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AnyDust Clog-Free Wood Dust Collector Lets You Breathe Easy and Build More

Every maker knows the frustration of dust collection systems that promise the world but deliver disappointment. You invest in what seems like a powerful dust collector, only to watch its suction fade as filters clog up, leaving your workspace covered in fine particles that make everything feel gritty and unhealthy.

The AnyDust dust collector takes a completely different approach to this age-old problem. Designed by two PhD mechanical engineers who understand flow and particle separation, this system eliminates the root cause of poor dust collection performance rather than just treating the symptoms. For the first time, you can focus on creating instead of constantly fighting your dust collection system.

Designer: Mehmed Akif Paksoy

Click Here to Buy Now: $2199 $4900 ($2701 off). Hurry, only 2/22 left! Raised over $231,000.

When Engineering Meets Real Workshop Frustrations

Traditional dust collectors follow the same basic formula that’s been around for decades: suck air through a filter and hope for the best. This approach works initially, but performance degrades quickly as filters accumulate dust and airflow drops. The result is weaker suction, more airborne particles, and constant filter maintenance that disrupts your creative flow.

AnyDust’s founders recognized that the solution required rethinking the entire approach to particle separation. Instead of relying primarily on filters, they developed a multi-cyclone system that captures particles before they ever reach the filter stage. This fundamental shift in design philosophy means the system maintains peak performance over time rather than gradually declining.

144 Cyclones Working in Perfect Harmony

The heart of AnyDust is its advanced multi-cyclone array featuring 144 individual cyclones working together to capture even micron-sized particles. This isn’t just about having more cyclones than the competition; it’s about creating a system where each cyclone operates at optimal efficiency to maintain consistent suction power.

The system includes a mesh-type pre-filter with self-cleaning capability that traps coarse particles before they enter the cyclone array. This extends the lifespan of the cyclones while ensuring the entire system operates at peak efficiency. The aerodynamically optimized aluminum impeller delivers maximum airflow with minimal resistance, creating the kind of consistent, powerful suction that makes dust collection feel effortless.

Smart Controls That Actually Make Sense

Most workshop tools treat smart features as afterthoughts, but AnyDust integrates them thoughtfully into the user experience. The 4.3-inch touchscreen provides real-time monitoring of system status, dust levels, and filter health, giving you the information you need without overwhelming complexity.

The companion mobile app extends this control, allowing you to monitor and adjust your dust collector from anywhere in the workshop. Smart sensors track dust levels, filter status, and flow path performance, providing maintenance alerts before problems develop. Firmware updates ensure your system continues improving over time, adding new features and optimizations as they become available.

Dual Bins That Make Disposal Actually Pleasant

The dual-chamber dust bin system separates coarse particles from ultra-fine dust, making disposal cleaner and more efficient. The larger bin handles the bulk of wood chips and shavings, while the smaller chamber captures the finest particles that would otherwise escape into your workspace air.

Ergonomic handles and smooth sliding mechanisms make emptying the bins quick and mess-free. The thoughtful design means you can dispose of collected debris without creating dust clouds or requiring protective equipment. This attention to the disposal experience shows how AnyDust considers every aspect of the user journey, not just the primary collection function.

Built for the Long Haul, Designed for Today

AnyDust’s construction uses premium materials, including steel, stainless steel, and corrosion-resistant aluminum components designed for decades of reliable operation. The system eliminates the need for disposable filters, reducing both ongoing costs and environmental waste. Lower energy consumption compared to traditional systems means reduced electricity bills and a smaller carbon footprint.

The compact design fits into workshops where space is at a premium, while integrated handles make repositioning easy when your workspace layout changes. At 58-65 dB, it operates quietly enough that you can have conversations or listen to music while it runs, creating a more pleasant working environment.

Redefining What Workshop Tools Can Be

AnyDust represents a new generation of workshop equipment that combines serious engineering with thoughtful design and environmental responsibility. For makers and designers who want their tools to be as smart, efficient, and sustainable as their projects, AnyDust offers a compelling vision of what dust collection can become when you start from scratch and refuse to accept the limitations of traditional approaches.

Click Here to Buy Now: $2199 $4900 ($2701 off). Hurry, only 2/22 left! Raised over $231,000

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How Three Stacked Shipping Containers Create a Spacious & Light-Filled Retreat

Sonic Steel’s Mark T sits tucked away in Port Neil, South Australia, looking nothing like the shipping containers it started as. Three steel boxes painted uniform black have been transformed into something that feels more like a coastal retreat than repurposed industrial materials. The 40-foot high-cube container anchors everything as the main living space, while a compact 7-foot module houses the staircase, and a 20-foot unit perches on top as the master bedroom. It’s a stacked design that works surprisingly well, creating a home that feels spacious rather than cramped.

Walking through the Mark T, you notice how much thought went into making it livable. The central kitchen becomes the natural heart of the home, drawing people together rather than isolating them. Generous windows flood the space with light, while luxury vinyl flooring and powder-coated tapware add touches that feel intentional rather than industrial. The bathroom includes all the essentials—a shower, a sink, and an odourless toilet that keeps water usage down. A Rheem gas hot water system handles the practical side of things, and both electrical and plumbing systems arrive ready to connect, making setup relatively straightforward.

Designer: Sonic Steel

The outdoor spaces might be the real showstoppers here. Three separate decks extend the living area well beyond the container walls, each serving a different purpose. The front deck works as your main outdoor room, big enough for dinner parties or just spreading out with family. The rear deck takes a more intimate approach, designed as a rooftop garden where you can grow herbs or vegetables. The top deck, reached by a spiral staircase, offers the best views of the surrounding landscape and turns checking the weather into a daily ritual worth looking forward to.

This design builds on Sonic Steel’s earlier Mark IV single-container model, but the multi-module approach opens up possibilities that a single box just can’t match. The stacked layout maximizes both interior space and outdoor access while keeping the transportability that makes container homes appealing in the first place. The corten steel construction means the structure will weather gracefully over time, developing that characteristic patina that improves with age.

Getting the Mark T to its remote location involved trucking the three modules separately, then using a crane to position each piece precisely. This process highlights what makes container architecture appealing: the ability to deliver sophisticated housing to places where traditional construction might be difficult or expensive. The whole setup demonstrates how prefabrication can work when it’s done thoughtfully, arriving at the site mostly complete and ready for the final connections.

Sonic Steel hasn’t released pricing details, and availability depends on where they can ship, but Mark T suggests interesting directions for container-based housing. The project moves well beyond the utilitarian roots of shipping container homes, creating spaces that feel genuinely inspiring to live in. In a housing market where affordability and sustainability keep bumping into each other, designs like the Mark T point toward solutions that might work for real people rather than just looking good in a photograph.

The post How Three Stacked Shipping Containers Create a Spacious & Light-Filled Retreat first appeared on Yanko Design.

This Moss Humidifier Blends Nature and Technology for Healthier Homes

What if your humidifier didn’t just moisten the air but also supported life within itself? That’s the radical yet quietly elegant idea behind the Moss Humidifier, a collaborative project between an independent designer and Oasis, a Canadian startup focused on sustainable, environmentally conscious home products.

The journey began when Oasis discovered a previous concept created by the designer, an experimental hybrid between a humidifier and a natural moss ecosystem. Though never intended for production, the original idea planted a seed. It explored how moss, a rootless plant, could thrive on ambient moisture alone. That biological peculiarity sparked the vision for a commercial product: one that doesn’t just simulate nature but actively incorporates it.

Designer: UGLY.DUCKLING ID

The result is a humidifier that serves a dual purpose. It hydrates the air like a traditional appliance, but it also sustains living moss inside its structure. In return, the moss purifies the surrounding air, creating a mutualistic system where artificial technology and natural biology support each other. At the base of the product, a vent promotes healthy airflow, ensuring that both the human environment and the moss ecosystem remain balanced and fresh.

What makes this design especially compelling is its simplicity and intuitiveness. There’s no screen, no complex interface, just a natural, tactile interaction. Users pour water directly into the display basin, a gesture that mirrors watering a plant. Turning the top cylinder activates the misting function. This approach strips away the digital clutter that often dominates modern appliances and replaces it with a calming, analog experience.

Designing the form, however, posed a deeper challenge: how do you visually unite the organic softness of moss with the hard edges of industrial plastic? The answer came in the form of a Voronoi pattern, a natural geometry often found in leaf structures and coral formations. This irregular, organic pattern was applied to the surface of the product, forming a visual bridge between the artificial body and the living plant. It allows the moss to feel like a core resident, not an aesthetic add-on.

This harmony between form and function is where the Moss Humidifier stands out. It isn’t trying to hide the mechanics or the plant; it integrates them. The result is an object that doesn’t just look innovative but feels intuitively right. It introduces a new product category, a kind of living appliance, that blurs the line between technology and ecology, homeware and nature.

In the broader context of design, the Moss Humidifier signals a shift toward biophilic integration, the idea that our products can do more than serve a function; they can support ecosystems, encourage mindfulness, and gently improve our everyday environments.

As homes become more complex and the climate more urgent, designs like this offer a hopeful glimpse forward. The Moss Humidifier isn’t just about clean air or healthy humidity; it’s about rethinking the relationship between people, products, and the living world. It’s a small, quiet revolution in how we breathe, live, and design.

The post This Moss Humidifier Blends Nature and Technology for Healthier Homes first appeared on Yanko Design.

Swiss Destro Chronograph Uses Color-Shifting Technology to Transform Traditional Watchmaking Into Living Art

Every watch collector knows that terrible moment when you fall in love with a timepiece that costs more than your car. The independent watch world has tortured enthusiasts for years with stunning chronographs priced firmly in five-figure territory, forcing difficult choices between rent money and wrist candy.

Designer: Ming

The new 57.04 Iris delivers a genuine breakthrough, solving this decades-old compromise between accessible pricing and cutting-edge design innovation. This Malaysian-Swiss collective has just unveiled their most ambitious creation yet, transforming the traditional monopusher chronograph into something that looks like it escaped from a science fiction film. We’ve examined this extraordinary timepiece firsthand, and the reality surpasses every photograph you’ve seen. The destro chronograph achieves what seemed impossible in today’s market: delivering museum-quality craftsmanship and innovative technology for CHF 6,250, making it the brand’s first chronograph under five figures.

Revolutionary Dial Technology Creates Living Color Spectrum

Advanced multiphasic coating technology sits over a precision-machined brass base to create one of the most dynamic dial surfaces ever produced. The color-shifting treatment transforms the watch face into a constantly evolving spectrum that flows seamlessly between turquoise, purple, blue, and hints of green depending on light angle and wrist movement. The effect defies traditional photography because the dial literally lives and breathes with every micro-movement.

Extensive experimentation with vapor deposition techniques led engineers to develop this coating, layering multiple metallic compounds to achieve the precise refractive properties they needed for seamless color transitions. The deeply dished dial architecture amplifies this effect, with hand-engraved radial strokes creating additional light-catching surfaces that multiply the visual complexity. When combined with the concave bezel’s optical illusions, the entire watch face becomes a three-dimensional light show that transforms mundane time-checking into genuine artistry. Each dial requires multiple precision machining operations followed by carefully controlled vapor deposition in specialized chambers. The brass substrate provides the perfect foundation for this treatment, offering both the necessary hardness for fine engraving and the metallic base that optimal coating adhesion and longevity demand.

Left-Hand Crown Placement Solves Century-Old Comfort Problem

A bold decision led the brand to configure the 57.04 Iris as their first destro model, placing the oversized crown and monopusher at 9 o’clock instead of the traditional 3 o’clock position. The seemingly simple change addresses a fundamental comfort issue that has plagued chronograph wearers for generations: the crown digging into the back of the hand during active use.

The left-side placement allows for natural thumb operation of the monopusher while eliminating the awkward wrist positioning that traditional right-side crowns require. Engineering challenges of this configuration required extensive collaboration with Sellita to modify their proven SW562 movement architecture. The resulting Ming Cal. SW562.M1 maintains all the reliability and precision of the original movement while accommodating the reversed gear train layout that destro operation demands. The 60-hour power reserve remains unchanged, ensuring practical daily wear despite the complex internal reconfiguration that engineers completed. Crown placement also enabled Ming to dramatically increase the pusher size without compromising case proportions.

The psychological effect proves equally important, as the unusual configuration immediately signals the timepiece’s innovative approach to traditional complications. The larger pusher provides superior tactile feedback when users activate the chronograph function, while the substantial crown offers improved grip for manual winding operations.

Custom Movement Engineering Delivers Swiss Precision in Destro Configuration

Collaboration with Sellita produced the bespoke Ming Cal. SW562.M1, a hand-wound monopusher chronograph movement specifically reconfigured for left-hand operation. The base SW562 architecture undergoes extensive modification to accommodate the reversed gear train layout while maintaining the 28,800 vibrations per hour frequency and robust 60-hour power reserve that makes daily wear practical.

Custom finishing elevates the movement beyond typical Sellita standards, with an anthracite mainplate contrasting dramatically against the 4N gold-coated three-quarter plate visible through the exhibition caseback. The monopusher mechanism integrates seamlessly into the crown assembly, requiring precise engineering tolerances to ensure reliable chronograph operation without compromising water resistance. Manual winding provides direct connection between user and movement, eliminating the complexity and thickness that automatic winding systems introduce while delivering the satisfying tactile feedback that mechanical watch enthusiasts crave.

Nine-Piece Case Construction Redefines Modern Luxury Finishing

Fifth-generation design language evolution showcases itself through an unprecedented nine-piece case construction that creates the brand’s new triple-stepped lug profile. Each component receives distinct finishing treatments, with polished surfaces contrasting against brushed sides to create architectural depth that changes dramatically as light plays across the case surfaces. Construction methods represent a significant departure from traditional case manufacturing.

The 40mm stainless steel case strikes an optimal balance between contemporary expectations and comfortable wearability, measuring just 11.85mm thick despite housing a sophisticated chronograph movement. The 47.8mm lug-to-lug dimension ensures excellent wrist compatibility while the stepped lug design prevents the watch from appearing oversized on smaller wrists. The concave bezel creates additional visual interest, generating subtle optical effects that complement the dial’s color-shifting properties.

Water resistance reaches 100 meters despite the complex case construction and oversized crown assembly, demonstrating Ming’s commitment to practical daily wear capabilities. The display caseback utilizes a large sapphire crystal that showcases the movement’s custom finishing, including the distinctive 4N gold-coated three-quarter plate that contrasts beautifully against the anthracite mainplate surfaces.

Floating Crystal Indices Create Three-Dimensional Time Display

Signature dial layout approaches continue through laser-etched indices placed directly into the underside of the sapphire crystal, then filled with proprietary Polar White luminous material. The indices appear to float above the dial surface, creating additional visual depth.

The technique creates the illusion of floating time markers that appear to hover above the dial surface, adding another layer of visual depth to an already complex display. The white luminous compound provides exceptional visibility in low-light conditions while maintaining perfect color neutrality that complements the dial’s rainbow spectrum. The chronograph minute counter at 6 o’clock employs sandwich construction with a matte black disc that creates visual anchor point against the dial’s shifting colors. Hidden beneath lies a layer of Super-LumiNova X1 that illuminates the minute divisions after dark, transforming the subdial into a glowing beacon.

The blue-coated hands receive diamond-cut finishing that creates additional light-catching surfaces, while their Super-LumiNova X1 filling provides blue luminescence that contrasts beautifully with the white crystal indices. The central chronograph seconds hand maintains the same treatment, ensuring all timing functions remain clearly visible during both day and night use. Clever engineering ensures chronograph functionality remains fully legible regardless of lighting conditions while maintaining the clean aesthetic that Ming demands.

Accessible Luxury Pricing Disrupts Independent Watch Market

At CHF 6,250, the 57.04 Iris represents Ming’s first chronograph priced below five figures, making advanced independent watchmaking accessible to a broader audience without compromising quality or innovation. The breakthrough pricing reflects years of strategic planning and partnership development.

Strategic partnership with Sellita for movement production reflects in the pricing strategy, eliminating the premium that fully in-house calibers typically command while maintaining Swiss manufacturing standards and reliability. The included steel bracelet and leather strap combination provides exceptional value, as many competitors charge premium prices for basic nylon straps. Limited production of just 100 pieces saw collectors snap them up rapidly upon release. The established collector base recognized the significance of this pricing breakthrough, with many viewing the Iris as their entry point into chronograph complications.

The watch arrives with Ming’s Universal Bracelet, a sophisticated five-link design that flows seamlessly over the wrist while providing secure fit and premium feel. The included anthracite goat leather strap offers superior suppleness and durability compared to traditional calf leather, while the tuck buckle allows for clean strap tail management that maintains the watch’s refined appearance. Breakthrough pricing positions the 57.04 Iris as a compelling alternative to mainstream luxury chronographs that often cost significantly more while offering less innovation and distinctive design.

The post Swiss Destro Chronograph Uses Color-Shifting Technology to Transform Traditional Watchmaking Into Living Art first appeared on Yanko Design.

What If Apple Brought Back the ‘C’ Series? Meet the Playful, Affordable Apple Watch 11C Concept

Apple’s product history is dotted with bold experiments, but few have captured the imagination quite like the “C” series. For a brief, sunburst-bright period, the iPhone 5C broke from Apple’s monochrome tradition, wrapping high technology in candy-colored shells. The iPhone 5C wasn’t just a phone; it was a statement that technology could be fun, accessible, and unapologetically vibrant.

The Apple Watch 11C concept asks a compelling question: what if Cupertino decided to revisit that moment of accessible joy, only this time on your wrist? This isn’t a real product (at least, not yet), but rather a playful reimagining that brings the “C” philosophy back to Apple’s wearable lineup. The result looks as if it leaped off a Lisa Frank notebook and onto your arm, radiating the same energy that made the original 5C phones so memorable.

Designer: Rex Sowards

The most striking feature is undoubtedly the palette. Where current Apple Watches mostly favor muted metals or subtle sport bands, the 11C explodes in neon green, sunflower yellow, tangerine orange, fire engine red, and sky blue. Each hue is unapologetically bold, and the color isn’t just relegated to the band. It wraps the entire case, creating a sense of completeness and intentionality that’s rarely seen in adult tech, where “fun” is too often synonymous with “for kids.”

The watch face follows suit with minimalist, oversized numerals in high-contrast shades, designed for instant readability and, frankly, a little bit of show-off factor. It’s not hard to picture this watch on the wrist of someone who wants their accessories to spark conversation rather than blend into the background.

The “C” in Apple’s taxonomy once stood for “color,” “cheap,” or sometimes “cool,” depending on who you asked. If this concept ever left the drawing board, it would likely serve as the approachable, affordable alternative to the flagship Apple Watch Ultra or Series 11. Perhaps it would use a polycarbonate shell like its phone ancestor, or maybe Apple would opt for a recycled composite to hit sustainability goals. Either way, the underlying message would remain the same: technology doesn’t have to be intimidating or exclusive.

There’s room to imagine what features an 11C might sacrifice to reach a friendlier price point. Would it forego the always-on display or some advanced health sensors? Would Apple finally bring back the playful, bubbly interface elements that defined the early days of iOS? The possibilities feel endless, and each potential compromise opens up new questions about what makes a smartwatch essential versus aspirational.

Apple’s design language has matured considerably over the years, but it sometimes feels like it could use a little fresh air. The return of a “C” model would align perfectly with the current mood in consumer electronics, where nostalgia and a craving for self-expression are driving design trends across categories. Gen Z, in particular, is drawn to technology that feels less like a status symbol and more like a personal statement. The Apple Watch 11C would fit right into that cultural moment.

The concept also raises interesting questions about Apple’s current product strategy. The company has largely moved away from the playful design language that once defined products like the original iMac G3 or the iPhone 5C. Today’s Apple products are undeniably beautiful, but they’re also increasingly serious, sophisticated, and expensive. A return to the “C” philosophy could signal a renewed interest in making technology more accessible and expressive.

Of course, this is all speculative. Apple hasn’t signaled a return to the C series, and there’s no indication we’ll see these vibrant hues lining glass cases at the Apple Store anytime soon. The company seems more focused on premium materials like titanium and ceramic than on bringing back polycarbonate shells. But as this concept demonstrates, sometimes the most exciting ideas come from looking backward as much as forward.

For now, the Apple Watch 11C exists only in renders and imagination. But in a world that could always use a bit more color, maybe that’s exactly the kind of concept we need to remind us that technology, at its best, should bring a smile to our faces as well as functionality to our lives. The question isn’t whether Apple will make this watch, but whether we’re ready for technology that’s brave enough to be fun again.

The post What If Apple Brought Back the ‘C’ Series? Meet the Playful, Affordable Apple Watch 11C Concept first appeared on Yanko Design.

LEGO Brings Willy Wonka’s Chocolate Factory to life with a whimsical 2,025-piece set

LEGO Ideas has grown into one of the company’s most exciting platforms, giving fans around the world the chance to see their own creations transformed into official sets. What began as a community-driven initiative has resulted in some of LEGO’s most beloved releases, from pop culture tributes to detailed builds inspired by movies, famous architecture, and real-world landmarks. The 21359 Italian Riviera, London in the early 20th century, Botanical Garden LEGO Ideas set, or the Seven Dwarf’s Cottage from the iconic Disney animation are the ones that shine in the creative architecture world.

Each set is chosen through fan voting and further refined by LEGO designers, striking a balance between creativity, playability, and display appeal. Now, the highly anticipated LEGO Ideas 21360 Willy Wonka & the Chocolate Factory set brings the whimsy and nostalgia of the original 1971 film to brick-built life. Comprising 2,025 pieces and debuting as one of two winners from the LEGO Ideas Third 2023 Review Stage, this set is a testament to dedicated fan design by Roberto Ceruti and Jody Padulano (2PPL).

Designer: LEGO

Available first to LEGO Insiders on September 15, 2025, with general release on September 18, the set is priced at US $219.99, £199.99, and €219.99 depending on the region. The official LEGO store and LEGO.com will be the primary outlets for the purchase of this intricate 2,025-piece build. This set brings cinema to brick form in vivid detail. A dial-activated moving chocolate waterfall and a Wonkatania boat, sure to accommodate multiple minifigures bring dynamic, playful elements. These are complemented by candy-themed flora, such as teacup plants and candy-cane trees, and a hidden door leading to Willy Wonka’s office. It spans 20.5 inches in width and stands 7.5 inches tall, offering both display presence and interactive fun.

The set includes nine minifigures: Willy Wonka, Charlie Bucket, Grandpa Joe, Augustus Gloop, Violet Beauregarde, Veruca Salt, Mike Teavee, and two Oompa Loompa. Notably, Willy Wonka sports a brand-new hair-and-hat combination, using LEGO’s newly introduced ochre-colored hair. This creation aligns closely with the original fan submission, yet features notable changes in layout and aesthetic refinement. The collection of iconic scenes, from the chocolate river cruise to secret passages, reflects thoughtful design and storytelling, suited equally for display and imaginative play.

For fans and collectors alike, this is more than a set—it’s a curated experience rich in detail and care. As a LEGO Ideas set, it highlights the collaborative spirit between community creators and the LEGO Group, offering both creative inspiration and a high-quality build. In balance, the Willy Wonka & the Chocolate Factory set honors its film legacy with both design excellence and interactive innovation. Whether displayed on a shelf or brought to life through its moving elements and minifigures, it promises to engage both longtime fans of the classic film and LEGO enthusiasts new to the tale.

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Absurdist headphones come with their own CD player, remote, and shelf for storing discs.

We’ve seen weird gadgets, fancy wearables, and unbelievable designs all this long, but how far can one go with headphones? Apparently, to pretty out-of-the-box levels if you live in a world where using such audio gear is a normal affair. Created by a DIYer who goes by the alias name Pud Makes Headphones on Instagram, this project is a fascinating find for music lovers.

Pud has an uncanny knack for making headphones that a user like me would dare not touch because of all the bulk. That said, the creation is unique and brings back the charm of CD players to the current times, when wireless headphones, audio codecs, sleek design, and comfort are prioritized over everything else. The pair of cans (literally) is wireless (well, partly) as they are powered by a rechargeable battery pack, which supplies power to the CD player to function normally for an extended time. So, you can walk around the block with these chunky pair of headphones on, listening to music, and everyone giving you a second stare!

Designer: Pud

The bulky frame of the headphones houses a multifunctional remote control, the CD player, a slot for placing the disk cases on the top, storage for 10 CDs in each can, the wire module, and a jewel case box. That adds a total weight of more than two pounds to the headphones without even placing the discs or CD spindle on the side. By the look of things, the CD frame is salvaged from a car’s audio player for one simple reason: it has the front-loading mechanism. These headphones will last for some hours on a single full recharge of the batteries, so you can go around the town showing them off. The CD player’s insert disk section is positioned in front for easy accessibility. The unit looks hardcore, and only for audiophiles who listen to music at high volumes, since the speakers are embedded into the cans.

A strap keeps the rig firmly in place over the head, and I’m sure you are bound to get headphone hair from these in just a couple of hours. There is an adjuster to fit any head size, still the thing looks too bulky for sensitive users like me who suffer from headphone clamping force, even with the most comfortable pair. Even fighter jet pilots or Formula 1 drivers, who have very strong necks, will feel this one to be intrusive. In fact, Pud himself has worn them for no more than 30 minutes in one go. Perhaps he can go a step further and get a vertical turntable and mount it on the chest with linear dampeners, so that it doesn’t move too much. Or maybe get a chin strap to secure the thing in place. That said, jogging with these on is certainly not advisable!

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