyers should understand current ownership considerations. In mid-September 2025, Toyota filed a recall covering multiple models, including the GR Corolla, for a digital instrument cluster fault that can cause the display to blank during startup, potentially missing safety telltales. Toyota will remedy this through software updates or component replacement at no cost to owners.
After a week of demanding driving that included everything from daily commuting to spirited mountain passes, I’d call this one of the most engaging hot hatches available today. The 2025 GR Corolla Premium Plus manual reveals itself as Toyota’s most focused street-legal performance car. The Premium Plus represents the optimal balance of track capability and daily livability, with its forged carbon roof, enhanced cooling systems, head-up display, and driver assistance features creating the most complete package in the hot hatch segment.
It requires more skill, attention, and commitment than modern performance cars typically demand, but rewards that effort with an analog experience that feels genuinely special in an era of electronic assistance and sanitized performance. The automatic may broaden the audience and smooth the rough edges, but the manual preserves the mechanical soul that transforms this from another competent all-wheel-drive performer into something that enthusiasts will remember years after driving it. For buyers willing to work for their thrills, no other hot hatch at this price point delivers the specific combination of all-weather capability, manual transmission engagement, and rally-bred character that defines the GR Corolla experience.
Toyota offers the Premium Plus in five exterior colors: Windchill Pearl, Heavy Metal (gray metallic), Supersonic Red, Circuit Red, and Ice Cap white, with most colors available across all trim levels. The forged carbon roof remains unpainted carbon fiber finish regardless of body color choice, creating distinctive contrast that emphasizes the Premium Plus’s performance focus. Interior options remain limited to black synthetic leather with red stitching accents, keeping the focus on functional performance rather than luxury customization options.
The post 2025 Toyota GR Corolla Premium Manual Review: The Hot Hatch That Makes You Earn Every Thrill first appeared on Yanko Design.