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circular timber pavilion with voids and slits displays variety of veneer textures and finishes

Openness and restraint define Timber Pavilion by ISSO Architects

 

ISSO Architects designed A Nest in the Tree for MUKA’s exhibition at IndoBuildTech 2025, Indonesia’s largest architecture and interior design fair. Occupying an 11-by-17-meter plot, the project rethinks the conventional trade fair booth, prioritizing openness and spatial clarity within the visually dense exhibition environment.

 

While exhibition halls often favor maximum density, A Nest in the Tree introduces restraint as a design strategy. By stepping back from the aisle and allowing the space to breathe, the booth establishes a clear threshold, inviting visitors to experience it as a unified spatial composition before entering. The layout follows a simple program, a single counter for welcoming guests, and a gallery for displaying MUKA’s wooden veneer products. The design draws conceptual and material inspiration from the process of veneer making, where thin layers are peeled from solid timber. Similarly, the booth is formed through an approach of carving and hollowing, subtracting and opening volumes within a solid mass. This operation produces a sequence of interconnected spaces for gathering, viewing, and rest.

all images courtesy of ISSO Architects

 

 

A Nest in the Tree features network of voids and framed openings

 

From the exterior, the booth appears as a grounded timber structure, but its interior reveals a network of voids and framed openings that encourage movement and visual exploration. Narrow slits along the facade allow glimpses of the interior, establishing a subtle boundary between privacy and display. For studio ISSO Architects, color and materiality play a central role. Departing from the natural tones typically associated with wood, the design showcases MUKA’s distinctive veneer colors through a layered chromatic experience. A muted grey facade opens to a vivid red central counter and a surrounding green wall. This gradient highlights the range of veneer textures and finishes while guiding visitors through distinct zones of the installation.

 

Each spatial element, like the veranda, foyer, nook, and courtyard, serves a specific function within the compact footprint. Together, they define a small architectural system that balances openness with enclosure. The result is a booth that functions both as a display environment and a temporary architectural installation, demonstrating how material experimentation and spatial restraint can transform exhibition design into a cohesive architectural experience.

ISSO Architects designs A Nest in the Tree for MUKA at IndoBuildTech 2025

the booth reinterprets exhibition design through openness and restraint

a setback from the aisle allows the space to breathe within a crowded hall

inspired by the process of veneer making, the booth emerges through carving and subtraction

the layout centers on a single counter and a veneer display gallery

the structure evokes layers peeled from timber, transforming solid mass into space

interconnected voids form zones for gathering, pause, and display

the exterior presents a grounded timber volume within the exhibition hall

inside, voids and framed openings invite gradual exploration

color and material define the spatial rhythm of the installation

the design balances visibility and enclosure through controlled openings

narrow facade slits reveal glimpses of interior activity

a muted grey facade opens to a vivid red counter at the core

veneer surfaces highlight texture, color, and light variation

 

 

 
 
 
 
 
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A post shared by MUKA (@muka_surface)

 

project info:

 

name: A Nest in the Tree
designer: ISSO Architects | @issoarchitects

lead architects: Wibisono Soegih, Stephanie Tatimu

design team: Rangga Cakra Birawa, Arini Zairina Putri, Nabila Rachmasari Putri

location: ICE BSD City, Indonesia

host: IndoBuildTech 2025

brand: MUKA | @muka_surface

 

 

designboom has received this project from our DIY submissions feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers here.

 

edited by: christina vergopoulou | designboom

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Forget Your SUV: Kia’s PV5 WKNDR is the Ultimate Weekend Escape Pod

For the modern nomad, the line between transportation and living space has always been fluid, but Kia’s PV5 WKNDR Concept obliterates it entirely. Winning the Red Dot’s ‘Best of the Best’ award isn’t just about aesthetics; it’s a nod to how well this thing understands its audience. This isn’t another van trying to be all things to all people. It’s a precision tool for those who want to haul their life with them, whether that means bikes, laptops, or a full camping kitchen, without the usual compromises in comfort or efficiency.

Kia’s PBV platform has always leaned into practicality, but the WKNDR takes it further by wrapping that utility in a design that’s both striking and functional. The target user here is obvious: urban professionals who want to disappear into the wilderness on Friday afternoon, digital nomads who need a mobile office with a view, and outdoor enthusiasts tired of sacrificing space for capability. The real test, though, is whether this concept can escape the show floor and survive the brutal transition to production. Because right now, it’s making a lot of promises, and the auto industry has a habit of breaking those.

Designer: KIA Design Team

The exterior design balances ruggedness with a futuristic edge, avoiding the cliché of looking like a rolling toolbox. The boxy shape and lifted stance scream capability, while the minimalist front end and integrated lighting keep it from feeling like a relic of the past. Then there are the hydro turbine wheels and solar panels, features that sound like they’re ripped from a cyberpunk novel. Kia claims these can recharge the battery using kinetic energy and sunlight, which, if true, would be a massive win for off-grid adventurers. The “gear head,” that external storage pod, is the kind of innovation that makes you wonder why no one thought of it sooner. It keeps bulky equipment outside but protected, freeing up interior space for the things that matter, like a proper bed or a workspace.

Step inside, and the WKNDR feels like a cross between a high-end tiny home and a modular workspace. The rail system lets users reconfigure the interior in minutes, swapping between sleeping quarters, a dining area, or a gear storage hub. The materials are durable yet refined, with a color palette that manages to be both calming and energizing. Kia’s designers clearly thought about real-world use cases, not just how it would photograph for a press kit. Even the ceiling is utilized for storage, and the inclusion of an onboard compressor for tires or inflatable gear is the kind of detail that separates a well-thought-out design from a half-baked one.

Power specs are still vague, but the WKNDR is built on Kia’s E-GMP platform, which currently powers vehicles like the EV6 and EV9. That suggests a dual-motor, all-wheel-drive setup with a battery pack good for at least 300 miles of range, though real-world conditions and off-road tires will likely shave some of that off. The wild card is how much the hydro turbines and solar panels can extend that range. If they can add even a modest boost, say 10 to 15 percent, during a weekend trip, that’s a serious advantage over traditional EVs that still leave drivers sweating over charge levels in remote areas.

The WKNDR’s greatest asset might also be its biggest liability. Concepts are famous for dazzling on paper while collapsing under the weight of real-world constraints. The gear head, rail system, and hydro turbines are brilliant ideas, but they’ll need to prove themselves outside the controlled environment of an auto show. If Kia can pull it off, they’ll have a vehicle that redefines the adventure van segment. If not, it’ll join the graveyard of concepts that looked incredible in renderings but never made it to production. Either way, it’s pushing the industry in the right direction, and that’s something worth paying attention to.

For now, the WKNDR offers a tantalizing vision of what’s possible when a vehicle is designed around how people actually live, not just how they drive. It’s a statement that the next wave of adventure vehicles won’t just get you to your destination. They’ll let you stay there, comfortably and sustainably, without feeling like you’ve left civilization behind. Whether it ever hits the road in this form remains to be seen, but it’s a conversation starter, and that’s exactly what the industry needs.

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Windows Finally Has a Premium Haptic Trackpad That Rivals MacBooks

Windows laptops and desktops have always lagged behind when it comes to trackpad quality, leaving users stuck with imprecise, clunky touchpads that feel like afterthoughts. Most people eventually give up and switch to a mouse, accepting the limitations rather than fighting against hardware that was never designed with creative professionals or power users in mind.

The HyperSpace Trackpad Pro changes this dynamic by bringing MacBook-level precision, customization, and tactile feedback to the Windows ecosystem. This premium haptic trackpad finally gives Windows users an external input device that feels as sophisticated and responsive as the software they’re using, eliminating the compromise between comfort and control.

Designer: Hyper

The design immediately signals quality with its sleek, minimalist rectangular form featuring a glass touch surface and CNC-machined aluminum housing. The low-profile build, minimal 5mm bezel, and gently rounded corners create a modern aesthetic that fits naturally into professional workspaces without looking like typical gaming peripherals or budget office equipment.

The glass surface delivers a smooth, precise touch that feels premium under your fingers, while the aluminum chassis adds durability and substantial weight that keeps the trackpad stable during use. Rubber feet prevent sliding even during aggressive gestures or rapid navigation, ensuring the device stays exactly where you place it on your desk.

Third-generation piezo haptic actuators provide the most noticeable upgrade over standard trackpads with consistent, satisfying click feedback across the entire surface. Unlike mechanical switches with dead zones near the edges, every millimeter responds with uniform tactile precision. The haptic feedback feels natural and responsive, whether you’re clicking in the center or near the corners.

Full-force sensing recognizes pressure variations across the entire tracking surface, enabling deep-click actions, pressure-sensitive gestures, and customizable click profiles. Users can adjust feedback from soft taps to firm presses, tailoring the experience to match personal preferences or specific workflow requirements for different applications and tasks.

The companion software transforms the trackpad into a true productivity powerhouse through deep customization options. Users can create custom deep-click zones, assign shortcuts to specific areas, and build app-specific profiles that switch automatically when jumping between applications. Pre-loaded profiles for Adobe Creative Suite, Microsoft Office, and Figma make the trackpad immediately useful for creative work.

Performance specs back up the premium positioning with a 240Hz report rate and zero-latency response that makes cursor movement feel instantaneous. Multi-touch support for up to ten independent touches enables complex gestures, while smart palm rejection prevents accidental cursor movement when your hand rests on the surface during typing or drawing sessions.

Real-world applications span from graphic design and video editing to spreadsheet work and presentation creation. The force-sensitive surface allows for nuanced control in design software, while customizable zones speed up repetitive tasks in productivity applications. The device works equally well in creative studios, home offices, or anywhere users demand precise input control.

The HyperSpace Trackpad Pro represents what Windows users have been missing for years. By combining premium materials, advanced haptics, and deep customization into a thoughtfully designed package, it finally puts creative control and precision at your fingertips without requiring a switch to entirely different computing ecosystems.

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This $300 Backpack Blends Smart Design With Sustainability

Sometimes a backpack is just a backpack. And then sometimes, it’s a carefully considered piece of design that makes you rethink what’s possible. The AXIS Backpack by Maverick & Co., designed by Andrea Ponti, falls firmly into the second category. This is a product that proves functionality and beauty aren’t opposing forces, they’re partners in creating something genuinely special.

Let’s start with the silhouette, because it’s where you’ll notice something different right away. AXIS features a thoughtfully designed rectilinear shape that’s been softened with rounded corners. It’s a smart move that does two things at once: maximizes the internal capacity so you can actually fit everything you need, while keeping the overall profile clean and compact. You get all the space without looking like you’re hauling around a bulky box.

Designer: Andrea Ponti

But here’s where it gets really interesting. The unique side hinge system is what sets AXIS apart from every other backpack you’ve seen. It offers versatile access that adapts to how you actually use it. Need quick access from the top? Done. Want to lay it completely flat at 180 degrees for suitcase-style packing? You’ve got it. This kind of flexibility means you’re not fighting with your backpack to get what you need, whether you’re standing on a crowded subway or unpacking in a hotel room. The two iconic front pockets are another thoughtful touch. They’re not just there for show, though they do add real character to the design. These pockets offer practical storage for all those things you need within reach during your commute or travels. Your phone, wallet, keys, boarding pass, whatever you grab for constantly throughout the day.

Material choices matter, and AXIS doesn’t compromise. It’s crafted from premium vegan leather and 100% recycled polyester, proving that sustainable and luxurious can absolutely coexist. The manufacturing approach combines advanced techniques with hand-tailored sewing and finishing. You can see the attention to quality in every detail, from the zipper pullers to the straps. Nothing feels like an afterthought. Every component has been meticulously designed to work together, creating a cohesive, modern design language.

Open up AXIS and you’ll find an interior that actually makes sense. The system of zippered and slip pockets offers intuitive storage with easy access to your belongings. It’s organized in a way that feels natural, not like someone just threw in a bunch of random compartments and hoped for the best. The CMF design, that’s Color, Material, and Finish for those not immersed in design speak, reflects a sophisticated identity throughout. The muted tonal palette and precise detailing create something timeless. This isn’t a backpack that’s going to look dated in two years. It balances practicality and elegance in that sweet spot where you can take it anywhere and feel confident.

Andrea Ponti, the designer behind AXIS, brings a unique perspective shaped by his Italian heritage and seven years working with Japanese design masters. Now based in Hong Kong, he’s known for combining the elegance of Italian design with the lightness of Japanese minimalism. His work for major brands like Samsonite, Fender, and KEF has earned multiple Red Dot Design Awards and iF Design Awards. With AXIS, you can see how that global design sensibility translates into something both sophisticated and genuinely useful.

The AXIS Backpack represents thoughtful design at its best. It’s for people who appreciate when every detail serves a purpose, when sustainability doesn’t mean compromise, and when your everyday carry can be something you’re actually proud to use. Whether you’re navigating city life or exploring new places, AXIS adapts to your needs with style and intelligence. That’s what great design should do.

The post This $300 Backpack Blends Smart Design With Sustainability first appeared on Yanko Design.

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This Office Furniture Finally Makes Plant Care Effortless

Remember when office plants meant a sad fern dying in the corner? Those days are officially over. The new Plantable collection from SurfaceWorks is changing how we think about bringing nature into our workspaces, and honestly, it’s about time.

Designed in collaboration with Australia’s bangdesign studio, Plantable isn’t just another furniture line trying to jump on the biophilic bandwagon. This collection was born from a beautifully simple idea: what if we could seamlessly blend people, tables, and plants together to create more productive, happier spaces?

Designer: SurfaceWorks

The genius lies in the execution. Instead of forcing you to choose between functionality and greenery, Plantable gives you both. The collection includes tables available in three different heights (seated, counter, and standing), various sizes, and both square and rectangular shapes. But here’s where it gets interesting: these aren’t just tables that happen to accommodate plants. They’re designed with integrated planters and modular accessories that make incorporating living elements effortless.

What makes this collection particularly smart is its modular approach. You can start simple with a basic table and gradually add accessories as your needs evolve. Want to create a more intimate meeting space? Add the canopy option with integrated planters. Need mobility? The freestanding planters come on wheels, so you can rearrange your green oasis whenever inspiration strikes.

The timing couldn’t be better. We’re finally understanding that plants aren’t just decorative office accessories; they’re essential for our wellbeing. Research consistently shows that incorporating biophilic elements reduces stress, improves air quality, and boosts creativity. Yet many offices struggle with the practical challenges of maintaining greenery without creating maintenance headaches for staff.

Plantable solves this problem elegantly. The integrated design means plants become part of the furniture ecosystem rather than afterthoughts. No more awkward plant stands cluttering walkways or forgotten succulents gathering dust on windowsills. Everything has its place, and that place is thoughtfully designed to support both human productivity and plant health. The aesthetic is refreshingly clean and contemporary. Available in SurfaceWorks’ full range of colors, materials, and edgebands, you can customize the look to match any interior design vision. Whether you prefer the warmth of natural wood tones or the sleekness of modern laminates, there’s a configuration that works.

What’s particularly appealing about this approach is how it democratizes biophilic design. You don’t need a massive budget or a complete office renovation to start incorporating these elements. The collection works equally well in corporate environments, educational settings, healthcare facilities, and hospitality spaces. A single Plantable table can transform a sterile conference room into a more inviting, human-centered space.

The collaboration with bangdesign brings an international perspective that elevates the entire concept. Australian design sensibility often emphasizes the relationship between indoor and outdoor living, and that philosophy shines through in Plantable’s seamless integration of natural elements.

For anyone who’s ever tried to maintain office plants, you know the struggle is real. Plantable acknowledges this reality by making plant care part of the furniture’s natural workflow rather than an additional burden. When watering and tending plants becomes as routine as using the table itself, everyone benefits. The Plantable collection represents more than just smart furniture design; it’s a recognition that our work environments should support our humanity, not suppress it. In a world where we spend countless hours at desks and in meeting rooms, having living, breathing elements nearby isn’t luxury, it’s necessity.

As offices continue evolving to prioritize employee wellbeing and environmental consciousness, collections like Plantable point toward a future where good design serves both people and planet. Now that’s something worth growing.

The post This Office Furniture Finally Makes Plant Care Effortless first appeared on Yanko Design.

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pleats please issey miyake store glows with colorful display in tokyo’s aoyama district

a study in light and material for issey miyake

 

In Tokyo’s Aoyama district, the new PLEATS PLEASE ISSEY MIYAKE store by Japanese designer Tokujin Yoshioka + TYD transforms a compact site into a vibrant retail space. The interior unfolds as a dialogue between aluminum and glass, materials that both absorb and reflect light. Every surface, from the glimmering frames to the translucent displays, is precisely measured to resonate with Issey Miyake’s pursuit of functional beauty.

 

The atmosphere is serene, defined by clean lines and even illumination. Light moves across metallic planes and diffuses through transparent partitions, softening the space without diminishing its structural rigor. As a result, each room feels both grounded and weightless, an environment where architecture and garment share the same disciplined sense of rhythm.

images © ISSEY MIYAKE INC.

 

 

the pleats wall

 

At the center of the store in Aoyama, Tokyo, the ‘Pleats Wall’ acts as a vivid representation of designer Issey Miyake’s innovative production process. Sheets of color echo the brand’s textile transformations — fabric folded, pressed, and shaped into sculptural form. Displayed along the ground floor, freshly pleated textiles from the factory introduce a visual pulse to the otherwise minimal space.

 

Rather than functioning as simple decoration, the wall offers insight into the making of the garments. Each fold and chromatic shift mirrors the precision of the design process, creating an architectural parallel to the pleating technique itself. Interior designer Tokujin Yoshioka’s use of repetition and alignment emphasizes the connection between craft, material intelligence, and the controlled expression of movement.

Tokujin Yoshioka designs a luminous new store for PLEATS PLEASE ISSEY MIYAKE in Aoyama

 

 

Tokujin Yoshioka’s transparent structure

 

Glass and aluminum define the structure of the Issey Miyake store, their pairing producing an environment that feels permeable yet deliberate. Glass display cases — constructed through a specialized bonding technique — are joined edge to edge, forming transparent enclosures that blur the line between furniture and architecture. Within these, pleated garments are rolled and arranged in chromatic gradients, which lends a playful contrast to the calm restraint of the surrounding surfaces.

 

Every fitting and fixture was designed specifically for this project. Aluminum hanger racks, precisely milled and aligned, suspend garments so they appear to hover in space. The hangers themselves maintain their orientation through an engineered system, ensuring the pleated pieces remain flat and evenly spaced, a reflection of the brand’s disciplined aesthetic.

 

The attention to continuity extends to the smallest details. A ‘Pleats Sofa,’ developed exclusively for this store, carries the same lightweight and structured visual DNA as the garments.

interiors unfold in aluminum and glass

light moves through the space, revealing the structure of each pleated garment

the Pleats Wall centers the ground floor with color and rhythmic precision

freshly made pleats from the factory are displayed as part of the space

custom glass cases use edge bonding to heighten a sense of transparency

aluminum hangers and racks suspend garments with weightless precision

 

project info:

 

name: PLEATS PLEASE ISSEY MIYAKE / AOYAMA

brand: ISSEY MIYAKE INC. | @isseymiyakeofficial

store designer: Tokujin Yoshioka + TYD | @tokujin_yoshioka 

location: Tokyo, Japan

completion: October 17th, 2025

photography: © ISSEY MIYAKE INC.

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Core77 Weekly Roundup (10-14-25 to 10-17-25)

Here’s what we looked at this week:

The Pepe, by architect/designer Raffaella Mangiarotti, is a saddle-inspired leather chair.

There’d be no G-Shock without Kubrick’s “2001: A Space Odyssey.” The digital watch started out as a sci-fi movie prop.

Belkin’s PowerGrip is a camera grip that can charge your iPhone.

An ironworker’s brilliant (or crazy?) improvised climbing solution.

Silver Fox Tool’s user-adjustable leather tool organizers.

Testing shows automotive glassbreakers can’t actually break modern automotive glass.

The Janus-I Flying Suitcase, a personal VTOL aircraft that fits in a car trunk.

The Square X125 is a Honda scooter with a Chinese design aesthetic.

Dacia’s wild-looking ultracompact Hipster EV concept is “a car that can be sketched in three strokes of a pencil,” says the lead designer.

Mercedes shows off new design language—and releases a (limited-edition) design manifesto.

In advance of the Japan Mobility Show, Yamaha teases some of the unusual concepts and prototypes they’ll be bringing.

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Only 1,957 of This $199 Elvis Cassette Player Exist — Gen Z Is Obsessed

We Are Rewind just dropped an Elvis-themed cassette player limited to 1,957 units, and if you’re wondering why anyone would pay $199 for a device that plays 40-year-old tapes in 2025, you clearly haven’t been paying attention to Gen Z. If you’ve been stuck in Spotify and Apple Music streaming, you probably have not realized that cassette sales actually drove 5.7% of physical music sales and that Gen Z is the biggest demographic buying them.

Now even if you’re not Gen Z but you have a special place in your heart for the King of Rock ‘n’ Roll, you’ll pay attention to the WE-001 Elvis Presley Limited Edition Box Set. This is a special edition version of We Are Rewind’s best-known WE-001 portable cassette player that was created to celebrate what would have been Elvis Presley’s 90th birthday this January 2026. It has the iconic red Elvis sign used for his Comeback Special back in 1968.

Designer: We Are Rewind

Since streaming is the number one way that we consume music nowadays, we assume that the days of physical music are all but over. But if you’ve been paying close attention, you’ll realize that CDs and cassette tapes are still pretty popular to a certain market. Cassette sales were up 204.7% in the first quarter of 2025 and searches for “best portable cassette player” actually rose by 50%. It’s pretty ironic (and cute) that it’s those who never experienced it originally are the ones driving the demand for physical music.

The WE-001 is popular because it has improved on the portable cassette players like the Walkman by including a lithium-ion battery and built-in Bluetooth so you can play both actual cassettes and also play wireless audio on it. You can play music on it up to 12 hours if fully charged and you can charge it via USB-C once it runs out of juice. It also supports line-in recording in case you’re in the mood to create mixtapes or something.

This special edition cassette player has a matte black finish with gold details plus the name ELVIS in all caps. It also comes in a collector’s box that has archival imagery to honor one of the greatest musicians of all time. Of course it also comes with a remastered cassette edition of Elvis’ Christmas Album which is still one of the best-selling Christmas albums of all time.

They will only be releasing 1,957 units for this special edition in honor of the album’s original release year. So there will probably be a scramble to get one of the rare units of this cassette player, whether it’s fans of Elvis or the aforementioned Gen Z that are looking for the best cassette players for the cassette tapes they’ve been collecting. If you’re an Elvis fan, a cassette collector, or someone who wants to own a piece of analog music history before it sells out, this is a no-brainer. At $199, you’re getting a modern cassette player with Bluetooth and USB-C charging, plus a remastered Elvis Christmas album, all wrapped in gorgeous collector’s packaging.

But here’s the catch: with only 1,957 units available worldwide, these won’t last long. Based on how fast limited-edition cassette players have been selling out in 2025, you’ve probably got a few weeks at best. The WE-001 Elvis Limited Edition is available for pre-order at We Are Rewind’s website. Don’t say we didn’t warn you when they’re all gone.

The post Only 1,957 of This $199 Elvis Cassette Player Exist — Gen Z Is Obsessed first appeared on Yanko Design.

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Fujifilm’s $235 Instax mini LiPlay+ Prints Photos With Audio Clips

Fujifilm has always found ways to make nostalgia feel new again. From the charm of instant film with the likes of Instax Mini 41 to the hybrid convenience of its LiPlay lineup, each generation has pushed the boundaries of what instant photography can be. Merging tangible prints with playful digital creativity, the Japanese multinational has kept the fire alive with its X half premium compact digital camera and the X-E5 camera.

Continuing that spirit, the company has introduced the instax mini LiPlay+, a compact hybrid camera that turns moments into both memories and mementos, layering innovation atop the analog joy of instant film. At its core, the LiPlay+ maintains the familiar dual identity of its predecessor. It captures digital photos and prints them instantly on instax mini film. All this with a more polished design and a series of thoughtful upgrades.

Designer: Fujifilm

The instax mini LiPlay+ comes with a dual-camera system, combining a main front-facing lens with a wide-angle selfie camera on the back. This setup gives users the flexibility to switch perspectives on the fly, with the new layered photo mode allowing creative composite images using both lenses through preset templates rather than old-school double exposures. Though the 5-megapixel sensor remains unchanged, Fujifilm focuses on improving the shooting and printing experience. The 3-inch LCD screen offers a larger, clearer view for framing shots, while color styles like instax Rich and instax Natural give each print its own visual personality. Users can also experiment with new filters and frames, letting physical prints carry the same expressive flair as digital edits.

A defining feature of the LiPlay series is the ability to “print sound onto photos” with the downloadable instax mini LiPlay+. Each photo can still store a short audio clip accessible via a QR code, though the clip duration is now three seconds instead of ten. These sound-linked moments can be played back anytime within two years through the companion app, adding a playful dimension to photo sharing that extends beyond the visual. Inside, the LiPlay+ can store around 45 photos, with microSD expansion and Bluetooth connectivity to the instax mini LiPlay app for remote control, printing, and editing. The switch to USB-C charging modernizes the experience, while the Bluetooth link ensures quick transfers and print-on-demand functionality straight from a smartphone.

Design-wise, the camera takes on a sleeker, more rectangular form that sits comfortably in hand, especially for vertical shooting. It comes in Sand Beige and Midnight Blue, each finished with subtle gloss accents and tactile textures that enhance its premium feel. Fujifilm also pairs the release with a new instax mini Soft Glitter film, featuring a gold-tinted frame to add a touch of sparkle to every print.

Launching in late October 2025 for $234.95 (€219.99), the instax mini LiPlay+ reflects Fujifilm’s ongoing effort to evolve instant photography without losing its magic. By pairing sound, selfies, and instant prints in a pocketable body, it continues to make analog fun feel refreshingly modern. That’s pure fun, one click, one print, and one glitter-framed smile at a time!

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Mercedes Shows Off New Design Language—and Releases Design Manifesto

Mercedes-Benz has rolled out yet another design exploration, following up on their Vision One-Eleven and Vision V concepts. While the previous two were for a racy sportscar and a luxury executive transporter, respectively, their new Vision Iconic harkens back to a 1930s saloon.

“Inspired by the golden era of automotive design of the 1930s, this showcar embodies the pure essence of Mercedes-Benz,” the company writes. “With the VISION ICONIC, Mercedes-Benz shows what the future can look like when it is shaped by tradition, while remaining uncompromisingly modern.”

The concept is meant to represent “an unmistakable design language” that they’re calling “Sensual Purity.”

I do appreciate a vehicle concept where it looks like the clay guy or gal did most of the work. I love the confident, uncluttered surfacing and that arrow-straight beltline. The profile really nails it for me, with the blunt nose immediately giving way to a streamlined form that Raymond Loewy might’ve drawn. You can also see how absurdly, but beautifully, long the hood is; with most modern cars, the A-pillar points an imaginary line to the center of the front wheel. Here there’s at least an extra wheel’s worth of space.

They lose me a bit with the front grille—the LED grid reminds me of a Hyundai Ioniq 5—and I think the logo-fied headlights are a bridge too far. The chunky form of the LED trigrams doesn’t match the elegance of the hood ornament, and I find the effect jarring.

There’s just one shot of the interior, and it’s downright strange: Art Deco meets mystical sci-fi. It looks like, if you were to join the two artifacts suspended within the dashboard, the universe would explode.

Nitpicks aside: Mercedes is also, quite unusually, releasing a book in connection with the concept. Called “Iconic Design,” it’s billed as the brand’s design manifesto, as lead by Gorden Wagener, the company’s head of design. “Full of fascinating ideas and pulsating emotions, [the book] allows insights into the secret design studio in Sindelfingen and impresses with its close proximity to the design protagonists of Mercedes-Benz.” It contains previously-unpublished images, runs €75 (USD $87) and is limited to just 540 units.