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Clock Makes Hours Appear and Disappear Through Moiré Patterns

Most clocks are content to quietly tick away in the background, marking the hours with little more than a glance from you throughout the day and night. But what if telling time could be mesmerizing instead, an experience that draws you in, sparks curiosity, and turns your wall into a living gallery worth watching? What if checking the time felt less like a chore and more like appreciating kinetic sculpture?

The Moiré Clock is a kinetic timepiece that turns the passage of time into a visual illusion worth watching throughout your day. Using overlapping patterns and continuous motion behind a striped filter, it animates each hour through optical phenomena, making time feel less like a number on a dial and more like a moment to savor. The design explores how perception and movement can create meaning beyond simple functionality.

Designers: Felix Cooper, Amber Li (STATION Design)

At the heart of the Moiré Clock is a rotating paper disc, printed with custom numerals and set behind a striped steel window that creates the optical magic through interference patterns. As the disc turns throughout the day, the moiré effect causes the hour numerals to morph, dance, and reveal themselves in a hypnotic display that changes with every passing minute behind the filter screen.

The minute and second hands ground the illusion in familiar movement while the hour appears and disappears in a mesmerizing rhythm behind the stationary filter window. The bold red second hand adds a pop of color and visual anchor, making the clock easy to read despite its unconventional hour display created by optical interference. The interplay between traditional clock elements and the animated moiré numerals creates a unique timekeeping experience.

The clock is a study in material contrasts between industrial and artisanal manufacturing traditions. Crisp white paper milled by French Paper Company in Michigan, American-made steel sourced from Pennsylvania, and a quartz movement from Takane, the last US manufacturer of clock mechanisms still producing domestically. The tactile paper face and brushed steel housing give the piece a sense of warmth and industrial substance that goes beyond typical wall clocks.

At 8.5 inches wide and just 2.5 inches deep, it’s compact enough for a home office, studio, or hallway without dominating the wall space, but bold enough to stand out as functional art that deserves attention. Setting up the clock is straightforward: add a single AA battery, set the time using the rear dial, and hang it with a nail or push pin. The paper components invite gentle handling.

The kinetic numerals and bold red second hand make each glance at the clock a small event worth experiencing, turning routine time checks into moments of visual delight throughout your day at home or in creative spaces. For anyone who wants their home to feel creative and alive with kinetic energy, the Moiré Clock brings a sense of play and wonder that traditional clocks simply cannot match or replicate with static designs.

The post Clock Makes Hours Appear and Disappear Through Moiré Patterns first appeared on Yanko Design.

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Robots That Use Balls to Get Around

British toy designer and engineer James Bruton had this vision, for a unique kind of motorbike:

He worked out, in CAD, how it could possibly operate:

Then he built the darn thing.

“I built an omni-directional ball-wheeled bike. This bike balances like a Segway sideways, and drives in all directions, which makes it the ultimate drift bike! I used five ODrive brushless motors driving omni-directional wheels, running on large plastic balls which are intended for circus acts to balance on. Active control keeps it upright and twist grips are used to drive and steer.”

Bruton’s work inspired Swedish 3D artist Johannes Matsson, who built a much smaller-scale version to see what it could do:

What I find fascinating about both of these designs, is that they use a commonly-available ball as the tires. It’s not difficult to imagine a future where companies sell droids that resemble the upper portions of the two designs above, and the user supplies a basketball or soccer ball as the riding platform.

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Nubia Z80 Ultra Review: Style, Stamina, and a 35mm Camera Edge

PROS:


Stunning “true full-screen” experience

Eye-catching Van Gogh-inspired Starry Night design

50MP camera with 35mm optical lens gives a more natural “human eye” output

Dual-stage physical button mimics tactile camera experience

CONS:


Not available in markets like the US, UK

Ultra-wide camera has no OIS

RATINGS:

AESTHETICS
ERGONOMICS
PERFORMANCE
SUSTAINABILITY / REPAIRABILITY
VALUE FOR MONEY

EDITOR’S QUOTE:

The nubia Z80 Ultra delivers the rare combination of professional 35mm optics, multi-day battery stamina, and a truly notch-free display in a design that refuses to blend in.

Flagship smartphones have become predictable, with most settling into the same design language, camera arrays, and battery compromises that force users to choose between power and portability every year. The nubia Z80 Ultra breaks from that pattern with a phone that bets big on three things other flagships often sacrifice: a truly immersive, notch-free display; a massive 7200mAh battery that lasts days; and a 35mm optical lens that brings a professional photographic perspective to smartphone photography.

Powered by the Snapdragon 8 Elite Gen 5, the nubia Z80 Ultra targets users who want a device that excels at gaming, photography, and endurance without forcing compromises. Available in Black, White, and a limited Starry Night Blue edition, the phone blends bold design with technical innovation, aiming to stand alongside the best from Samsung and Apple while carving its own path through unique features and design philosophy. But does it deliver its promises beyond the juicy spec sheet? We take it for a spin to find out.

Designer: nubia

Aesthetics

The Z80 Ultra’s design immediately sets it apart from the sea of glass-and-metal rectangles dominating the flagship space right now. The review unit in black showcases a soft stardust matte finish that resists fingerprints and feels warm to the touch rather than cold and clinical. The luminous red ring encircling the main camera creates a visual anchor, drawing the eye without overwhelming the minimalist rear panel’s clean geometry.

The camera module occupies slightly less space than previous-generation nubia flagships, giving the back a more balanced, less top-heavy appearance. The arrangement of three lenses, flicker sensor, and laser autofocus module within the raised island feels considered and symmetrical. The DECO area occupies just 13 percent of the back, leaving plenty of room for the nubia branding and the distinctive red physical button on the right edge.

The four-sided curved bonding process and subtle arc edges give the nubia Z80 Ultra a refined, ergonomic profile. The 2nd-generation Longxi glass front is smooth and flat with a 2.5D flexible display that curves gently at the edges, creating a seamless transition between screen and frame. The crystal fiber body feels substantial and premium, while the rounded corners prevent any sharpness or discomfort during extended holding periods.

The Blue Starry Night edition takes the aesthetic in a dramatically different direction, with a Van Gogh-inspired swirling pattern across the entire back panel. This artistic approach makes the phone feel like a collectible statement piece rather than just a communication device. The black variant reviewed here offers understated elegance for those who prefer subtlety, while the white version provides a clean, modern alternative for minimalists.

Ergonomics

Despite the large 6.85-inch display, the Z80 Ultra manages to feel balanced and manageable in daily use. The curved back and tapered edges nestle comfortably in the palm, distributing the 227-gram weight evenly across the hand. The device never feels unwieldy during extended gaming sessions or prolonged photo walks, thanks to the thoughtful weight distribution and grip-friendly curves that encourage natural hand positioning.

The dual-stage physical camera button on the right edge provides tactile control that touchscreen shutters simply cannot match. Half-pressing focuses and locks exposure, while a full press captures the shot with satisfying mechanical feedback. For mobile photography enthusiasts who miss the feel of dedicated cameras, this button brings back the ritual of deliberate shooting. The button’s placement is natural for index finger access during landscape shooting.

Button placement follows a logical pattern, with the power button and volume rocker positioned for easy thumb access during normal holding. The ultrasonic fingerprint sensor embedded in the display responds instantly, unlocking the phone in well under a second. The customizable shortcut key can be programmed for quick camera access, flashlight activation, or any frequently used function, adding convenience without cluttering the minimal design.

The phone slips into jeans pockets without excessive bulk, though its width may challenge smaller pockets or hands. The slim 8.6mm profile helps offset the large footprint, and the matte finish prevents the phone from sliding on smooth surfaces when placed face-up on tables or desks during meetings and meals.

Performance

The Snapdragon 8 Elite Gen 5, paired with up to 24GB LPDDR5X RAM and 1TB UFS 4.1 storage, delivers flagship performance that handles everything from intensive gaming to rapid photo editing without breaking stride. App launches are instantaneous, multitasking between dozens of apps feels seamless, and sustained gaming maintains stable frame rates thanks to the advanced cooling architecture working quietly in the background.

The REDMAGIC CUBE Gaming Engine optimizes power delivery and thermal management during gameplay. Running demanding titles like Genshin Impact at maximum settings with the 144Hz display active, the phone maintains smooth performance with minimal frame drops. The AI Super Frame Stabilization keeps motion fluid even during fast-paced action, while the 3000Hz touch sampling rate ensures every tap and swipe registers immediately for competitive advantage.

The advanced composite liquid metal and oversized 3D Ice Steel vapor chamber cooling system represents a significant upgrade, increasing cooling area by 35 percent over previous models. This thermal management prevents the performance throttling that plagues thinner flagships during sustained loads. During extended gaming sessions lasting over an hour, however, the phone got a little warm to the touch, but not so much to be uncomfortable.

The 6.85-inch BOE X10 AMOLED display is the star of the show, offering a truly immersive, notch-free viewing experience. The 1.5K resolution (2688×1216) delivers sharp text and detailed imagery, while the 144Hz refresh makes scrolling and gaming feel buttery smooth. Peak brightness of 2000 nits means the screen remains visible even in direct sunlight, and the 100 percent DCI-P3 color gamut ensures photos and videos look vibrant and accurate.

The under-display camera technology hides the 16MP selfie camera beneath the screen, preserving the seamless visual experience. While selfie quality in challenging low light doesn’t quite match dedicated punch-hole cameras, the trade-off for an uninterrupted display feels worthwhile for content consumption, gaming, and the overall visual aesthetic. Outdoor and well-lit selfies remain sharp and detailed, making the compromise reasonable for most users.

The triple camera system built around the 35mm f/1.7 main lens offers a perspective that feels natural and professional compared to the wider 24mm or 26mm lenses most flagships employ. Street photography, portraits, and documentary-style shots benefit from the reduced distortion and beautiful subject isolation that 35mm provides. The focal length matches human vision more closely, making compositions feel intuitive and authentic rather than artificially wide or compressed.

The 50MP ultra-wide and 64MP telephoto round out the system, providing versatile coverage from macro close-ups at 5.5cm to 85mm equivalent for portraits and distant subjects. The dual-stage camera button, combined with over 21 creative filters and Pro mode controls, makes the nubia Z80 Ultra feel like a dedicated camera that happens to make phone calls rather than the other way around. Strangely, while both main and telephoto cameras tout optical image stabilization or OIS, the ultra-wide shooter doesn’t.

The massive 7200mAh silicon-carbon battery delivers multi-day endurance that surpasses virtually every flagship competitor. Moderate use with mixed gaming, photography, and streaming easily stretches to two full days, while lighter use can push three days between charges. The 80W wired charging reaches 50 percent in about 20 minutes, and the 80W wireless charging (with nubia’s wireless charging kit) offers cable-free convenience without sacrificing speed.

Sustainability

Build quality inspires confidence from the moment the phone comes out of the box. The crystal fiber construction feels solid and resistant to flex, while the Longxi glass front shows excellent scratch resistance during daily use. The matte back finish hides minor scuffs and maintains its appearance even after weeks of handling without a case, though the included magnetic case adds protection without bulk.

The IP68 and IP69 ratings provide exceptional durability for real-world conditions. The phone survives accidental spills, rain exposure, and even high-pressure water jets during testing scenarios, emerging unscathed and fully functional. This level of protection adds confidence for daily carry in any weather, at the beach, or during outdoor photography sessions where conditions can’t always be controlled. The robust sealing around ports and buttons maintains integrity without compromising accessibility.

Value

The nubia Z80 Ultra positions itself as a flagship alternative that offers premium features without commanding the absolute highest prices in the market. The combination of the 35mm optical lens, 7200mAh battery, truly full-screen display, and advanced cooling system creates a value proposition that stands out from competitors who often sacrifice one or more of these features for slimness or cost savings.

For photography enthusiasts, the 35mm lens alone justifies consideration. Where most flagship cameras default to wider 24mm perspectives that distort faces and architecture, the nubia Z80 Ultra’s 35mm provides the “humanist eye” perspective prized by professional photographers for natural, pleasing compositions. The dual-stage physical button and extensive manual controls add value for users who want creative control rather than purely computational photography.

One significant limitation affects the Z80 Ultra’s global value proposition: regional availability. The phone is not officially sold in some countries, such as the United States, Canada, the United Kingdom, or Japan, limiting access for many potential buyers. This limited availability means warranty support, software updates, and customer service may be challenging for buyers outside official markets. Network band compatibility and potential import costs could also affect value for those considering gray-market purchases.

Verdict

The nubia Z80 Ultra delivers on its promise of blending style, stamina, and photographic substance in a package that stands apart from mainstream flagships. The combination of a truly immersive notch-free display, professional 35mm camera optics, and exceptional battery life creates a phone that excels at the things that matter most for daily use: consuming content, capturing memories, and staying powered throughout extended days without constant charging anxiety.

For design-conscious users who value innovation over brand familiarity, nubia the Z80 Ultra offers a refreshing alternative with its bold aesthetic choices, tactile controls, and technical features that prioritize user experience over spec-sheet bragging rights. While limited regional availability may restrict its audience, those in supported markets will find a flagship that confidently competes with the best while carving its own distinctive identity through thoughtful design and engineering choices.

The post Nubia Z80 Ultra Review: Style, Stamina, and a 35mm Camera Edge first appeared on Yanko Design.

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The Sleekest Vinyl Player of 2025 Hides Its Turntable Mechanism

Here’s the thing about most vinyl record players: they’re either trying way too hard to look vintage, complete with faux leather suitcase vibes and knobs that belong in your grandparents’ attic, or they’re sleek modern machines that feel more like lab equipment than music players. The PARON III from Shenyang Orgot Design? It’s neither, and that’s exactly why it works.

This award-winning turntable is what happens when designers actually think about how modern life happens. You know how we’re all supposed to be downsizing, living with intention, and making every object in our homes earn its spot? The PARON III gets it.

Designer: Shenyang Orgot Design

What makes this player different starts with that lowered platter design. Instead of sitting on top of the unit like a hat that doesn’t quite fit, the turntable mechanism is recessed into the body. It’s a subtle move, but it completely changes the visual profile. The whole thing becomes more compact and unified, with this gorgeous layered depth that makes it actually interesting to look at, not just functional.

The materials tell their own story here. Black wood grain paired with metallic paint finishes creates this interesting tension between warmth and precision. It’s the kind of combination that reads as both reliable and refined without screaming for attention. And that slim transparent dust cover? It does its job protecting your vinyl without adding unnecessary visual weight. The whole aesthetic feels considered rather than calculated.

Let’s talk about what this means for your actual space. Traditional turntables demand real estate. They sprawl. They dominate. They require you to build your room around them. The PARON III’s minimalist square form takes up less footprint while somehow feeling more substantial. It’s the design equivalent of that friend who’s quietly confident rather than loudly insecure. The team behind this clearly understood that people who buy vinyl in 2025 aren’t doing it purely for nostalgia. Sure, there’s romance in the ritual of dropping a needle, but we also want that ritual to fit into homes that don’t look like vintage record shops. We want our tech to integrate, not dominate.

This is part of a larger shift happening in audio design. As vinyl has made its comeback, the market has been flooded with all-in-one players that prioritize convenience over quality or retro reproductions that prioritize aesthetic over integration. The PARON III splits that difference beautifully. It delivers high-quality audio performance (which, let’s be honest, is the actual point) while looking like something that belongs in a contemporary space.

What’s particularly smart is how the design enhances mechanical precision. That lowered platter isn’t just about looks. It actually improves performance by centralizing weight and reducing vibration. Form following function, function enhancing form. It’s the kind of circular design thinking that separates good products from great ones. There’s also something quietly rebellious about this approach. In a market that keeps telling us retro is cool, vintage is authentic, and older is better, the PARON III says: what if we just made something that worked really well and looked clean doing it? What if we stopped pretending we live in 1972 and designed for the homes and lives we actually have?

The PARON III doesn’t need to cosplay as vintage to justify its existence. It’s confident enough in what vinyl actually offers (that tangible connection to music, the intentionality of listening, the superior sound quality when done right) to present itself honestly. No fake wood grain, no retro fonts, no winking nostalgia. For anyone who’s been wanting to get into vinyl but couldn’t stomach another clunky conversation piece, this feels like permission. The PARON III proves that loving analog music doesn’t mean sacrificing modern design sensibilities. Sometimes the best way to honor tradition is to stop trying to recreate it and instead figure out what it means for right now.

The post The Sleekest Vinyl Player of 2025 Hides Its Turntable Mechanism first appeared on Yanko Design.

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translucent facade of multicolored steel louvers unfolds along seoul’s dokkaebi market

vibrant steel facade links Dokkaebi Market and Seoul’s city fabric

 

The Dokkaebi Market Customer Support Center, designed by YZA, is a public complex supporting the traditional Dokkaebi (Goblin) Market in Nowon-gu, Seoul. Positioned at the entrance to the market, the building occupies a transitional site, where a quiet residential alley to the south meets the dense commercial activity of the market to the north. Within this dual context, the project was developed as an architectural gateway connecting two distinct urban conditions.

 

The program integrates several public functions, including a parking tower for market visitors, a customer support office, public restrooms, a community space, and a neighborhood café. These functions are organized along the site’s length: the parking structure to the south, market-related facilities to the north, and a vertical circulation core positioned centrally as a mediator between them. The design also utilizes the site’s east–west elevation change to create a pilotis space on the ground floor, enhancing permeability and pedestrian access. Above, a series of stepped terraces offers views toward the marketplace and provides outdoor rest areas for visitors. The building’s facade employs a multicolored steel screen that references the symbolic palette of the Dokkaebi Market. Acting both as a visual marker and a privacy filter, the screen softens views from surrounding residential streets while projecting a shifting play of color and light. 

all images by Kyungsub Shin

 

 

Colorful facade symbolizes transformation and playfulness

 

The facade unifies the different programmatic elements, like parking, public facilities, and circulation, into a cohesive volume. Fabricated from PosMAC® steel louver panels, the facade system was developed through digital manufacturing processes that eliminate the need for welding. Techniques such as precision bending, automated folding, and full-scale mock-up testing informed the design’s structural performance and finish quality. This approach reflects design studio YZA’s interest in material experimentation and the potential of industrial fabrication in public architecture.

 

The project draws conceptual inspiration from the dokkaebi, a figure from Korean folklore associated with transformation and playfulness. Through its translucent facade, adaptable spatial layout, and integration of public amenities, the building translates this spirit into a contemporary architectural form. Situated at the intersection of city and market, it functions as both infrastructure and urban landmark, reinterpreting the identity of the Goblin Market within Seoul’s evolving neighborhood landscape.

Dokkaebi Market Customer Support Center by YZA stands at the entrance to Seoul’s traditional Goblin Market

the project occupies a transitional site between a quiet residential alley and the bustling market streets

a multicolored steel facade references the symbolic hues of the Dokkaebi Market

shifting tones of color and light animate the facade throughout the day

steel louver panels form the building’s distinctive outer skin

the screen provides privacy from nearby residences while filtering light into the interior

the facade unites parking, public, and circulation zones within a continuous volume

the elevated terraces above offer outdoor seating and views toward the marketplace

the project draws inspiration from the dokkaebi, a Korean folklore figure symbolizing transformation

the translucent facade and adaptable layout translate the goblin’s playful spirit into spatial form

positioned between city and market, the building acts as both infrastructure and urban landmark

 

project info:

 

name: Along the Market
architect: YZA | @yza_official_

location: Seoul, Korea

photographer: Kyungsub Shin

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post translucent facade of multicolored steel louvers unfolds along seoul’s dokkaebi market appeared first on designboom | architecture & design magazine.

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levitask vision chair’s open hip angle design challenges 50 years of flawed ergonomics

Vision Chair rethinks how the human body interacts with seating

 

The Vision Chair by Levitask and designer Klaus Kummer represents the outcome of over forty years of research into posture and ergonomics. The chair challenges the conventional 90-degree seating position by proposing a dynamic alternative defined as Elevated Seating, a posture concept that distributes body weight more evenly and supports natural spinal alignment.

 

Kummer, originally trained as a cabinet maker before moving into industrial design in Germany and Scandinavia, combines traditional craftsmanship with ergonomic engineering. His approach prioritizes the body’s natural movement rather than constraining it to fixed angles. The Vision Chair is the latest expression of this philosophy, translating decades of experimentation and prototyping into a functional, movement-oriented design.

elevated seating promotes a natural spinal alignment through an open hip angle | all images courtesy of Levitask

 

 

Vision chair challenges the traditional 90-degree sitting posture

 

At the center of the design is the T-Mech mechanism, a patent-pending system that allows the chair to move in sync with the user’s body. By opening the hip angle beyond 90 degrees, it reduces pressure on the lower back and improves circulation. The position encourages a gentle forward rotation of the pelvis, maintaining the spine’s natural S-curve and enabling balance through motion, an effect inspired by the posture of a horse rider.

 

Structurally, the Vision Chair combines polished aluminum for the frame and base with recycled ABS shells. The seat and armrests use natural cotton upholstery and organically tanned leather, selected for durability and breathability. Biodegradable TPU wheels allow quiet and smooth mobility, aligning with the company’s focus on longevity and responsible material use.

 

The result is a chair designed to accommodate continuous movement rather than static sitting, offering a balance between comfort, posture, and mechanical precision. The Vision Chair extends Levitask’s and designer Klaus Kummer’s broader mission to reconsider everyday ergonomics through thoughtful material selection and motion-based design.

the posture supports the spine’s natural S-curve and relieves lower back pressure

function, posture, and design converge in a chair built for balance and motion

 

the chair embodies a shift from static sitting to dynamic, movement-based posture

by cradling the pelvis and preventing forward slide, the chair preserves natural posture and stability

the polished aluminum frame provides both strength and stability

natural cotton and organically tanned leather offer breathable, tactile comfort

 

founded by Klaus Kummer, Levitask builds on over 40 years of craftsmanship and ergonomic research

 

project info:

 

name: Levitask: Vision Chair

brand: Levitask | @levitaskofficial
designer: Klaus Kummer

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

The post levitask vision chair’s open hip angle design challenges 50 years of flawed ergonomics appeared first on designboom | architecture & design magazine.

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This Tilting Marble Maze Turns Into 5 Different Games

Remember those wooden labyrinth games where you’d tilt a board to guide a tiny marble through a maze? You know, the ones that turned even the calmest person into a bundle of nerves? Well, BKID Co just gave that childhood classic a major upgrade, and honestly, it’s kind of brilliant. Balance Maze is exactly what happens when industrial design meets nostalgic play. This concept isn’t your average tabletop game. It’s a modular marble maze that’s part puzzle, part physics challenge, and entirely more interesting than scrolling through your phone for the hundredth time today.

Here’s where things get clever. Balance Maze consists of five separate modules that connect together like puzzle pieces. Each module contains its own maze section with pathways, twists, and turns. The goal sounds simple enough: guide a marble through the entire maze by tilting and adjusting the slope of each individual module. But here’s the catch: because each section can move independently, you’re constantly problem-solving how to get that marble from one module to the next without sending it careening off course.

Designer: BKID Co

What makes this design so smart is its adaptability. You can combine the modules in different configurations, which means you can control the difficulty level. Want a quick five-minute challenge? Use two modules. Feeling ambitious? Connect all five and prepare for some serious concentration. It’s like having multiple games in one, which is pretty perfect for anyone who gets bored easily or wants something that grows with them. The visual design is refreshingly clean and modern. BKID Co went with a minimalist aesthetic that feels contemporary without being cold. The modules feature smooth surfaces and clean lines, letting the actual gameplay be the star. There’s something satisfying about well-designed objects that don’t need excessive decoration to look good, and this definitely fits that category.

But beyond just looking good on a coffee table, Balance Maze taps into something we’re all craving more of these days: tactile, screen-free play. There’s no app to download, no batteries to replace, no notifications interrupting your focus. Just you, a marble, and the laws of physics. In a world where everything seems to require WiFi, there’s something genuinely refreshing about a game concept that relies entirely on your spatial reasoning and hand-eye coordination.

The modular concept also means this could be a game that evolves. While the current design includes five modules, there’s potential for expansion packs, new maze configurations, or even user-created challenges. The design community has already shown plenty of love for the project, which suggests there’s real appetite for thoughtfully designed analog games. What’s particularly interesting is how Balance Maze fits into a broader trend of adults rediscovering play. We’re seeing a resurgence in puzzles, board games, and hands-on activities that offer a break from digital overload. This isn’t just nostalgia (though that plays a part). It’s about reclaiming focus and finding satisfaction in completing something tangible.

The engineering behind it shouldn’t be overlooked either. Creating a modular system where pieces connect securely while still allowing for individual movement requires careful consideration of materials, weight distribution, and connection mechanisms. BKID Co had to ensure each module could tilt freely without disconnecting from its neighbors, which is trickier than it sounds.

Whether you’re a design enthusiast who appreciates smart industrial design, someone looking for a genuinely engaging game for your home, or just tired of the same old entertainment options, Balance Maze offers something different. It’s proof that sometimes the best innovations aren’t about adding more technology but about reimagining something familiar in a smarter, more thoughtful way. And let’s be real: there’s something deeply satisfying about finally getting that marble to the end after multiple attempts. It’s the kind of small victory that actually feels earned, which is increasingly rare. So if you’re looking for your next conversation-starter object or just want to give your brain a different kind of workout, this concept is definitely worth paying attention to.

The post This Tilting Marble Maze Turns Into 5 Different Games first appeared on Yanko Design.

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human washing machine splashes water and blasts air to clean you up on its own

human washing machine appears at expo 2025 osaka

 

There’s a human washing machine at Expo 2025 Osaka that splashes water and blasts air around the user’s body to clean them up on its own. A project by Science Corporation, the bathing capsule is designed to automatically clean a person while they sit inside. The concept is to wash the entire body using micro- and ultrafine bubbles, all the while measuring the user’s physical condition using the embedded sensors. 

 

Inside the Future Human Washing Machine, the official name of the project presented at Expo 2025 Osaka, the lower part of the body is covered with microbubbles, each about 3/1000 of a millimeter wide, while the upper body and head are washed with ultrafine bubbles, which are even smaller, around 1/10,000 of a millimeter. These help remove dirt, oil, and odor-causing substances from the skin and pores. Then, a sensor on the backrest measures the user’s heart rate and electrocardiogram during the bath, shown on a screen in front of the user.

all images courtesy of Science Corporation Ltd.

 

 

Bathing capsule that washes users on its own

 

The system installed in the human washing machine at the Expo 2025 Osaka fair also includes an automatic visual response: when the sensor detects tiredness, it shows calm or positive images to help the user feel more relaxed. After washing, the water drains automatically, and the drying process begins, blasting air around the person’s body while they’re sitting down. The full cycle lasts about 15 minutes, which may be shorter than an average human shower time. During the Expo 2025 Osaka, which ran from April 13th to October 13th, visitors had the chance to experience the Future Human Washing Machine.

 

Science Corporation’s chairman, Yasuaki Aoyama, said that the inspiration came from the 1970 Osaka Expo, which featured an early concept of a human washing machine that used ultrasound but was never realized for practical use. The new version updates that vision using modern sensor systems and fine bubble technology. The design was developed by engineer Eiji Yamatani and designer Manatsu Ueda, who both worked on the original concept from 1970. The current model keeps the same idea, which is washing the body automatically and autonomously, but adds digital monitoring, AI-based health visualization, and data collection functions. Outside of the Expo 2025 Osaka, there’s no confirmed news yet on the commercial production of the upgraded human washing machine, but the company aims to also bring the project to nursing care facilities. 

there’s a human washing machine at Expo 2025 Osaka that cleans up users on its own

Named Future Human Washing Machine, the capsule washes the entire body using micro- and ultrafine bubbles

the full cycle lasts about 15 minutes

a sensor on the backrest measures the user’s heart rate and electrocardiogram during the bath

 

 

project info:

 

name: Future Human Washing Machine

company: Science Corporation | @science_mirable

event: Expo 2025 Osaka | @expo2025japan

The post human washing machine splashes water and blasts air to clean you up on its own appeared first on designboom | architecture & design magazine.

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New report looks to modernise “outdated” D&T education

A new report has laid out a series of recommendations to reverse the alarming slump in design and technology (D&T) education in England.

The government this week published its Curriculum and Assessment Review, which looked at how education in this country needs to evolve.

Led by Professor Becky Francis, the taskforce set out to ensure “the curriculum is fit for the future, addresses the rich knowledge and skills young people need to thrive in our fast-changing world, and encourages a love of learning.”

The section on D&T painted a grim picture of the state of the subject.

“The evidence gathered during the Review suggests that D&T in schools has long been in poor health,” the report states. They pointed to “a substantial decline in entries for GCSE D&T” which have fallen 68% in the past ten years.

In 2024/25, 57% of state schools entered students for GCSE D&T. But crucially, 17% of Key Stage 3 students who wanted to go on and study D&T were unable to, the highest percentage of any subject in the national curriculum.

This is party down to problems recruiting teachers – in 2023/24, only 27% of the target for training new D&T teachers was met, the report explains.

And the drop-off to A-level is pronounced – only 1% of A-levels taken in 2023/24 were in D&T.

All of this makes for worrying reading, especially given that the creative industries is one of the “highest potential sectors” which the government hopes will drive the UK economy.

And the report points out that access to D&T is “especially pronounced along lines of disadvantage.” 60% of the schools with the most disadvantaged students had no GCSE entries in D&T, compared to only 17% of the schools with the lowest proportion of disadvantaged students.

This finding echoes recent concerns about access to the creative industries.

The Sutton Trust’s A Class Act report highlighted how people from working class backgrounds are significantly underrepresented in creative fields. And writing for Design Week, Lawrence Lartey of Ravensbourne University London called on the industry to focus on addressing these disparities.

“AI will continue to evolve, but it’s human creativity that will determine the future,” he wrote.

“To meet the challenges ahead, we must first fix the pipeline. Only then can we build a more resilient, inclusive, and forward-looking creative economy – one that doesn’t just survive, but thrives.”

To help address the decline in D&T, the report made several recommendations, “to refresh the subject and make it more relevant and easier for schools to deliver.”

The D&T curriculum has become “outdated” and needs to evolve to “clarify the subject’s distinctive and practical nature.” In particular, the report wants more focus on creative and conceptual thinking, including “problem solving, iteration and testing.”
The curriculum should focus more on “social responsibility and inclusive design” to better equip students to meet the changing nature of the problems designers are being asked to solve. The report points out the current curriculum, “does not explicitly mention sustainability or the benefits of a circular economy.”
The report calls for more focus on materials, to give students a broader range of experience handling different materials and more understanding of how and why they are chosen. It said that in the current course, “pupils are simply required to memorise a list of materials and their properties in isolation.” More understanding of materiality would, the report suggests, “align the D&T curriculum better with modern, real-world design practice.”
The report calls for a clearer definition of what “final product” in a D&T context means, “alongside a clear emphasis on the full design process, including design content and theory.”

Taken together, the recommendations aim to make D&T more “aspirational” and modernise it in line with the UK’s thriving creative industries.

These changes, the report hopes, will help reposition D&T, “as an exciting and ambitious subject that can introduce students to skills in design and making, as well as prepare them for technical careers in design, creative and advanced manufacturing industries.”

Minnie Moll, chief executive of the Design Council, welcomed the recommendations.

“This is a landmark moment for design education,” she said.

“We are delighted to see the government embrace the importance of design thinking and sustainability in preparing the next generation with the skills our planet needs.

“The changes announced today are a testament to the collective efforts of the design and education community to ensure that design is recognised as a vital capability for solving the biggest challenges of our time.”

The government will introduce a new national curriculum in 2028.

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swiss-made zuriga E2-S espresso machine masters precision in a compact, A4-sized footprint

ZURIGA SIMPLIFIES HOME ESPRESSO WITH TWO-BUTTON INTERFACE

 

From its inception in 2016, ZURIGA was driven by the idea of creating a home espresso machine, designed to be compact, fast, durable, and above all, easy to use. The resulting ZURIGA E2-S strips away any unnecessary complexity, featuring just two buttons: one to power the machine, and the other to start the espresso shot. This focus on the essentials also ensures speed, making it ready for the first espresso in just 90 seconds. Countering the market of oversized, elaborate devices, the compact design is small enough to fit on an A4 sheet, proving that high-quality design can perfectly fit any kitchen countertop.

ZURIGA E2-S strips away any unnecessary complexity for creating home espresso | all images courtesy of Zuriga

 

 

 A COMMITMENT TO DURABILITY AND REPAIRABILITY

 

The company‘s journey began when founder Moritz Güttinger took apart his home espresso machine and decided he could improve it. After two years of development, ZURIGA launched with a successful crowdfunding campaign, selling out all available machines within just five minutes. The company grew to a 40-person team that develops, designs, and builds high-quality machines in the heart of Zurich, Switzerland, in a manufactory situated in an industrial site once used to repair locomotives.

 

Committed to a philosophy of ‘Design for Repair,’ the connections inside a ZURIGA machine are exclusively screwed, never glued, ensuring that every single component can be individually repaired or replaced. To guarantee a long life, the company keeps spare parts in stock for at least 20 years. This dedication extends even to products with minor cosmetic flaws, which are sold under the ZURIGA:re label to ensure functionally new devices remain in circulation.

the espresso machine is designed to be compact, fast, durable, and easy to use

 

 

STAINLESS STEEL ESPRESSO MACHINE HANDMADE IN ZURICH

 

The ZURIGA E2-S draws inspiration from the classic archetype of a small espresso machine. The shape avoids additive details, instead it is presenting a continuous, curved casing that gives it a volumetric presence. This signature housing is crafted from a single piece of stainless steel shaped to wrap around the machine’s inlay. Complemented by anodized aluminum on the top and front, the machine gains a protective golden tone from a special process that guards against espresso splashes. Additional materials, sourced from local production partners, include walnut for the portafilter and laboratory glass for the water tank. Each machine is handmade in Zurich, consisting of 318 individual parts.

the first espresso is ready in just 90 seconds

 

 

Beyond material durability, the engineering prioritizes precision over industry convention. ZURIGA deliberately moved past older technology, using its own advanced system to achieve the same professional, commercial-grade temperature stability. The Z2 heating unit regulates water temperature by measuring it over ten times every second. Crucially, the system does not preheat water, and combined with thermal insulation and an intelligent shut-off, it guarantees maximum energy efficiency, setting a new standard for a top energy rating. 

 

This focused engineering was applied to introduce a steam function. The high-performance unit heats up in just 20 seconds to deliver unlimited steam for beverages like cappuccinos and lattes. Notably, the machine’s exterior silhouette is kept unchanged, with no new switches — only the discreet steam wand reveals the new function. ZURIGA also extends its exacting standards to its in-house grinder, a separate, complex device requiring maximal precision for burr adjustment. It adheres to the same ZURIGA design principles — durable and repairable — and substitutes a glass container for the industry-standard plastic.

ZURIGA also extends its exacting standards to its in-house grinder

this separate, complex device requiring maximal precision for burr adjustment

its the compact design is small enough to fit on an A4 sheet

project info:

 

name: E2-S

company: Zuriga | @zuriga.coffee

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