An Artistic Look at Women Through the Ages
https://en.wikipedia.org/wiki/Wu_Zetian
Women in Pre-historic art: Venus of Willendorf
The post An Artistic Look at Women Through the Ages appeared first on DailyArt Magazine.
Aug
25
https://en.wikipedia.org/wiki/Wu_Zetian
Women in Pre-historic art: Venus of Willendorf
The post An Artistic Look at Women Through the Ages appeared first on DailyArt Magazine.
Aug
25
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Aug
25
The post Faith Ringgold: An American Icon appeared first on DailyArt Magazine.
Aug
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Aug
25
Twenty-five years after making millions of fans believe love could be larger than life, the Backstreet Boys are proving their cultural staying power extends far beyond nostalgic millennial playlists. The quintet recently became the first pop act to headline Las Vegas’s cutting-edge Sphere venue, where their “Into the Millennium” residency has been so successful they’ve already extended it with additional dates through February 2026. This ongoing triumph provides perfect context for understanding why a LEGO Ideas submission celebrating their most iconic music video feels both timely and inevitable.
H1GHDEF1N1T1ON’s “Backstreet Boys: I Want It That Way” MOC captures something essential about both LEGO culture and late-90s pop mythology. The build centers on a meticulously constructed white aircraft, complete with blue racing stripes and landing gear, situated on a gray baseplate that evokes the LAX runway from the legendary 1999 video. Five minifigures represent Nick Carter, AJ McLean, Brian Littrell, Kevin Richardson, and Howie Dorough, each sporting the all-white outfits that became synonymous with boy band perfection. The creator’s playful “Brickstreet Boys” moniker reveals the self-aware humor that makes fan-driven LEGO projects so compelling.
Designer: H1GHDEF1N1T1ON
What makes this MOC particularly fascinating is how it demonstrates LEGO’s unique ability to crystallize cultural moments. Adult LEGO enthusiasts understand that the best sets aren’t just about building techniques or part counts, they’re about emotional resonance and shared memory. The Backstreet Boys represented peak pop culture for an entire generation, selling over 100 million records worldwide and creating music videos that became cultural touchstones. “I Want It That Way” alone has generated over a billion streams, proving its enduring appeal transcends the typical lifecycle of pop hits.
The technical execution shows genuine LEGO craftsmanship. Building a convincing aircraft at minifigure scale requires careful proportions and creative part usage, especially for elements like the engines and wings. The creator has achieved clean lines and recognizable silhouettes while maintaining structural integrity. The diorama approach, complete with airport ground equipment and yellow runway markings, demonstrates understanding of how LEGO sets create narrative spaces rather than just static models.
LEGO Ideas has historically embraced pop culture references, from Friends apartments to Beatles tributes, but music-themed submissions face unique challenges. They need to translate audio-visual experiences into brick-built form while avoiding licensing complications. This Backstreet Boys project cleverly sidesteps those issues by focusing on a specific, iconic visual moment rather than attempting to represent the band’s entire catalog.
The timing couldn’t be better for this submission. The Sphere residency has reintroduced the Backstreet Boys to mainstream consciousness, while nostalgia for late-90s culture continues driving everything from fashion trends to streaming playlist dominance. With just over a 1,000 votes, this MOC managed to snag the Staff Pick title on the LEGO Ideas forum. Go ahead and cast your vote for it too and maybe LEGO’s internal team will turn it into a box set that’s small in size, but… larger than life!
The post Backstreet Boys get their own gorgeous Fan-made LEGO MOC and it’s ‘Affecting our reality’ first appeared on Yanko Design.
Aug
25
Situated in the verdant hills of West Nusa Tenggara, Indonesia, sits something that looks like it dropped straight out of a sci-fi movie. The Drop Pod by Inspiral Architecture and Design Studios isn’t your boring old prefab box. This intriguing structure has curves in all the right places, and every swooping line serves a purpose. Built in 2025, the Drop Pod addresses a problem we’re all grappling with: how to create housing that works everywhere, adapts quickly, and withstands the elements when the weather turns nasty?
The first thing you notice is how the dwelling sits. Perched 60 centimeters off the ground on a riverstone foundation, it’s like the architects said, “What if we just lifted the whole thing up?” Smart move, considering Indonesia’s flooding issues. That elevation also creates a nice covered area underneath and handles uneven ground without breaking a sweat. It cleverly turns a vulnerability into a design strength.
Designer: Inspiral Architecture and Design Studios
As you move inside the Lombok version, you’ll see where things get clever. A mezzanine layout basically gives you twice the space within the same footprint. It’s the kind of vertical thinking that makes tiny house enthusiasts weep with joy. The interior flows seamlessly between levels, proving that you don’t need a mansion to feel at home. And guess what? They can put one of these together in a week. One week. From foundation to housewarming party. Amazing, right?
The pods are truly adaptable, and the shell design isn’t set in stone. You can make adjustments for local weather patterns, cultural preferences, or even different family sizes. The structure bends to fit rather than forcing you to adapt to it. This flexibility extends beyond single units, too. Drop Pods can work solo, connect as home extensions, or cluster together into entire neighborhoods. That construction speed opens up possibilities for disaster relief, rapid urban development, or just getting out of your in-laws’ place fast.
Drop Pod’s Instagram-worthy curves and clever engineering are commendable. But what I truly loved is that Inspiral Architecture managed to create something that feels both futuristic and completely practical. In a world where housing often feels like choosing between affordable, sustainable, or beautiful, they’ve found a way to have all three.
The broader picture here is encouraging. As cities grow faster than traditional construction can handle and weather patterns become more unpredictable, projects like the Drop Pod point toward housing that rolls with the punches. This Indonesian prototype might be sitting in a tropical paradise, but its lessons could work anywhere people need homes that adapt, survive, and inspire. It shows us that prefab doesn’t have to mean boring, and modular doesn’t have to mean one-size-fits-none.
The Drop Pod is elevated 60 centimeters off the ground on a sturdy riverstone foundation. This raised design keeps the living space safely above potential floodwaters and allows the structure to be placed on uneven or sloped terrain without extra groundwork. The elevation protects against flooding and also creates a sheltered area underneath the home, turning a common vulnerability into a practical design feature.
Absolutely. One of the Drop Pod’s biggest strengths is its rapid assembly; each unit can be built and ready for use in just one week. Its prefabricated components make transportation and installation straightforward, even in challenging locations. This speed and flexibility make the Drop Pod an excellent option for emergency housing, disaster relief, or situations where communities need safe, reliable shelter fast.
Yes, customization is at the heart of the Drop Pod’s design. The shell and interior layout can be adapted to suit different climates, cultural preferences, or family sizes. Whether you need a standalone home, an extension to an existing building, or several pods clustered together as a neighborhood, the Drop Pod’s modular system bends to fit your needs rather than forcing you to adapt to it.
The post Indonesia’s Futuristic Prefab Home Is Ready for Anything: From Floods To Unannounced Guests first appeared on Yanko Design.
Aug
25
The Flipper Zero became famous for two things: looking like a toy dolphin and getting banned by governments who were terrified it might unlock their cars. If you missed that particular internet drama, imagine a device that could clone your hotel key card, mess with your garage door, and generally make security professionals very nervous, all while displaying a cute pixelated dolphin on its screen. It was part hacking tool, part conversation starter, and entirely controversial. Regulators freaked out, YouTubers made clickbait videos about “this $169 device that can steal your car,” and suddenly everyone knew what a Flipper was. Now the same team is back with something that’s going to confuse the hell out of everyone who expected Flipper Zero 2.0… because that’s apparently not what the team is building.
Now rumors are swirling about something called the Flipper One, and if even half of what’s being whispered is true, it represents such a radical departure that you have to wonder if the same team is even involved. Where the Flipper Zero was designed to poke at wireless signals around us, the alleged Flipper One wants to be your pocket computer. Not a phone, not a tablet, but an actual Linux computer that happens to fit in your hand.
Designer: Pavel Zhovner
AI Representation based on Pavel Zhovner’s Schematics
The first thing to know is that Flipper One isn’t meant to be an evolution of the Flipper Zero – it’s designed to be a new device entirely. Pavel Zhovner and the Flipper team have been pretty explicit about that. Zhovner and his team clearly paid attention to the regulatory headaches that plagued the original Flipper Zero. The rumored Flipper One ditches every single radio that made the Zero famous. No RFID, no NFC, no sub-gigahertz, no infrared. Just a Linux box with a screen and a modular design that makes pen-testing easy without pissing off entire countries.
This would be brilliant if it’s real, because rather than being an amalgam of sensors, the Flipper One is now theoretically a platform – like a smartphone that runs apps. Regulators could evaluate specific radio modules rather than trying to figure out what an entire device might be capable of, sort of like how regulators ban apps rather than outright banning a phone. Users would get exactly the wireless features they want without paying for ones they don’t need. It transforms a compliance nightmare into a business opportunity, which is exactly the kind of solution you’d expect from people who’ve been through regulatory hell once already.
AI Representation based on Pavel Zhovner’s Schematics
The supposed engineering choices reveal serious ambition. Most portable devices make you choose between battery life and performance, then spend years managing that tradeoff. The rumored dual-processor setup would use a small, efficient chip for boring background tasks while a more powerful processor handles everything you actually care about. Full Linux support would mean running actual desktop applications. Android compatibility would open up millions of existing apps. There’s even talk of a custom Kali Linux distribution with user-friendly interfaces for security tools that normally require memorizing command-line syntax.
Although the internals seem to be changing, the format decidedly isn’t, which means the Flipper One will still look like a spiritual successor to the Flipper Zero, with a landscape design and that iconic orange backlit LCD display. At 256×144 pixels, it’s not trying to compete with your phone’s display. Instead, that specific resolution was allegedly chosen because it’s exactly what you need to fit a usable multilingual keyboard on screen. Combined with eight physical buttons, a directional pad, and even a tiny joystick, the interface design suggests someone actually thought about extended use rather than just looking impressive in marketing photos.
AI Representation based on Pavel Zhovner’s Schematics
The most ambitious rumor involves open sourcing the operating system. Instead of just selling hardware, they’d be creating a platform for pocket computers. It’s either visionary or completely delusional, and honestly, both possibilities are entertaining. The cyberdeck community has been building similar devices for years as one-off projects requiring serious fabrication skills.
Whether any of this materializes remains entirely speculative. The details sound too good to be true in some ways, too practical in others. If Flipper Devices can actually deliver something approaching these specifications, they’d have the first commercially viable pocket computer designed specifically for people who understand computers. That’s either revolutionary or the kind of overambitious project that teaches expensive lessons about hardware development. Given their track record of turning controversial hacking tools into cultural phenomena, betting against them seems unwise. If they execute this properly, Flipper One won’t just be another hacking tool… It’ll be the reference implementation for what portable Linux computers should look like in 2025.
The post Flipper One Rumors Suggest a Pocket Computer With ‘Hacking Tools’ That Governments Can’t Ban first appeared on Yanko Design.
Aug
25
Most people remember Saab as that quirky Swedish car brand that disappeared around 2011, leaving behind a cult following of drivers who still swear by their old 900s and 9-3s. What made Saab different wasn’t just the cars themselves, but the story behind them. The company started as an aircraft manufacturer during World War II, building fighter jets for the Swedish military. When they decided to make cars in the late 1940s, they brought that aviation mindset with them.
This aerospace DNA showed up everywhere in classic Saabs. The cockpit-like interiors with their wraparound dashboards felt like sitting in a pilot’s seat. The ignition switch lived between the front seats, supposedly to prevent knee injuries in a crash, just like in aircraft design. Even the body shapes had this wind-tunnel smoothness that made other cars look clunky by comparison. Saab owners became a tribe of sorts, people who appreciated the brand’s mix of Swedish practicality, safety obsession, and just enough weirdness to feel special.
Designer: David Sova
When General Motors finally pulled the plug on Saab after years of financial struggles, it left a hole in the automotive landscape. No other brand quite captured that combination of thoughtful engineering, Scandinavian minimalism, and subtle quirkiness. Which brings us to David Sova’s “Reboot” concept, a designer’s answer to the question: what would a modern Saab look like if someone got it right?
Sova clearly understands what made the original brand tick. His concept car looks like it was shaped by wind rather than committee meetings. The body is one smooth, continuous form that stretches from nose to tail without unnecessary creases or aggressive styling cues. It’s the automotive equivalent of a well-designed piece of furniture, something that would age gracefully in your driveway rather than looking dated in five years.
The proportions tell the story of a practical car that doesn’t apologize for being sensible. Long roof, big windows, wheels pushed to the corners for maximum interior space. It’s clearly electric, with no need for a traditional grille, so the front end becomes this clean, friendly face with just a slim light bar for expression. The whole thing feels approachable rather than intimidating, like a car that would be equally at home dropping kids at school or heading out for a weekend adventure.
That massive glass canopy is pure Saab DNA translated for 2024. Classic Saabs were famous for their airy, light-filled cabins, and this concept takes that idea to its logical conclusion. The roof and windshield flow together into one continuous piece, creating what feels like a greenhouse on wheels. It’s the kind of design that makes you want to take the long way home just to enjoy the view.
The wheel design shows Sova gets the aerospace connection without beating you over the head with it. They’re large and nearly flush with the body, with turbine-like cutouts that hint at jet engines without looking like costume jewelry. It’s a subtle nod that Saab fans will appreciate while everyone else just sees attractive, purposeful wheels.
Inside, you can glimpse red seats through all that glass, a warm contrast to the cool exterior. The dashboard looks refreshingly simple, like someone actually thought about where your hands would naturally fall rather than just cramming in the latest touchscreen technology. It’s the kind of interior that suggests the car would be pleasant to live with daily, not just impressive in photos.
What makes this concept compelling isn’t just how it looks, but how it captures the spirit of what Saab represented. The presentation materials even reference IKEA, another Swedish brand known for democratic design and functional beauty. It’s a smart connection that positions this imaginary new Saab as something accessible and honest rather than exclusive and flashy.
The car works in every setting Sova shows it in, from urban cobblestones to seaside roads. That versatility was always a Saab strength, cars that could handle Swedish winters and summer road trips with equal competence. This concept suggests a modern electric vehicle that could fill that same role, practical enough for daily life but interesting enough to make the commute a little more enjoyable.
Whether Saab will ever actually return remains an open question, but Sova’s Reboot concept shows there’s still appetite for the brand’s particular mix of rationality and charm. In a world of increasingly aggressive and complex car designs, sometimes the most radical thing you can do is keep it simple and make it beautiful.
The post Saab Might Be Dead But This Stunning Electric Concept Brings It Back to Life first appeared on Yanko Design.
Aug
25
Tucked into the Roma neighborhood of Mexico City, FORMANT Studio’s Marne Café brings together architecture, gastronomy, and tactile design. The café and bakery take a timeless approach to contemporary space-making — grounded in high-quality, locally sourced products and a strong material sensibility. Inside, a raw yet composed brutalist palette defines the atmosphere.
Exposed concrete and metal structures, dark wood, and pared-back industrial lighting form the backbone of the interior, while accents of color in the upholstery and wall-mounted artworks offset the otherwise neutral environment. Photographs framed in metal add to the layered visual language, and suspended ceiling speakers infuse the space with a carefully curated soundscape, reinforcing the immersive atmosphere.
all images courtesy of FORMANT Studio
Spanning 130 square meters, Marne Café is loosely divided into two zones, with the first a restaurant and counter space that opens onto the street, and tucked further inside, a wine bar tucked. Despite their different uses, both areas are stitched together by a consistent material and spatial language. All furnishings — tables, stools, chairs, lighting, and even the service counter — were custom-designed by Mexico City-based FORMANT Studio to reflect the project’s functional needs and aesthetic restraint. The layout follows a subtle logic that allows guests to flow easily through the space, sit briefly, or stay longer depending on the rhythm of their visit.
Marne Café brings together architecture, gastronomy, and tactile design
a raw yet composed brutalist palette defines the atmosphere
tucked into the Roma neighborhood of Mexico City
characterized by locally sourced products and a strong material sensibility
exposed concrete meets metal structures
engulfing dark wood and pared-back industrial lighting enhance the ambiance
the café is loosely divided into two zones
all furnishings were custom-designed by FORMANT Studio
transitioning between open and more intimate spaces
photographs framed in metal add to the layered visual language
industrial lighting finishes
project info:
name: Marne Café
architect: FORMANT Studio | @formant.studio
location: Mexico City
designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.
edited by: ravail khan | designboom
The post formant studio layers brutalist and industrial textures at marne café in mexico city appeared first on designboom | architecture & design magazine.