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JBL’s AI Wireless Speakers Can Remove Vocals, Guitars, or Drums From Any Song While You’re Jamming

Walk into any rehearsal space and you will see the usual suspects. A combo amp in the corner, a Bluetooth speaker on a shelf, maybe a looper pedal on the floor. Each tool has a single job. One makes your guitar louder, one plays songs, one repeats whatever you feed it. You juggle them to build something that feels like a band around you.

JBL’s BandBox concept asks a different question. What if one box could understand the music it is playing and reorganize it around you in real time. The Solo and Trio units use AI to separate vocals, guitars, and drums inside finished tracks, so you can mute, isolate, or replace parts on the fly. Suddenly the speaker is not just a playback device. It becomes the drummer who never rushes, the backing guitarist who never complains, and the invisible producer nudging you toward tighter practice.

Designer: JBL

This ability to deconstruct any song streamed via Bluetooth is the core of the BandBox experience. The AI stem processing happens locally, inside the unit, without needing an internet connection or a cloud service. You can pull up a track, instantly mute the original guitar part, and then step in to play it yourself over the remaining bass, drums, and vocals. This is a fundamental shift in how musicians can practice. Instead of fighting for space in a dense mix, you create a pocket for yourself, turning passive listening into an interactive rehearsal.

The whole system is self-contained, designed to work straight out of the box without a pile of extra gear. Both models come equipped with a selection of built-in amplifier models and effects, so you can shape your tone directly on the unit. Essentials like a tuner and a looper are also integrated, which streamlines the creative process. You can lay down a rhythm part, loop it, and then practice soloing over it without ever touching an external pedal. It is this thoughtful integration that makes the BandBox feel less like a speaker and more like a complete, portable music-making environment.

The BandBox Solo is the most focused version of this idea, built for the individual. It is a compact, easily carried device with a single combo input that accepts either a guitar or a microphone. This makes it an obvious choice for singer-songwriters or any musician practicing alone. The form factor is all about convenience, with a solid build and a top-mounted handle. A battery life of around six hours means you could take it to a park for an afternoon busking session or just move it around the house without being tethered to a wall outlet. It is a self-sufficient creative station in a small package.

When practice involves more than one person, the BandBox Trio provides the necessary expansion. It is built on the same AI-powered platform but scales up the hardware for group use. The most significant change is the inclusion of four instrument inputs, which transforms the unit into a miniature, portable PA system. A small band or a duo can plug in multiple guitars, a bass, and a microphone, all running through the same box. This is a clever solution for impromptu jam sessions, stripped-down rehearsals, or music classrooms where setting up a full mixer and multiple amps is too cumbersome.

Both units share a clean, modern design that aligns with JBL’s broader product family. The controls seem to be laid out for quick, intuitive access, a must for musicians who need to make adjustments without interrupting their flow. Connectivity extends beyond just playing music; a USB-C port allows the BandBox to double as an audio interface. You can connect it directly to a computer or tablet to record your sessions or lay down a demo, adding a layer of studio utility that makes the device even more versatile. It is not just for practice, it is for capturing the ideas that come from it.

Of course, none of this would matter if the sound was not up to par. JBL’s reputation in audio engineering creates a high expectation, and the BandBox aims to meet it by delivering a full-range sound that can handle both a dynamic instrument and a complex backing track simultaneously. The goal is to provide a clear, responsive guitar tone that cuts through, while the underlying track remains rich and detailed. This dual-functionality is key, ensuring it performs just as well as a high-quality Bluetooth speaker for casual listening as it does as a dedicated practice amp.

The JBL BandBox series has started its rollout in Southeast Asian markets, with promotions and availability already noted in the Philippines and Malaysia. A wider international release is expected to follow. While pricing will fluctuate by region, the BandBox Solo appears to be positioned competitively against other popular smart amps on the market. The Trio, with its expanded inputs and group-oriented features, will naturally sit at a higher price point, offering a unique proposition as an all-in-one portable rehearsal hub.

The post JBL’s AI Wireless Speakers Can Remove Vocals, Guitars, or Drums From Any Song While You’re Jamming first appeared on Yanko Design.

A Decade of Camping Led to This 747-Square-Foot Cozy River Retreat

Dan Wheeler spent ten years sleeping in tents on his riverfront property before building anything permanent. The software engineer bought the land along Washington’s Wenatchee River in 2010, drawn by years of rafting trips with friends through the area’s rushing waters. Every camping trip reinforced what he already knew: this spot needed something, but only when the time felt right. Those years weren’t wasted time but rather an extended conversation with the landscape, understanding how light moved through the trees, where water pooled during spring runoff, and which views mattered most when morning broke over the mountains.

When Wheeler finally decided to build, he approached Seattle-based Wittman Estes with a clear vision. He wanted something modern and sculptural, a structure that would honor the decade he’d spent living simply on the land. What emerged is a 747-square-foot, two-story cabin elevated ten feet above the ground on concrete columns. The metal-clad wedge faces directly toward the river, its form shaped by the surrounding Okanogan Wenatchee National Forest. The angular design creates a striking profile against the forest backdrop while maintaining a compact footprint that respects the wilderness setting.

Designer: Wittman Estes

Architects Matt Wittman and Julia Frost designed the one-bedroom retreat to create what they call “a harmonious relationship between shelter and nature,” seeking interdependence between the ecosystem and the architecture itself. The elevated design serves multiple purposes beyond aesthetics. Lifting the cabin protects it from flooding and snow accumulation while minimizing the footprint on the forest floor. The positioning allows Wheeler to maintain the connection to the landscape he cultivated during those camping years, where cooking happened outdoors and shelter remained temporary.

Inside, the compact footprint forces intentionality. At just over 700 square feet, there’s no room for excess. The design reflects Wheeler’s desire to live with “less stuff,” embracing the simplicity he discovered through a decade of tent living before walls and windows entered the equation. The scale might seem small by contemporary standards, but the visual connection to the river and forest expands the perceived space dramatically. Floor-to-ceiling windows blur the boundary between interior and exterior, making the surrounding wilderness feel like additional living area.

What started as a weekend escape transformed into something unexpected. Wheeler now lives in the cabin full time, proving that downsizing doesn’t mean sacrificing quality of life. The transition from occasional retreat to permanent home happened gradually, much like the decade-long deliberation that preceded construction. The move represents a fundamental shift in how Wheeler defines comfort and necessity, stripping away the accumulated possessions that filled his previous life.

The Wenatchee River Cabin stands as proof that restraint can produce better results than expansion. By waiting, observing, and understanding the land first, Wheeler and Wittman Estes created something that feels inevitable rather than imposed. The cabin doesn’t fight its environment or demand attention. It simply exists where it should, elevated above the forest floor, facing the river that made Wheeler fall in love with the place fifteen years ago. The project demonstrates that the best architecture sometimes requires patience, letting years of experience inform design decisions rather than rushing to build.

The post A Decade of Camping Led to This 747-Square-Foot Cozy River Retreat first appeared on Yanko Design.

Rotating Kitchen Cubes Make Wasting Food Actually Impossible

We’ve all been there. You buy fresh produce with the best intentions, tuck it away in the fridge or pantry, and then discover a wilted mess two weeks later. It’s frustrating, wasteful, and honestly, it happens way more often than we’d like to admit. But what if your storage system actually worked with you instead of against you?

Enter Saveit, a modular food storage concept by designer Yerin Kim that’s making me rethink everything about how we organize our kitchens. At first glance, it looks like something straight out of a design museum with its sleek metal boxes, perforated panels, and pops of color. But the real magic happens when you actually use it.

Designer: Yerin Kim

The system is built around a brilliantly simple idea: rotating storage that follows the FIFO principle (first in, first out). You know how grocery stores stock their shelves so older items move to the front? That’s exactly what Saveit does for your home. The modules feature these clever two-way rotating structures, so when you add new food from one side, the older items naturally move toward the exit point. No more mystery tomatoes rotting in the back of your produce drawer.

What makes this system feel genuinely different is how modular and adaptable it is. The stackable metal units can be configured in countless ways, kind of like edible Tetris. Need more space for root vegetables this week? Rearrange. Stocking up on citrus? Adjust accordingly. The colored sliding trays and hanging hooks accommodate everything from loose potatoes to bunches of bananas, and each component is designed to maximize airflow through those perforated backs, keeping produce fresher longer.

The aesthetic is industrial meets playful, with that brushed metal finish that feels both serious and approachable. Those bright red, green, blue, and yellow accents aren’t just for looks either. They help you quickly identify different food categories or rotation systems at a glance. It’s functional design that doesn’t sacrifice personality.

But here’s what really sold me on this concept: every single part slides out and pops into the dishwasher. Anyone who’s ever tried to clean a traditional produce basket or drawer knows that trapped dirt and sticky residue situation. Saveit eliminates that headache entirely. The removable design means you can actually keep your storage clean without contortionist-level flexibility or a dedicated scrub brush.

The environmental angle here is significant too. Food waste is a massive problem. We’re talking about roughly a third of all food produced globally ending up in the trash, which contributes to greenhouse gas emissions and represents billions of dollars thrown away annually. While Saveit won’t solve food waste entirely, it tackles one of the root causes: poor visibility and organization at home. When you can actually see what you have and the system naturally prioritizes older items, you’re far more likely to use everything before it goes bad. There’s something refreshing about design that solves real problems without overcomplicating things. Saveit doesn’t require an app, doesn’t need to be plugged in, and doesn’t come with a subscription service. It’s just smart, thoughtful design applied to an everyday challenge. The kind of thing that makes you wonder why storage hasn’t worked this way all along.

Yerin Kim’s creation sits at this interesting intersection of sustainability, functionality, and visual appeal that feels very now. It’s the type of design that tech enthusiasts appreciate for its systematic approach, that eco-conscious consumers love for its waste-reduction potential, and that design lovers simply want to display on their countertops. It transforms a mundane task (food storage) into something that actually feels considered and intentional. Whether Saveit moves from concept to production remains to be seen, but it represents a shift in how we think about kitchen organization. Storage shouldn’t be something you work around. It should work for you, making sustainable choices easier and more intuitive. And if it looks this good while doing it? Even better.

The post Rotating Kitchen Cubes Make Wasting Food Actually Impossible first appeared on Yanko Design.

Dual vats, 14K screen, heated resin: inside Anycubic’s game-changing Photon P1 3D Printer

Desktop resin printers usually ask a simple question: how much resolution can you afford. Anycubic’s Photon P1 adds a more interesting one: what if the same machine could handle two colors, two materials, or two entirely different jobs without claiming more room on your bench. By pairing a dual‑vat system with a high resolution 14K display and a serious Z axis, the Photon P1 feels tailored to studios that prototype daily and iterate fast. The Photon P1 also packs LighTurbo 4.0 (an advanced UV light source system) for curing developed specially by Anycubic, along with a smart heated vat that temperature-controls the resin baths, offering a kind of industrial-grade output you’d never see in other consumer 3D printers.

Central to this new approach is a cleverly engineered dual‑vat system, a feature so rare in the consumer space that it feels like a genuine novelty. Instead of a single, monolithic resin tank, the P1 offers the option of two smaller, distinct vats side by side (the default is still a single-vat version for most basic users). Hovering above them is a forked build plate, a single component with two separate printing surfaces that can operate in tandem. This architecture allows the printer to print two colors or two resin types in a single job, eliminating the need for separate runs. Its slicer supports material-specific configurations optimized for dual-vat workflows, keeping both materials stable and consistent within one print. When working with premium or engineering resins, this setup also reduces waste and helps lower overall material costs, this setup also reduces waste and helps lower overall material costs. This fundamentally changes the workflow – it effectively gives you the power of two printers, but with the synchronized precision and footprint of one. The machine is not just building an object, it is managing a production queue, all within its own chassis.

Designer: Anycubic

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This opens a fascinating playbook for designers and creators. A product designer, for instance, could prototype a remote control with a hard, rigid casing printed from standard resin in the left vat, while simultaneously printing soft, flexible buttons from a TPU‑like resin in the right vat. The result is a multi‑material prototype in a single print job, offering a far more accurate representation of a final product without the hassle of printing parts separately and assembling them later. For artists and miniature sculptors, the possibilities are just as compelling. Imagine printing a fantasy character where the main figure is rendered in an opaque grey for maximum detail, while a magical spell effect or a ghostly appendage is printed in a translucent, colored resin from the second vat. This dual‑system approach streamlines the creation of complex, multi‑part models, reducing post‑processing and painting time.

Beyond multi‑material applications, the P1 excels as a pure productivity engine. A technical studio can produce engineering-grade resin prototypes. Designers or creatives can model and produce flexible materials for complex assemblies. A small business owner running an Etsy shop for custom D&D miniatures could use it to fulfill two different orders at once, performing batch production or even dual-part workflows for maximized efficiency. This parallel workflow essentially doubles the machine’s throughput for small to medium‑sized objects, making it an incredibly efficient tool for anyone doing light production work. It transforms the printer from a single‑task device into a small‑batch manufacturing hub.

Of course, these advanced capabilities would be meaningless without a foundation of precision and reliability. Anycubic has clearly invested in the P1’s mechanical integrity, moving it out of the hobbyist category and into prosumer territory. The Z‑axis, often a weak point on budget machines, is built around an industrial‑grade ball screw and robust linear rails. This is a significant upgrade from the typical lead screw setup, translating to smoother, more consistent vertical travel. For the user, this means virtually no visible layer lines, a dramatic reduction in Z‑wobble artifacts, and exceptional repeatability, ensuring that parts designed to fit together do so with tight tolerances.

This focus on industrial‑grade components extends to the build plate itself. Instead of the usual anodized aluminum, the P1 uses a precision‑milled slab of steel. Steel’s superior rigidity and thermal stability mean the plate is less likely to warp over time, ensuring a perfectly flat and level surface for consistent first‑layer adhesion, which is critical for print success. It is a subtle but important detail that signals a commitment to long‑term reliability. This mechanical stability is the bedrock that supports the printer’s headline features.

At the heart of its imaging system is a 14K monochrome LCD. That number translates directly into breathtaking surface detail. With an extremely fine XY resolution, the P1 can reproduce microscopic textures, razor‑sharp edges, and intricate patterns that would be lost on lower‑resolution screens. For jewelry designers prototyping complex filigree or architects building scale models with fine brickwork, this level of detail is indispensable. The monochrome screen also offers the practical benefits of faster cure times and a much longer operational lifespan than the older RGB LCDs, reinforcing the P1’s role as a dependable workhorse.

The Anycubic Photon P1, therefore, is more than just the sum of its impressive parts. It represents a holistic design philosophy where each component complements the others. The high‑resolution 14K screen provides the detail, the industrial Z‑axis ensures that detail is rendered flawlessly layer after layer, and the innovative dual‑vat system leverages that quality to create more complex, more functional, and more beautiful objects with unparalleled efficiency. It is a machine that seems to understand the creative process, offering not just a tool, but a smarter way to work.

Anycubic unveiled the Photon P1 at the Formnext additive manufacturing show, with a Kickstarter campaign debuting this month to let people get their hands on the Photon P1. The retail price is set at a competitive $799, but early adopters have an opportunity to get in at a much lower early‑bird price of $499 (available for a limited period only), a figure that makes its prosumer features accessible to a much wider audience of serious creators and designers.

Click Here to Buy Now: $499 $799 (38% off). Hurry, only 31/400 left! Raised over $416,000.

The post Dual vats, 14K screen, heated resin: inside Anycubic’s game-changing Photon P1 3D Printer first appeared on Yanko Design.

This Doughnut Chair Has One Bite Missing, and That’s Your Seat

Most chairs are clearly assembled objects, with legs, a seat, and a backrest, all stacked and joined together. Sculptural lounge pieces sometimes flip that script and feel more like a single volume that has been carved or sliced. Chunk is a concept that leans into that second approach, imagining seating as a doughnut with a bite taken out rather than a frame with cushions bolted on, treating furniture as something you edit rather than assemble.

The designer imagined a chair that looks like a doughnut with a chunk removed. The missing piece becomes the seat and the opening for the backrest, while the rest of the ring wraps around in a continuous loop. The concept is less about novelty and more about seeing how far a single looping form can be pushed into something you can actually sit in, where the absence of material defines the place for the body.

Designer: Liam de la Bedoyere

Both the seat and backrest share the same oval cross-section, but as the base curves up to become the backrest, that oval quietly swaps its length and width. It is wide and low where you sit, then gradually becomes tall and narrow as it rises behind you. The section never breaks; it just morphs along the path, which gives the chair a sense of motion even when it is still and empty.

The “bite” creates a bowl-like seat that cradles the hips and thighs, while the rising loop offers a relaxed backrest rather than a rigid upright. The proportions suggest a low, lounge-style posture, closer to a reading chair or a corner piece in a living room than a dining chair. The continuous curve encourages you to lean back and sink in, not perch on the edge ready to stand again.

A near-cylindrical form can look like it might roll away, but the geometry and internal structure are tuned to keep the center of gravity low and slightly behind the seat. The base is subtly flattened, and a denser core at the bottom would keep it from tipping forward when someone leans back. The result is a chair that looks precarious from some angles but behaves like a grounded lounge piece once you sit.

The monolithic upholstery, a textured fabric that wraps the entire volume without obvious breaks, reinforces the idea of a single chunk of material. The form reads differently as you move around it, sometimes like a shell, sometimes like a curled leaf, sometimes like a coiled creature. It is the kind of chair that anchors a corner or gallery-like space, inviting you to walk around it before you decide to sit down and settle in.

Chunk uses subtraction as its main design move, starting from a complete ring and then removing just enough to create a place for the body. For a category that often defaults to adding parts, there is something satisfying about a chair that feels like it has been edited down to a single, looping gesture, with one decisive bite turning an abstract volume into a place to rest, read, or just sink into for a while.

The post This Doughnut Chair Has One Bite Missing, and That’s Your Seat first appeared on Yanko Design.

When Your Desk Lamp Becomes Your Study Partner: Check Mate

We’ve all been there. You’re three hours into a study session, hunched over your desk with tabs multiplying like rabbits, your phone buzzing with notifications, and that nagging feeling that you’re not actually retaining anything. Digital learning promised us flexibility and endless resources, but sometimes it feels more like drowning in information while learning nothing at all.

A new concept design called Check Mate is tackling this exact problem, and it’s making waves in the design community for all the right reasons. Created by a team of seven designers (Dongkyun Kim, Jaeryeon Lee, Eojin Jeon, Noey, Jaeyeon Lee, Jagyeong Baek, and Jimin Yeo), this concept reimagines what a study companion could look like if we actually designed for how people learn in the digital age. While you can’t buy it yet, the ideas behind it are definitely worth paying attention to.

Designers: Dongkyun Kim, Jaeryeon Lee, Eojin Jeon, Noey, Jaeyeon Lee, Jagyeong Baek, Jimin Yeo

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The name itself is clever. “Check Mate” borrows from chess, evoking that decisive moment of victory, but it’s also wonderfully literal. This concept envisions a device that genuinely acts as your learning mate, checking in on your progress and helping you actually achieve those goals instead of just feeling busy. The design language speaks to this dual nature with a clean, minimalist aesthetic in soft gray tones, punctuated by shots of energizing yellow that feel like highlighting the important bits in a textbook.

What makes this concept compelling is that the designers didn’t just jump to solutions. They actually did their homework (pun intended) by researching what digital learners need and where current methods fall short. Their field research identified some uncomfortable truths: digital learning can create passive attitudes, make us susceptible to misinformation, and ironically, despite all our access to information, contribute to declining literacy levels. We’re getting really good at searching and depending on AI, but are we actually learning?

The proposed device looks deceptively simple. At first glance, it’s an elegant desk lamp with an adjustable arm and a cylindrical head wrapped in fabric, giving it a softer, more approachable vibe than your typical tech gadget. But the concept goes deeper, packing some serious multitasking capabilities into that minimal form. The lamp head would rotate and adjust, there appears to be a projection or camera system integrated into the design, and the base doubles as a wireless charging pad. Those yellow accents aren’t just for looks either, they’re envisioned as tactile interaction points that make the technology feel more human and less intimidating.

Where Check Mate really shines as a concept is in how it reimagines the learning experience. The visualization shows it functioning as a projection device that could display educational content, video calls with instructors, or interactive annotations directly onto your workspace or wall. Imagine highlighting text on actual paper and having that integrate with your digital notes, or being able to project your screen large enough to actually see what you’re working on without squinting at a laptop.

The concept addresses one of digital learning’s biggest weaknesses: that narrow, passive relationship we have with our screens. By proposing a way to bring information into your physical space and allowing for more natural interaction, it suggests learning could feel less like staring into the void and more like an active, engaging process. You wouldn’t just be consuming content, you’d be working with it in a space that feels comfortable and personal.

The packaging design in the concept presentation deserves a mention too. Everything is shown organized in a beautifully designed kit with that signature yellow and gray color scheme. It’s the kind of unboxing experience that would make you feel like you’re opening something important, not just another gadget. There’s a psychological element to that. When something looks and feels intentional, we treat it more seriously. As a concept, Check Mate represents the kind of forward thinking we need more of in the education technology space. It pushes conversations forward about how we should be designing for learning, how technology could support rather than distract, and what the future of education might actually look like when we stop thinking about it as just “Zoom, but make it fancier.”

The reality is that digital learning isn’t going anywhere. Remote work, online courses, and hybrid education models are here to stay. So maybe concepts like Check Mate can inspire the tools we actually need, devices designed for this reality instead of just adapting what we already have. The best part? It suggests that the answer isn’t more screens or more apps, it’s smarter integration of digital and physical spaces, and technology that adapts to how we naturally learn rather than forcing us to adapt to it.

The post When Your Desk Lamp Becomes Your Study Partner: Check Mate first appeared on Yanko Design.

Tray210 Proves Recycled Plastic Doesn’t Have to Look Grey and Boring

Recycled plastic products often fall into two camps: grey utilitarian bins or loud, speckled experiments that feel more like proof of concept than something you want on your desk. Tray210 recycled, a collaboration between Korean studio intenxiv and manufacturer INTOPS under the rmrp brand, takes a different approach, using recycled plastics and waste additives to create a tray that feels like a considered object first and an eco story second, treating material diversity as part of the design language.

Tray210 recycled is a circular tray with three compartments, an evolution of the original Tray210 form. It grew out of INTOPS’ grecipe eco-material platform and hida’s CMF proposals, which is a long way of saying it is the result of a tight loop between material science and industrial design. The goal was to pursue material diversity and break away from the cheap recycled stereotype, making something that belongs in sight rather than hidden under a desk.

Designer: Intenxiv x INTOPS

The form is intuitive, a 210 mm circle with a raised, ribbed bar running across the middle and two shallow wells on either side. The central groove is sized for pens, pencils, or chopsticks, and the ribs keep cylindrical objects from rolling away. The side compartments are open and shallow, perfect for earbuds, clips, rings, or keys. It is the kind of layout you understand at a glance without needing instructions or labels; just place your pen where the grooves are.

The material story is where Tray210 recycled gets interesting. Multiple recycled blends reflect their sources: Clam and Wood use 80 percent recycled PP with shell and wood waste, Charcoal adds 15 percent charcoal to 80 percent recycled PP, and Stone uses 10–50 percent recycled ABS. Transparent and Marble variants use recycled PC or PCABS with ceramic particles or marble-like pigment. Each colorway is visually tied to its waste stream, making the origin legible and intentional.

The aim is to create a design closer to the lifestyle rmrp pursues, breaking away from the impression recycled plastic generally gives. The Clam and Wood versions read as soft, muted pastels with fine speckling, Charcoal feels like a deep, almost architectural grey, and Stone and Transparent lean into translucency and particulate. Instead of hiding the recycled content, the CMF work uses it as texture and character, closer to terrazzo or stoneware than to injection-molded scrap that just happens to be grey.

The combination of clear zoning and tactile surfaces makes Tray210 recycled feel at home on a desk, entryway shelf, or bedside table. The central groove keeps your favorite pen or stylus always in the same place, while the side wells catch whatever tends to float around, from SD cards to jewelry. The different material stories let you pick a version that matches how you want the space to feel: calm, earthy, industrial, or a bit more playful.

A simple tray can carry a lot of design thinking, from intuitive ergonomics to material storytelling and responsible sourcing. Tray210 recycled is not trying to save the world on its own, but it does show how recycled plastic can be turned into something you actually want to touch and keep in sight. For people who care about both what an object does and what it is made from, that is a quiet but meaningful upgrade over another anonymous catch-all that eventually ends up in a drawer.

The post Tray210 Proves Recycled Plastic Doesn’t Have to Look Grey and Boring first appeared on Yanko Design.

Record setting Pocket Lab shrinks a full AI supercomputer into the size of a power bank

We have come a long way from the computers the size of entire rooms to the sleek personal computers that sit comfortably on our desks. The evolution of computing has consistently pushed toward smaller form factors and greater efficiency. The Mac mini, for example, illustrates how compact modern PCs have become. Yet the question persists: how miniature can a powerful computing device truly be? A recent Guinness World Records certification offers a striking answer.

Tiiny AI, a US-based deep-tech startup, has unveiled the Pocket Lab, officially verified as the “world’s smallest personal AI supercomputer.” This palm-sized device, no larger than a typical power bank, is capable of running large language models (LLMs) with up to 120 billion parameters entirely on-device, without relying on cloud servers or external GPUs.

Designer: Tiiny AI

At its core, the Pocket Lab aims to make advanced artificial intelligence both personal and private. Traditional AI systems often depend on cloud infrastructure, which can raise concerns around data privacy, latency, and carbon emissions associated with large server farms. The Pocket Lab addresses these issues by enabling fully offline AI computation. All processing, data storage, and inference happen locally on the device, reducing dependence on internet connectivity or cloud resources.

Despite its compact size, measuring 14.2 × 8 × 2.53 centimeters and weighing roughly 300 grams, this mini supercomputer delivers noteworthy computing power. The system operates within a typical 65-watt energy envelope, comparable to a conventional desktop PC, yet manages to support extensive AI workloads. The hardware architecture combines a 12-core ARMv9.2 CPU with a custom heterogeneous module that includes a dedicated Neural Processing Unit (NPU), together achieving approximately 190 TOPS (tera-operations per second) of AI compute performance. This configuration is backed by 80 GB of LPDDR5X memory and a 1 TB solid-state drive, allowing large AI models to run efficiently without external accelerators.

Two key technologies underpin the Pocket Lab’s ability to run large models so efficiently in such a small package. TurboSparse improves inference efficiency through neuron-level sparse activation, reducing computational overhead while preserving model intelligence. PowerInfer, an open-source heterogeneous inference engine with a significant developer following, dynamically distributes workloads across the CPU and NPU, delivering server-grade performance at far lower power and cost than traditional GPU-based solutions.

In practical terms, the Pocket Lab supports a wide ecosystem of open-source AI models and tools. Users can deploy popular LLMs such as GPT-OSS, Llama, Qwen, DeepSeek, Mistral, and Phi, alongside agent frameworks and automation tools, all with one-click installation. This broad software compatibility extends the device’s usefulness beyond enthusiasts and hobbyists to developers, researchers, professionals, and students.

By storing all user data and interactions locally with bank-level encryption, the Pocket Lab also emphasizes privacy and long-term personal memory. This feature contrasts with many cloud-based AI services that retain data on remote servers. Tiiny AI plans to showcase the Pocket Lab at CES 2026, but has not yet disclosed full details on pricing or release dates.

The post Record setting Pocket Lab shrinks a full AI supercomputer into the size of a power bank first appeared on Yanko Design.

Poco Pad X1 & Poco Pad M1 Review: Budget Tablets That Challenge the iPad

Poco built its name on phones that punch above their price, and now it wants to do the same on your coffee table. With Poco Pad X1 and Poco Pad M1, the brand is not just throwing out a couple of cheap tablets. It is trying to turn its budget DNA into a fuller ecosystem that covers gaming, work, and everyday media.

You can feel that ambition in how these two models are drawn. The Poco Pad X1 is a slightly more compact, high refresh performance slate, tuned for games and quick multitasking on an 11.2-inch 3.2K display. The Poco Pad M1 steps up to a 12.1-inch 2.5K panel and the largest battery Poco has ever shipped in a global device, aiming to be the big screen that carries you through movies, sketching sessions, and long days away from a charger.

Designer: Poco

If you have been eyeing an affordable Android tablet for gaming, streaming, or light work, should you reach for the sharper, faster Poco Pad X1, or the larger, more relaxed Poco Pad M1? In this review, we will live with both, compare their strengths, and help you decide which one actually fits your desk, your bag, and your budget.

Aesthetics

Poco is not trying to reinvent tablet hardware with Poco Pad X1 or Poco Pad M1. Both follow a familiar rectangle with rounded corners, flat sides, and a camera module that sits quietly in one corner. On Poco Pad X1, the focus is clearly on framing its 11.2-inch display as efficiently as possible. Poco Pad M1 takes the same basic formula and scales it up with a 12.1-inch panel.

Color choices on the Pad X1 and the Pad M1 are simple. They both come in Grey and Blue. Grey leans more gunmetal and understated with a contrasting yellow accent around the camera module, while Blue reads a little more casual and friendly, but neither option is loud or experimental. Both tablets use a metal unibody design for the main shell, with separate parts for the camera island and buttons, and a big Poco logo stamped in the center for instant brand recognition. The Poco Pad X1 uses a square camera island, while the Poco Pad M1 switches to a softer oval, which gives each model a slightly different signature when you flip them over.

Taken together, the two tablets look exactly like what they are meant to be. They are straightforward, modern Android slabs that fade into the background and let their screens and specs do the talking. For budget-friendly hardware, that quiet, functional design approach feels like the right call.

Ergonomics

In the hand, the main ergonomic difference between Poco Pad X1 and Poco Pad M1 is simply size and weight, but neither is a true one-handed tablet for long stretches. The Poco Pad X1, with its 11.2-inch footprint and 500 g weight, is the more compact of the two. It is easier to manage on a sofa or in bed than the larger Poco Pad M1, but you will still want a second hand or some support if you are holding it for a long time. Even though the Poco Pad X1 is relatively slim and light for an aluminum unibody tablet with an 8,850 mAh battery, with dimensions of 251.22 x 173.42 x 6.18 mm, it does not quietly disappear in one hand the way a smaller 8 or 9-inch device might.

Poco Pad M1 stretches that template out to a 12.1-inch diagonal with dimensions of 279.8 x 181.65 x 7.5 mm and a weight of about 610 g, which puts it clearly into big tablet territory. It is still slim, but the larger footprint makes it even less suited to long one-handed use, especially if you are moving around. Instead, it feels more like a tablet you rest on a table, prop up with a cover, or pair with its official keyboard, where the extra screen real estate really pays off for split-screen apps, video, and drawing.

The accessory ecosystem around the Pad X1 and the Pad M1 makes them versatile, but in slightly different ways. Poco Pad M1 is compatible with the optional Poco Pad M1 Keyboard, Poco Smart Pen, and Poco Pad M1 Cover, a trio that turns it into a very capable small-screen workstation. The cover folds into a stand and adds a built-in holder for the pen, which makes it easy to move between bag, desk, and sofa without worrying about where the stylus went. The keyboard is lightweight and easy to carry, but the keys feel a bit plasticky in use, which slightly undercuts the otherwise solid metal body of the tablet.

Poco Pad X1 has its own dedicated set of accessories. It supports the Poco Pad X1 Floating Keyboard, the Poco Pad X1 Keyboard, the Poco Focus Pen, and the Poco Pad X1 Cover, which together give it a surprisingly flexible setup for both work and play. The cover folds like origami and doubles as a stand, letting you enjoy the tablet vertically or horizontally, and for horizontal use, you can choose between two different viewing heights.

The Floating Keyboard is the standout here. It adds some weight and only offers a modest tilt range, but the key feel is excellent for this class, and the trackpad is responsive and accurate enough that you quickly forget you are on a tablet accessory. Clipped together, the Poco Pad X1 and the Floating Keyboard behave much more like a compact laptop than a budget slate with an afterthought keyboard, which makes it far easier to treat this smaller tablet as a real writing and work machine when you need it.
 

Performance

Living with Poco Pad X1 and Poco Pad M1 quickly shows how differently they lean, even though they share a lot of DNA. The Poco Pad X1 is the sharper and faster option, with an 11.2-inch 3.2K display at 3,200 x 2,136 px, around 345 ppi, and refresh up to 144 Hz in supported apps. It can hit about 800 nits peak brightness, supports Dolby Vision and HDR10, and uses a 3:2 aspect ratio that feels very natural for reading, web browsing, and document work, helped by TÜV eye care, DC dimming, and adaptive colors to keep things comfortable.

The Poco Pad M1, on the other hand, trades a bit of sharpness and speed for sheer size and flexibility. Its 12.1-inch 2.5K panel runs at 2,560 x 1,600px with around 249 ppi and up to 120 Hz refresh, plus 500 nits typical and 600 nits in high brightness mode. You still get Dolby Vision, DC dimming, and TÜV certifications for low blue light, flicker-free behavior, and circadian friendliness, along with wet touch support that keeps it usable with damp fingers.

Both tablets use quad speakers with Dolby Atmos and Hi-Res support, so you get surprisingly full sound from either. Crucially, the Poco Pad M1 also adds a 3.5 mm headphone jack and a microSD slot for up to 2 TB of expandable storage, which makes it a much easier media hoarder and a better fit for wired headphones and speakers. The X1 relies on its internal storage and wireless audio instead, which suits its more performance-driven, travel-friendly role.

Performance and gaming clearly favor the Poco Pad X1. It uses the Snapdragon 7+ Gen 3 with 8 GB of RAM and up to 512 GB of storage, and combined with the 144 Hz panel, it feels like a handheld console that also happens to be good at multitasking and productivity. The Poco Pad M1 steps down to the Snapdragon 7s Gen 4 with 8 GB of RAM and 256 GB of storage, which is still more than enough for apps and casual gaming, but clearly tuned more for streaming, browsing, and note-taking than for chasing every last frame. In practice, the Poco Pad X1 is the one you reach for when you care about smooth, high refresh gameplay, while the Pad M1 is the one you leave on the coffee table for everyone to use.

Battery life follows the same logic. The Poco Pad X1 pairs its 8,850 mAh battery with 45 W turbo charging, which Poco says can go from zero to full in about 94 minutes, and my experience matches that claim in day-to-day use. The Poco Pad M1 leans into a 12,000 mAh pack, billed as the largest battery in a global Poco device, with up to 105.36 hours of music playback, around 83 days of standby, 33 W charging, and up to 27 W wired reverse charging so it can top up your other devices.

On the software side, both run Xiaomi HyperOS with Xiaomi Interconnectivity and Google’s AI hooks, so you get shared clipboard, call and network sync, Circle to Search, and Gemini support whichever size you choose. As for cameras, Poco Pad X1 pairs a 13 MP rear camera and an 8 MP front camera, while Poco Pad M1 sticks to 8 MP sensors on both sides. The results are perfectly fine for video calls, document scans, and the odd quick snap, but nothing special, which is exactly what you would expect from tablets at this price bracket.

Sustainability

Poco is not making a big environmental branding play with Poco Pad X1 and Poco Pad M1, but there are a few practical touches that matter if you plan to keep a tablet for several years. The most important one is long-term software support. Both Pad X1 and Pad M1 are slated to receive four years of security updates, which gives you a clearer runway for safe everyday use. For budget tablets, that commitment is still not guaranteed across the market, so it is good to see Poco spell it out.

 
That longer support window pairs well with the hardware choices. The aluminum unibody shells on both models feel sturdy enough to survive several upgrade cycles, and the generous storage options, plus microSD expansion on the Poco Pad M1, reduce the pressure to replace them early just to fit more apps or media. It is not a full sustainability story with recycled materials and carbon tracking, but if your definition of sustainable starts with buying something that will not feel obsolete or unsafe in two years, these tablets are at least pointed in the right direction.

Value

The Poco Pad X1 and Poco Pad M1 both land in the affordable bracket, but they scale very differently once you add accessories. The Poco Pad X1 with 8 GB of RAM and 512 GB of storage is $399 USD, which feels fair for the Snapdragon 7+ Gen 3 and high-end 3.2K 144 hertz display. Its accessories are priced like mini laptop gear, with the Floating Keyboard at $199 USD, the X1 Keyboard at $129 USD, the X1 Cover at $49 USD, and the Poco Focus Pen at $99 USD. A fully loaded X1 setup quickly pushes past $600 USD, but in return, you get a compact tablet that can genuinely stand in for a small laptop and drawing pad.

The Poco Pad M1 starts cheaper at $329 USD for 8 GB and 256 GB, and its add-ons stay firmly in value territory. The M1 Keyboard is $99 USD, the M1 Cover is $29 USD, and the Poco Smart Pen is $69 USD, so even a complete kit undercuts an equivalently kitted X1 by a healthy margin. Factor in the microSD slot and 3.5 millimeter headphone jack, and M1 clearly aims to be the better deal for big screen media, note-taking, and family use, while X1 makes more sense if you are willing to pay extra for performance, storage, and that excellent Floating Keyboard experience.

Verdict

The Poco Pad X1 and Poco Pad M1 end up serving two somewhat different roles. If you prioritize performance, the Poco Pad X1 is the clear choice. The Snapdragon 7+ Gen 3, 3.2K 144 Hz display, 512 GB storage, and excellent Floating Keyboard make it feel like a serious little work and gaming machine, even if the full setup gets expensive and you give up the headphone jack and SD slot. If you care more about big-screen comfort and value, the Poco Pad M1 quietly wins. The 12.1-inch 2.5K screen, quad speakers, 3.5 mm jack, microSD expansion, huge battery, and cheaper accessories make it a better fit for big-screen media and everyday productivity.

Whichever way you lean, you are getting more tablet than the price suggests. For context, Apple’s base iPad costs $449 with only 64 GB of storage and a 60 Hz screen. The iPad still has a faster processor and a tighter app ecosystem, but Poco gives you bigger batteries, sharper displays, and a lot more storage for less money. Pick the Poco Pad X1 if you want compact power and a great keyboard experience. Pick the Poco Pad M1 if you want maximum screen, battery, and flexibility for the money. Either way, you end up with a tablet that feels more considered than most of what you will find at this price.

The post Poco Pad X1 & Poco Pad M1 Review: Budget Tablets That Challenge the iPad first appeared on Yanko Design.

Nocs Braque Stacks Two Cubes into a 25kg Sculptural Stereo System

Most hi-fi speakers still look like anonymous black rectangles, even when they sound great. A few brands treat speakers as furniture or sculpture, but often at the expense of engineering. Braque by Nocs tries to sit in the middle, a pair of cubes that are as considered visually as they are technically, treating stereo as both sound and composition rather than one serving the other as an afterthought.

Nocs calls Braque “two cubes, one sculptural stereo system,” and each speaker is a stacked pair, a CNC-machined plywood enclosure on top of a 25 kg solid-steel base. Built in numbered editions, assembled in Estonia with the steel cube handcrafted in Sweden, and tuned back at Nocs Lab, Braque signals that this is not a mass-market soundbar or a safe play for casual listeners who just want something wireless.

Designer: Nocs Design

The upper cube is rigid plywood finished in deep matte-black oil, chosen for tonal warmth and acoustic integrity, and the lower cube is a hand-welded, brushed steel block that anchors the system physically and visually. Sorbothane isolation pads sit between them, decoupling the enclosure from the base so the driver can move without shaking the furniture or smearing the soundstage. Together, the two volumes form a study in symmetry, a minimal yet expressive composition.

The acoustic core is an 8-inch Celestion FTX0820 coaxial driver with a 1-inch compression tweeter at its center, powered by dual Hypex FA122 modules delivering 125 W per side with integrated DSP. The coaxial layout gives a point-source image, and the active 2-way design lets Nocs control crossover and EQ precisely, resulting in a 42 Hz–20 kHz response that is tuned rather than guessed at from a passive circuit.

Nocs describes their studio-sound approach as tuning like sculpture, not adding but uncovering, working with artists and engineers to balance emotion, texture, and detail. The dual-cube design is part of that, lifting the driver to ear height when seated and using mass and isolation to keep the presentation clean and stable at real-world volumes. The idea is that a speaker should reveal music rather than shape it into a brand’s house curve.

Braque offers both analog and digital inputs, RCA and XLR for analog, plus S/PDIF, AES/EBU, and coaxial for digital, and it is meant to connect directly to turntables with a phono stage, streamers, or studio interfaces. There is no built-in streaming or app layer, which feels intentional; you bring your own source and let the speakers handle amplification and conversion from there without trying to be a whole ecosystem.

Braque behaves in a living room or studio as two strict cubes that read like small pieces of Cubist architecture until you press play. For people who want their speakers to be part of the composition of a space, not just equipment pushed into corners, the combination of Celestion drivers, Hypex power, and that heavy steel base makes Braque feel like a very deliberate answer to how a stereo should look and sound in 2025, where form and performance finally coexist without one apologizing for the other.

The post Nocs Braque Stacks Two Cubes into a 25kg Sculptural Stereo System first appeared on Yanko Design.