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This Yacht is actually powered by a Detachable Jet-ski

Jet skis rip through water with ridiculous speed and agility. They’re also terrible at everything else. Try bringing friends along for the ride, or packing anything beyond a phone in a waterproof case. Yachts fix the space issue completely, but they cost a small fortune and require actual skills to operate. Spanish designer Amor Jimenez Chito created the One 16 to split the difference: it’s a six-meter boat powered by a jet ski that detaches when you want to go full throttle solo. The design won the Golden A’ Design Award for 2025, which apparently goes to projects that solve problems nobody else bothered to address.

The engineering is surprisingly straightforward. Your jet ski slots into the hull and becomes the propulsion system for the entire boat. The plug-and-play setup works with major jet ski brands, so you can use whatever you already own or prefer. Six people fit comfortably on deck, where a convertible bow switches between table mode and sunbathing platform depending on the vibe. The hull keeps weight distributed properly so the whole thing stays stable instead of feeling like you strapped a picnic table to a rocket. You get two vehicles in one without paying marina fees for two vehicles. That’s the entire pitch, and it actually makes sense.

Designer: Amor Jimenez Chito

This kind of modularity has been tried before, usually with clunky results that looked like a science fair project gone wrong. The reason the One 16 works, at least conceptually, is that it doesn’t try to hide what it is. The jet ski integration is a core feature, not an afterthought. Chito’s background in industrial design engineering clearly shows in the execution, where the docking mechanism appears both robust and user-friendly. Making it compatible with Sea-Doo, Yamaha, and Kawasaki from the get-go is the smartest decision they could have made. It bypasses the proprietary ecosystem trap and opens the concept up to the entire existing PWC market, which is a massive advantage.

Of course, the real test is how it handles chop with a 300-horsepower jet ski bolted into its spine. The weight distribution is supposedly optimized, but there’s a big difference between a CAD rendering and a windy afternoon on the water. Aesthetically, it’s clean and inoffensive, which is probably the right call for a product aiming for broad appeal. It won’t turn heads like a Wally tender, but it’s not supposed to. The One 16 is a clever piece of problem-solving that prioritizes function over form. It’s a utility player, a waterborne multitool for people who want more options without owning an entire fleet.

The post This Yacht is actually powered by a Detachable Jet-ski first appeared on Yanko Design.

This Intelligent Pet Exoskeleton Helps Injured Dogs Relearn Movement on Their Own Terms

Watching a dog struggle to walk is quietly heartbreaking. Movement, for animals, is not just mobility. It is freedom, confidence, and joy. The Pet Power Assistive Exoskeleton was born from this understanding, blending emotional insight with advanced engineering to create a rehabilitation solution that truly listens to the animal it supports.

The project’s inspiration traces back to a news report on prosthetic limbs designed for disabled pets. While well-intentioned, many of these solutions revealed clear shortcomings. They were passive, rigid, and often uncomfortable, offering limited support beyond basic mobility. This realization became deeply personal when the designer cared for their own dog after a hindlimb injury. Seeing firsthand how difficult recovery could be for an animal exposed a larger issue. Modern rehabilitation technology has evolved rapidly for humans, yet animal care continues to rely on simplified, often outdated aids. This gap sparked a mission to extend intelligent, humane rehabilitation into veterinary practice.

Designer: Leijing Zhou

Instead of forcing movement, the Pet Power Assistive Exoskeleton focuses on understanding intention. Borrowing principles from active exoskeleton systems used in stroke rehabilitation, the device uses surface electromyographic sensors to read muscle signals from a dog’s healthy forelimb. As the dog initiates movement, these signals are analyzed in real time to predict how the impaired hindlimb should move. The system then activates precise mechanical assistance, synchronizing the injured leg with the dog’s natural gait.

This approach transforms rehabilitation into a cooperative process rather than a mechanical correction. The dog leads, and the technology follows, creating movement that feels natural, fluid, and instinctive. By aligning assistance with intention, the exoskeleton reduces strain, encourages correct gait patterns, and supports faster, more confident recovery.

Personalization is central to the design philosophy. Every dog has a unique body, posture, and injury profile, so the exoskeleton is created using advanced 3D printing based on individual body scans. This ensures a tailored fit that distributes weight evenly and avoids discomfort. Carefully selected materials such as lightweight structural components, soft memory foam padding, and non slip contact surfaces prioritize comfort, stability, and long term wearability. This makes the device suitable not only for clinical rehabilitation but also for everyday use.

Developed between 2023 and March 2025 in Hangzhou, the project required extensive research and experimentation. One of the greatest challenges was interpreting muscle signals in animals, an area with little existing data or standardized methods. Translating raw biological signals into reliable movement predictions demanded repeated field testing, iterative modeling, and close observation of real canine behavior. Equally complex was balancing strength and comfort, designing a structure robust enough to assist movement while remaining gentle and non restrictive.

Ultimately, the Pet Power Assistive Exoskeleton represents more than a technical innovation. It reflects a shift in how we think about animal care, recognizing pets not as passive recipients of aid, but as active participants in their own recovery. By merging empathy with intelligent technology, this project restores more than mobility. It protects dignity, independence, and the simple joy of movement.

The post This Intelligent Pet Exoskeleton Helps Injured Dogs Relearn Movement on Their Own Terms first appeared on Yanko Design.

This CMF Phone Mini Concept Is The Compact Android Fans Have Been Begging For

The market for compact smartphones didn’t disappear because people stopped wanting them; manufacturers simply decided the economics didn’t justify the engineering. The iPhone 13 mini was the last great holdout, and its discontinuation left a void that has been filled with nothing but silence. That makes this CMF Phone Mini concept, posted by designer Preet Ajmeri on the Nothing Community forum, feel less like a flight of fancy and more like a genuine market opportunity. It suggests a smarter middle path for small phones, one built around accessibility and modularity rather than specs-sheet maximalism. This isn’t just another shrunken flagship render; it’s a thoughtful take on what a small phone in 2025 ought to be.

What makes Ajmeri’s concept work is its complete lack of flagship pretension. The design has a satisfying, tool-like quality, with an aesthetic that leans closer to a Braun appliance than a miniaturized glass sandwich. The two-tone back panels, secured by exposed screws, are a direct nod to the modularity of the CMF Phone 1 and 2 Pro. That little circular element in the lower corner is a brilliant touch, practically begging for a lanyard or a clever magnetic accessory. The camera housing is integrated into a stepped corner plate, making it feel like a distinct, functional component rather than a generic camera island. It’s an honest object, designed to be held and used without demanding reverence.

Designer: Preet Ajmeri

The colorways Ajmeri mocked up are subtle, and a deviation from the flagship phones’ vibrant color schemes. The sage green has a distinct, almost military-grade feel, while the slate blue is more of a classic tech color. But that brown and cream version is the real standout; it feels like something Braun would have designed in 1975, a perfect piece of retro-futurism. The hard split between the two tones gives it a clear visual hierarchy, and the presumed matte texture looks like it would feel fantastic in the hand. That aside, the modularity is still retained, with the screw-in design, and the knob on the bottom for fixing accessories.

This thing would live or die in the sub-$300 space, and that’s exactly where it belongs. You wouldn’t expect a top-tier Snapdragon processor here; a power-efficient MediaTek Dimensity 7000-series chip would be more than enough to drive a 5.4-inch OLED display without destroying the battery. And battery life would be the biggest engineering challenge, as it always is with small devices. But the appeal isn’t raw performance. The appeal is ergonomics, a one-handed user experience, and a design that has more personality than anything five times its price. CMF has already proven it can deliver a thoughtful software experience on a budget, and that’s all a device like this would need.

So, will Nothing ever actually build it? Almost certainly not, and that’s the real shame. The big players are too risk-averse to cater to a niche they’ve already declared dead. But this concept proves the desire for a well-designed, affordable, and genuinely compact phone is very much alive. It’s a perfect fit for a brand like CMF, which has built its identity on challenging the assumption that budget-friendly has to mean boring. The first company to take a chance on a design with this much character and common sense won’t just sell a phone; they’ll create a cult classic.

The post This CMF Phone Mini Concept Is The Compact Android Fans Have Been Begging For first appeared on Yanko Design.

This Award-Winning Swing Feeds Birds When Kids Aren’t Playing

There’s something delightfully clever about design that refuses to pick just one job. You know what I’m talking about: those rare pieces that make you stop and think, “Wait, it does what?” Birddy, a recent award-winning furniture design by Korean designers Yejin Hong and Seyeon Park, is exactly that kind of creation. It’s a children’s swing when sunny days call for play, and a bird feeder when rain clouds roll in. Simple as that sounds, it’s the kind of thoughtful design that makes you wonder why we don’t see more of it.

The concept earned Hong and Park an Excellence Prize at the 2024 Kengo Kuma & Higashikawa KAGU Design Competition, and for good reason. The competition, known for championing furniture designs that bridge functionality with social awareness, found in Birddy exactly what contemporary design should aspire to be: useful, beautiful, and quietly compassionate.

Designers: Yejin Hong, Seyeon Park

At first glance, Birddy looks like a refined wooden swing, the kind that would fit perfectly in a minimalist backyard or a community park. But flip it upside down on a rainy day, and suddenly you’ve got a protected feeding station for birds seeking refuge and sustenance when the weather turns harsh. It’s this elegant duality that makes the design so compelling. Rather than forcing two functions into an awkward compromise, the designers found a natural harmony between them.

What strikes me most about Birddy is how it normalizes empathy through everyday objects. We’re used to thinking about children’s play equipment and wildlife care as separate concerns, occupying different mental compartments in our design-thinking. Hong and Park challenge that separation. Their design suggests that caring for nature and creating joyful spaces for children aren’t competing priorities but complementary ones. When kids aren’t using the swing, why shouldn’t it serve another purpose? When birds need shelter and food, why can’t the solution be something that already exists in our yards?

The execution shows restraint and respect for both users, human and avian. The wood construction feels appropriate for outdoor use while maintaining aesthetic appeal. There’s no garish attempt to make it “cute” or child-themed. Instead, the design trusts that good form works for everyone. This kind of confidence in simplicity is harder to achieve than it looks. Many designers would be tempted to add unnecessary flourishes or overcomplicate the transformation mechanism. Hong and Park resist that urge entirely.

From a practical standpoint, Birddy addresses real needs without requiring users to sacrifice space or budget for separate items. Urban and suburban dwellers increasingly want to support local wildlife, but bird feeders can feel like visual clutter. A swing is already part of many family landscapes. Combining them removes barriers to participation in backyard conservation. It’s environmental design through integration rather than addition.

The timing feels right too. We’re seeing a broader cultural shift toward multipurpose design as people become more conscious of consumption and space constraints. Furniture that pulls double or triple duty isn’t just trendy anymore, it’s becoming an expectation. But Birddy elevates the concept beyond mere space-saving. This isn’t about cramming more functionality into less area. It’s about finding poetic connections between different forms of care.

There’s also something wonderfully cyclical about the design. Children playing on the swing bring energy and life to a space during fair weather. Birds visiting the feeder bring that same vitality during storms. The object becomes a constant source of animation in the landscape, just with different performers depending on conditions. Parents watching kids swing on Tuesday might find themselves watching sparrows perch on Friday. That kind of continuous engagement with an object creates attachment and value beyond its material worth.

What Hong and Park have created isn’t revolutionary technology or groundbreaking engineering. Birddy succeeds precisely because it doesn’t try to be either. Instead, it represents something equally valuable: thoughtful observation of how we live and a willingness to imagine better arrangements. The best design often comes from asking simple questions like “What else could this do?” and “Who else could this serve?” Birddy answers both beautifully, proving that furniture can be generous in more ways than one.

The post This Award-Winning Swing Feeds Birds When Kids Aren’t Playing first appeared on Yanko Design.

This LEGO Bobber Uses Ballpoint Pen Springs for Suspension and It Actually Fits Perfectly

Ballpoint pen springs probably weren’t on your list of unofficial-yet-essential LEGO Technic parts, but this bobber MOC (My Own Creation) makes a compelling case for raiding your desk drawer. The twin coiled springs flanking the front forks and tucked behind the rear wheel handle suspension duties with surprising visual authenticity. They compress and extend just like real motorcycle shocks, adding functional movement to a build that already nails the stripped-down bobber aesthetic.

Bobbers emerged from post-war American garages when riders started cutting away everything unnecessary from their motorcycles. The philosophy was simple: lose the extra weight, keep what makes it run. This LEGO version channels that same spirit with its exposed twin-cylinder engine, bare-bones frame, and that yellow racing tank sporting a bold number 8. The builder modified LEGO Technic set 42036 into something far leaner and more specialized, swapping the original suspension components for those ingenious pen springs and repositioning elements to achieve proper bobber proportions.

Designer: MadamMelodicRaisin104

The pen spring hack solves a real problem in LEGO motorcycle builds. Technic sets come with their own suspension systems, sure, but they’re often bulky or visually clunky at this scale. Real bobber shocks are these long, exposed coil-over units that sit right out in the open, part of the bike’s visual language. Standard LEGO shock absorbers don’t quite capture that look. They function fine mechanically but lack the visual density and tight coil pattern you see on actual motorcycles. Pen springs nail the aesthetics, which works perfectly for this MOC because visuals are everything. The Bobber isn’t entirely functional, but the suspension (even if static) looks the part.

Set 42036, the donor bike here, originally builds into either a chopper or a street bike configuration. Both versions skew whimsical, which works for LEGO’s typical audience but doesn’t scratch the itch if you’re after something with genuine mechanical credibility. The builder kept the core engine assembly and frame geometry but ditched the fanciful proportions. Bobbers sit low, with the seat almost directly over the rear axle and minimal distance between components. This build compresses everything into that tight package, pulling the handlebars back into a more neutral position and mounting the foot pegs mid-frame rather than forward where cruisers typically place them. Mid-controls make sense for bobbers because the whole point was maneuverability and quick handling, not long highway cruises with your feet stretched out front.

The kickstand correction might seem minor but it speaks to the builder’s attention to detail. The original Technic chopper configuration puts the stand on the right side, which is wrong for actual motorcycles. Real bikes park on the left because that’s where the shifter lives and you need clear access when you’re mounting from the curb side. Swapping it over takes maybe five minutes but it shows someone who actually rides or at least understands how these machines work in the real world. Same logic applies to adding the foot pegs, which the kit omits entirely. You can’t have a rideable motorcycle without somewhere to put your feet, even in miniature form.

The yellow racing livery with that big number 8 pulls the aesthetic away from typical black-on-black bobber builds and into flat track racing territory. Flat trackers are bobbers’ dirt-slinging cousins, stripped down for speed on oval dirt tracks. The color choice keeps the build from looking too generic while the racing plate gives it a story beyond “stripped motorcycle.” The tail section stays minimal, just a small seat cowl and rear fender. Nothing to disturb the clean line running from tank to tail. The fat rear tire balances against that narrow front wheel, classic bobber proportions that suggest power and grip where it matters most. Those pen springs keep catching your eye though, because they’re so perfectly scaled and so absurdly obvious that you wonder why more builders haven’t figured it out.

The catch, however, is that this Bobber only exists in the metaverse… or rather LEGO’s own virtual verse, called the LEGO Ideas forum. Designed as an online platform for LEGO enthusiasts to share their own creations and vote for their favorites. MOCs that cross the 10,000 vote threshold get sent to LEGO’s internal team for review, and if successful, get turned into a box set that all of us can buy! I don’t see LEGO launching kits that require dismembering ballpoint pens for their springs (because that’s technically an ‘illegal’ form of building a brickset), but I’m sure there’s a pneumatic Technic part somewhere in LEGO’s arsenal that will work. If you want to see that happen, however, step 1 is to cast your vote for this gorgeous build on the LEGO Ideas website.

The post This LEGO Bobber Uses Ballpoint Pen Springs for Suspension and It Actually Fits Perfectly first appeared on Yanko Design.

These 8 Objects Helped Me Actually Finish 23 Books in 2025

I finished 23 books in 2025, after a few years of stalling out in the single digits. Most of those were physical books because I still love paper more than screens. The big shift was not suddenly having more free time, it was quietly building a set of reading ritual essentials that made sitting down with a book feel easier and more inviting than picking up my phone.

Instead of treating it as a willpower problem, I treated it as a design problem. I fixed how my books stayed open, how my space was lit, how comfortable long sessions felt, and how I handled travel, bathtime, and commutes. These seven reading ritual essentials did not turn me into a speed reader, they simply made reading the most pleasant option in more moments, and that is how I reached 23 finished books.

1. Bookish Bookmark

The Bookish Bookmark ended up being the quiet hero of my reading year. I read a lot of hardcovers and chunky paperbacks, and they used to fight me on every surface, snapping shut or demanding one hand just to hold them open. This clear acrylic piece became one of the first essentials in my reading ritual and changed that completely by sitting across the pages with a gentle curve and enough weight to hold everything flat without stressing the spine.

Because it is transparent, I can read straight through it while my hands stay free for coffee, breakfast, or note taking. It feels more like a small design object than a mere tool, and it looks beautiful left on a table between sessions. I reached for it during more than half of the 23 books I finished this year, especially the thicker novels and reference titles, and it turned physical reading from a small wrestling match into something smooth and effortless.

The Bookish Bookmark ended up being the quiet hero of my reading year. I read a lot of hardcovers and chunky paperbacks, and they used to fight me on every surface, snapping shut or demanding one hand just to hold them open. This clear acrylic piece became one of the first essentials in my reading ritual and changed that completely by sitting across the pages with a gentle curve and enough weight to hold everything flat without stressing the spine. Because it is transparent, I can read straight through it while my hands stay free for coffee, breakfast, or note taking. It feels more like a small design object than a mere tool, and it looks beautiful left on a table between sessions. I reached for it during more than half of the 23 books I finished this year, especially the thicker novels and reference titles, and it turned physical reading from a small wrestling match into something smooth and effortless.

Click Here to Buy Now: $65.00

What I like

Works especially well with thick books.
Sculptural, minimalist design looks good and feels premium in the hand.

What I dislike

Performs best on flat surfaces, so it is less ideal if you mostly read fully reclined or on your side.

2. Anywhere-Use Lamp

Once I solved the problem of books fighting me, I turned to the light around them. The Anywhere-Use Lamp became the anchor of my reading spaces at home, from the sofa to the bedroom to a quiet corner of the dining table. It is a cordless, minimalist lamp with a soft diffused LED that feels more like candlelight than a harsh task light, and a clean cylindrical form that blends into almost any interior.

Touch controls on the body keep the silhouette free of visible switches and make it easy to tap the lamp on and adjust brightness without hunting in the dark. Because it is fully rechargeable and wireless, I stopped being constrained by outlets and cords and could place it exactly where reading wanted to happen. For most of my evening sessions this lamp was beside me, and it quickly stopped feeling like a generic light and started feeling like a core reading ritual essential that quietly supported the majority of those 23 books.

Click Here to Buy Now: $149.00

What I Like

Cordless, rechargeable design lets you create a reading nook anywhere.
Soft, diffused LED creates a cosy, book friendly atmosphere.

What I dislike

Runs on 4 AA batteries, so you either go through disposables or need to charge rechargeable batteries.

3. LightMan Bendable Book Light

Not every reading moment happens in a perfectly styled corner, and that is where the LightMan by RayMay comes in. It looks playful at first glance, like a tiny figure with a glowing head and bendable limbs, but that personality hides a very functional little reading companion. I can clip it to the top of a book, wrap it around a headboard, or stand it on a shelf and then twist its arms and legs until the beam falls exactly where I need it. When I travel, it has become my secret weapon on long flights, because the built in overhead reading light on planes tends to wash a much wider area and I always feel like I am lighting up my neighbour’s space as well as my own.

The beam is bright enough for comfortable reading but soft enough that it never feels like a spotlight in my eyes. It is so compact it disappears into a carry on pocket until I need it. It became my go to solution for late night chapters and travel, quietly helping a handful of those 23 books get finished instead of abandoned, and it now feels like a non negotiable part of my travel reading ritual.

What We Like

Compact and lightweight, so it is easy to pack.
Playful character shape adds charm.

What We Dislike

Runs on coin cell batteries, which you need to replace rather than simply recharging via cable.
Light output is tuned for close range reading and is not strong enough to light an wide area.

4. Book Darts

As my reading picked up, I realised I needed something better than a normal bookmark. Book Darts became my favourite functional essential because they mark the exact line, not just the page. They are tiny metal arrows that slide onto the edge of a page and point precisely where you stopped, with a profile so thin that even a heavily marked book still closes neatly.

With a traditional bookmark, I often felt it was not worth opening a book unless I had time for a full section, because I knew I would only be able to save the page, not the last sentence I read. With Book Darts, I can drop one right at the final word, close the book, and know I will land exactly there next time, even if I only had time for a paragraph. I also use the different metal finishes as a simple code, with one colour for quotes I love, one for ideas I want to act on, and another for things I want to revisit later, so the edge of the book becomes a tiny, elegant index of what matters most to me.

What I Liked

Line level marking makes micro reading feel worthwhile.
Reusable metal construction is more sustainable and durable than disposable tabs or sticky notes.

What I disliked

Small size makes them easy to misplace if you are not disciplined about where you store them.

5. Thermo Mug x Paul Smith Double Mag

For my reading ritual, the thermo mug x Paul Smith Double Mag works because it gets both function and design right at the same time. It is a double walled stainless steel mug, so it keeps drinks warm or cold far longer than a regular ceramic cup. On cold days, I love settling in with a hot drink and a book, and this mug keeps my tea or coffee properly hot through a full chapter instead of turning lukewarm halfway through.

The insulation also makes it useful in warmer weather, because iced drinks stay cold without sweating all over my table or leaving rings on the surface. The stainless body feels solid without being heavy, and the Paul Smith detailing gives it a clean, characterful look that feels like it belongs in a considered reading setup rather than just being a generic travel mug. It did not directly add more pages to my 23 book total, but it made those cold weather reading sessions feel cosy and deliberate, which is exactly what I want from a reading ritual essential.

What I Like

Double walled stainless construction keeps hot drinks warm or cold drinks chilled for much longer.
Paul Smith detailing adds a clean, characterful look.

What I dislike

Not leak proof.
Limited regional availability.

6. Minature Bonfire Wood Diffuser

Once the light and the mug were in place, the last layer I wanted to add to my reading ritual was scent. The Miniature Bonfire Wood Diffuser Set became the little object that finished the scene and made my reading corner feel like its own tiny world. It looks like a miniature campfire on your table, with a rust resistant stainless steel base and bundled wood pieces that absorb essential oil, so it feels more like a design sculpture than a typical spa diffuser.

You do not actually light it, which makes it much calmer to use around books and textiles. Instead you add a few drops of oil to the wood and let the scent slowly drift into the room. You can choose between “Hakusan,” which evokes a Japanese mountain forest, or “Cedar,” which feels more like a cosy log cabin, and both create the illusion that you are reading in nature rather than in a city apartment. It made my reading corner feel like a retreat, which makes it much easier to choose a book over a screen.

Click Here to Buy Now: $99.00

What I Liked

Miniature bonfire form creates a strong visual focal point.
No open flame required, so it is safer and more relaxed to use near books, blankets, and paper stacks.

What I disliked

Scent throw is gentle, which is lovely for reading but may feel too subtle if you expect a very strong fragrance.

7. Kindle Paperwhite Signature Edition

The Kindle Paperwhite Signature Edition was not the main engine of my reading year, but it became the situational essential I relied on in very specific contexts. I still prefer physical books, yet the Kindle quietly took over bathtime, travel days, and some bedtime reading when I did not want to juggle a heavy hardcover or risk splashing a favourite edition. Its seven inch E Ink Carta 1300 display feels close to paper, with darker blacks and snappy page turns that make those edge case moments feel like proper reading rather than a compromise.

I keep it loaded with a mix of lighter reads and travel friendly titles that I am happy to enjoy in steamy bathrooms or cramped airplane seats. The glare free screen stays comfortable under bright airplane windows and in dim hotel rooms, and the auto adjusting warm front light lets me read in bed without blasting the whole room. Wireless charging and long battery life mean it is always ready to toss into a bag, and while it only accounted for a handful of the 23 books I finished, those would almost certainly have been lost opportunities without this particular ritual essential.

What I Liked

Auto adjusting warm front light is perfect for bedtime.
Waterproof design adds real peace of mind for reading near water.
Excellent battery life and wireless charging.

What I disliked

Wireless charging only works with ccompatible Qi chargers.

8. Bose QuietComfort Ultra Earbuds 2nd Gen

For my reading ritual on the move, the Bose QuietComfort Ultra Earbuds 2nd Gen are all about turning chaos into a private reading bubble. I have tried a few different pairs over the years, and these are genuinely among the best noise cancelling earbuds I have used, which matters a lot on planes, trains, or in loud cafés. I use them both for audiobooks and for playing light background music while I read in noisy environments, and in both cases the noise cancelling lets the sound sit close and clear without being drowned out.

Battery life reaches up to six hours of playback on a charge, with the wireless case holding around three extra full charges, so a full workweek of listening felt effortless. I pair them with my phone, queue up an audiobook, or a soft playlist for reading in busy spaces, and suddenly those otherwise noisy hours become quiet, story filled pockets of time. They did not replace my physical reading, but they probably added three or four extra finishes to my 23 book total and rescued many sessions that would have been impossible without that level of noise control.

What I Like

Class leading noise cancellation.
Multipoint connectivity lets you switch between devices without constant reconnecting.
Comes in five color variations.

What I disliked

Touch controls can feel sensitive until you get used to it

How These Reading Ritual Essentials Added Up to 23 Books

Looking back, the pattern feels simple and honest. The pieces that touched the book and the light around it did most of the quiet work, from keeping pages open comfortably to making whatever seat I chose feel like a proper reading spot. The smaller details layered on top, like a bendable light for flights, line level markers for tiny pockets of time, a mug that kept drinks at the right temperature, and a diffuser that made the room smell like a forest or cabin, helped my reading corner feel less like an accident and more like a place I had designed on purpose.

The digital and audio pieces then extended that same ritual into situations where paper struggled. Baths, flights, hotel rooms, noisy cafés, commutes, and airport waits all became bonus reading windows, whether through a waterproof e reader or a pair of earbuds that could carve out a quiet bubble for audiobooks or soft background music. None of these objects are magic on their own, but together they removed enough friction that finishing 23 books in a year felt natural instead of aspirational, and that is the real value of building a reading ritual that actually fits your life.

The post These 8 Objects Helped Me Actually Finish 23 Books in 2025 first appeared on Yanko Design.

10 (More) Best Designs From 2025 That Prove We Want The Future To Look A Lot Like The Past

If Part 1 of this list proved that nostalgia is having a moment, Part 2 is here to show you that 2025 wasn’t only about looking backward. Sure, we are obsessed with what came before, but the best designs this year didn’t just resurrect the past, they remixed it with enough modern intelligence to feel genuinely new. This is where things get interesting: when designers stop treating retro as a costume and start using it as raw material. The result is products that feel familiar enough to trust but fresh enough to justify their existence in a world already drowning in stuff.

So here are the next 10 designs that made 2025 unforgettable. Some lean hard into nostalgia. Others push so far forward they feel like prototypes from 2030. A few manage to do both at once, which might be the most 2025 thing possible. Whether you spent this year glued to design blogs or just trying to keep your head above water, these picks represent the moments when form, function, and cultural timing aligned perfectly. Let’s dig into the second half of what made this year worth paying attention to.

1. Poke-Nade Monster Ball by Takara Tomy & The Pokémon Company

Nostalgia is a fickle mistress! She shows up when you least expect her, whispers about the good old days, and convinces you to spend money on things that have no business existing in 2025. Case in point: Pokemon just dropped the Poke-Nade Monster Ball, which is essentially a Tamagotchi disguised as a Pokéball, and millennials are losing their collective minds over it. This is not groundbreaking technology. This is not solving any real problems. This is pure, weaponized nostalgia, and it is working exactly as intended.

The device takes everything we loved about late-90s virtual pets and wraps it in Pokemon branding so potent you can practically hear the theme song playing. A color LCD screen sits inside a touch-sensitive shell shaped like an actual Pokéball, letting you stroke, tap, and physically interact with your digital companion. Pet it gently and it reacts with happiness. Tap persistently and it falls asleep. The gestures unlock deeper animations as your friendship level grows, which is a clever evolution of the old Tamagotchi button-mashing routine. But let’s be honest, the innovation here is minimal. What they are really selling is the emotional real estate Pokemon and Tamagotchi occupied in our childhoods, repackaged with a slightly better screen and some capacitive touch sensors. And you know what? That is enough. Because nostalgia does not need to innovate. It just needs to remind you of a time when feeding a pixelated creature between math classes felt like the most important responsibility in your life. Pokemon knows this. They counted on it. And judging by how fast these things are selling out, they were absolutely right.

2. Wi-Fi HaLow (with 9.9 mile connectivity) by Morse Micro

And to counteract that, here’s some serious tech innovation from the beginning of the year that grabbed eyeballs. While most brands relied hard on nostalgia, Morse Micro decided to solve a problem that has plagued connectivity since WiFi was invented: range. The Wi-Fi HaLow system delivers connectivity across a 9.9-mile radius using sub-GHz radio waves, which means it can punch through walls, penetrate obstacles, and maintain signal strength over distances that would make standard Wi-Fi routers give up and go home. Traditional Wi-Fi operates on crowded high-frequency bands that struggle beyond a few dozen meters and get blocked by anything denser than drywall. HaLow operates at lower frequencies with significantly better propagation characteristics, turning your home network into something closer to a neighborhood utility than a room-specific convenience.

The implications go way beyond streaming Netflix from your driveway. You could theoretically connect to your home network from the grocery store, maintain smart home control from miles away, or create IoT networks that span entire campuses without repeaters or mesh nodes cluttering every hallway. Industrial applications become viable where they were previously impossible, rural connectivity suddenly looks feasible without expensive cellular infrastructure, and the whole concept of what a local network means gets redefined. This is not retro. This is not nostalgic. This is pure forward momentum, the kind of innovation that makes you wonder why we spent decades optimizing the wrong frequencies when the solution was sitting in a less congested part of the spectrum the whole time. If 2025 taught us anything, it is that sometimes the best way forward has nothing to do with where we have been.

3. Nintendo Wii U Revival by Brenden Sullivan

The Wii U was Nintendo’s most spectacular failure in recent memory, a console so confusing in its messaging and underwhelming in its execution that even hardcore fans pretend it never happened. Yet here comes a concept that asks: what if we took the one genuinely clever idea from the Wii U, the gamepad with the built-in screen, and rebuilt it for the Switch 2 era? This Wii U revival concept imagines a companion device that pairs with Nintendo’s next console, offering dual-screen gameplay, touch controls, and the asymmetric multiplayer experiences that made the Wii U interesting for about five minutes before everyone forgot it existed. It is nostalgia for hardware that barely had time to build nostalgia in the first place, which makes it either brilliantly contrarian or deeply misguided depending on how charitable you are feeling.

What makes this concept work as a 2025 artifact is that it refuses to let a good idea die just because the original execution flopped. The Wii U’s tablet controller was ahead of its time in some ways and catastrophically behind in others, but the core premise, that asymmetric information and split-screen interactions could create new gameplay dynamics, never got a fair shot. This concept takes that kernel and strips away everything that made the original clunky: the limited range, the single-controller restriction, the confusion about whether it was a handheld or a console accessory. By positioning it as an optional sidekick to the Switch 2 rather than the main event, it fixes the branding disaster while keeping the innovation. It is nostalgia weaponized correctly, not as pure recreation but as salvage operation, pulling the worthwhile parts from the wreckage and giving them a second chance in a context that might actually appreciate them.

4. No.1/1000 Titanium Fractal Vise by Titaner

Most tools are designed to disappear into workshops, utilitarian objects that do their job without demanding attention. Titaner’s titanium fractal vise does the opposite. It announces itself as both precision instrument and sculptural object, with a body machined from solid titanium and a fractal pattern that serves actual structural purposes rather than just looking cool. The geometry distributes clamping force efficiently while reducing material weight, which means the mathematical beauty is not decorative, it is load-bearing. Limited to a small production run, each vise is CNC-machined to tolerances that make it as much a collector’s item as a working tool, the kind of thing that sits on a workbench and makes visitors ask questions before they realize it actually functions.

What makes this a 2025 design rather than just expensive engineering porn is the way it represents a larger shift in how we think about tools and objects. We are moving past the idea that functional items need to be aesthetically neutral, that beauty and utility occupy separate categories. This vise proves you can have museum-grade craftsmanship in something designed to grip metal and take abuse. It is the intersection of maker culture, precision manufacturing, and the growing appreciation for objects that justify their cost through both performance and presence. There is no nostalgia here, no retro callback, just an argument that everyday tools can be extraordinary if we stop accepting mediocrity as the baseline. It is innovation in the form of asking why more things are not built this well, and then actually building one to prove the point.

5. WP200 Pro Modular Smartphone by OUKITEL

Modular smartphones have been promised, prototyped, and abandoned so many times that most people stopped believing they would ever work. Then the rugged WP200 Pro from OUKITEL shows up with a detachable display that does not just disconnect, it transforms into entirely different devices. The screen pulls away from the phone body and can be reconfigured as either a smartwatch strapped to your wrist or an earbud clipped to your ear. The phone itself continues functioning with a secondary display underneath, so you are not sacrificing core functionality when you repurpose the main screen. It is the kind of absurdly ambitious design that sounds like vaporware until you see the mechanical hinges and magnetic connections that make it plausible.

This is innovation trying to solve a problem nobody asked for but might actually appreciate once it exists: the fact that we carry multiple screens doing similar jobs when one good screen could rotate between contexts. Why own a phone, smartwatch, and wireless earbuds when one modular system could cover all three? The rugged construction suggests this is built for field work, outdoor use, or situations where carrying multiple fragile devices makes no sense. It is the opposite of nostalgia, there is no retro aesthetic here, no callback to simpler times, just aggressive forward-thinking that asks whether our current device ecosystem is as optimized as we assume. Whether it ever ships is anyone’s guess, but as a statement of intent, it proves that some designers are still more interested in what comes next than what came before.

6. Kangourou Tiny Home by Quadrapol

Tiny homes have been sold as this romantic solution to housing affordability and minimalist living, but they come with one universal design flaw that nobody wants to admit: climbing a ladder to your bed every night gets old fast. Especially if you have kids, aging parents, mobility issues, or just a baseline desire to not break your neck at 3am during a bathroom trip. This family-friendly tiny home named Kangourou redesigns the entire layout to put every sleeping space on the ground floor, which sounds simple until you realize how much spatial gymnastics that requires in a structure measuring under 400 square feet. The designers pulled it off using sliding partitions, convertible furniture, and clever vertical storage that keeps the ceiling height usable without forcing anyone to sleep in what amounts to an attic crawlspace.

What makes this relevant to 2025 is that it represents tiny home design finally maturing past the Instagram aesthetic phase. For years, tiny homes prioritized looking good in photos over actually functioning as long-term residences, which is why so many ended up as glorified vacation rentals rather than permanent housing solutions. This design prioritizes livability, accessibility, and the reality that families need private sleeping spaces that do not require ladder proficiency. It is not flashy. It is not trying to reinvent architecture. It is just solving a known problem with enough intelligence that it stops being a problem, which might be the most underrated form of innovation. If the tiny home movement wants to be taken seriously as housing rather than lifestyle content, this is the direction it needs to go: less emphasis on clever lofts, more focus on whether you would actually want to live there past the honeymoon phase.

7. Pexar Starlight 15.6″ Picture Frame by Lexar

Wizarding photographs in Harry Potter had one feature that always felt unfair: they moved, waved back, captured the full motion of a moment instead of freezing it into stillness. Muggles have been trying to close that gap ever since, and digital picture frames are basically our best attempt at making photos feel alive without actual magic. The Pexar Starlight takes that idea and adds ambient backlighting, turning a 15.6-inch display into something that sits between traditional frame and mood lighting. Photos cycle through with adjustable brightness that shifts based on time of day, so your memories glow softly in the evening and stay crisp during daylight hours. It is designed to blend into home decor rather than scream “tech gadget,” which is harder than it sounds when you are essentially mounting a screen on the wall.

What separates this from the dozens of other digital frames cluttering the market is the execution of details most brands ignore. The matte finish reduces glare without killing color vibrancy. The frame itself comes in multiple finishes so it does not look like every other black-bezeled rectangle. Setup happens through a companion app that actually works instead of requiring a computer science degree to navigate, and photo uploads can be automated from cloud storage so you are not manually curating every week. The backlight feature is the real differentiator, creating depth and warmth that makes photos feel more like displayed art than screensaver content. It is not trying to replace your phone’s photo library. It is trying to give your best shots the kind of presence they deserve, somewhere between nostalgia object and functional decor, which is exactly where digital frames should have been aiming all along.

8. CAMIO Wearable by BQEYZ

Meta’s smart glasses cost several hundred dollars and lock you into their ecosystem, their frames, their design language, and their gradual feature rollout that always feels like paying for a beta test. Meet CAMIO, a $79 snap-on module from an upstart competitor that takes a different approach: it clips onto any pair of glasses you already own and turns them into recording devices with a tiny camera, built-in storage, and wireless connectivity. You keep your prescription lenses, your favorite frame style, your existing investment in eyewear. The module just adds the capture functionality without forcing you to replace everything. It records video, snaps photos, and syncs to your phone over Bluetooth, handling the basics without trying to be a full augmented reality platform or AI assistant.

The genius here is recognizing that most people do not want to replace their glasses, they just want their glasses to do more. Meta’s approach requires buying into their hardware completely, which is a tough sell when you have frames you like or prescriptions that need specific lenses. This module treats smart features as an add-on rather than a replacement, which dramatically lowers the barrier to entry both financially and practically. It is not going to match Meta’s polish or integration depth, but it does not need to. It just needs to capture moments hands-free and stay out of the way when you are not using it. For seventy-nine dollars, that is a value proposition that makes sense in a way premium smart glasses still struggle to justify. Sometimes the best innovation is not building something entirely new, it is building something that works with what people already have.

9. Small House On A Corner Lot by KOMINORU Design

Tokyo real estate operates on a completely different logic than most cities. Space is so expensive and scarce that architects have spent decades perfecting the art of making tiny footprints feel livable, even generous. This Japanese tiny home takes those spatial compression techniques and pushes them further, creating a dwelling that maximizes every cubic inch without feeling claustrophobic or compromised. The design uses vertical layering, multifunctional furniture, and strategic transparency to make a structure barely wider than a parking space feel like a complete home rather than an elaborate closet with plumbing.

What sets this apart from typical tiny home design is the cultural context. Japanese architecture has been optimizing small spaces for centuries, long before minimalism became a lifestyle trend or tiny homes became YouTube content. This design pulls from that tradition: sliding shoji-inspired partitions that reconfigure rooms on demand, sunken floors that create separation without walls, storage integrated into every surface so nothing feels like dead space. Natural light floods in through carefully positioned windows that also provide ventilation and visual connection to the exterior. The result is a home that feels intentional rather than constrained, where every design choice serves multiple purposes and nothing exists just for show. It is a masterclass in efficiency that does not sacrifice comfort, proving that small spaces stop being a limitation once you design specifically for them instead of trying to cram traditional layouts into compressed square footage. If urban density is the future, this is the blueprint for making it actually desirable.

10. Saros Z70 by Roborock

Robot vacuums have gotten really good at one thing: vacuuming. They map your floors, avoid obstacles, empty themselves, and generally handle the task they were designed for with increasing competence. But they have always had one glaring limitation: if there is a sock on the floor, a charging cable, a kid’s toy, anything that is not flat dirt or debris, the vacuum just routes around it or gets tangled and calls for help. The Roborock Saros Z70 fixes this with the most obvious solution nobody thought to mass-produce until now: it adds a robotic arm. A literal articulated arm that extends from the vacuum’s body, grabs objects off the floor, and moves them out of the way so it can continue cleaning underneath. Socks, shoes, small towels, cables, anything under a certain weight gets picked up and relocated to a designated drop zone.

This is innovation that feels overdue the moment you see it. We have had the mechanical capability to build grabber arms into consumer robots for years, but nobody committed to the engineering challenge until Roborock decided the robot vacuum category had gotten boring enough to need disruption. The arm uses vision recognition to identify objects, assess their weight and shape, and determine whether they are safe to grab, which prevents it from trying to lift furniture or drag your laptop across the room. It is not perfect, weight limits and object recognition will have edge cases, but it represents a fundamental expansion of what a cleaning robot can do. Instead of just reacting to obstacles, it actively manipulates its environment to complete its job. That is a step change in capability that makes every previous robot vacuum feel like it was solving only half the problem. If this actually ships at a reasonable price point and the arm proves reliable, it will instantly make the entire existing market feel outdated, which is exactly what genuine innovation is supposed to do.

The post 10 (More) Best Designs From 2025 That Prove We Want The Future To Look A Lot Like The Past first appeared on Yanko Design.

This Dome Shelter Packs Flat and Deploys in Under 2 Hours

When disaster strikes, shelter is everything. But what if you could pack an entire house into a kit and assemble it in just over an hour? That’s exactly what Japanese company TCL Co. has achieved with the Ezdome House, a geodesic dome shelter that’s just won a spot in the prestigious Good Design Award 2025 Best 100.

At first glance, the Ezdome looks like something out of a sci-fi movie. Picture a smooth, white spherical structure that wouldn’t look out of place on Mars. But this isn’t just a design flex. It’s a carefully engineered response to one of Japan’s most pressing challenges: how to give people dignity and safety when natural disasters turn their lives upside down.

Designer: TCL Coc

Japan knows disaster intimately. Earthquakes, typhoons, torrential rains, they’re all part of the landscape. And while the country has gotten incredibly efficient at emergency response, the traditional evacuation shelter model has always had glaring problems. Think crowded gymnasiums with zero privacy, people sleeping shoulder to shoulder on cold floors, and the constant risk of infectious diseases spreading through cramped spaces. The system works for survival, but it’s hardly humane.

That’s where the Ezdome completely flips the script. Two adults can assemble one of these dome shelters in about 60 to 90 minutes without any special skills or tools. The structure arrives as a flat-pack kit of interlocking panels, 38 pieces plus a transparent roof dome that lets natural light flood in. Each panel is made from high-density polyethylene, the same tough, non-toxic material used in everything from cutting boards to industrial piping. It’s impact-resistant, handles extreme temperatures like a champ, and the double-layered walls provide both insulation and structural integrity.

The dome shape isn’t just aesthetically pleasing (though it definitely is). It’s geometry working overtime. Because there are no square corners eating up space, every inch of the 7.1 square meter interior is actually usable. The curved walls create better air circulation, and the spherical structure distributes stress evenly, making it remarkably stable in high winds or aftershocks. When you’re trying to provide emergency shelter, efficiency like that matters enormously.

But here’s what really sets the Ezdome apart from typical disaster relief tents: dignity. Each dome is a private, lockable space. It’s not just a roof over your head, it’s a temporary home where families can maintain some semblance of normalcy during the worst moments of their lives. There’s room to stand up, move around, and actually breathe. For people who might be displaced for weeks or months, that psychological difference is massive.

The Ezdome has already proven itself in real-world disasters. After the devastating Noto Peninsula earthquake hit Japan on New Year’s Day 2024, these domes were rushed to evacuation centers in Wajima. They’ve also been deployed internationally, providing shelter after earthquakes in Turkey, Syria, Morocco, and Myanmar. Relief workers consistently praise how quickly they can be set up without requiring specialized construction knowledge, a crucial advantage when time literally saves lives.

What’s fascinating is how the Ezdome’s design philosophy extends beyond disaster relief. Because these structures are so modular and adaptable, they’ve found applications in glamping sites, as backyard studios, and even as pop-up medical clinics or community gathering spaces. This versatility means they can sit in storage during peacetime, ready for deployment, but also generate value through other uses. It’s smart, sustainable design thinking that recognizes infrastructure doesn’t have to be single-purpose.

The price point, about 1.32 million yen (roughly $9,000 USD) for the basic set, positions these as serious infrastructure investments rather than disposable emergency supplies. Municipalities and organizations can stock them, use them for disaster preparedness training, and know they’ll still be functional years down the line. The material doesn’t rot, rust, or degrade like traditional building materials.

In an era where climate change is making extreme weather events more frequent and more severe worldwide, innovations like the Ezdome feel increasingly essential. We’re going to need smarter, faster, more humane ways to shelter displaced people. The traditional disaster relief playbook isn’t cutting it anymore. What TCL Co. has created isn’t just a product. It’s a reimagining of what disaster response can look like when design prioritizes human dignity alongside practical function. That’s why it earned its spot among this year’s top designs. Sometimes the most important innovations aren’t flashy or revolutionary. They’re simply better answers to problems we’ve tolerated for far too long.

The post This Dome Shelter Packs Flat and Deploys in Under 2 Hours first appeared on Yanko Design.

This 3D-Printed Lamp Was Designed to Feel Like Mom’s Hug

There’s something quietly revolutionary happening in design right now, and it doesn’t involve flashy colors or radical shapes. Instead, it’s about something far more intimate. Hu Yuanlin’s HER Floor Lamp proves that the most innovative designs often emerge from the most personal places, bridging the gap between cutting-edge technology and deep emotional resonance.

The story behind HER is achingly simple yet profoundly universal. While studying abroad, Hu found himself missing his mother’s presence, that comforting silhouette that represents home and safety. Rather than simply enduring that longing, he transformed it into something tangible. The lamp’s gracefully curved form echoes the protective stance of a maternal figure, creating what he calls a “quiet emblem of safety and peace at home”. It’s a reminder that the objects we surround ourselves with can do more than illuminate rooms or look aesthetically pleasing. They can hold memories, evoke emotions, and provide companionship.

Designer: Hu Yuanlin

What makes HER particularly fascinating is how it marries this emotional depth with technological innovation. The lamp isn’t just symbolically sustainable through its emotional longevity. It’s literally made from recycled materials, with its segmented lampshade 3D-printed from recycled PETG sourced from old eyeglass frames and disc cases. This choice transforms what might have become waste into something beautiful and functional, proving that sustainability and design excellence aren’t mutually exclusive.

The technical execution deserves attention too. The crystal-clear shade refracts light in ways that create flowing shadows and an atmosphere of serenity. It’s not harsh or clinical despite its modern manufacturing method. Instead, the lamp combines streamlined structural design with organic, leaf-like details that express natural vitality within a minimalist framework. This balance between the organic and the technological, between warmth and precision, feels distinctly contemporary.

HER has already garnered significant recognition in the design world. The lamp won a 2025 Red Dot Design Award, one of the most prestigious accolades in the field, while Hu was still a student. That’s no small achievement. It signals that the design community is hungry for work that doesn’t just look good in a portfolio but carries genuine meaning and innovative thinking about materials and manufacturing.

The timing feels right for a design like this. We’re living in an era where people increasingly crave authenticity and connection, where the sterile perfection of mass-produced items often feels empty. Meanwhile, technology like 3D printing has matured to the point where it can produce objects with both technical sophistication and artistic nuance. HER exists at this intersection, using advanced manufacturing to create something that feels handcrafted and personal.

There’s also something poignant about a lamp designed to evoke maternal presence. In our hyper-connected yet often isolated modern lives, especially for those living far from family, objects that provide emotional anchoring become increasingly valuable. HER doesn’t just light a room. It occupies space with a presence, standing sentinel like a protective figure. It’s the kind of design that transforms a house into a home, that makes a lonely apartment feel less empty.

What Hu has achieved with HER suggests exciting possibilities for the future of product design. As 3D printing technology becomes more accessible and sustainable materials more refined, designers have unprecedented freedom to create forms that would be impossible through traditional manufacturing. More importantly, they can create limited runs or even custom pieces that maintain deeply personal narratives without sacrificing quality or sustainability.

The lamp has already been exhibited at events like TCT Asia 3D Printing and Shanghai Design Week, introducing it to broader audiences and manufacturing partners. It’s moving from student project to commercial reality, which means more people might soon have the opportunity to bring this piece into their homes and lives. HER Floor Lamp reminds us that great design doesn’t need to shout. Sometimes the most powerful statements are quiet ones, standing in the corner of a room, casting gentle shadows, and making us feel a little less alone.

The post This 3D-Printed Lamp Was Designed to Feel Like Mom’s Hug first appeared on Yanko Design.

Miyoo Mini Flip Shrinks Retro Gaming into a 2.8-Inch Folding Square

Retro handhelds have exploded in the last few years, from chunky bricks to tiny keychain consoles, and a lot of them still feel like little Linux boxes with buttons bolted on. The Game Boy Advance SP’s clamshell still lives rent-free in people’s heads, that satisfying snap when you close it, and the way it fits into a pocket without scratching the screen. The Miyoo Mini Flip is a modern answer to that memory, scaled for pockets and commutes.

The Miyoo Mini Flip is a folding version of Miyoo’s tiny emulation handheld, now with an upgraded hinge for better durability. Closed, it is a 2.68‑inch square about 0.79 inch thick, small enough to disappear into a jeans pocket or bag. Open it up, and you get a full control deck and a 2.8‑inch screen, turning idle minutes into quick sessions of 8‑bit and 16‑bit comfort food without needing to commit to a full setup.

Designer: Miyoo

The 2.8‑inch IPS panel runs at 750 × 560 with a 4:3 aspect ratio, which lines up nicely with most classic consoles. The marketing calls it “3× pixel perfect,” hinting at clean integer scaling for certain systems, so sprites and tiles look crisp instead of smeared. Wide viewing angles and decent colour make pixel art and old racing games feel surprisingly alive on such a small canvas, bright enough to play outdoors or on a dimly lit train.

The control scheme mixes classic D-pad, ABXY face buttons, Select and Start, a Menu key, and L/L2 and R/R2 shoulder buttons tucked along the back edge. Volume and power live on the sides, with a front speaker and a TF card slot underneath. The layout feels like a mashup of modern controllers and old handhelds, giving thumbs familiar landmarks without overcomplicating a device that is meant to be grabbed and played.

The hardware is a Cortex‑A7 at 1.2 GHz, 128 MB of RAM, Linux under the hood, 2.4 GHz Wi‑Fi, and a 3.7 V 2500 mAh battery. It is tuned for NES, SNES, GBA, PS1, and similar eras, not chasing Switch-level performance. The bundle usually includes a 64 GB microSD card and USB‑C cable, so you are not hunting for storage or adapters before you can start tinkering with ROMs and emulator settings.

The hinge‑enhanced durability callout addresses early batches where people worried about wobble and wear. Closed, the Flip feels like a small, dense square you can toss into a pocket, backpack, or travel pouch without babying it. Marketing leans into travel, outdoor, waiting, and “back childhood” scenarios, which is exactly where a device like this shines, filling dead time with a few more runs of your favourite platformer or racer.

The Miyoo Mini Flip stands out beyond the emulator list. The clamshell form, upgraded hinge, sharp 4:3 IPS screen, and toy-like colours make it feel like a considered object, not another PCB in a shell. Retro games live as a small ritual in a pocket rather than a full setup on a desk, and this little folding square hits a very specific, very charming note without demanding much more than a microSD card and a willingness to revisit Super Mario World one more time.

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