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Stickerbox: Kids Say an Idea, AI Prints It as a Sticker in Seconds

Smart speakers for kids feel like a gamble most parents would rather skip. The promise is educational content and hands-free help, but the reality often involves screens lighting up at bedtime, algorithms deciding what comes next, and a lingering suspicion that someone is cataloging every question your child shouts into the room. The tension between letting kids explore technology and protecting their attention spans has never felt sharper, and most connected toys lean heavily toward the former without much restraint.

Stickerbox by Hapiko offers a quieter trade. It looks like a bright red cube, measures 3.75 inches on each side, and does one thing when you press its white button. Kids speak an idea out loud, a dragon made of clouds or a broccoli superhero, and the box prints it as a black-and-white sticker within seconds. The interaction feels less like talking to Alexa and more like whispering to a magic printer that happens to understand imagination.

Designer: Hapiko

The design stays deliberately simple. A small screen shows prompts like “press to talk,” while a large white button sits below, easy for small hands to press confidently. Stickers emerge from a slot at the top, fed by thermal paper rolls. The starter bundle includes three BPA-free paper rolls, eight colored pencils, and a wall adapter, turning the cube into a complete creative kit rather than just another gadget waiting for accessory purchases to feel useful.

The magic happens in three beats. A kid presses the button and speaks their prompt, as silly or specific as they want. The box sends audio over Wi-Fi to a generative AI model that turns phrases into line art. Within seconds, a thermal printer traces the image onto sticker paper, and the finished piece emerges from the top, ready to be torn, peeled, and stuck onto notebooks, walls, or comic book pages at home.

What keeps this from feeling like surveillance is the scaffolding Hapiko built around the AI. The microphone only listens when the button is pressed, so there’s no ambient eavesdropping happening in the background. Every prompt runs through filters designed to block inappropriate requests before reaching the image generator. Voice recordings are processed and discarded immediately, not stored for training. The system is kidSAFE COPPA certified, meaning it passed third-party audits for data handling and child privacy standards.

Thermal printing sidesteps ink cartridge mess entirely. Each paper roll holds material for roughly sixty stickers, and refill packs of three cost six dollars. The catch is that Stickerbox only accepts its own branded paper; using generic rolls will damage the mechanism. The bigger design choice is that every sticker is printed in monochrome, which is intentional. It forces kids to pick up pencils and spend time coloring, turning a quick AI trick into a slower, more tactile ritual.

Stickerbox gestures toward a version of AI-infused play that feels less anxious. The algorithm works quietly, translating spoken prompts into something kids can hold, cut, and trade, but the most important part happens after the sticker prints. It ends up taped inside homemade comic books, stuck on bedroom doors, or colored during rainy afternoons. The box becomes forgettable infrastructure, which might be the kindest thing you can say about a piece of children’s technology designed for creative independence.

The post Stickerbox: Kids Say an Idea, AI Prints It as a Sticker in Seconds first appeared on Yanko Design.

Columbia’s Endor Collection Brings Star Wars Style to Real Life

If you’ve ever wanted to dress like a Rebel Alliance soldier without looking like you just walked out of a cosplay convention, Columbia Sportswear has you covered. Their new Star Wars Endor Collection, dropping December 11th, is their most ambitious collaboration yet, and honestly, it’s pretty spectacular.

This isn’t just another brand slapping a logo on a hoodie and calling it a collaboration. Columbia has been partnering with Star Wars since 2016, releasing annual holiday collections that go deep into the details. But this 20-piece Endor Collection takes things to another level entirely. The designers actually visited Skywalker Ranch to see the original spray-painted camo costumes from Return of the Jedi in person. That hands-on research shows in every piece.

Designer: Columbia

The collection reimagines some of the most iconic looks from the Battle of Endor: Han Solo’s camouflage trench coat, those memorable ponchos Luke and Leia wore, and the Rebel troop uniforms. But here’s what makes it special. These aren’t costume replicas. They’re actual functional outdoor gear that happens to be inspired by a galaxy far, far away. Columbia took their signature performance technology and merged it seamlessly with authentic Star Wars design elements.

Take the Endor Issue Ponchos, for example. They recreate the iconic look from the film, but they’re made with Omni-Tech waterproof fabric and feature bungee-adjustable arms. You could actually wear these hiking in the Pacific Northwest (which, let’s be honest, looks a lot like Endor anyway). The General Han Solo Trench is even more impressive because it separates into three individually wearable pieces, each packed with Star Wars Easter eggs for fans to discover.

The boots deserve special mention too. The Endor Issue Boots combine technical features like Omni-MAX cushioning, an Omni-Grip outsole, and a TechLite midsole, making them genuinely trail-ready. Following last year’s footwear debut in the collaboration, Columbia clearly learned what works for fans who want both authenticity and actual performance from their gear.

The attention to detail is where this collection really shines. Throughout the pieces, you’ll find carefully placed Rebel Alliance logos, coordinates, and messages written in Aurebesh (the Star Wars alphabet) for fans to decode. The blanket features original concept art, there are Ewok fleece patches, Bright Tree Village references, and even the actual map of the filming location tucked inside the shoebox and printed on long-sleeve tees. It’s like a treasure hunt for Star Wars enthusiasts.

What’s particularly clever is how Columbia captured that organic, hand-sprayed technique used on the original costumes. The designers worked to ensure their versions maintained that same imperfect, authentic look while still being performance-driven outdoor apparel. Balancing costume accuracy with real-world functionality took considerable time and effort, but the result is pieces that feel genuinely inspired rather than gimmicky. The color palette pulls directly from Endor’s forest moon aesthetic: earthy browns, mossy greens, and woodland camouflage patterns that feel both fantastical and wearable in everyday life.

The collection includes everything from the standout trench coat and ponchos to more practical pieces like the Endor Issue Pants (Columbia’s first-ever Star Wars-inspired pants), cargo jackets, reversible jackets, cargo vests, and various pullovers and half-zips. There’s also an Endor Issue Cargo Backpack for carrying your gear, water bottles with themed designs, multiple hat styles including a ball cap and wider-brimmed options, and even a quilted blanket perfect for outdoor adventures or cozy movie marathons watching the original trilogy.

Columbia enlisted Billie Lourd for the campaign, which feels particularly meaningful. Lourd, who played Lieutenant Connix in the sequel trilogy and is the daughter of the legendary Carrie Fisher, was photographed among towering California redwoods with her children wearing Ewok-inspired fleece pieces. It’s a beautiful tribute that connects the collection to Star Wars legacy while showcasing how these pieces work for real families having real outdoor adventures.

The collection launches December 11th at 10 AM EST on Columbia’s website, with early access for members of their free Greater Rewards program starting 30 minutes earlier. It’s the kind of collaboration that shows what happens when a brand genuinely respects both the source material and their customers. You get functional outdoor gear that happens to make you feel like you’re part of the Rebellion, without sacrificing style or performance. And in a world full of half-hearted pop culture collaborations, that’s definitely worth celebrating.

The post Columbia’s Endor Collection Brings Star Wars Style to Real Life first appeared on Yanko Design.

5 Best Gifts That Turn Any Room Into the Ultimate Movie Night Experience

Movie nights used to mean cramming into theater seats with strangers and overpriced snacks. Now the best screenings happen at home, where you control everything from the lighting to the soundtrack of ice clinking in your glass. The shift to home viewing opened space for something better than convenience. It created room for ritual, for intentionality, for designing an experience that feels like an event rather than background noise while scrolling your phone.

These five designs treat movie night like the ceremony it deserves. Each one solves a specific problem you didn’t realize was breaking your immersion. Spilled drinks. Harsh lighting. Forgettable beverages. Stale air. They’re small disruptions that pull you out of the moment. Together, these gifts form a complete system that transforms any room into a space where you can actually settle in and stay present for two uninterrupted hours.

1. Couch Console: The Self-Balancing Command Center

The Couch Console solves the oldest problem in home entertainment: where to put your stuff without creating a disaster zone. This modular organizer holds your drink, snacks, remote, phone, glasses, and everything else you need within arm’s reach. The standout feature is the mechanical gyroscope cupholder with a built-in counterweight that keeps your drink perfectly vertical, even on uneven cushions or slouchy surfaces. You can finally sink into your couch without worrying about physics.

The design prioritizes clear functionality through simple geometry. Each component has a dedicated space—a hidden compartment for glasses, a dedicated remote tray, a phone stand with charging dock, and a snack holder that keeps crumbs contained. The cupholder fits most standard glasses and includes a locking mechanism for added security. It’s the kind of thoughtful design that anticipates needs you didn’t know you had until someone pointed them out. Your couch becomes a self-contained entertainment hub rather than a collection of precariously balanced objects waiting to topple.

What we like

The gyroscope cupholder genuinely works and prevents spills on soft surfaces.
Everything has a designated spot, so you stop losing your glasses between cushions.
The modular design adapts to different couch styles and personal preferences.
It keeps your viewing area organized without requiring you to sit upright like a Victorian.

What we dislike

The size might not fit every couch arm configuration perfectly.
You’ll need to break the habit of just throwing things on the couch randomly.

2. Japanese Lantern Candle: Soft Light Without the Glare

Overhead lights kill movie night ambiance faster than anything else. The Japanese Lantern Candle offers a solution rooted in centuries of traditional design. Inspired by “chouchin” lanterns that lit up Japanese festivals and izakaya bars, this modern interpretation brings a gentle, flickering glow that sets the right mood without washing out your screen. The handmade candle sits inside a holder designed to create an undulating light pattern as the wax melts.

Craftsmen in Kurashiki, Japan, make each candle by hand using patented technology that prevents the outer wax layer from melting. This means the decorative exterior stays intact while the interior wax burns down, creating an increasingly dramatic light show as the flame dances inside the carved structure. The minimalist design fits into any interior style while adding a distinctly Japanese sensibility. It’s lighting that asks you to slow down and notice the quality of the glow rather than just flooding a room with brightness.

Click Here to Buy Now: $69.00

What we like

The handcrafted quality shows in the details and burn pattern.
Creates the perfect ambient lighting level for movie watching.
The patented outer wax technology makes it both functional and sculptural.
Adds a ritual element to starting your movie night by lighting the candle.

What we dislike

You need to remember to blow it out when the movie ends.
Candles require more attention than just flipping a switch.

3. DraftPro Can Opener: Turn Every Can Into a Glass

Award-winning Japanese designer Shu Kanno created the DraftPro to solve a problem most people accept without question: cans have a small opening that limits how you experience what’s inside. This tool removes the entire top of any can, transforming it into an open vessel that functions like a glass. The difference is immediately noticeable. Aromas reach your nose before the first sip. You taste the full flavor profile instead of just whatever makes it through that narrow opening. It turns functional hydration into an actual drinking experience.

The universal design works with both domestic and international can sizes, making it useful whether you’re drinking beer, sparkling water, or using cans as cocktail mixing vessels. The smooth-edge removal process creates a safe rim that won’t cut you. You can drop ice cubes directly into the can to chill drinks faster, or mix cocktails without dirtying a shaker or glassware. The lightweight, portable form factor means you can bring it anywhere—backyard screenings, camping trips, friends’ apartments. It’s the kind of simple tool that becomes indispensable once you realize how much better canned drinks taste when you treat them like draft pours.

Click Here to Buy Now: $59.00

What we like

Dramatically improves the drinking experience from any can.
Creates zero waste beyond what the can itself produces.
Portable design works anywhere you bring canned beverages.
The smooth-edge removal makes it safe to drink directly from.

What we dislike

Requires manual effort each time you want to open a can.
You can’t reseal the can once it’s open, so commit to finishing it.

4. Prism Titanium Beer Glass: Engineered for Savoring

The Prism Titanium Beer Glass treats beer like it deserves the same attention as wine or whiskey. This isn’t about pretension. It’s about recognizing that good beer has nuanced flavors that cheap glassware can actually diminish. The interior is lined with 99.9 percent pure, aerospace-grade titanium that neutralizes metallic aftertastes and breaks down off-notes. What remains is just the beer itself, presented in its purest, most refined form. The clear glass exterior contrasts with the softly reflective titanium interior, creating a visual interplay that reveals your beer’s true color with an elegant glow.

The gently flared rim isn’t just aesthetic—it improves mouthfeel by guiding beer smoothly across your palate, softening texture and lifting aroma toward your nose. Delicate etched patterns carry centuries-old Japanese symbols for prosperity and longevity, adding emotional depth to an object that could have just been functional. You can choose between the Silver finish with its quiet luster or the Infinite version that shifts with an aurora of color depending on the angle and light. It’s designed to make you pause between sips, to notice what you’re drinking rather than just consuming it. At ninety-nine dollars, it positions itself as an investment in slowing down.

Click Here to Buy Now: $99.00

What we like

The titanium lining genuinely improves flavor by eliminating metallic interference.
The flared rim design enhances both taste and aroma.
Beautiful enough to display between uses. Symbolic etching adds meaning beyond pure function.

What we dislike

The price point means you’ll think twice before casual use.
Hand washing is required to maintain the finish.

5. Ritual Card Diffuser: Scent as an Invisible Layer

The Ritual Card Diffuser approaches ambiance from an angle most people overlook during movie night: scent. Not an aggressive fragrance that competes with your popcorn, but a subtle atmospheric layer that shapes the air without demanding attention. The design turns scent diffusion into a tactile ritual. You slide a handmade washi paper card—soaked in fragrance oil—into an anodized aluminum body. The motion feels deliberate, like inserting a train ticket at a station gate. It marks the beginning of something, signaling that regular time is ending and movie time is starting.

The patented mechanism draws alcohol-based fragrance upward without heat, electricity, vapor, or traditional reeds. The washi card absorbs oil from the hand-poured base and releases it gradually into your space through natural diffusion. There’s no mist, no sound, no visible mechanism. Just paper and oil working in stillness. When the card eventually dries, it becomes a scented keepsake you can tuck into drawers or bags. The layered glass base creates a visual float effect while the aluminum body grounds it with quiet weight. It’s sized to sit on side tables or desks without dominating the space, and the minimalist form means it disappears into any setting while doing its job.

Click Here to Buy Now: $89.00

What we like

The card-sliding gesture adds intentional ritual to starting your movie night.
Completely silent and power-free operation.
The dried washi cards become reusable scent keepsakes. Recyclable materials with no single-use plastic components.

What we dislike

You need to remember to refill the oil when it runs low.
Scent preferences are personal, and some people prefer fragrance-free spaces.

Creating Moments Worth Remembering

These five designs work together because they address movie night holistically rather than just solving individual problems. The Couch Console creates the physical foundation for comfort. The Japanese Lantern Candle sets a visual ambiance without screen glare. The DraftPro and Prism Glass elevate your drinks from afterthought to experience. The Ritual Card Diffuser adds an invisible atmospheric layer that signals this time is different from the rest of your evening. Each one removes a small friction point that was quietly degrading your ability to stay present and engaged with what you’re watching.

The real gift isn’t just five well-designed objects. It’s permission to treat movie night like something worth preparing for, worth designing around, worth making special. These pieces come from Japanese designers who understand that everyday rituals deserve the same attention as special occasions. They’re built to last, crafted with intention, and designed to improve with repeated use as you develop your own patterns and preferences. Whether you’re buying them for someone else or building your own setup, they transform movie night from passive consumption into an experience you’ll actually remember.

The post 5 Best Gifts That Turn Any Room Into the Ultimate Movie Night Experience first appeared on Yanko Design.

This Curved Clock’s Sunrise Feature Actually Beats Your Snooze Habit

There’s something oddly satisfying about a product that does exactly what it’s supposed to do, but does it with style. That’s the vibe I get from the Arc Alarm Clock by Nanu Electronics, a piece that manages to feel both futuristic and oddly nostalgic at the same time.

At first glance, the Arc looks like it belongs in a sci-fi movie set in a very tasteful future. The curved design is its defining feature, and honestly, it’s a bold move in a world where most alarm clocks are either aggressively minimalist rectangles or trying way too hard to be cute. This one splits the difference beautifully. The gentle arc creates a natural viewing angle that actually makes sense when you’re blearily checking the time at 3 a.m., which is more thoughtful than you’d expect from something you probably curse at daily.

Designer: Nanu Electronics

What really sets the Arc apart is how it approaches the whole “waking up” problem. We’ve all been there: you set an alarm, it goes off, you hit snooze approximately seven times, and suddenly you’re late for that meeting you swore you’d be early for. The Arc uses a sunrise simulation feature that gradually increases light intensity before your alarm actually sounds. It’s basically tricking your brain into thinking it’s morning, which sounds manipulative but in the best possible way. Your body responds to light more naturally than it does to a jarring alarm sound, so you’re more likely to actually wake up instead of entering that weird snooze-induced time warp.

But here’s the thing: it doesn’t sacrifice functionality for aesthetics. The LED display is crisp and easy to read without being obnoxiously bright at night. There’s something to be said for a clock that doesn’t light up your entire bedroom like a miniature sun. The controls are intuitive enough that you won’t need to keep the manual on your nightstand, which is a low bar but one that surprisingly few products clear.

The Arc also works as a bedside lamp, which makes it genuinely useful beyond its alarm clock duties. It’s one of those features that seems obvious in retrospect but that most alarm clocks skip entirely. You can adjust the brightness to whatever suits your needs, whether you’re reading before bed or just need a gentle glow to navigate your way to the bathroom at night without fully waking yourself up. Sound quality matters more than you might think for an alarm clock. The Arc’s speaker is decent enough for casual music listening or podcasts, though audiophiles will probably still prefer their dedicated speakers. But for morning news, white noise, or just having some background sound while you get ready, it does the job without sounding tinny or cheap.

From a design perspective, the Arc fits into that sweet spot where it’s distinctive enough to be interesting but neutral enough to work with most decor styles. It comes in a few color options, so you can match it to your aesthetic whether you’re going for modern minimalist, cozy maximalist, or something in between. The curved form factor also means it takes up less visual space than a traditional rectangular clock, even though its footprint is similar.

Is it going to revolutionize your life? Probably not. But it might make your mornings slightly less awful, and in this economy, we’ll take small victories where we can get them. The Arc Alarm Clock proves that everyday objects don’t have to be boring or purely utilitarian. Sometimes the things we interact with most frequently deserve a little extra thought and care in their design. If you’re in the market for an alarm clock that looks good on your nightstand and might actually help you wake up like a functional human being, the Arc is worth considering. It’s the kind of purchase that feels slightly indulgent but practical enough to justify.

The post This Curved Clock’s Sunrise Feature Actually Beats Your Snooze Habit first appeared on Yanko Design.

Time Gets a Remix with This Hypnotic Spinning Clock

There’s something oddly satisfying about watching things spin. Maybe it’s the smooth rotation, the predictable yet mesmerizing motion, or just our collective fascination with anything kinetic. Whatever it is, designer Germain Verbrackel has tapped into that feeling with Clock&Roll, a timepiece that turns the simple act of checking the time into a visual experience you can’t look away from.

At first glance, Clock&Roll looks like a minimalist sculpture that belongs in a modern art museum. Two aluminum rings form a sleek torus shape, suspended vertically on a clean rectangular base. But this isn’t just eye candy for your desk or shelf. Those rings? They’re actually moving, gliding independently on precision bearings, each one tracking time in its own hypnotic rotation.

Designer: Germain Verbrackel

The genius here is in how the clock communicates time without numbers, hands, or a traditional face. Instead, small colored bands mark the hours and minutes on each ring. An orange segment on one ring, a blue one on the other. As external rollers built into the base push the rings into motion, these colored markers shift positions, creating an ever-changing display that’s equal parts functional and meditative to watch. It’s like someone took the mechanical beauty of old clockwork and gave it a sleek, contemporary makeover.

What makes Clock&Roll particularly interesting is how it challenges our relationship with timekeeping. We’re so used to glancing at digital displays or traditional clock faces that instantly tell us exactly what time it is. But this design makes you pause for a second, observe the position of those colored bands, and actually engage with the object. It’s a small moment of mindfulness in a world where we’re constantly checking our phones for the millionth notification of the day.

The materials play a huge role in the overall vibe. Aluminum gives the rings that perfect industrial-sleek look, somewhere between high-tech gadget and designer object. The finish has that subtle matte quality that catches light just right, while the white rollers and base provide a clean contrast that keeps everything balanced. And those pops of orange and blue? They’re not just practical markers but also inject personality into what could have been an entirely monochrome piece.

Verbrackel clearly had fun with the mechanics too. If you look closely at the base, you can spot the gears and motor system that drive the whole operation. Instead of hiding the machinery away, the design embraces it, showing you exactly how this kinetic magic happens. It’s honest engineering meets aesthetic appeal, which is pretty much the sweet spot for anyone who appreciates good industrial design.

Clock&Roll also plays with scale in an interesting way. It’s substantial enough to be a statement piece, something that commands attention in a room, but not so large that it overwhelms your space. You could see it living happily on a modern office desk, a minimalist living room shelf, or even in a creative studio where it would fit right in with other design-forward objects. There’s also something inherently playful about the name and concept. “Clock&Roll” obviously riffs on rock and roll, complete with the little hand gesture emoji, and that rebellious spirit comes through in the design itself. This isn’t your grandmother’s mantel clock or even your standard smartwatch. It’s time reimagined for people who appreciate when everyday objects get a creative twist.

Since most of us check the time on our phones or smartwatches, a dedicated clock needs to justify its existence. Clock&Roll does exactly that by offering something those digital displays can’t: a tactile, visual, almost sculptural experience of time passing. It’s functional art that happens to tell you when you’re running late for your next meeting. Whether you’re a design enthusiast, a lover of kinetic art, or just someone who appreciates when familiar objects get reinvented in unexpected ways, Clock&Roll is the kind of piece that makes you rethink what a clock can be. Sometimes the best designs are the ones that take something we see every day and spin it in a completely new direction.

The post Time Gets a Remix with This Hypnotic Spinning Clock first appeared on Yanko Design.

LONGER’s $1,499 Dual-head UV Printer Prints iPhone Cases, Braille, and Custom Merch in 6x Speed

Last year, a consumer-focused UV printer made a remarkable splash on Kickstarter, marking the first time consumer UV printing made it to the big leagues. Now, LONGER ePrint enters the market, bringing unique innovation, a user-friendly experience, and highly competitive pricing to DIY enthusiasts, startups, and designers alike. Built for creative expression and customizable solutions. The campaign has already achieved an impressive $3.6 million in sales within its first week.

LONGER brings a decade of experience (and four successful crowdfunding campaigns) making 3D printers and laser engravers to this project, plus patents and research credentials from its MIT and Georgia Tech founding team. The ePrint’s headline feature is its dual-printhead design with 12 ink channels, which the company says delivers print speeds up to six times faster than single-head printers when laying down textured white ink layers. Add automated cleaning systems, white ink circulation to prevent clogging, and compatibility with third-party inks, and LONGER has assembled a feature set aimed squarely at cost-conscious small businesses.

Designer: Longer ePrint

Click Here to Buy Now: $1499 $2199 ($700 off). Hurry, only 85/250 left! Raised over $3.7 million.

LONGER runs 12 ink channels across two printheads in the full ePrint model: CMYK color plus six white channels and two varnish channels. Building up textured prints to the maximum 60mm height means laying down multiple passes of white ink. Six white channels working simultaneously stack ink six times faster than a single channel could manage. For flat printing without the texture work, the dual-head configuration cuts print time by 50 to 70 percent. At 1440 DPI resolution, print quality stays consistent while speeds improve.

Running a small custom merch operation means speed directly translates to how many orders you can fulfill in a day. Print a full-color design on a phone case and you’re looking at roughly 2 to 3 minutes at high quality settings, faster if you drop to balanced or draft modes. A dozen custom phone cases in under half an hour. Coasters, small signs, and similar flat items clock in at similar speeds. Want to add that 3D textured effect with raised logos or embossed details? That takes longer since you’re building up layers of white ink, but the dual printheads working together mean you’re still finishing pieces in reasonable timeframes rather than waiting hours per item. The 310mm by 420mm print bed accommodates most personal accessories and small merchandise. You’re not printing posters, but phone cases, drinkware graphics, small wooden signs, custom keycaps, personalized gifts, all the items that make up craft fair tables and Etsy shops fit comfortably.

That 60mm embossing capability opens up applications beyond flat graphics. You can produce tactile braille signage with actual raised dots instead of stickers. Relief sculptures and dimensional art pieces become feasible without molding or casting. Product prototypes gain realistic texture that photographs can’t convey. Custom keycaps for mechanical keyboards, raised logos on promotional items, textured business cards that stand out in a stack. Small batch production of items that would normally require expensive tooling or outsourcing to specialty shops. Running a custom merchandise side business or handling client work for local businesses becomes viable when you’re not paying per-piece service bureau rates or minimum order quantities.

White ink creates problems for every UV printer manufacturer. Leave it sitting idle and it separates, leading to inconsistent prints and clogged nozzles that can brick expensive printheads. LONGER built a continuous circulation system that keeps white ink flowing even when you’re not printing. Automated cleaning cycles purge the printheads periodically to prevent clogs before they start. Most desktop UV printers demand manual maintenance rituals before each job. LONGER designed this to stay ready rather than requiring constant babysitting.

The best part is that this printer isn’t unscrupulously bound to specific ink cartridges – the system is designed to be open, and LONGER accepts third-party ink cartridges, including low-migration ink varieties for printing on plates and packaging. You get twelve 200ml cartridges in the dual-head model, totaling 2.4 liters of capacity. Proprietary cartridge systems lock you into whatever the manufacturer charges. Over months of production, open ink compatibility saves real money.

Flatbed mode handles your standard work on flat materials up to 310mm by 420mm. Wood plaques, acrylic sheets, metal panels, glass coasters, leather patches. The 10mm high-gap printing capability means the printhead stays elevated above the material, so you can print on textured wood, embossed surfaces, or slightly warped materials without the head scraping or smudging wet ink. Phone cases with camera bumps, rough stone tiles, wrinkled leather, all printable without fighting the machine.

Rotary printing opens up cylindrical objects. Water bottles, wine bottles, tumblers, pens, flashlights, anything roughly cylindrical that fits the attachment. The printer rotates the object while printing, wrapping your design around the curve. Transfer film mode takes a different approach by printing onto a special film substrate first. Print your design with the UV printer, then use the included laminator to apply heat and pressure, transferring the design onto fabric. You’re making custom heat-transfer stickers for t-shirts, jackets, bags, hats. Not direct-to-garment printing, but useful when DTG doesn’t work well or when you want that raised, glossy finish that UV ink provides. The laminator handles the heat-press work, so you’re not buying separate equipment.

Roll-to-roll attachment extends the workflow for producing multiple transfers in sequence. Instead of printing individual pieces, you load a roll of transfer film, print continuously, and wind up the finished prints on the output roll. Makes sense if you’re producing batches of vinyl stickers or multiple heat-transfer designs for a clothing run. The conveyor belt attachment serves a similar batching purpose but for rigid objects. Load up phone cases, coasters, or other small items, and the conveyor moves them through the print area automatically. No manual repositioning between pieces. Between these four modes and the accessories that enable them, LONGER built a system that adapts to different production workflows rather than locking you into one application.

Dual lasers and a 16MP camera handle object detection and positioning automatically. In batch mode, the system scans multiple objects, identifies positions, and fills patterns without manual placement for each piece. Software includes AI-powered background removal and pattern generation too.

UV printing generates fumes that need proper ventilation regardless of what the manufacturer says about filtration. LONGER includes air purification and claims operation stays under 60dB, quieter than conversation. At 650mm by 445mm by 330mm and 30kg for the dual-head version, it genuinely fits on a desk rather than demanding dedicated floor space like industrial models. You still want good airflow in your workspace, but the footprint works for small studios or home offices with proper setup.

Early bird pricing breaks down to $1,499 for the single-head ePrint SE with six ink channels, $1,899 for the dual-head ePrint with 12 channels, and $2,949 for the all-in-one combo bundling rotary, laminator, conveyor, and roll-to-roll attachments. US and EU backers get free shipping.

Click Here to Buy Now: $1499 $2199 ($700 off). Hurry, only 85/250 left! Raised over $3.7 million.

The post LONGER’s $1,499 Dual-head UV Printer Prints iPhone Cases, Braille, and Custom Merch in 6x Speed first appeared on Yanko Design.

DJI Meets Polestar in This Sleek White FPV Drone Concept That Rejects the Racing Aesthetic

Polestar’s cool Nordic minimalism is not the first thing you expect to see in an FPV rig, yet this concept leans into that contrast and makes it feel inevitable. The drone lifts DJI’s “stacked” architecture of camera, flight controller, cooling, and battery, then wraps it in a crisp, automotive shell that would look just as natural parked beside an electric coupe as it would screaming through a canyon. Instead of the usual exposed carbon and repair-bench aesthetic, the body reads like a single sculpted volume, with the arms flowing out of a central spine and a long, glassy tech strip revealing the hardware beneath. Subtle light signatures, a clean white finish, and a battery module that wears the Polestar wordmark turn what is usually a niche racing tool into something that feels like a premium consumer product, without sanding off its performance edge.

The design’s intelligence lies in how it translates DJI’s engineering logic into a clean visual language. The concept of “structural stacking” is central here, treating each primary component as a self-contained module arranged in a neat, vertical order. The camera and gimbal sit in a dedicated nose pod, followed by the flight control unit and heat dissipation systems under the long, dark canopy, with the battery locking in as a solid block at the rear. This layered approach brings an architectural order to the drone’s anatomy, making the technology feel organized and accessible. It moves away from the traditional FPV layout, where components are often fastened to an open frame, and instead presents a unified, product-like object that feels intentional from every angle.

Designer: Ocean

The drone’s body is finished in a matte, almost ceramic white, with surfaces that are both soft and incredibly precise, a hallmark of the EV brand’s surfacing strategy. The long, dark insert on top is more than just a cover; it’s a “tech window” that frames the internal hardware as a point of interest, much like Polestar does with its glass roofs and integrated sensor bars. Even the lighting is handled with automotive discipline. The thin purple accents feel like signature light blades, providing a controlled glow that suggests advanced technology rather than the often chaotic RGB strips found on custom FPV builds. The result is a machine that feels both high-tech and incredibly calm.

Still, this polished exterior does not compromise the drone’s aggressive spirit. The wide, planted stance and large, efficient-looking propellers signal that it is built for serious performance. A look at the underside reveals a dense cluster of sensors, cooling vents, and structural ribbing, confirming that this is a tool for demanding pilots, not a toy. The designer skillfully balances these hard-core elements with a consumer-friendly sensibility. The battery, for instance, is a perfect example. Branded with the Polestar logo and featuring clear, intuitive LED charge indicators, it feels like a piece of premium electronics, making a critical component feel safe and simple to handle for users who may not be seasoned hobbyists.

Ultimately, this concept imagines an FPV experience for the tech enthusiast who appreciates sophisticated design as much as raw performance. It is a drone for the person who owns a Polestar, not just because it is electric, but because of its commitment to a clean, forward-looking aesthetic. By merging the robust, modular architecture of a DJI product with the refined, human-centric design of a modern EV, this concept suggests that the future of high-performance drones might be less about exposed wires and carbon fiber, and more about the seamless integration of power and polish.

The post DJI Meets Polestar in This Sleek White FPV Drone Concept That Rejects the Racing Aesthetic first appeared on Yanko Design.

This 1km Saudi Tower Will Be the World’s Tallest Building by August 2028

The world’s most ambitious skyscraper project is finally picking up speed. Saudi Arabia’s JEC Tower, the supertall that’s been in the works for over a decade, has reached floor 69 on its central core. After years of delays and a construction hiatus that had people wondering if it would ever get finished, the project seems to be moving again. Architects AS+GG have reconfirmed an August 2028 completion date, which is specific enough to suggest they’re serious this time.

The tower has gone through a few name changes—it started as Kingdom Tower, became Jeddah Tower, and is now officially the JEC Tower, named after the Jeddah Economic Company. It’s rising in the Saudi port city of Jeddah under Saudi Prince Al Waleed bin Talal Al Saud, and calling it tall doesn’t quite cover it. AS+GG has confirmed the tower will exceed 1 kilometer in height, putting it well above Dubai’s Burj Khalifa. That’s nearly twice the height of One World Trade Center in New York and more than three times taller than London’s Shard. The numbers are almost absurd.

Designer: AS+GG

When it’s done, the JEC Tower will have 59 elevators serving at least 157 floors. Inside, you’ll find the world’s highest observation point, a luxury hotel, office space, and residential units designed for people who can afford to live in a building this expensive. The central core is currently leading the way up, with the flanking wings about five floors behind. Construction crews are working steadily to keep the pace going, and the building is already changing Jeddah’s skyline even in its unfinished state.

The construction numbers show real progress. Work picked back up in January after sitting idle for years, but things have accelerated noticeably in recent months. About 50% of the concrete has been poured, which matters when you’re talking about a project this size. AS+GG released photos from November showing how far they’ve come, and you don’t put out progress shots unless you’re confident about where things are headed. Narrowing the completion date down to a specific month—August 2028—suggests they’re working from actual timelines now instead of hopeful guesses.

The project’s troubled history makes the current momentum worth noting. There were legitimate questions about whether this would ever happen, so seeing it past floor 69 is significant. Pinning down August 2028 as the completion date is bold, considering that’s only four years away and they’re building something that’s never been done at this scale. The engineering challenges get harder as you go higher, particularly when you’re dealing with wind loads and structural concerns at these heights. But with half the concrete poured and construction visibly moving, it’s starting to look real.

The next year will show whether they can maintain this pace. AS+GG says major updates are coming as construction continues climbing. By this time next year, we’ll know if August 2028 is realistic or overly optimistic. The tower is already dominating the skyline in its incomplete form. Whether it finishes on schedule or takes longer, Jeddah is getting its kilometer-tall landmark one way or another. The question is just when.

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These Ceramic Cups Were Designed And Manufactured Entirely By An Algorithm

Sure, we could sit and fearmonger about how AI will one day replace designers, but here’s an alternative reality – what if AI didn’t replace us, it just created a parallel reality? Like you’ve got Japanese ceramics, Italian ceramics, and Turkish ceramics, what if you could have AI ceramics? Not a replacement, not a substitute, just another channel. That’s what BKID envisioned with ‘Texture Ware’, a series of cups designed entirely by AI and manufactured using 3D printing. Minimal human intervention, and minimal human cultural input.

The AI feeds itself a vast repository of data and uses its own database to make textural products that humans then use. BKID’s results look nothing like anything we’ve seen before, each cup of the Texture Ware series looks almost alien, an exaggeration of textures found in nature taken to an extreme. You wouldn’t find such cups in a handicrafts bazaar or your local IKEA. They’re so different that they exist as a separate entity within the industry, not a replacement of the industry itself.

Designer: BKID co

The workflow uses different AI services to go from prompt to cup. The only real input is a text prompt from a human specifying what sort of texture they want. The AI generates the texture image using ChatGPT’s Dall-E, creates  a cup out of it in Midjourney, and then translates the 2D image of a cup to 3D using Vizcom. The 3D file then gets 3D printed, eliminating pretty much any actual human intervention as the machine models and manufactures the design from start to end.

“What would normally require a considerable amount of time if crafted entirely by hand was instead realized through two to three generative tools and a process of repeated trial and error,” says BKID. “The exaggerated expressions and omitted forms that emerge in each stage invite the audience to experience the subtle differences in sensibility between traditional handcraft and craft shaped by generative software.”

Users can make cups inspired by brutalist textures of concrete, fuzzy textures of moss, rustic textures of wood-bark, wrinkled textures of crumpled paper, raw textures of coal, columnar textures of basalt rock, porous-like textures of coral, or even alien-like textures of fungi. Each cup looks unique and the AI never repeats itself, which means even cups within the same texture category could be wildly different.

The result truly feels alien, because the AI approaches design using an entirely different set of parameters. Their imperfections become design details, their lack of ergonomics or awareness become a unique design DNA. The result isn’t like any cup you’ve ever seen before, and that’s the point – it’s created by an AI that hasn’t ‘seen’ cups, hasn’t used cups, and doesn’t test its output. That being said, the cups are still usable because of the parameters set by the human. The cups don’t have holes, and contain enough volume to hold liquid efficiently. They’re perfect for espresso, saké, or green tea, something that’s savored in tiny quantities in vessels that feel less utilitarian and more ritualistic.

What BKID’s experiment proves is that AI (at least in this case) won’t replace designers, it’ll exist independent of them. Can an AI make a cup exactly like a regular designer would? Absolutely… but there’s a better case to be made to have AI make things beyond human creativity and culture. These cups contort nature and textures into something that feel extremely new, in a way that allows AI-made cups and human-made cups to coexist peacefully.

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Robosen’s TRANSFORMERS Soundwave Does What the 1984 Original Only Pretended: It Actually Works as a Speaker

Robosen has spent years perfecting the art of making metal transform on command. Their latest collaboration with Hasbro takes that expertise and applies it to one of the most design-conscious characters in TRANSFORMERS history: Soundwave, the Decepticon whose cassette player form defined an entire era of toy aesthetics.

Designer: Robosen

The G1 Flagship Soundwave represents something more interesting than another collectible robot. It’s a study in how designers can honor iconic industrial design while pushing the technical boundaries of what consumer robotics can achieve. The original 1984 Soundwave toy worked because it made sense. A portable cassette player was something you carried. It had buttons, a display window, speakers. The disguise wasn’t just clever, it was culturally relevant.

Robosen’s interpretation maintains that design logic while adding functional depth that the original could only suggest. The robot actually works as a Bluetooth speaker when in cassette mode. The tape deck buttons on the front panel control playback, pause, and track skipping. There’s even an integrated recording feature accessible through those same retro-styled controls.

The Cassette Player as Design Icon

The Sony Walkman launched in 1979. By 1984, when Soundwave first appeared in toy form, the portable cassette player had become one of the most recognizable consumer electronics forms in existence. Rectangular, pocketable, with a clear window showing the tape spools and a row of tactile buttons along the bottom edge. This wasn’t arbitrary product design. It was the distillation of function into form that industrial designers spend careers trying to achieve.

Soundwave’s original toy designers understood something fundamental: the best disguises reference objects people already trust. A cassette player in 1984 was friendly technology. You saw them everywhere. The genius of Soundwave as a character lies in this design decision. He hides in plain sight by becoming an object so ubiquitous that nobody questions its presence.

Robosen’s 2025 interpretation carries this design philosophy forward while acknowledging that cassette players now occupy nostalgic rather than practical cultural space. The form factor triggers recognition and emotional response rather than functional expectation. This shift from utility to symbolism changes how the design needs to perform. It must read as authentic to fans who remember the original while communicating “premium collectible” to anyone encountering it fresh.

The proportions matter here. Original Soundwave toys were constrained by the need to fit actual toy cassettes inside the chest compartment. Robosen’s version maintains those proportions not because they’re functionally necessary, but because they’re aesthetically correct. Deviation would break the silhouette that defines the character.

Surface Language and Material Decisions

The G1 aesthetic demanded specific material choices that go beyond color matching. Original Soundwave toys used a particular shade of blue with silver and gold accents that fans recognize instantly. But the original also had the specific surface characteristics of 1980s injection-molded plastic: slight texture variations, mold lines, the particular way chrome-plated parts caught light differently than vacuum-metallized ones.

Robosen’s version matches those colors while upgrading the materials to support both the mechanical stress of repeated transformations and the visual expectations of collectors who will display these at eye level. The chest cassette window features actual transparency rather than a printed graphic. This seems like a small detail, but it fundamentally changes how the object reads. A printed graphic is decoration. A transparent window is architecture.

Surface textures vary intentionally across the figure. Some panels feature subtle grain that references the original toy’s plastic molding characteristics. Others present smoother finishes appropriate for their fictional function as viewscreens or armor plating. This attention to tactile variety creates what industrial designers call “material truth,” where surfaces communicate their purpose through texture rather than relying entirely on color or shape.

The shoulder cannon glows with animated lighting effects, adding dynamic visual interest without betraying the vintage inspiration. Gold paint applications use metallic finishes that catch light similarly to the chrome and vacuum-metallized plastics of 1980s toys, but with durability that modern collectors expect. The color temperature of the gold matters. Too warm reads as cheap costume jewelry. Too cool reads as modern and wrong. Robosen found the specific yellow-gold that triggers 80s nostalgia.

Engineering Constraint as Design Driver

The technical challenge of automated transformation created design constraints that ultimately improved the final object. Robosen developed new servo technologies specifically for Soundwave, paired with upgraded algorithms that coordinate dozens of moving parts into a smooth transformation sequence. But the interesting design story isn’t the technology itself. It’s how hiding that technology shaped the aesthetic decisions.

The servo placement had to account for the cassette player’s boxy proportions while still allowing the robot mode to achieve recognizable poses. Soundwave’s character design has always featured a relatively stocky build with prominent shoulder-mounted accessories, and Robosen needed their servo architecture to accommodate that silhouette without visible motor housings destroying the aesthetic. This is classic industrial design problem-solving: the mechanism disappears so the form can speak.

Weight distribution presented another constraint that became design opportunity. A Bluetooth speaker needs certain components in certain places for audio quality. A transforming robot needs weight balanced for stable standing poses. Robosen’s solution integrates the speaker components into the chest cavity in a way that actually improves the robot mode’s center of gravity while positioning drivers optimally for sound projection in cassette mode. Function serving multiple purposes simultaneously is elegant engineering, but it’s also the kind of solution that creates better products.

Accessories and Proportional Relationships

Soundwave’s neutron assault rifle and sonic cannon aren’t afterthoughts. They’re design elements that complete the character’s visual language. The rifle features proportions that reference the original toy’s weapon while scaling appropriately for the larger figure. It attaches and detaches through magnetic connection points that preserve the clean lines of the robot mode when weapons are removed.

The shoulder-mounted sonic cannon deserves particular attention. Its proportions relative to Soundwave’s shoulder width, its angle of mounting, its extension beyond the body envelope: these relationships were established in the original 1984 toy and refined through decades of subsequent figures. Robosen’s designers had to honor those proportions while engineering animated lighting into the accessory, creating a glowing effect that suggests the weapon is charged and ready.

Both accessories store within the cassette mode’s form factor, maintaining the object’s disguise integrity. This kind of design consideration, making sure every component has a home in both modes, separates serious transforming robot design from figures that simply fold into vaguely recognizable shapes. The accessories don’t just belong to Soundwave. They belong to his silhouette.

Functional Disguise as Design Philosophy

The Bluetooth speaker functionality represents a design philosophy that could influence the entire collectible robotics category. Most high-end collectible figures exist purely for display. They’re sculptures with premium price tags. Robosen’s approach suggests these objects can occupy space in our lives more actively.

A Soundwave that plays your music isn’t just a shelf piece you admire occasionally. It’s an object that earns its place through daily utility. The recording function, controlled through those satisfyingly tactile tape deck buttons, adds another layer of interaction. Leave yourself a voice memo through a transforming robot. It’s absurd and delightful, but it’s also philosophically interesting: the disguise becomes real.

This creates a design feedback loop. The original Soundwave disguised himself as a functional object. Robosen’s Soundwave actually is a functional object. The fiction collapses into reality in a way that feels appropriate for a property built around the idea of machines hiding among us. When your Bluetooth speaker transforms into a robot, the TRANSFORMERS concept stops being a story you remember and becomes an experience you have.

The $999 pre-order price (rising to $1,399 after the initial 30-day window) positions Soundwave alongside high-end audio products, not just toys. Robosen is essentially arguing that a collectible robot can be both display piece and functional device, and the design work supports that argument convincingly. The premium isn’t just for nostalgia. It’s for an object that justifies its existence through use.

Design Coherence Across the Lineup

Soundwave joins Optimus Prime, Bumblebee, and Grimlock in Robosen’s expanding TRANSFORMERS lineup. Each figure establishes different design challenges based on their alt-modes and character proportions. But what makes the collection work as a collection is consistent design language across mechanically diverse objects.

The servo placement follows similar principles across figures, creating comparable ranges of motion and transformation speeds. Joint articulation uses consistent detent patterns that give all four figures the same tactile feedback. Surface treatment applies metallic finishes at similar scales and positions. Lighting integration follows established brightness and color temperature standards. These unifying decisions mean the figures read as a coherent family rather than separate projects that happen to share a license.

When displayed together, Optimus, Bumblebee, Grimlock, and now Soundwave present a unified design statement about what premium TRANSFORMERS collectibles can be. They share DNA despite their radically different forms. This is harder to achieve than it sounds. Plenty of collectible lines feature individual great pieces that look awkward together. Robosen’s design discipline prevents that problem.

Pre-orders are live now at Robosen.com, with HasbroPulse.com availability coming soon. For design enthusiasts and TRANSFORMERS collectors who appreciate the intersection of nostalgia and engineering achievement, Soundwave represents the current peak of what consumer robotics can accomplish within the constraints of beloved intellectual property.

The post Robosen’s TRANSFORMERS Soundwave Does What the 1984 Original Only Pretended: It Actually Works as a Speaker first appeared on Yanko Design.