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Apple, Hear Me Out… An iPhone Pocket, but for the Vision Pro’s Battery Pack

Decades after giving Steve Jobs his iconic turtleneck, Japanese fashion behemoth Issey Miyake returned to Apple with a product that somewhat felt absurd at first. The iPhone Pocket is an oddly specific handbag for just your phones (and maybe some other bits and bobs), but here’s a reality check the folks at Apple probably didn’t get. Your phone doesn’t need a dedicated solo-bag. It fits in most pockets, and when it doesn’t, people carry handbags or purses. If there’s a single Apple product that DOES need its own ‘holster’, it’s probably the Vision Pro Battery Pack.

This concept from Nathaniël de Jong cleverly gives that power bank a dedicated holster to make spatial computing more convenient without the added bulk. Almost everyone who’s reviewed the Vision Pro has railed against that silly little appendage that simply hangs off the already heavy Vision Pro. Apple just assumed you’d end up putting it in your pocket… but somehow it decided to make a dedicated holder for its phones, but not for this?!

Designer: Nathaniël de Jong

The beauty of this entire arrangement is that nothing needs to change. Apple just needs to ALSO market the iPhone Pocket as a perfect holder for the Vision Pro’s Battery Pack. It’s roughly the same size as a small phone, probably weighs a bit thanks to its thick metal design, and gives the Vision Pro a slightly fashionable touch… with the 3D woven iPhone Pocket matching the 3D weave on the Vision Pro’s headbands. It’s synergy just waiting to happen, and I love that someone decided to cobble up some renders and put them out there just to show us all that there’s a great alternative use for this fairly expensive fabric accessory.

The iPhone Pocket is limited to just 10 stores worldwide, and will only be sold in limited stock. Is that a deal-breaker? Probably not, because most Vision Pro users probably live in one of these 10 fancy cities (New York, Paris, Milan, Hong Kong, Singapore, etc.). The limited stock isn’t a problem either, because the Vision Pro’s fairly limited in its consumer reach too… and I don’t mean that as a diss. I just think these two are a match made in heaven!

The post Apple, Hear Me Out… An iPhone Pocket, but for the Vision Pro’s Battery Pack first appeared on Yanko Design.

Designer Turned the Boring Umbrella Stand Into Wall Art

You know that awkward moment when you walk into someone’s home and realize your dripping umbrella is about to become everyone’s problem? We’ve all been there, clutching a soggy umbrella while desperately looking for somewhere (anywhere) to stash it that won’t create a puddle or knock things over. Enter the Justin Case umbrella stand by Eduardo Baroni, a piece that proves even the most mundane household items deserve a glow-up.

First, let’s talk about that name. Justin Case. Just in case. It’s the kind of clever wordplay that makes you smile before you even see the product. And honestly, it perfectly captures the whole vibe of this design: something you keep around just in case, but that looks so good you’ll actually be glad it’s there rain or shine.

Designer: Eduardo Baroni

What strikes you immediately about this piece is how it refuses to be just another boring storage solution hiding in the corner. Made from powder-coated steel sheet, the Justin Case has this bold, angular presence that reads more like wall art than a utilitarian object. It’s essentially a sculptural triangle that leans away from the wall at just the right angle, creating this dynamic, almost defiant stance. You could hang it in your entryway empty and it would still make a statement.

But here’s where the design gets really smart. That lateral tilt isn’t just for show. The angle naturally cradles your full-size umbrellas, keeping them secure without any fussy clips or complicated mechanisms. Gravity does the work. Meanwhile, three dedicated hooks accommodate your compact umbrellas, so you’ve got room for up to five total. It’s that perfect balance of form meeting function that makes you wonder why all umbrella stands aren’t designed this way.

The wall-mounted aspect is another game-changer, especially if you’re dealing with a small entryway or apartment living. Traditional umbrella stands take up precious floor space and always seem to be in the way, creating an obstacle course right where you’re trying to get in and out the door. By moving everything vertical, Baroni frees up that floor real estate entirely. You can mount it right next to your entrance without blocking the flow of traffic, which is pretty much the dream scenario for anyone who’s ever tripped over an umbrella stand in the dark.

And let’s talk about the practical details, because good design isn’t just about looking cool. At the bottom of the stand sits a removable plastic reservoir that catches all the water dripping from your wet umbrellas. No more mysterious puddles forming on your hardwood floors or entryway rugs. When it fills up, you just pop it out, dump the water, and snap it back in. It’s such a simple solution, but it addresses the actual reason you need an umbrella stand in the first place: to contain the mess. The powder-coated finish means this thing is built to last, too. It’s going to stand up to the constant wet-dry cycle of umbrella storage without rusting or degrading. And while the images show it in a vibrant red that practically demands attention, the beauty of powder coating is that it can come in virtually any color to match your space.

What really makes the Justin Case stand out in the crowded world of home accessories is how it elevates something we usually try to hide. Most organizational products are designed to be invisible, to fade into the background. But Baroni took the opposite approach, creating something with such a strong visual identity that it becomes part of your home’s aesthetic narrative. It’s discreet in terms of space (that slim profile barely projects from the wall), but it’s definitely not shy about making its presence known.

This is the kind of design that makes everyday life just a little bit better. It solves a real problem without sacrificing style, proving that functional doesn’t have to mean boring. Whether you’re a design enthusiast or just someone who’s tired of umbrella chaos, the Justin Case makes a compelling argument that sometimes the smallest details make the biggest difference in how we experience our homes.

The post Designer Turned the Boring Umbrella Stand Into Wall Art first appeared on Yanko Design.

Apollo 8’s “Earthrise” Photo Just Became A LEGO Set, Nearly 60 Years Later

It’s nearly 60 years since we first got to actually see our blue marble from afar. Not in some geography book as a painting, not in the form of a VFX shot in a Hollywood movie. But as an actual color photo clicked by an astronaut from space. Taken by William Anders during the Apollo 8 mission in 1968, this iconic photo set the earth against its nearest neighbor, the moon.

It’s a perspective mankind had never seen before, a photo that looked at the earth from the moon rather than the other way around. It’s a perspective that’s still etched into a lot of memories… and now this LEGO set turns it into a brilliant visual cast in plastic bricks. Built by LEGO creator BuildingDreams, this rendition was designed to be hung on your wall as you admire its sheer beauty. Under 900 bricks come together to celebrate one of mankind’s true milestones… but let’s just also take a second to appreciate just how gorgeous this build looks, even on its own.

Designer: BuildingDreams

This is the year 1968, a year before the famed moon landing. The Apollo 8’s mission was to do a mere lunar orbit without a touchdown, and William Anders, a scientific crew member and photo enthusiast, took this photo on his Hasselblad 500 EL – the first ever color photo taken of the earth from space. The name Earthrise came from the fact that it looked like the Earth was rising from the surface of the moon, quite like the sun rises in Earth’s sky. The photos played a pivotal role in helping with the research that then put Neil Armstrong and Buzz Aldrin on the moon in the following year.

This rendition stands at 48cm tall and 32 cm wide (1.5″ x 1″), and comprises 859 pieces. That might sound like a lot but it’s actually a fairly conservative amount, given that a lot of these bricks help convey the details of the artpiece. The black void of space, the cloud-filled blue marble we call home, and our fair friend, the moon, with its mottled, cratered surface.

“Earthrise is designed to be as close to the real photo as you can get in Lego, with its classic bright art print style and with a simple and striking frame and detailing that will look great on any wall. This build is perfect for anyone who loves space and history and wants to celebrate such a unique part of our history,” says Building Dreams.

Although not an official kit yet, Earthrise is currently gathering eyeballs on the LEGO Ideas forum, a website where people contribute their fan-made builds and vote for their favorites. If this build hits the 10k vote mark, it gets sent to LEGO’s internal team for an official review before being turned into a box set. If you want to see that happen, head down to the LEGO Ideas website and cast your vote for this MOC (My Own Creation)!

The post Apollo 8’s “Earthrise” Photo Just Became A LEGO Set, Nearly 60 Years Later first appeared on Yanko Design.

These Nest-Like Pods Show Prefab Architecture Doesn’t Have To Look Prefab

Nestled within China’s Senbo Amusement Parks, a new architectural vision is taking root. The Forest Nests Treepod Project by Doarchiwow challenges everything we thought we knew about modular construction, transforming prefabricated building into an art form that breathes with its surroundings. These aren’t your childhood treehouses. Each dwelling rises from the landscape like a sculptural organism, its steel skeleton wrapped in layers of wood shingles, weathering steel, aluminum, and glass.

The genius lies in how these materials work together, creating structures that feel less constructed and more cultivated. They could be oversized cocoons suspended in time or nests woven by some mythical creature. What they don’t look like are typical modular buildings, and that’s entirely the point. Doarchiwow, a subsidiary of DO Architects specializing in high-quality prefabricated systems, spent years developing this concept. Design work began in 2021, with the 441.92-square-meter project finally completing in 2025 across two locations in Rizhao, Shandong and Wuhan, Hubei.

Designer: Doarchiwow

Step inside and the experience shifts. Smart home systems and digital networks handle the technical side while floor-to-ceiling glass opens up views of the canopy. The interior curves follow those same organic lines from the exterior. It’s surprisingly spacious for a micro-living unit. Doarchiwow was trying to solve a tricky problem here: how do you mass-produce something that still feels custom? The standardized shell allows for efficient construction, but the spaces inside feel tailored. The pods work as individual retreats while functioning as part of a larger network.

The sustainability angle goes deeper than surface-level green building tactics. Tang Jiajia, Wang Wenrui, and Jiang Hong led a design team that built a three-part environmental strategy into the project. Passive design, active environmental tech, and construction methods that respond to microclimate conditions. Prefabrication keeps ground disturbance minimal. Material waste drops. On-site labor requirements shrink. Each pod essentially runs as its own environmental system, capable of adjusting to different settings and weather patterns.

That adaptability matters because this model could theoretically pop up anywhere. Urban green spaces, protected natural areas, coastal zones, mountain forests. The fluid shapes refuse to look out of place, which is rare for modular buildings. Most prefab structures announce themselves loudly. These ones settle in quietly. It’s a replicable approach that doesn’t require starting from scratch each time.

Doarchiwow seems interested in changing how we think about vacation spaces and construction methods at the same time. They’re targeting boutique resorts, high-end campsites, rural tourism markets. Forest Nests makes the case that prefab doesn’t mean compromising on design or environmental responsibility. You can have efficiency and beauty. The structures prove it’s possible to build quickly without bulldozing the site or creating eyesores. Whether this becomes a widespread model remains to be seen, but it’s a compelling direction for sustainable resort development.

The post These Nest-Like Pods Show Prefab Architecture Doesn’t Have To Look Prefab first appeared on Yanko Design.

Top 5 Reasons 3D-Printed Homes Are the Future of Affordable Housing

The growing fascination with 3D-printed homes stems from their remarkable potential to cut construction costs and drastically shorten building timelines. By embracing this cutting-edge technology, the housing sector is entering a transformative era where homeownership becomes more affordable, sustainable, and accessible. Traditional construction methods are gradually giving way to a streamlined, tech-driven approach that promises efficiency without compromising on quality.

This addresses global housing challenges, such as the construction of resilient, budget-friendly homes in developing regions, and highly personalized, eco-conscious designs. Here is how 3D printing enables the creation of smarter, functional, and visually striking homes for the future.

1. Reduces Construction Costs

One of the biggest advantages of 3D printed homes is their ability to sharply lower construction costs. Automated robotic systems print walls layer by layer, reducing the need for large on-site crews and expensive labor. By incorporating locally sourced, affordable materials, builders can further cut expenses, making homeownership more attainable.

This approach is not only faster but also highly precise. A machine can construct a home in days rather than months, using only the material required. The result is less waste, lower costs, and a more environmentally friendly building process, benefiting both your budget and the planet.

Japanese architecture studio Lib Work, in collaboration with Arup and WASP, has introduced the Lib Earth House Model B, a 1,076-square-foot residence 3D-printed primarily from soil. This single-story home in Kumamoto Prefecture demonstrates how ancient, locally sourced materials can be transformed through modern technology to create environmentally conscious architecture. With gently curved walls, ribbed textures, and a flat roof designed for solar panels and rainwater collection, the structure is subjected to natural constraints while offering a futuristic yet rooted aesthetic.

Built from a mix of soil, sand, lime, and natural fibers, the house celebrates imperfection through visible striations and organic textures that evolve beautifully over time. Inside, the design merges earthy warmth with modern comfort, featuring open-plan spaces, natural light, and climate-regulating walls. Discreet sensors monitor performance, ensuring durability and efficiency. The project redefines sustainable architecture, blending tradition, innovation, and adaptability into a living blueprint for eco-conscious design.

2. Faster Construction

3D-printed homes can be built at remarkable speed, setting them apart from traditional construction. Walls for a small house can be printed in just 24 to 48 hours, a task that would take conventional crews weeks or months. This rapid pace is especially crucial in areas with urgent housing needs, such as disaster-hit regions or communities facing shortages.

The faster building process allows homeowners to move in sooner and turns lengthy projects into efficient, streamlined undertakings. For developers, it means quicker returns and easier scaling. Accelerated construction makes quality, affordable housing more accessible to those who need it most.

3D-printed architecture is moving beyond novelty to become a practical solution for affordable and sustainable housing. In Louth, eastern Ireland, HTL.tech has completed Grange Close, a three-unit terraced social housing project spanning 330 sq m (3,550 sq ft). Each home offers 110 sq m (1,184 sq ft) across two levels, constructed with COBOD’s BOD2 printer. The project was delivered in just 12 working days, from site preparation to handover, making it 35% quicker than conventional methods. Walls were printed using a cement-like mixture extruded layer by layer, while builders added roofing, electrical systems, and finishes.

The homes blend seamlessly into modern housing design, avoiding the ribbed texture typically associated with 3D printing. This contemporary appearance ensures residents feel they are living in fully finished, high-quality dwellings. HTL.tech expects future builds to be completed in as little as nine days, signaling how 3D printing can revolutionize construction by providing faster, cost-effective, and sustainable homes.

3. Enhances Design Flexibility

3D printing gives architects design possibilities beyond traditional construction. Complex curves, unconventional shapes, and intricate details that are costly or impossible with wood or brick become achievable. This technology enables the creation of truly unique, personalized homes that break free from standard rectangular layouts.

From sweeping curved facades to detailed interior wall patterns, 3D printing makes full customization accessible. Homeowners can design spaces that reflect their personal style and lifestyle, turning houses into bespoke works of art. The possibilities are nearly limitless, empowering creativity and allowing each home to be as distinctive and individual as the people who live in it.

QR3D, designed by Park + Associates, is Singapore’s first multi-storey 3D-printed home and a striking vision of future domestic architecture. Rising four stories in Bukit Timah, the house explores how digital manufacturing can transform urban living in a city where space is scarce and innovation is essential. Its façade departs from convention with layered, grooved concrete that openly reveals its 3D-printed origins. With 97% of the walls printed on-site, the structure unites precision and
craft, using texture as both finish and framework while creating visual continuity that flows from exterior to interior.

Inside, a dramatic central void ties the four levels together, bringing daylight and ventilation deep into the plan while amplifying spatial openness. Floating stairs and bridges soften the vertical expanse, turning the void into the home’s defining feature. Combining expressive form with functional efficiency, QR3D showcases how technology and design can converge to create sustainable, adaptable, and distinctly modern housing.

4. Enhancing Sustainability

Sustainability is a major advantage of 3D-printed construction. The process applies materials precisely where needed, producing far less waste than traditional methods. Many 3D printing materials are recycled or locally sourced, reducing transportation and environmental impact while lowering the project’s overall footprint.

Beyond efficiency, 3D-printed homes can incorporate durable, energy-saving features like improved insulation and optimized ventilation. By cutting waste and using eco-friendly materials, these homes support climate-conscious building practices. They benefit the planet while also offering homeowners long-term savings on energy costs, proving that sustainable design can be both practical and environmentally responsible.

Designed by BM Partners and built with COBOD’s BOD2 printer, this residence in Almaty, Kazakhstan, stands as Central Asia’s first 3D-printed home. Created to endure seismic risks and extreme weather, it showcases the resilience of 3D construction. The walls were formed using a specially developed cement mix with a compression strength of nearly 60 MPa, which is much higher than conventional brick or stone, enabling it to withstand earthquakes up to magnitude 7.0. To address Kazakhstan’s harsh climate, insulation of expanded polystyrene concrete was incorporated, ensuring strong thermal and acoustic performance against temperatures ranging from –57°C to +49°C.

After the layered printing process, the structure was finished with doors, windows, and interiors using traditional techniques. The single-floor home spans 100 sq m, featuring a simple yet functional layout, generous glazing, and a bright living space. Completed within two months, it demonstrates the efficiency, durability, and design possibilities of modern 3D-printed construction.

5. Resilient and Accessible Housing

3D-printed homes offer exceptional strength, often exceeding that of traditional construction. Their continuous, monolithic walls have no weak points, making them highly resistant to extreme weather, earthquakes, and other natural disasters. This durability provides safety and peace of mind, especially in vulnerable regions.

Beyond resilience, 3D printing makes housing more accessible worldwide. Lower costs and faster construction allow organizations to deliver high-quality, permanent homes to disaster-affected areas and low-income communities. This technology serves as a powerful tool for social impact, providing secure, dignified housing and helping to address global housing challenges efficiently and effectively.

3D-printed architecture is proving to be a promising answer to housing accessibility, by Portugal-based Havelar. The single-storey home spans 80 sq m and was printed in just 18 hours using COBOD’s BOD2 printer. The process involved extruding a cement-like mixture in layers to form the structure, followed by traditional building work such as adding windows, doors, roofing, and other amenities, and the project was completed within two months.

The residence features ribbed walls that reveal its 3D-printed origin, with a layout comprising a central kitchen and dining area, two bedrooms, a living room, and a bathroom. Though modest compared to luxury printed homes, it prioritizes practicality and efficiency.

3D-printed homes deliver remarkable durability, often surpassing traditional construction. Their seamless, monolithic walls eliminate weak points, making them highly resistant to extreme weather, earthquakes, and other natural hazards. This inherent strength ensures safety and peace of mind, particularly in areas prone to environmental risks.

The post Top 5 Reasons 3D-Printed Homes Are the Future of Affordable Housing first appeared on Yanko Design.

These No-Drill Window Blinds Install in 30 Seconds Without Damaging Your Walls

There is a moment of hesitation familiar to anyone who has ever wanted to personalize their living space: the moment before drilling a hole into a pristine wall. For renters, it brings the risk of a lost security deposit. For homeowners, it is a small but permanent commitment, a mark that will need to be patched and painted over if they ever change their minds. This single action is often the barrier between the generic, builder-grade blinds that came with a property and a window treatment that truly reflects personal style and serves a specific need. It is this universal reluctance that has given rise to a new class of home solutions, designed around ingenuity rather than brute force. Window coverings are no longer a project requiring a tool belt and a steady hand; instead, they are evolving into something far more accessible.

This friction point in home improvement is where clever design really gets to shine. It is one thing to make something look good, but it is another thing entirely to re-engineer the user experience from the ground up. The best products eliminate the most painful step of the process so effectively that you wonder why it ever existed in the first place. This is precisely the space Keego has stepped into, offering no-drill blinds that promise a complete transformation in about a minute, turning a once-dreaded task into a simple, satisfying upgrade. The core mechanism is a tension rod system, essentially a sophisticated pressure mount that wedges the entire blind assembly securely into the window frame. It is a simple, elegant solution to a problem that has plagued homeowners and apartment dwellers for decades.

Designer: Keego Blinds

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First up is the Extra Wide Top Down Bottom Up Honeycomb Cellular Shade, which solves a problem most blind manufacturers pretend does not exist: oversized windows. This variant supports custom widths up to 78 inches, a dimension that immediately makes it relevant for bay windows, sliding glass doors, or any architectural feature where standard sizing falls embarrassingly short. The top down bottom up functionality is the real highlight here, allowing you to lower the shade from the top or raise it from the bottom independently. This gives you surgical precision over privacy and light, perfect for ground-floor rooms where you want daylight streaming in overhead while keeping neighbors from peering inside. The honeycomb structure still delivers the thermal insulation you would expect, trapping air in those hexagonal cells to regulate temperature and dampen street noise.

What separates this from the standard honeycomb offerings is the sheer flexibility it provides. Opening from both directions turns a passive window covering into an active design element you can adjust throughout the day as the sun moves and your needs shift. The cordless mechanism operates smoothly in both directions, which is critical when you are managing a shade this wide. The blackout fabric options are effective, creating near-total darkness when fully deployed, while the light-filtering versions provide that soft, diffused glow that keeps a room feeling open without sacrificing privacy. This is the choice for anyone dealing with non-standard window dimensions or who wants granular control over how light enters their space, all without committing to permanent hardware.

Then we have the Zebra shades, which take a completely different approach to the same problem. Where the Honeycomb is about brute-force light blocking, the Zebra is about nuanced light management. The design consists of two layers of fabric that slide over one another, with alternating horizontal stripes of sheer and opaque material. This construction gives you granular control over the amount of light entering the room. You can align the solid bands for privacy and room darkening, align the sheer bands to let in diffuse daylight, or set them anywhere in between to strike the perfect balance. It is an incredibly clever system that feels more dynamic and interactive, turning the window into a feature rather than just an opening.

The Zebra shades lean more into the tech and design-forward category, especially with the motorized option. The system comes with a remote capable of controlling up to 15 blinds at once, which is a fantastic quality-of-life feature for rooms with multiple windows. The fabrics often have a texture, like an imitation linen, that adds a layer of softness and visual interest to a space, preventing it from feeling too sterile. This style is for the person who wants to actively shape the light in their room throughout the day, treating it as another element of their interior design. The Zebra shades are a statement piece that merge a clever mechanical concept with a modern aesthetic, all while retaining that brilliantly simple no-drill installation.

Ultimately, the choice between the two comes down to a fundamental difference in philosophy. The Extra Wide Top Down Bottom Up Honeycomb Cellular Shade is the pragmatic solution for oversized windows and surgical light control, combining thermal efficiency with the flexibility to adjust from both top and bottom. The Zebra is the expressive design object, offering a more artistic and flexible way to interact with natural light. Both, however, are built on that same foundation of accessibility. By removing the drill from the equation, Keego has made a meaningful upgrade to a home’s comfort and style something that can be achieved on a lunch break.

These blinds are available to order directly from the Keego website and can also be found on major online retail platforms like Amazon and Walmart. Custom sizing is a key part of the offering, ensuring that the pressure-fit system works perfectly for a wide range of window dimensions.

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The post These No-Drill Window Blinds Install in 30 Seconds Without Damaging Your Walls first appeared on Yanko Design.

The Beast is John Dodd’s 27-Liter V12 creation that turned aviation power into road-going legend

When I first came across the story of the car known simply as The Beast, crafted by British engineer John Dodd, I was reminded of those wild, boundary-pushing machines you’d expect in vintage concept renderings. Except this one was real. Dodd, a gearbox specialist, wasn’t dreaming of design for design’s sake; he was building a functioning road-legal car that defied logic and convention. Built in 1972, The Beast is a one-off shooting-brake style creation, nearly 19 feet long (about 5.8 m), powered by a 27-liter (1,650 cu-in) Rolls‑Royce Merlin V12 aero engine, the same type that powered the Supermarine Spitfire and Lancaster bomber in WWII.

Dodd’s journey began when engineer Paul Jameson created a chassis to house a Rolls-Royce Meteor tank engine in the late 1960s. When that project stalled, Dodd took over, rebuilt it after a fire destroyed the first version, and stepped up the ante by installing the Merlin V12. To handle the immense torque from the engine, Dodd engineered a bespoke transmission, adapting a heavy-duty automatic gearbox. The bodywork, by Fiber Glass Repairs of Bromley, blends the length of a dragster nose with the profile of a grand touring estate. Inside, Dodd did not neglect refinement: leather upholstery, walnut veneer, and an interior that belies the car’s wild intent.

Designer: John Dodd

Performance figures are largely anecdotal (since formal dyno tests are lacking), but contemporaneous reports estimate output between 750-850 horsepower, with claims of over 183 mph achieved on the German Autobahn. What truly matters is the ambition: a road-going car using an aeroplane engine, built by a private engineer in Britain. Although it may not meet modern supercar standards, for its era, it smashed boundaries. The car incorporated independent suspension and disc brakes all around, making it more usable than you’d expect for such a dramatic build.

Legal drama is part of the story too. The original Beast carried a Rolls-Royce grille and the Spirit of Ecstasy mascot. The marque sued Dodd in the 1980s for trademark infringement and won, forcing him to replace the grille with one bearing his initials. Later, the car accompanied Dodd to Spain, where locals became accustomed to the thunderous note of the engine echoing around Malaga.

In recent times, the car has been refreshed. The original bright yellow paint is now hidden under a reversible two-tone metallic grey wrap (so the yellow could be restored in the future) and the interior retrimmed to a high standard. The Beast was consigned to auction by Historics Auctioneers with an estimate of £75,000–£100,000 (roughly USD $98,000–$131,000) in late 2025.

What stands out most is how The Beast blends ludicrous scale and genuine engineering into a drivable road car. It’s not just a showpiece; it was built to move, to roar, to defy expectation. For someone fascinated by the intersection of bespoke craftsmanship and automotive maverick thinking, this car is a landmark. If you’re someone considering bidding or simply telling the story, here is a piece of motoring folklore that truly warrants attention.

The post The Beast is John Dodd’s 27-Liter V12 creation that turned aviation power into road-going legend first appeared on Yanko Design.

TOLO Stacks Tea Lights in a Vertical Tube Like Polo Mints

Candle holders have always favored traditional taper candles and their elegant, statuesque forms. Tea lights, meanwhile, get relegated to shallow dishes and basic glass cups, functional but hardly inspiring. The problem is practical as much as aesthetic. Most holders treat tea lights as single-use items, offering no solution for storage or replacement beyond keeping a stash somewhere in a kitchen drawer. That leaves you with a scattered collection of metal tins and the constant need to hunt for spares when one burns out.

The TOLO Tea Candle holder takes a different approach, drawing inspiration from an unexpected source to solve both issues at once. Designer Liam de la Beyodere looked at how Polo mints stack neatly inside their cylindrical wrapper and applied the same logic to tea lights. The result is a minimalist metal tube that holds multiple candles vertically, with one sitting at the top ready for use while others wait below. It’s a simple idea that gives tea lights the height and presence of traditional candles without any of the usual mess or inconvenience.

Designer: Liam de la Beyodere

The holder itself is straightforward in construction. A seamless metal tube, likely brass or gold-plated steel, features a precise cutout at the top that exposes just enough of the uppermost candle for lighting. The polished finish adds a touch of elegance, while the clean cylindrical form fits easily into modern interiors. Different heights are available depending on how many tea lights you want to store inside, turning what’s typically a storage problem into part of the design’s appeal.

Of course, the real advantage is how effortless this makes candle replacement. When the top tea light burns out, you simply remove the spent tin and the next one rises into position. No rummaging through drawers, no loose candles rolling around in cabinets, and no need to interrupt your evening to fetch replacements. The tube keeps everything organized and accessible, which is exactly the kind of thoughtful detail that separates good design from merely functional objects.

What sets TOLO apart is how it reframes tea lights entirely. Instead of treating them as cheap alternatives to proper candles, the design gives them structure and verticality that command attention. The holder looks intentional even when unlit, standing as a sculptural object rather than just another utilitarian accessory. That shift in perception, from disposable to deliberate, is what makes the concept feel genuinely fresh rather than just clever packaging.

TOLO remains a concept for now, existing only as renderings rather than a finished product. That said, the design’s simplicity and practicality suggest it could translate well into production, offering a more elegant solution for anyone who prefers the convenience of tea lights but wants something better than the usual uninspired holders cluttering store shelves.

The post TOLO Stacks Tea Lights in a Vertical Tube Like Polo Mints first appeared on Yanko Design.

This Interstellar-Inspired Robot Actually Walks and Rolls

Remember that sarcastic rectangular robot from Interstellar that somehow managed to walk, roll, and save humanity while delivering deadpan one-liners? Yeah, turns out someone actually built a working version of TARS, and it’s just as mesmerizing as you’d hope.

Meet TARS3D, the brainchild of roboticist Aditya Sripada and his longtime collaborator Abhishek Warrier. What started as what Sripada calls “a desire to reconnect with the simple joy of building robots” has turned into something that looks like a collapsing sculpture decided to get up and move across your living room floor. It’s weird, it’s wonderful, and it’s earning serious academic recognition.

Designers: Aditya Sripada and Abhishek Warrier

If you’ve seen Christopher Nolan’s Interstellar, you know TARS. That blocky, impossibly versatile assistant robot that accompanied astronauts across alien landscapes, morphing from a walking tower of metal rectangles into a rolling wheel when speed was needed. The movie version was actually a human-sized puppet with operators digitally erased from scenes, and its wheel form was attached to a motorized dolly. Movie magic, not actual robotics. But Sripada, who holds a master’s degree from Carnegie Mellon University’s Robotics Institute and works as a senior robotics engineer at Nimble.ai, wasn’t satisfied with movie illusions. He wanted the real deal.

TARS3D features four independently articulated telescopic pillars that transform into an X-shape faster than you can say “Cooper, this is no time for caution.” Pillars one and three rotate forward while pillars two and four swing back, and curved pads extend from the tops and bottoms of each pillar to serve as feet. The result? An eight-spoke double rimless wheel that actually rolls. According to Sripada, this is the only recreation of TARS that can genuinely both walk and roll.

What makes this even cooler is the tech behind the transformation. Sripada and Warrier wrote an entire research paper titled “Walking, Rolling, and Beyond: First-Principles and RL Locomotion on a TARS-Inspired Robot,” which explores reinforcement learning-based control for the robot’s gait. They’re combining first-principles physics with modern learning techniques, a hybrid approach that opens new possibilities for adaptable locomotion in robotics. The paper was named a finalist for the Mike Stilman Award at the 24th IEEE RAS Humanoids Conference in Seoul, which is essentially the Olympics of humanoid robotics research. Pretty impressive for what started as a curiosity project.

Here’s the thing that makes TARS3D particularly fascinating: it challenges our assumptions about what robots should look like. Most robotic locomotion research focuses on biomimicry, trying to recreate how animals and humans move. But Sripada and Warrier note in their research that robots operating in human-engineered environments might actually benefit from non-anthropomorphic forms. Why make a robot look like a person when you can make it look like an alien geometry problem that somehow solves itself?

The implications reach beyond just being a really awesome tribute to a beloved sci-fi film. This kind of adaptable, multi-terrain locomotion could have real applications for space exploration. NASA and planetary robotics programs are always looking for designs that can handle unpredictable alien landscapes. A robot that can walk carefully across rough terrain, then transform into a wheel to speed across flat surfaces? That’s the kind of versatility you want on Mars or the Moon.

There’s something refreshing about TARS3D’s existence in our current robotics landscape dominated by humanoid bots trying to walk like people or dog-like machines trotting around warehouses. This project reminds us that inspiration can come from anywhere, even a fictional robot from a movie about wormholes and time dilation. And sometimes the best solutions don’t look like anything nature ever designed.

What Sripada and Warrier have created proves that with enough engineering know-how, determination, and probably more than a few late nights, you can turn movie magic into reality. TARS3D might not crack jokes about its humor setting being at 75%, but watching it transform from walker to roller is its own kind of entertainment. Science fiction has a way of becoming science fact when the right people decide to make it happen.

The post This Interstellar-Inspired Robot Actually Walks and Rolls first appeared on Yanko Design.

This Tiny AI Device Turns Awkward Solo Travel Into Adventure

While I love traveling with friends and family, I also enjoy traveling alone. My time is my own and I can do whatever I want. But let’s be honest: solo travel also comes with its own unique challenges. Getting lost in translation at a local market, struggling to take a decent photo of yourself without looking like you’re holding a selfie stick, or standing paralyzed at a subway station trying to decode which train goes where. We’ve all been there.

Designer Siwoo Kim clearly understands these moments because Comes, their latest design concept, feels like it was born from real solo travel experiences. This isn’t just another gadget trying to solve problems that don’t exist. It’s a thoughtful response to the growing culture of solo exploration that’s taken over social media feeds and reshaped how we think about travel.

Designer: Siwoo Kim

The rise of solo travel isn’t just a trend anymore. It’s become a full-blown cultural movement. YouTube channels dedicated to solo journeys rack up millions of views, not just because people want travel tips, but because there’s something deeply relatable about watching someone navigate a foreign city alone. These videos lower the psychological barrier that once made eating alone at a restaurant feel awkward or booking a solo trip seem lonely. Now? It’s empowering.

Comes taps into this shift with an approach that’s refreshingly human-centered. It’s a small AI-powered companion device equipped with a high-performance camera that can observe your surroundings and offer assistance exactly when you need it. But here’s where the design gets interesting: Comes features a modular, detachable structure that adapts to different travel situations. Think of it as a Swiss Army knife for the modern solo traveler, but way more elegant.

Picture this scenario. You arrive in a new city, step off the train, and immediately feel that familiar flutter of “okay, now what?” Just tell Comes where you want to go, and it becomes your personal guide, helping you take those first uncertain steps into unfamiliar territory. The device walks you through navigation in a way that feels supportive rather than intrusive.

The real genius shows up in how Comes splits apart. The head can attach to a necklace module around your neck, capturing your point of view while recording your journey. Meanwhile, the body remains accessible in your hand or pocket, ready to provide information about whatever you’re looking at. It’s like having a curious travel companion who can answer questions on the fly without you having to pull out your phone and break the moment.

For those who love zipping around cities on shared bikes or scooters (because who doesn’t anymore?), Comes includes a strap module that securely mounts the device onto various mobility options. It guides your route while documenting your ride, turning practical navigation into visual storytelling.

But perhaps the most valuable feature addresses every solo traveler’s occasional nightmare: the language barrier. Standing in front of a menu board, making awkward gestures at a shopkeeper, desperately trying to communicate something simple. Comes looks at both faces in a conversation and translates in real time. You speak naturally in your language, they respond in theirs, and Comes bridges the gap. No fumbling with translation apps or pointing desperately at pictures.

And then there’s the social aspect. You find the perfect spot for a photo, but you’re alone. Asking strangers for help can feel awkward, but Comes makes it easier. Because the device detaches, you can hand someone the camera module while keeping the main body with you to check the frame in real time. Composition slightly off? Comes relays your feedback instantly, even from across the plaza. It transforms what could be a frustrating experience into an opportunity for genuine human connection. Who knows, you might even learn about a hidden local gem in the process.

What makes Comes compelling isn’t just its functionality but its underlying philosophy. Solo travel has always involved embracing uncertainty and turning unexpected moments into memorable experiences. This design doesn’t eliminate those variables. Instead, it provides just enough support to help travelers feel confident facing them. It’s the difference between removing adventure and enabling it. Comes offers something different: a tool designed to help solo travelers engage more deeply with the world around them, not retreat from it.

The post This Tiny AI Device Turns Awkward Solo Travel Into Adventure first appeared on Yanko Design.