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Florence Griswold: Patron Saint of American Impressionism

The post Florence Griswold: Patron Saint of American Impressionism appeared first on DailyArt Magazine.

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How Historic Buildings Like The Fenix Warehouse Become Modern, Energy-Efficient Landmarks

A century-old warehouse on Rotterdam’s Katendrecht peninsula has found new life as the Fenix Museum of Migration, designed by MAD Architects. The transformation of this 1923 structure into a vibrant museum addresses both the city’s multicultural history and today’s need for resilient, energy-conscious buildings. With its double-helix “Tornado” staircase spiraling to a rooftop platform, Fenix is more than an architectural showpiece—it’s a statement about how heritage buildings can adapt to contemporary urban needs.

The Fenix project demonstrates that historic architecture need not remain frozen in time. Instead, layers of history are preserved alongside new interventions, combining exposed concrete and original walls with the luminous, reflective staircase. By retaining much of the warehouse’s industrial character, the design honors the building’s past while introducing elements that support modern life, like new public gathering spaces and efficient infrastructure.

Designer: MAD Architects

Energy efficiency and sustainability are increasingly essential in urban redevelopment, and Fenix responds with thoughtful adaptation. Adaptive reuse avoids the significant emissions and waste generated by demolition and new construction. The museum’s design leverages the existing structure, reducing the project’s ecological footprint while integrating up-to-date systems for lighting, climate, and accessibility. This approach shows how old buildings can be part of a city’s sustainable future. It also features a thermal energy system with a heat pump, as well as a lovely green roof.

MAD Architects’ intervention doesn’t simply layer new atop old; it weaves the story of migration and movement into every visitor’s journey. The Tornado staircase, with its mirrored skin, reflects both the Rotterdam skyline and the people who ascend it, making visitors conscious of their role in the ongoing story of migration. The rooftop platform offers a literal and metaphorical vantage point, connecting past departures to present-day arrivals.

The ground floor, conceived as an indoor city square, brings a sense of openness and connection that’s rare in former industrial sites. Fenix’s inclusion of cafes, bakeries, and community spaces shows that these projects are about more than preserving bricks and mortar—they’re about making places where people want to gather, learn, and interact. In doing so, the museum becomes a civic anchor, inviting Rotterdammers of every background to engage with their city’s layered history.

The transformation of Fenix also brings new opportunities for education and engagement around sustainability. Visitors encounter stories of migration and also learn how thoughtful renovations can reduce environmental impact and extend the lifespan of existing buildings. By showcasing modern systems discreetly woven into the historic fabric, the museum offers a living example of how energy efficiency and heritage preservation can go hand in hand. This approach encourages both architects and the public to see old structures as valuable resources for creative, sustainable city-making.

Fenix’s transformation signals a broader trend in how cities approach their architectural heritage. Instead of viewing aging buildings as obstacles to progress, projects like this show how they can become catalysts for social and environmental renewal. Through careful design, technical upgrades, and public programming, the Fenix Museum of Migration is both a reminder of the journeys that shaped Rotterdam and a model for the ways historic spaces can support thriving, sustainable urban life.

The post How Historic Buildings Like The Fenix Warehouse Become Modern, Energy-Efficient Landmarks first appeared on Yanko Design.

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Everything We Know About Jony Ive’s $6.5 Billion Dollar ‘Secret’ AI Gadget

Let’s be honest, the tech world hasn’t felt this electric since Steve Jobs pulled the original iPhone from his pocket. Sure, we felt a few sparks fly in 2024 when Rabbit and Humane announced their AI devices, but that died down pretty quickly post-launch. However, when news broke that OpenAI had acquired Jony Ive’s mysterious startup “io” for a staggering $6.5 billion, the speculation machine kicked into overdrive. What exactly are the legendary Apple designer and ChatGPT’s creators cooking up together? The official announcement speaks vaguely of “a new family of products” and moving beyond traditional interfaces, but the details remain frustratingly sparse.

What we do know with certainty is limited. OpenAI and Ive’s company, io, are building something that’s reportedly “screen-free,” pocket-sized, and designed to bring AI into the physical world in a way that feels natural and ambient. The founding team includes Apple veterans Scott Cannon, Evans Hankey, and Tang Tan, essentially the hardware dream team that shaped the devices in your pocket and on your wrist. Beyond these confirmed facts lies a vast expanse of rumors, educated guesses, and wishful thinking. So let’s dive into what this device might be, with the appropriate grains of salt at the ready.

The Design: Ive’s Aesthetic Philosophy Reimagined

AI Representation

If there’s one thing we can reasonably predict, it’s that whatever emerges from Ive’s studio will be obsessively considered down to the micron. His design language at Apple prioritized simplicity, honest materials, and what he often called “inevitable” solutions, designs that feel so right they couldn’t possibly be any other way. A screen-free AI device presents a fascinating challenge: how do you create something tactile and intuitive without the crutch of a display?

I suspect we’ll see a device that feels substantial yet effortless in the hand, perhaps with a unibody construction milled from a single piece of material. Aluminum seems likely given Ive’s history, though ceramic would offer an interesting premium alternative with its warm, almost organic feel. The absence of a screen suggests the device might rely on subtle surface textures, perhaps with areas that respond to touch or pressure. Ive’s obsession with reducing visual complexity, eliminating unnecessary seams, screws, and buttons, will likely reach its logical conclusion here, resulting in something that looks deceptively simple but contains remarkable complexity.

Color choices will probably be restrained and sophisticated, think the elegant neutrals of Apple’s “Pro” lineup rather than the playful hues of consumer devices. I’d wager on a palette of silver, space gray, and possibly a deep blue, with surface finishes that resist fingerprints and wear gracefully over time. The environmental considerations that have increasingly influenced Ive’s work will likely play a role too, with recycled materials and sustainable manufacturing processes featured prominently in the eventual marketing narrative.

Technical Possibilities: AI in Your Pocket

AI Representation

The technical challenge of creating a screen-free AI device is immense. Without a display, every interaction becomes an exercise in invisible design, the device must understand context, anticipate needs, and communicate through means other than visual interfaces. This suggests an array of sophisticated sensors and input methods working in concert.

Voice recognition seems an obvious inclusion, likely using multiple microphones for spatial awareness and noise cancellation. Haptic feedback, perhaps using Apple-like Taptic Engine technology or something even more advanced, could provide subtle physical responses to commands or notifications. The device might incorporate motion sensors to detect when it’s being handled or carried, automatically waking from low-power states. Some reports hint at environmental awareness capabilities, suggesting cameras or LiDAR might be included.

The processing requirements for a standalone AI device are substantial. Running large language models locally requires significant computational power and memory, all while maintaining reasonable battery life. This points to custom silicon, possibly developed with TSMC or another major foundry, optimized specifically for AI workloads. Whether OpenAI has the hardware expertise to develop such chips in-house remains an open question, though their Microsoft partnership might provide access to specialized hardware expertise. Battery technology will be crucial; a device that needs charging multiple times daily would severely limit its utility as an always-available AI companion.

The User Experience: Beyond Screens and Apps

AI Representation

The most intriguing aspect of this rumored device is how we’ll actually use it. Without a screen, traditional app paradigms become irrelevant. Instead, we might see a return to conversational computing, speaking naturally to an assistant that understands context and remembers previous interactions. The “ambient computing” vision that’s been promised for years might finally materialize.

I imagine a device that feels less like a gadget and more like a presence, something that fades into the background until needed, then responds with uncanny intelligence. Perhaps it will use subtle audio cues or haptic patterns to indicate different states or notifications. The lack of a visual interface could actually enhance privacy; without a screen displaying potentially sensitive information, the device becomes more discreet in public settings. Of course, this also raises questions about accessibility, how will deaf users interact with a primarily audio-based device?

Integration with existing ecosystems will be crucial for adoption. Will it work seamlessly with your iPhone, Android device, or Windows PC? Can it control your smart home devices or integrate with your calendar and messaging apps? The answers remain unknown, but OpenAI’s increasingly broad partnerships suggest they understand the importance of playing nicely with others. The real magic might come from its predictive capabilities, anticipating your needs based on time, location, and past behavior, then proactively offering assistance without explicit commands.

Market Positioning and Price Speculation

AI Representation

How much would you pay for an AI companion designed by the man behind the iPhone? The pricing question looms large over this project. Premium design and cutting-edge AI technology don’t come cheap, suggesting this will be positioned as a high-end device. Looking at adjacent markets provides some clues, Humane’s AI Pin launched at $699, while Rabbit’s R1 came in at $199, though both offer significantly less sophisticated experiences than what we might expect from OpenAI and Ive.

My educated guess places the device somewhere between $499 and $799, depending on capabilities and materials. A lower entry point might be possible if OpenAI adopts a subscription model for premium AI features, subsidizing hardware costs through recurring revenue. The target market initially appears to be tech enthusiasts and professionals, people willing to pay a premium for cutting-edge technology and design, before potentially expanding to broader consumer segments as costs decrease and capabilities improve.

As for timing, the supply chain whispers and regulatory tea leaves suggest we’re looking at late 2025 at the earliest, with full availability more likely in 2026. Hardware development cycles are notoriously unpredictable, especially for first-generation products from newly formed teams. The $6.5 billion acquisition price suggests OpenAI sees enormous potential in this collaboration, but also creates substantial pressure to deliver something truly revolutionary.

The Competitive Landscape: A New Category Emerges

AI Representation

The AI hardware space is still in its infancy. Early entrants like Humane have struggled with fundamental questions about utility and user experience. What makes a dedicated AI device compelling when smartphones already offer capable assistants? The answer likely lies in specialized capabilities that phones can’t match, perhaps always-on contextual awareness without battery drain, or privacy guarantees impossible on multipurpose devices.

OpenAI and Ive are betting they can define a new product category, much as Apple did with the iPhone and iPad. Success will require not just technical excellence but a compelling narrative about why this device deserves space in your life. The competition won’t stand still either, Apple’s rumored AI initiatives, Google’s hardware ambitions, and countless startups will ensure a crowded marketplace by the time this device launches.

The most fascinating aspect might be how this hardware play fits into OpenAI’s broader strategy. Does physical embodiment make AI more trustworthy, useful, or personable? Will dedicated devices provide capabilities impossible through software alone? These philosophical questions underpin the entire project, suggesting that Ive and Altman share a vision that extends beyond quarterly profits to how humans and AI will coexist in the coming decades.

What This Could Mean for the Future of Computing

AI Representation

If successful, this collaboration could fundamentally reshape our relationship with technology. The screen addiction that defines contemporary digital life might give way to something more ambient and less demanding of our visual attention. AI could become a constant companion rather than an app we occasionally summon, always listening, learning, and assisting without requiring explicit commands for every action.

The privacy implications are both promising and concerning. A device designed from the ground up for AI interaction could incorporate sophisticated on-device processing, keeping sensitive data local rather than sending everything to the cloud. Conversely, an always-listening companion raises obvious surveillance concerns, requiring thoughtful design and transparent policies to earn user trust.

For Jony Ive, this represents a chance to define the post-smartphone era, potentially creating his third revolutionary product category after the iPod and iPhone. For OpenAI, hardware provides a direct channel to users, bypassing platform gatekeepers like Apple and Google. The stakes couldn’t be higher for both parties, and for us, the potential users of whatever emerges from this collaboration.

Waiting for the Next Big Thing

AI Representation

The partnership between OpenAI and Jony Ive represents the most intriguing collision of AI and design talent we’ve seen yet. While concrete details remain scarce, the ambition is clear: to create a new kind of computing device that brings artificial intelligence into our physical world in a way that feels natural, beautiful, and essential.

Will they succeed? History suggests caution; creating new product categories is extraordinarily difficult, and first-generation devices often disappoint (raise your hands if you own a bricked Humane AI Pin or Rabbit R1. Yet the combination of OpenAI’s technical prowess and Ive’s design sensibility offers reason for optimism. Whatever emerges will undoubtedly be thoughtfully designed and technically impressive. Whether it finds a permanent place in our lives depends on whether it solves real problems in ways our existing devices cannot.

For now, we wait, analyzing every patent filing, supply chain rumor, and cryptic statement for clues about what’s coming. The anticipation itself speaks volumes about the state of consumer technology: in an era of incremental smartphone updates and me-too products, we’re hungry for something genuinely new. Jony Ive and Sam Altman just might deliver it.

The post Everything We Know About Jony Ive’s $6.5 Billion Dollar ‘Secret’ AI Gadget first appeared on Yanko Design.

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three sloping geometries shape MAT office’s pyramid book house in rural china

pyramid book house: a building sculpted by skylights

 

Beijing and Rotterdam-based architecture studio MAT Office takes to a rural community outside Chengdu to design a temporary bookstore dubbed the Pyramid Book House. The project’s site on the edge of Wanchun Town sees rows of agricultural fields yield to the city’s spreading suburbs. Standing within a greenbelt along Tuanjiequ Road, the book house settles into this setting, shaped by the rhythms of its context and a belief in quiet transformation. MAT Office brings a clear sensitivity to site, allowing architecture to emerge from what the place invites, rather than what a program demands.

 

The architecture adopts a composition of three steeply sloped geometries, each assigned a different purpose — reading, display, and leisure. These forms resemble simple pyramids, pitched high enough to catch sunlight through carefully positioned skylights. Each structure is linked by a transparent roof, forming a sheltered corridor that opens both visually and atmospherically to its surroundings. The project takes its name from these volumes, but the real architecture lies in the way they modulate light and define space

images © Arch-Exist

 

 

mat office draws from rural chinese vernacular

 

The Pyramid Book House by MAT Office uses humble, local materials in a deliberate expression of place. Wooden tiles line the exterior, creating a tactile surface that connects with the vernacular textures of the Chengdu Plain. Pine plywood defines both the walls and ceiling inside, where the same surfaces that support the structure also shape the spatial experience. The wood-framed structure reveals itself without disguise, allowing each joint and surface to participate in both the building’s appearance and its function.

 

The architects design with a focus on economy, and this constraint is handled as a design strategy rather than a compromise. Construction avoids complexity where simplicity will do. Columns and beams are expressed as straightforward wooden members, placed with care rather than ornament. The structural frame is exposed, but it doesn’t strive for austerity. Instead, it feels open and generous, defined by clarity rather than minimalism.

the Pyramid Book House by MAT Office is located in a greenbelt on the rural edge of Chengdu

 

 

a glowing lantern

 

MAT Office’s Pyramid Book House is part of a larger initiative that aims to embed reading spaces into the daily life of Chengdu’s outer communities. Here, the architecture acts as a gentle interrupter, a pause in the ordinary. Its small scale creates intimacy, while its form stands out just enough to arouse curiosity. Within weeks of completion, it became a gathering point. Locals stopped to peer inside, then lingered, then returned. A new ritual took hold — reading in the sunlight, and lounging on the grass.

 

As daylight fades, the building’s skylights dim and its interior lighting begins to glow. From the road, it looks like a warm flicker in the agricultural fields, a gentle presence offering something intangible. Though its footprint is small, its radiance extends. Architecture becomes hospitality, and the book house becomes a place where people stay longer than they planned.

its three pyramid-shaped volumes define spaces for reading display and leisure

wooden tiles and pine plywood reflect the traditional materials of the Chengdu Plain

the project emphasizes low-cost construction with exposed wooden structural elements

the building uses skylights and glass connectors to create a bright and open interior

it has become a social hub for both residents and visitors from nearby towns

though temporary, the Pyramid Book House encourages lasting cultural engagement

 

project info:

 

name: Pyramid Book House

architect: MAT Office | @matoffice.architects

location: Chengdu, China

area: 78 square meters

completion: 2023

photography: © Arch-Exist | @archexist

The post three sloping geometries shape MAT office’s pyramid book house in rural china appeared first on designboom | architecture & design magazine.

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ASUS Dominates 2025 Red Dot Awards with 41 Wins Across Every Category That Matters

You know something extraordinary is happening when a single company wins 41 Red Dot Design Awards across five completely different categories in one year. ASUS didn’t just collect these awards like trading cards; they earned recognition from 43 international design experts for solving real problems across smartphones, laptops, displays, and even backpacks. The Zenfone 12 Ultra alone would have made headlines with its gimbal-stabilized camera that turns shaky vacation videos into smooth cinematic footage. But that’s just the beginning of this story. We’re talking about gaming phones that survive military testing while looking sophisticated enough for boardrooms, OLED monitors calibrated specifically for photographers who can’t afford color shifts, and mini PCs powerful enough to replace full towers yet small enough to hide behind your monitor. The real question isn’t how ASUS won so many awards, but rather how they managed to excel in categories where specialized companies usually dominate. How does the same company that makes RGB gaming keyboards also create color-accurate displays that professional photographers trust?

Designer: ASUS

Three Smartphones That Each Solve Different Problems

The smartphone wins perfectly demonstrate ASUS’s understanding that different users need fundamentally different devices. Take the Zenfone 12 Ultra, which tackles the universal problem of shaky photos and videos with actual hardware rather than just software tricks. Its 6-Axis Hybrid Gimbal Stabilizer 4.0 sounds like technical overkill until you see the results. Walking videos that normally resemble earthquake footage suddenly become smooth, tracking shots. Low-light photos that would require a tripod become possible handheld. The 50MP Sony Lytia 700 sensor benefits from this stability in ways that go beyond specs, paired with a 32MP telephoto offering 3x optical zoom and a 13MP ultrawide for versatility. ASUS wrapped this technology in a 220g body featuring 100% recycled aluminum and silky matte glass that actually resists fingerprints, addressing another daily annoyance we’ve all accepted as inevitable.

The ROG Phone 9 and ROG Phone 9 Pro approach mobile design from a completely different angle, prioritizing gaming performance without sacrificing daily usability. Both models feature IP68 water resistance, which you rarely see in gaming phones because manufacturers assume gamers baby their devices. The 185Hz E6 AMOLED display with 720Hz touch sampling delivers response times that competitive mobile gamers need, while 2500 nits peak brightness means you can see the screen outdoors. The Pro model goes further with up to 24GB of RAM and 1TB of storage, as mobile games are becoming increasingly large. What’s clever here is the integration of Dirac Virtuo spatial sound and Qualcomm aptX Lossless, recognizing that hearing enemy footsteps matters as much as seeing them. The 5800mAh battery with 65W charging keeps sessions going, while the customizable AniMe Vision display on the back adds personality without going full RGB circus.

Gaming Laptops That Don’t Scream “I Live in My Mom’s Basement”

The laptop category reveals that ASUS is solving a problem many professionals face: wanting gaming performance without looking like they’ve brought a spaceship to the office. The TUF Gaming A14 represents their first 14-inch gaming laptop, and at 1.46 kg, it fits in a standard laptop bag. Running AMD Ryzen AI 9 HX 370 processors with RTX 4060 graphics, this machine delivers legitimate gaming performance through a 165Hz QHD+ (2560×1600) display that’s sharp enough for spreadsheets and fast enough for shooters. The military-grade durability means it survives daily commutes, addressing the reality that gaming laptops need to handle more than just desk duty.

The ROG FLOW Z13 takes versatility to extremes as a 2-in-1 gaming tablet that sounds impossible until you use it. The 13.4-inch 2560×1600 touchscreen runs at 180Hz, powered by AMD Ryzen AI Max+ 395 processors with up to 128GB RAM. At $2,099, it’s not cheap, but it replaces multiple devices. Use it as a tablet for digital art, prop it up for gaming sessions, or connect an external GPU for desktop performance when needed. The form factor solves real problems for creators who game and gamers who create, eliminating the need to choose between specialized devices.

Meanwhile, the ROG Strix Scar 16 and 18 embrace traditional gaming laptop design but elevate it with ROG Nebula HDR Display technology. These machines pack Intel Core Ultra 9 275HX processors and up to RTX 5090 Laptop GPUs, delivering 2.5K resolution at 240Hz through Mini LED backlighting. The tool-less upgrade design acknowledges that gamers want to upgrade components over time, while up to 64GB DDR5 RAM ensures these laptops won’t become obsolete next year.

Consumer Laptops That Understand Consumer Needs

ASUS’s consumer laptop wins show they’re paying attention to how people use computers. The Vivobook 14 and 16 Flip models embrace the 2-in-1 concept with 360-degree hinges and OLED touchscreens, powered by Intel Core Ultra 7 processors. At 1.69cm thick and 1.5kg, these machines prove that convertibles don’t need to be chunky. The Vivobook Classic Series strips away gimmicks to focus on reliability and value, while the ASUS V16 provides 16-inch productivity without the bulk typically associated with larger screens.

ASUS Vivobook Pro 15

The Zenbook S 14 and S 16 represent ASUS’s premium ultrabook vision, featuring Intel Core Ultra processors with Copilot+ PC capabilities. These machines balance performance with portability, using premium materials and finishes that justify their positioning. But the real standout is the Zenbook A14, which earned recognition as the world’s lightest 14-inch Copilot+ PC at just 2.18 pounds. Powered by Qualcomm Snapdragon X processors, it delivers up to 32 hours of battery life thanks to ARM efficiency. The 14-inch OLED display (1920×1200) with 100% DCI-P3 coverage provides color accuracy typically reserved for much more expensive machines, while the Ceraluminum construction creates a premium feel in the $899-$1,099 range.

Business Laptops Built for Real Business Use

The commercial wins reveal ASUS’s understanding of what IT departments and business users need. The ExpertBook P5 represents their flagship business machine, powered by Intel Core Ultra processors (Series 2) with up to 120 total platform TOPS of AI performance. Weighing just 1.29 kg, it packs a 2.5K 144Hz anti-glare display and offers up to 28 hours of battery life. The inclusion of ASUS AI ExpertMeet provides intelligent noise cancellation and real-time transcription with on-device processing, addressing privacy concerns while adding genuine utility for remote workers.

The ExpertBook B3 takes a different approach with its 16-inch display and connectivity focus. At 1.78kg, it includes features business users request: optional 5G LTE, Wi-Fi 6E, dual Thunderbolt 4 ports, and smart card readers. The 85% screen-to-body ratio maximizes working space, while MIL-STD-810H durability testing ensures it survives the reality of business travel and daily office use.

All-in-Ones and Desktops for Different Tribes

The desktop category spans from space-saving all-in-ones to gaming powerhouses. The AiO VM6 Series and ExpertCenter AiO P4 series represent ASUS’s approach to integrated computing, ideal for reception areas, home offices, or anywhere cable management is a concern. These systems prove that all-in-ones don’t need to compromise on performance or upgradeability.

Gaming desktops are split between the TUF Gaming T5 series, which emphasizes durability and value, and the ROG G7 series, designed for enthusiasts who seek maximum performance with premium aesthetics. These systems recognize that not everyone wants to build their own PC, offering pre-configured options that cater to their target audiences.

The Mini PC Renaissance Nobody Expected

Perhaps the most interesting wins come from ASUS’s commitment to mini PCs, a category that most companies abandoned. The ExpertCenter PN54 packs an AMD Ryzen AI 7 350 processor with 45+ NPU TOPS in a 0.5L chassis, complete with six USB ports, dual 2.5G LAN, and Wi-Fi 7. This isn’t a streaming box; it’s a legitimate workstation that happens to fit in the palm of your hand.

The NUC 15 Pro and NUC 15 Pro+ take it a step further with Intel Core Ultra 7/9 processors (Series 2), up to 96GB of DDR5 RAM, and support for four 4K displays simultaneously. The tool-less upgradability means these systems can evolve with your needs, while thoughtful port selection eliminates the dongle mess that plagues other compact systems. What earned recognition was the thermal management that keeps these systems quiet under load, solving the jet engine problem that traditionally plagued small form factor PCs.

Displays That Serve Their Actual Users

ASUS’s monitor wins reveal a deep understanding of different user needs. The ProArt Display PA27UCGE and PA32UCE are designed exclusively for color accuracy, featuring built-in motorized colorimeters and hardware calibration. These displays deliver 98% DCI-P3 coverage with Delta E<1 accuracy at 160Hz refresh rates and 600 nits brightness, specifications that matter to photographers and video editors who can’t afford color shifts between devices.

The ProArt Display OLED series brings OLED technology to professional workflows where perfect blacks and infinite contrast translate to better creative decisions. ASUS prioritized burn-in protection and color accuracy over gaming features, showing they understand professional priorities.

Gaming gets serious attention with the ROG Swift OLED series. The PG32UCDM features a 32-inch 4K QD-OLED display with a 240Hz refresh rate and 0.03ms response time, while the PG27AQDP achieves refresh rates of up to 480Hz at 1440p. Custom heatsinks and OLED Care+ features address burn-in concerns, proving ASUS understands the hesitation around OLED for desktop use.

The ZenScreen Duo OLED MQ149CD offers dual portable screens in one device, ideal for presentations where you need to display content while keeping notes private. The ZenScreen Smart MS27UC and MS32UC build smart TV functionality directly into monitors, eliminating streaming device clutter in small spaces.

Graphics Cards and Components That Know Their Lane

The GPU wins demonstrate clear market segmentation. The ROG Astral RTX 50 series targets enthusiasts wanting maximum performance with premium cooling solutions. The liquid-cooled ROG Astral LC RTX 50 series pushes further for users prioritizing silence over everything else. Meanwhile, the TUF Gaming RTX 50 series offers military-grade reliability at more accessible price points, demonstrating that durability doesn’t require premium pricing.

The ProArt Z890-CREATOR WIFI motherboard shows ASUS understanding that creators need different features than gamers. Instead of overclocking potential and RGB zones, this board focuses on stability, Thunderbolt connectivity, high-speed storage options, and professional-grade audio interfaces that actually matter for content creation workflows.

Accessories That Solve Actual Problems

The peripheral wins aren’t just about RGB and aggressive styling. The ROG Azoth Extreme earned recognition as a 75% gaming keyboard with a full aluminum alloy chassis, a carbon fiber positioning plate, and an OLED touchscreen that actually serves a purpose for customization. The ROG Harpe Ace Extreme mouse weighs just 47 grams thanks to carbon fiber construction, while packing a 42,000-dpi ROG AimPoint Pro optical sensor for users who need that level of precision.

The ASUS Master Thunderbolt 5 Dock DC510 addresses the cable chaos plaguing modern desks with enough bandwidth to run multiple 4K displays, storage arrays, and peripherals through a single cable. The thoughtful port placement and clean design demonstrate an understanding of how these devices are actually used in real workspaces.

Even the ROG SLASH Backpack series has earned recognition for solving specific problems that gamers face when transporting expensive hardware. These aren’t just bags with gaming logos; they feature dedicated compartments, actual protection systems, and thoughtful organization for cables and peripherals. The RT-BE58 Go router, ProArt PA401 PC case, and ASUS Cobble Enclosure storage solution round out the accessories, each addressing specific user needs rather than just filling product categories.

What This Design Sweep Actually Tells Us About Technology’s Future

Looking at these 41 wins collectively reveals something important about where technology design is heading. ASUS succeeded by recognizing that one-size-fits-all products satisfy nobody in 2025. A professional photographer needs fundamentally different display features than a competitive gamer. A business user values different laptop attributes than a content creator. A student needs different price points than an enterprise customer.

The sustainability angle running through many products also matters more than the press releases suggest. When premium products lead with 100% recycled aluminum frames and FSC-certified packaging, it normalizes these choices across entire product lines. Environmental consideration is becoming integral to good design rather than a marketing checkbox.

AI integration across categories shows ASUS betting on intelligence over raw specifications. The Zenfone 12 Ultra’s AI Transcript 2.0 converts meeting recordings to searchable documents without cloud processing. The ExpertBook P5’s AI ExpertMeet handles noise cancellation and camera framing locally. These features address real productivity needs while respecting privacy concerns.

Perhaps most importantly, these awards suggest the industry is moving past the era of spec sheet battles. ASUS won by solving specific user frustrations: shaky videos, gaming laptops that look unprofessional, mini PCs that throttle, displays with inconsistent colors, cable management nightmares. Each product addresses real problems people face daily rather than inventing new features nobody requested.

The breadth of this achievement, spanning from pocket-sized smartphones to professional workstations, demonstrates that good design principles scale across categories while respecting each segment’s unique demands. As the technology industry continues chasing bigger numbers and flashier features, ASUS’s focus on thoughtful problem-solving through design points toward a more user-centric future. Whether this translates to market success remains to be seen, but these 41 awards suggest they’re asking the right questions about what technology should actually do for the people who use it every day.

The post ASUS Dominates 2025 Red Dot Awards with 41 Wins Across Every Category That Matters first appeared on Yanko Design.

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Moto Razr 40 Ultra Running Windows XP Is The Ultimate Tech Crossover We Didn’t Expect

Motorola famously worked with Steve Jobs to bring iTunes to the Razr. Jobs hated the idea of having their software run on someone else’s hardware (which is why he created the iPhone), but up until Apple was ready to formally launch a phone, Jobs reluctantly partnered with Motorola. Now, for what it’s worth, there’s a Moto Razr out there, not with iTunes, but rather, with Windows XP running on it!

Shared on Reddit by Constant_Vehicle7539, this foldable Moto Razr 40 Ultra is running an emulated version of the famous Windows OS. The best part is that when opened halfway, it actually becomes a mini laptop of sorts, giving you a functional (or aesthetically functional, if I’m being accurate) Windows laptop – perhaps the smallest one ever made.

Designer: Constant_Vehicle7539

It’s crazy to actually see this in action. Constant_Vehicle7539 uses the Vectras VM QEMU emulator to run a Windows XP build on the phone. While there’s really no photo of the phone actually running an instance of the desktop (Constant_Vehicle7539 probably just didn’t take any photos), the images here show the boot screen and a few images of the OS setup. My favorite part is when the phone’s half open, looking like a miniature laptop with a touch keyboard. Apparently, Vectras VM offers different emulators, even Windows 11… but for us OG Windows users from back in the day, when we rocked Razrs, Ericssons, and Nokia N Series phones, this is a match made in heaven.

The emulator allows you to run an instance of Windows on any Android, so if you’ve got a dormant old phone lying in a cabinet gathering dust, this is a fun project you could work on. Your friends will be absolutely shocked to see Windows running on a smartphone. However, the only thing more shocking than this is the one time a crazy hacker managed to port iOS 18 onto a Nokia Lumia phone, making the operating system think it was an iPhone (with functional TouchID too!)

The post Moto Razr 40 Ultra Running Windows XP Is The Ultimate Tech Crossover We Didn’t Expect first appeared on Yanko Design.

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These Galaxy-Inspired ‘Cratered’ Chef Knives Look Like They Were Forged In The Cosmos

I’ve seen grunge, distressed, even hammered finishes – this is different. The Yin Mo Star Kui knives from Beijing Wang Mazi Tech are perhaps the most alluring set of kitchen knives I’ve rested my eyes on. A lot of kitchen knives resort to simple, functional design details (after all, they aren’t made for looks, they’re made for high-octane kitchen environments), but the Yin Mo Star Kui take functionality and merge it with aesthetic excellence in a way that elevates the knife’s visual DNA without taking too much from its performance.

In fact, as a winner of the A’ Design Award, one could argue that these knives are actually the pinnacle of form and function. They’re made with perfect proportions, a good ergonomic grip, a full-tang design, and that eye-catching battered finish that makes the knives look like cutting instruments that were weathered by asteroids.

Designer: Beijing Wang Mazi Technology

The set comprises 4 knives (although the images show just three) made from high-carbon steel, with a unique hot/cold forging method that results in high edge retention. Each knife is characterized by 3 unique details – first, the charred wood handles that play into the knife’s black and white aesthetic beautifully, secondly, the taotie pattern found at the tip of the handle, giving each knife its signature, and thirdly, the knife’s gorgeously weathered design that features multiple craters that give it a sense of gravitas. The texture, however, is immediately polished off as you move your eye downwards, revealing the blade’s sharp edge.

Each knife’s steel is made by hot-forging the steel at 1040°C, and then cooling it to -196°C. The hot forging process improves the overall strength and toughness by optimizing the shape and eliminating imperfections. The cooling enhances the crystal structure to increase resistance to deformation. Meanwhile, the rough texture on the top of the knives creates enough air pockets to allow the blade to glide through sticky or starchy foods without them adhering to the knife blades. Try sticking a suction pad on a textured surface and you’ll see it fails – the same principle applies here too.

Each knife set comes with a holder that allows you to put the knives on display, almost like you would a precious Katana. The holder doesn’t conceal the blade the way most knife holders do – instead, it conceals just the edge (for protection’s sake), but keeps that cratered, textured surface visible to the eye, given that it’s easily the knife’s highlight.

The post These Galaxy-Inspired ‘Cratered’ Chef Knives Look Like They Were Forged In The Cosmos first appeared on Yanko Design.

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‘of course it’s political’: ai weiwei on working spaces in response to power, memory, and loss

AI WEIWEI’S STUDIOS TELL A STORY OF ARTISTIC RESILIENCE

 

At Berlin’s Aedes Architecture Forum, the exhibition ‘Five Working Spaces’ invites visitors to glimpse into Ai Weiwei’s studios across continents. On the occasion of the opening on May 23, 2025, designboom spoke exclusively with the artist, uncovering how each workspace embodies his political convictions, personal history, and creative vision. A central focus of the exhibition is Ai Weiwei’s most recent studio in Montemor-o-Novo, Portugal, built using traditional Chinese woodworking methods. 

 

‘My studio is an extension of my body and mental state. Of course it’s political. Anyone who sees the exhibition can understand — it’s not that I want it to be political. It just is political,’ Ai Weiwei tells designboom.

all images courtesy of Aedes Architecture Forum and Ai Weiwei Studio, unless stated otherwise

 

 

ARTIST, ARCHITECT AND ADVOCAT FOR HUMAN RIGHTS

 

Rather than illustrating architectural typologies or design processes, ‘Five Working Spaces’ explores Ai Weiwei’s studios as existential conditions, rooted in the artist’s early experiences of political exile. Born in Beijing, Ai Weiwei spent his formative years in remote regions of China, where his father, the poet Ai Qing, had been banished during the Anti-Rightist Movement. Known for his outspoken critique of authoritarian systems and his advocacy for human rights, Ai Weiwei ranks among the most influential figures in contemporary art and activism. His wide-ranging practice — spanning art, architecture, film, and social engagement — merges traditional Chinese craftsmanship with global aesthetics and personal narrative.

Five Working Spaces on view at Aedes Architecture Forum until July 02, 2025 | image © Erik-Jan Ouwerkerk

 

 

FIVE WORKING SPACES AT AEDES ARCHITECTURE FORUM IN BERLIN

 

The exhibition ‘Five Working Spaces’ at Aedes Architecture Forum traces key chapters of the artist’s life through the lens of architecture, presenting five studios located in Beijing, Shanghai, Berlin, and Montemor-o-Novo. Designed, commissioned, and inhabited by Ai Weiwei himself, each workspace mirrors shifting personal and political realities, documented through architectural models, photographs, drawings, and personal texts.

‘What’s similar is that all of them are tied to one individual – me – trying to fit myself into a working condition. But that condition is always changing. It’s more about connecting to my life, to the conditions I was given, the environments I lived in, how I grew up, how I became an architect, how I acted during moments of social and political change,’ he reflects in our conversation.

Ai Weiwei working on still life in his studio, Caochangdi, Beijing, 2000

 

 

His first studio in Longzhuashu, Beijing, redefined an austere concrete courtyard with a quiet gesture: planting Danish grass. The transformation was subtle, yet symbolically powerful — an act of reclaiming space through care. In the early 2000s, he designed his compound in the Caochangdi district, also in Beijing, which soon became a hub for artistic collaboration and large-scale installations. Both spaces would later be demolished by authorities, along with others: the Malu Studio near Shanghai in 2011, dismantled shortly after completion, and the Zuoyou Studio in 2018, destroying works still stored inside.

 

‘I’m used to irrational violence and no explanation. You cannot figure out the logic. You just take it and survive in it,’ the artist recounts, reflecting on these losses. ‘I grew up in that kind of environment. I was born into it. My father was exiled the year I was born. As demonstrated in the exhibition, I lived underground with my father — in a black hole.’

demolition of the Shanghai studio in Malu

 

 

In Berlin, Ai Weiwei established a studio in the cellar of a former brewery — an underground, introspective space that resonates with the years he spent in forced exile alongside his father in remote Xinjiang. Tucked away beneath the surface, for the artist, working underground is not only a physical experience, but also an emotional excavation, shaped by reflection and a return to memory.

 

Speaking to designboom, Ai Weiwei elaborates on this temporal shift: ‘I’m considered a contemporary artist, but my deepest emotions are connected to the past. I’m not familiar with German culture, because I don’t speak the language. I always relate my practice to the past. I appreciate human memory. Without memory, we don’t know who we are or where we come from. Then we can’t appreciate our current condition.

inside Ai Weiwei’s studio in Berlin, 2018

 

 

The most recent of Ai Weiwei’s five working spaces lies in Montemor-o-Novo, a rural town in southern Portugal. The expansive wooden structure draws on traditional Chinese joinery, assembled without nails or screws. Designed with 100 regular columns and a rotated roof that echoes his demolished Malu Studio near Shanghai, the building stands as a monument to craftsmanship and cultural memory. This fifth studio, completed in 2023, resists categorization. Officially registered as a warehouse, it contains no defined program. 

 

‘Architecture is part of our body — our state of mind and physical condition,’ reviewing the decision to settle in Portugal, Ai Weiwei notes a change in pace and outlook. ‘I want a location that’s peaceful and quiet. A place where you can look at the sky and realize there are stars. In the morning, you can see the sun rays. In the evening, the moon comes up. That fits my psychological condition today.’

timberwork of the Portugal studio in Montemor-o-Novo | image © Yanan Li

Ai Weiwei’s Portugal studio in bird perspective

his fifth studio, completed in 2023

Montemor-o-Novo Studio, nine-part representation model | image © Erik-Jan Ouwerkerk

exhibition view | image © Erik-Jan Ouwerkerk

 

project info: 

 

name: Five Working Spaces

artist: Ai Weiwei | @aiww
location: Aedes Architecture Forum, Berlin, Germany | @aedesberlin

dates: May 24 – July 02, 2025

The post ‘of course it’s political’: ai weiwei on working spaces in response to power, memory, and loss appeared first on designboom | architecture & design magazine.

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Hermès Ateliers Horizons Headphones launch with an eye-watering $15,000 price tag

Hermès, the iconic French luxury house known for its craftsmanship and timeless design, has stepped into the premium audio space with the unveiling of its Ateliers Horizons headphones. Priced at $15,000, this offering merges high-fidelity listening with haute couture, delivering a product that targets connoisseurs who value exclusivity as much as sound.

This move differentiates Hermès from traditional audio brands such as Bose, Sony, Sennheiser, and Apple. Rather than competing on technical specifications alone, Hermès positions its headphones as wearable art – designed not just to perform, but to signal status and taste. To signal status and taste, underscored by their mind-numbing $15,000 price tag, these bespoke headphones are not within the reach of most of us. The headphones are expected to arrive in select Hermès boutiques by summer 2025

Designer: Hermes

According to Axel de Beaufort, creative director of Ateliers Horizons since 2012, “The idea is not to be able to replicate that 10,000 times as a big headset supplier would do. The idea is to have the few that we will do made perfectly, and that has been a very long learning process. It’s about really super high-end craftsmanship.”

Luxury Craftsmanship as a Core Feature

What sets the Ateliers Horizons headphones apart is the artisanal quality of their construction. Handcrafted over two years by nearly 50 artisans in France, each pair features premium materials like Hermès’ signature saddle-stitched leather and polished metal hardware. The design draws directly from the brand’s famed Kelly bag, with five distinctive colorways available, including Rouge H and Prussian Blue.

This level of craftsmanship is absent in mainstream headphones such as the Bose QuietComfort Ultra or Sony WH-1000XM6, which are designed for mass production. While these models offer excellent active noise cancellation and adaptive sound technologies, they lack the tactile richness and bespoke quality that defines Hermès products. For those seeking a headphone that reflects personal style and heritage craftsmanship, Hermès offers something no tech brand currently does.

Even Apple’s AirPods Max, arguably the closest in terms of design appeal, rely heavily on industrial processes. They are sleek, feature-rich, and integrate tightly into Apple’s ecosystem—but they’re not handcrafted. Hermès, on the other hand, delivers a product where no two units are entirely alike, tailored to the luxury buyer’s sensibilities.

Radical Philosophy in Audio Design

While Hermès hasn’t disclosed extensive technical specifications, the headphones are expected to deliver high-end audio performance consistent with their premium positioning. The open grille design suggests the use of planar magnetic drivers, often favored by audiophiles for their clarity and precision. However, the real differentiator is not technology but philosophy: Hermès is crafting a unique sound signature described as “Hermès sound,” developed in-house rather than licensed from existing platforms.

Unlike competitors that emphasize software-driven sound adjustments, Hermès focuses on authenticity in both build and audio. The headphones eschew touch controls in favor of physical buttons – offering tactile satisfaction and durability. Both wired and Bluetooth connectivity options are available, ensuring versatility while maintaining a minimalist design ethos.

This contrasts with feature-rich models like the Sennheiser MOMENTUM 4 Wireless, which touts customizable EQ settings, multi-device support, and extended battery life. Similarly, premium offerings from Bowers & Wilkins, such as the Px8, emphasize acoustic engineering, app-based sound personalization, and cutting-edge wireless performance. Hermès chooses not to compete on those terms, instead aiming for timelessness over upgradability – prioritizing craftsmanship and aesthetic permanence over iterative tech enhancements.

For fat-pocketed audiophiles who are also collectors, the Ateliers Horizons headphones represent a new category: audio as a luxury object. Hermès isn’t trying to replace the go-to travel or studio headphones. Rather, it’s offering an accessory that hones a refined listening experience that sits outside the typical framework of consumer electronics!

The post Hermès Ateliers Horizons Headphones launch with an eye-watering $15,000 price tag first appeared on Yanko Design.

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3D printed electric motorcycle by DAB motors takes after shotaro kaneda’s bike in akira

DAB motors and VVT develop a one-off two-wheeler

 

DAB Motors and Vita Veloce Team (VVT) create a one-off electric motorcycle with 3D printed bodywork, designed like Shotaro Kaneda’s bike in the anime, Akira. The two-wheeler first appears at J Balvin’s birthday. He’s the Colombian singer who’s also the co-founder of VVT with designer Mattias Gollin. The studio teams up with Simon Dabadie, founder of DAB Motors, to co-create the anime-inspired electric motorcycle with 3D printed bodywork.

 

The design teams co-create the two-wheeler using AI tools to refine the shapes and details of the ride. The overbuilt, monolithic bodywork fully encloses the large tires, and there’s also a windscreen installed for fast rides. For the entire frame, DAB Motors and VVT apply a deep matte red, which they’ve patinated by hand. On a closer look, there are scratches and scuffs visible. That’s okay. The goal isn’t to make a ‘perfect’ electric motorcycle with 3D printed bodywork, but to show that it has already lived before it has even arrived. 

all images courtesy of DAB Motors and Vita Veloce Team

 

 

Electric motorcycle with 3D printed bodywork

 

The design teams don’t explicitly state that their electric motorcycle with 3D printed bodywork draws from Shotaro Kaneda’s bike in Akira, but almost its entirety reflects that style, from the shade of the matte red applied around the vehicle to the look of the wheels. To capture the anime-inspired design, DAB Motors and VVT use 3D modeling and early sketches at the beginning of the process. Then, they turn to 3D printing for the bodywork as well as sanding, painting, and hand assembly for the rest of the parts. In their words, every detail of the two-wheeler is shaped both by high-tech tools and human hands. It’s a meeting, then, of technology and manual labor.

 

They go the extra mile with the other design features. For example, they install a sound-absorbing foam between the wheel covers and rims. It produces a low-frequency tone. Because of it, the hum of the electric engine subtly reverberates in the rider’s body. The electric motorcycle with 3D printed bodywork also glows in the dark. It’s because of the wheels and their atmospheric lighting. The LED strips are hidden inside the red shell, emitting a glow from under the motorbike. At night, when it speeds away, the purplish-blue lights join the rider’s escape. While the very first electric motorcycle with 3D printed bodywork is for J Balvin, the design teams say there is a limited production run available. It’s their way to restate that what they’ve created ins’t a concept, but fully rideable.

DAB Motors and VVT create an electric motorcycle with 3D printed bodywork

the design resembles Shotaro Kaneda’s bike in the anime, Akira

detailed view of the glow-in-the-dark wheels

the design teams co-create the two-wheeler using AI tools

the overbuilt, monolithic bodywork fully encloses the large tires

DAB Motors and VVT apply a deep matte red to the frame

there’s also a windscreen installed

view of the two-wheeler at night with the atmospheric lighting on

the two-wheeler first appears at J Balvin’s birthday

 

project info:

design: DAB Motors, Vita Veloce Team | @dabmotors, @vitaveloceteam, @jbalvin

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