Tecno Camon 50 Ultra 5G Review: A $420 AI Phone With Built-in Gemini, ChatGPT, DeepSeek, and Grok

Apple has Apple Intelligence. Google Pixel has Gemini. Samsung has Galaxy AI. Tecno has everything else. Packed into its EllaClaw agent is the ability to use Gemini, ChatGPT, Grok, and DeepSeek, because a walled garden never benefited anyone. Tecno’s Camon 50 Ultra 5G is a great phone, but what makes it worth doing a double take for is EllaClaw, an agentic AI built into the phone that offers a phone AI experience I have yet to see on any smartphone so far. EllaClaw is currently an invite-only closed Beta feature limited to just this phone, but seeing it in action gave me everything I needed to understand where other phones are going wrong with their on-board AI, and where they can learn from Tecno.

The wild part is how approachable it all feels. EllaClaw does not sit around waiting for you to guess the perfect command like some moody genie. It actively shows you what it can do, which makes the whole experience feel far less intimidating than Gemini or Apple Intelligence currently do. Within minutes, I was jumping between message summaries, creative tools, settings help, and different AI models without feeling like I needed a tutorial or a prayer.

Aesthetics

The moment I unboxed the Camon 50 Ultra 5G, I was hit with a serious case of déjà vu. The green variant has a gorgeous satin finish that gives it a silky, metallic glow under the light, and it immediately sent me down a memory lane trip to my old OnePlus 8 Pro which I faithfully used from 2020 to 2024. The color, the texture, even the way the camera module is arranged, it all felt so familiar and, frankly, so premium. Tecno absolutely nailed the flagship-esque feel here. The back is smooth to the touch, resists fingerprints reasonably well, and has a subtle elegance that a lot of phones in this bracket just do not bother with.

The front is where the design language gets a little more complicated, at least for me. Tecno went with a waterfall display, which means the screen curves dramatically around the sides. It looks stunning when the phone is off or when you are watching a video, creating an immersive, almost bezel-free experience. But I have always had a love-hate relationship with these displays. They are beautiful, no doubt, but they can be a magnet for accidental palm touches. While the software does its best to ignore them, I still found myself occasionally tapping something I did not mean to. It is a classic case of striking aesthetics meeting the messy reality of how we hold our phones. I do have to say that Tecno’s Liquid Glass homage does look much better on a waterfall display than on a bezel-ridden iPhone.

Ergonomics

That waterfall display has a big effect on how the phone feels in your hand. The curved edges melt away into the frame, making the Camon 50 Ultra 5G incredibly comfortable to hold. There are no sharp, flat corners digging into your palm, which is great for long sessions of scrolling or gaming. The trade-off, of course, is that the phone can feel a little slippery if you are not paying attention. It has that smooth, polished-stone feel that is lovely to touch but always feels one careless gesture away from a gravity experiment. It is a phone that practically begs to be put in a case, even if it feels like a shame to cover up the design.

The button layout is personally feels a little little bit tricky. On the left, you have a dedicated AI key that summons EllaClaw, a shortcut I ended up using constantly. You can remap it, but having a one-press gateway to the AI is a smart touch. The right side, however, is where my muscle memory started to complain. There is a power button and a fairly short, single-piece volume rocker. Because the rocker is slightly compact, I often found myself fumbling, unsure if my thumb was on volume up, down, or about to lock the screen. It is a small pain, but a tiny indent in the middle of the volume button would have made all the difference. The buttons themselves are slightly sharp and textured, a necessary choice for a phone with curved edges, but it does not quite solve the problem of telling them apart by feel alone.

Performance

EllaClaw is where the Camon 50 Ultra 5G earns its stripes. The dashboard (which you access by swiping towards the left – where you’d see Google Discover on most Android phones) keeps surfacing prompts, shortcuts, and suggestions, making the AI feel alive and accessible rather than buried under three layers of settings. Most phone AI treats users like they should already know what they want. EllaClaw meets you halfway, and that changes everything about how you interact with the phone.

The deeper layer, EllaClaw Pro, is genuinely impressive. It reaches into the phone’s apps and system functions in a way that feels ahead of where the conversation currently is. I asked it to summarize my text messages without opening the messages app, and it did exactly that, handling the whole thing on its own. That kind of agentic behavior is the next logical step for phone assistants, and right now, Tecno seems to be ahead of the pack. Nothing reassured me that the AI wasn’t reading my messages to enhance its database though, so the privacy conscious might have a thing or two to worry about.

Tecno’s decision to build EllaClaw as a multi-model hub is one of the smartest software calls I have seen this year. My unit offered access to DeepSeek, Gemini, ChatGPT, Grok, and Meta AI alongside Ella’s own model, all in one dashboard. Claude is conspicuously missing, but everything else is here and free to use (at least during the Beta period). Daily limits are applied on AI use which reset every 24 hours, and you can buy extra credits in case you overshoot. In all my hours of testing, I never needed to purchase extra credits, which means image generation, video generation, and sketch-to-photo tools were all available at no additional cost.

EllaClaw is still being refined, though. The dashboard lagged occasionally, and the AI sometimes took longer to load than felt comfortable. Restarting the app always sorted it out, but it is a reminder that this experience has not fully grown into its ambition yet. Users in certain regions may also need a VPN to get the full experience running, which is worth knowing upfront.

The camera system is built around a 50MP Sony LYT-700C main sensor with OIS, paired with a 50MP telephoto lens offering 3x optical zoom (70mm equivalent) and an 8MP ultrawide. That telephoto is a proper standout for a phone at this price point, and the software leans into it with confidence. You get 60x hybrid zoom, which is mostly digital exaggeration past the 3x mark, but the results between 3x and 10x are still usable in decent light. The main camera performs well across a range of scenarios, especially in good light, and night mode is aggressive without getting too soupy. The front camera is a 50MP sensor with autofocus, which makes a noticeable difference in selfie sharpness compared to the fixed-focus cameras on cheaper phones.

Tecno stuffs the camera app with modes including dual-cam, underwater mode, document scanning, super night mode, and super macro. FlashSnap is the standout, though. It watches your scene and captures the most dramatic moment automatically, so if someone is mid-jump or mid-throw, the phone clicks at exactly the right time without you having to think about it. It made me look like a considerably better photographer than I actually am. Video recording tops out at 4K at 30fps, which is fine but not particularly exciting.

Battery life is one of the phone’s most quietly satisfying qualities. The 6500mAh cell pushed comfortably through two full days of use without needing a charge, which is more than my current flagship iPhone manages. At some point I just stopped thinking about charging altogether, which is the best thing a battery can do. The phone supports 45W wired charging, which is fast enough to feel civilized without being record-breaking.

The display is a 6.78-inch AMOLED panel with a 1.5K resolution (1208 x 2644 pixels, 429 ppi) and a 144Hz refresh rate with LTPO support for adaptive refresh. It is vibrant, sharp, and performs well in low light. The 144Hz refresh makes scrolling and gaming feel smooth, and the high PWM dimming (2160Hz) helps reduce flicker for those sensitive to it. The curved waterfall edges are a design choice I have already aired my reservations about, and this section will not relitigate that argument. It looks great. It catches accidental touches. Moving on.

Speakers are a weak spot, and a noticeable one. There is a single grille at the bottom right, so stereo is off the table, and the audio leans tinny with very little bass to speak of. For a phone this polished everywhere else, it feels like a department that got the budget cut.

Gaming held up well for everything I tried. Tecno’s dedicated gaming software manages frame rates and battery draw sensibly, and the Dimensity 7400 handled casual to moderate sessions without complaint. The 144Hz display helps make fast-paced games feel responsive, and the phone stayed well within comfortable temperature ranges throughout. Nothing I played caused any real issues, thermal throttling never became a concern, and the large battery meant I could game for extended sessions without nervously watching the percentage drop.

Sustainability

Tecno is promising 3 years of Android OS upgrades and 5 years of security patches for the Camon 50 Ultra 5G, which puts it roughly in line with brands like Motorola and slightly ahead of OnePlus, though still behind Nothing’s 6-year security support.That is a meaningful commitment for a phone at this price, especially if you are someone who plans to use the device well beyond the usual two-year upgrade cycle.

Tecno also claims the battery is built for durability, marketing it as a “5-Year Durability Battery” with TÜV certification and a 72-month lag-free guarantee. Whether that holds true in practice is something only time will tell, but the fact that the company is willing to stake that claim suggests they are at least thinking about longevity beyond the usual marketing fluff. The 6500mAh capacity itself helps, because the less frequently you need to charge, the slower the battery degrades. If you are getting two full days of use out of a charge right now, that headroom means the phone should still feel usable years down the line when the cell inevitably loses some of its capacity.

Value

The Tecno Camon 50 Ultra 5G is priced at $420 for the 8GB + 256GB variant (that’s based on its ₹40,000 Indian price, since the phone hasn’t officially launched in the US). For a phone with a 50MP telephoto, a 144Hz AMOLED display, and a 6500mAh battery, that positioning feels competitive in the under-40K segment, especially when you factor in the AI ambitions.

What feels less competitive is the setup experience. When I powered on the phone and began the initial configuration, India was not listed in the countries menu. Hilariously enough, Palestine was available as an option. The world’s most populated country, nowhere on the list. I eventually had to select a different region just to proceed, which immediately felt awkward for a phone launching in India. Later, I also needed a VPN to access EllaClaw, which could have been a software issue tied to my initial region selection, or it could point to broader availability constraints. Obviously this won’t be the case for everyone since mine was a review unit with the EllaClaw beta program probably tied to a certain region. Either way, it is a frustrating first impression for a feature that is supposed to be the phone’s main selling point.

As for EllaClaw Pro and its credits system, Tecno does offer a credit-based structure for premium AI features like image generation and video creation. In my testing, I never hit a paywall or needed to purchase add-on credits, which suggests the included allocation is generous enough for typical use, at least initially. How sustainable that remains over time, or whether Tecno tightens the limits later, is harder to predict. For now, though, the experience feels surprisingly open, which is a rare thing in the AI phone space.

Verdict

The Tecno Camon 50 Ultra 5G delivers a lot of value for $420. The camera is genuinely impressive, with super night mode shots and 60x zoom that feel bonkers for this price range, and the battery life makes it easy to forget about charging anxiety for days at a time. But I am not recommending this phone for its camera, or its battery, or even its design, as much as I enjoyed all of those things. I am recommending it for EllaClaw, because it is the closest I have come to using a phone AI that feels like it was built for actual humans.

EllaClaw is everything Gemini and Apple Intelligence hope to achieve, and a bit more. I did not think I would see a phone that lets me choose the LLM for its AI assistant, swapping between models depending on what I need. I definitely did not expect an AI assistant dashboard to genuinely give me so much insight and value into how I can use the AI, rather than just sitting through a keynote, nodding along to feature lists, and then forgetting half of them the moment I leave the room. Tecno has cracked something here that bigger brands are still struggling with, which is making AI feel approachable, integrated, and genuinely useful instead of intimidating or buried.

The phone has a few tiny flaws that feel manageable if you’re more driven by the AI chops. The speakers are tinny, the curved display catches palm touches, EllaClaw occasionally lags, and the setup process was a bit of a hassle given I needed a VPN to get EllaClaw to work (but that’s just my China-bound review unit). But if you are looking for a phone that shows you what AI on mobile should feel like when it grows up, the Camon 50 Ultra 5G is worth your attention. It is not perfect, but it is ambitious in all the right ways. Google, Apple, and Samsung could surely take notes.

The post Tecno Camon 50 Ultra 5G Review: A $420 AI Phone With Built-in Gemini, ChatGPT, DeepSeek, and Grok first appeared on Yanko Design.

MVRDV’s Bihailou Turns a Commercial Complex Into a Vertical Neighborhood

In Shenzhen’s Shatoujiao neighborhood, MVRDV turns a cultural and commercial complex into a colorful three-dimensional village where architecture, public life and local identity overlap.

At first glance, Bihailou Art Village appears almost like a collection of buildings caught in the act of climbing over one another. Colorful volumes stack, shift and protrude at different heights, replacing the familiar silhouette of a single commercial block with something closer to a compact neighborhood in the sky. Yet the visual exuberance is not simply an exercise in form. Behind it is a larger proposition about how rapidly growing cities might retain individuality, intimacy and public life.

Designer: MVRDV

Located in Shatoujiao near the Shenzhen and Hong Kong border, the 6,500-square-meter cultural and commercial center is designed by Dutch architecture studio MVRDV. The project brings together retail, restaurants, cultural spaces, a museum, an auditorium and public areas within a collection of distinctly shaped volumes. Rather than containing these programs within one conventional building, each function occupies its own house, distinguished through differences in color, material and geometry.

The idea grows out of the Vertical Village concept developed by MVRDV and The Why Factory in 2011. Conceived in response to the increasing density and visual uniformity of Asian cities, the research explored whether the qualities associated with village life could coexist with the efficiency of urban density. Instead of repeating identical units, the proposal imagined individual homes stacked together while retaining their own entrances, views, daylight, and identities.

At Bihailou, that thinking shifts from housing into a public cultural destination. The architecture breaks down the scale of the complex so that it responds more closely to the visual variety of Shatoujiao. Its palette and forms draw from neighboring buildings as well as the former Bihailou restaurant that once occupied the site, allowing the project to feel less like an isolated landmark and more like an amplified interpretation of its surroundings.

This fragmentation also gives each program room to develop its own spatial character. The performance theater occupies a generous double-height volume, with retractable seating that allows it to transform into an exhibition space when required. A floor-to-ceiling opening connects the theater visually with the neighboring plaza, while smaller volumes accommodate shops and restaurants. The spaces are shaped around their functions rather than being forced into a repetitive floor plan.

Between these individual houses, circulation becomes just as important as the rooms themselves. Stairs, ramps, escalators and gangways thread through the stack, turning movement into part of the public experience rather than hiding it within an enclosed core. Each program has its own entrance, allowing the shops, restaurants, theater and Fish Lantern Museum to operate independently and according to their own schedules. The circulation routes and terraces remain freely accessible, extending the life of the building beyond the opening hours of any single function.

Moving through the building is therefore less about traveling from one enclosed destination to another and more about wandering through a vertical streetscape. Openings between volumes offer intermittent views of Shatoujiao, while the routes rise toward a series of roof terraces overlooking the surrounding mountains, city and bay. What might normally be leftover circulation space becomes an active layer of the project, encouraging people to pause, explore, and encounter the neighborhood from different heights.

The relationship with the public realm continues at ground level. Projecting volumes create sheltered spaces beneath the building, offering protection from sun and rain, while the surrounding landscape merges with the existing plaza. Rather than creating a clear boundary between building and square, the architecture allows one to flow into the other, reinforcing the role of Bihailou as part of the everyday life of Shatoujiao.

Seen from a distance, the Art Village carries the presence of a colorful urban landmark, but its scale changes as visitors move closer. What appears as an expressive stack begins to read as a collection of smaller spaces, entrances, terraces and pathways. That shift in perception is central to the project’s appeal. Density is maintained without relying on a single monolithic volume, while difference and informality are deliberately preserved within the composition.

Bihailou Art Village becomes as much about the spaces between architecture as the architecture itself. Its streets have been lifted from the ground, its public square expands upward, and the identities of individual functions remain visible within the larger whole. In a city shaped by rapid development and ever-increasing density, the project suggests that urban growth can still leave room for irregularity, recognition, and the small moments of public life that make a neighborhood feel inhabited.

The post MVRDV’s Bihailou Turns a Commercial Complex Into a Vertical Neighborhood first appeared on Yanko Design.

5 Tiny Homes That Feel Twice Their Size Thanks to Light and Glass

Urban living is shifting the focus from sheer size to smart design, and micro-homes show how even compact spaces can feel open and luxurious when light and spatial arrangements are thoughtfully considered. By using techniques like double-height glazing, reflective surfaces, and suspended floors, architects and designers create interiors that appear far larger than their physical footprint.

These strategies prioritize the occupant’s experience, making each moment within the home feel expansive and serene. The following design pillars show how macro light, clever material choices, and multifunctional elements transform a tiny dwelling into a dynamic, biophilic sanctuary.

1. Glass Canopy

Double-height windows and skylights lift ceilings visually, letting sunlight flood the interior. Vertical light draws the eye upward, creating the illusion of more space while reducing reliance on artificial lighting. This approach enhances thermal efficiency and frames a constant dialogue with the outdoors. The home feels open and airy, as if the sky itself becomes part of the room.

By softening edges and minimizing solid partitions, the “glass canopy” turns a micro-home into a luminous retreat. It creates a smooth transition into multi-functional layouts where light shapes perception and daily living.

The Beach Cabin on the Baltic Sea by Peter Kuczia shows how even a small space can feel expansive when bathed in natural light. Located near Gdansk, this compact gastronomy facility is divided into an enclosed zone and a vast, open living and dining area. One half of the open section is a traditional cabin, while the other half features a full-height glass facade. This clever use of glazing floods the interior with daylight, visually expanding the space and creating a direct connection to the beach, ocean, and sky.

Elevated on stilts, the cabin floats above the sand, allowing light to pass beneath and around it, enhancing the airy, open feeling. By maximizing glazing and open layouts, the design transforms a modest footprint into a luminous, welcoming environment.

2. Flexible Core

The “flexible core” is a central zone that combines storage, utilities, and movable partitions in one smart unit. Every section has a purpose, letting the home shift easily between work, rest, or play. Simple materials like wood, metal, or glass keep it modern and clean.

This core makes small homes highly efficient and adaptable. It changes with the occupant’s needs and works with mirrors, light, and open layouts to make the space feel larger, organized, and comfortable.

The Luke Tiny House by Backcountry Containers turns container living into a spacious, flexible home. At 480 square feet, it merges a 40-foot and 20-foot high-cube container into a single-floor dwelling that feels open and airy. The open-plan layout connects the kitchen, dining, and lounge areas seamlessly, allowing natural light to flow throughout. Every element, right from butcher block counters to under-counter storage, is designed for efficiency, creating a flexible core where daily routines, gatherings, or quiet moments can coexist without feeling cramped.

The bedroom and bathroom are thoughtfully positioned to maintain privacy while keeping the main living space uncluttered. Built-in storage and multipurpose areas make the home adaptable to changing needs, whether as a full-time residence, guest suite, or short-term rental. Custom finishes and optional upgrades enhance functionality, while the open-plan, flexible core ensures the Luke Tiny House feels spacious, modern, and highly livable despite its compact footprint.

3. Reflective Vistas

Mirrors and polished surfaces double the perceived depth of a micro-home. Floor-to-ceiling reflective panels placed opposite windows bring the outside in, expanding visual horizons and improving psychological comfort. Reflections amplify natural light and highlight the home’s architectural details, creating a vibrant, light-filled interior.

This method connects occupants with nature and cityscapes, reinforcing a biophilic cocoon. The strategy flows naturally into the use of recessed elements and shadowed niches, which add tactile richness and further manipulate perception to make compact living feel luxurious.

Fully clad in mirrors, the Mirror Home reflects the surrounding landscape, creating a striking visual effect that blends architecture with nature. Inside, the modern layout maximizes views from every angle, offering a sense of spaciousness despite its tiny footprint. Guests can enjoy sophisticated indoor amenities or relax on the exterior deck, feeling intimately connected to the environment. Mood lighting, a premium queen-sized mattress, and luxury linens make the bedroom a peaceful sanctuary, while the compact lounge and panoramic bathroom offer comfort with breathtaking vistas.

At just 19 square meters inside, with 15 square meters of deck, the home accommodates one or two guests. It includes a fully equipped kitchen, bathroom, and stylish storage solutions to maintain an airy aesthetic.

4. Open Frames

Strategically placed openings, cutouts, and partial walls create a sense of depth and flow within the home. These “open frames” allow light to pass through multiple areas, visually expanding the space while maintaining distinct zones for function and privacy.

By guiding sightlines across rooms, open frames make interiors feel larger and more connected. They also provide subtle spots for décor or storage without interrupting the home’s airy layout. This design approach works seamlessly with elevated floors and floating mezzanines, enhancing the overall sense of openness and making even a tiny home feel spacious, dynamic, and inviting.

Megan Yeo designed Mado, a furniture piece that functions as a flexible partition and a personal sanctuary. Beyond simply dividing space, it frames body language and helps us set boundaries, while remaining visually open. By placing a Mado chair thoughtfully within a room, it creates a subtle partition that defines personal zones without blocking sunlight, letting natural light flow through, and keeping the space bright and airy.

Minimal yet adaptable, Mado’s wings fold back for social interaction or fold inward to form a private pod, with adjustable height for low or high seating. Its curved platform encourages centered, comfortable postures, while the low-profile design draws inspiration from Japanese floor chairs—promoting relaxation and meditation. Lightweight and transformable, Mado turns even a shared space into a calm, personalized retreat.

5. Floating Mezzanine

Elevated platforms or mezzanines free up floor space and allow light to penetrate lower levels. Perforated or transparent floors maintain openness while creating distinct zones for work, rest, or socializing. This adds functional square footage without increasing the building envelope.

Floating levels offer dynamic sightlines and reinforce the home’s airy, expansive feel. They bridge compact layouts with macro light strategies, showing that vertical layering can amplify usability and visual comfort.

The Avalon V2 by Dragon Tiny Homes shows how small spaces can feel open and luxurious. At 24 feet long, it uses a mezzanine design to create three separate sleeping areas while keeping the interior bright and airy. Large windows and strategically placed glazing flood the 204-square-foot home with natural light, making the space feel far larger than its footprint. The main living area flows into a compact, fully equipped kitchen, and the open layout ensures light travels throughout, connecting every corner seamlessly.

The mezzanine bedrooms not only save space but also provide cozy, elevated retreats with just enough headroom for comfort. Clever stair storage and built-in cabinetry enhance functionality without cluttering the light-filled interior. This flexible design balances private and communal areas, offering a modern, family-ready tiny home experience.

Micro-homes filled with natural light are a fine example of how thoughtful design can create a sense of macro-luxury. By applying smart strategies, even the tiniest spaces feel open, sustainable, and deeply connected to the people who inhabit them.

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The Children’s Bed Adults Keep Wishing Came in Their Size

Most children’s furniture falls into one of two camps: purely practical pieces that look like they belong in a hospital ward, or aggressively themed designs slathered in cartoon characters that parents quietly regret within a year. Gaudutė Žilytė, a product designer based in Vilnius, Lithuania, had no patience for either when she created the SAULUTĖ bed, and the result is the kind of children’s furniture that adults actually covet.

The name nods to Saulė, the Baltic sun goddess and one of the most enduring symbols in Lithuanian folk culture, representing life, warmth, and protection. It’s an apt reference for a bed designed with a child’s comfort and safety at its center, though what makes SAULUTĖ remarkable is that it earns that reference without leaning on it. The design does the heavy lifting.

Designer: Gaudutė Žilytė

The first thing you notice is the color. A rich terracotta orange upholstery wraps the entire frame, paired with a cooler blue mattress surface that creates a contrast that feels deliberately considered rather than randomly cheerful. It reads warm without being sugary. The palette is one of those design decisions that ages well, which matters a lot when you’re buying furniture for a child who will spend most of a decade in the same room.

The silhouette is low and grounded, almost daybed-like in its proportions, giving the piece a visual lightness that typical beds don’t have. The overall form is soft and rounded at the edges, a shape that reads as playful without resorting to novelty. Žilytė describes the design as playful and minimalist, and that combination is harder to pull off than it sounds. Minimalism has a tendency to go cold. Playfulness has a tendency to go chaotic. SAULUTĖ sits neatly at the intersection of both without tipping into either.

The real intelligence, though, is in the functionality. A built-in shelf sits integrated into the headboard, designed to hold books, a nightlight, or whatever small objects make a child’s bedtime feel like theirs. This is not a decorative gesture. It replaces the need for a separate nightstand in rooms where space is almost always limited, and it keeps the essentials within arm’s reach without cluttering the floor. In a child’s room, that kind of spatial thinking matters enormously.

Then there’s the protective side wall, a guardrail built into the design that keeps younger children safe during sleep without looking institutional or industrial. A lot of safety additions to children’s furniture read as afterthoughts, bolted-on solutions that disrupt the visual integrity of the piece. Here, the guardrail is absorbed into the overall form. It looks like it belongs. It looks like it was always supposed to be there.

What Žilytė has understood, and what a surprising number of furniture designers miss when it comes to children’s spaces, is that function and form are not competing priorities. The shelf is functional, yes, but it also breaks up the headboard in a way that makes the overall silhouette more interesting. The protective wall adds safety, but it also frames the sleeping area, giving the bed a sense of enclosure that children intuitively find comforting. Every practical decision contributes to the design rather than fighting against it.

SAULUTĖ is available in two sizes, which means it works for both younger children and teenagers, a lifespan that most children’s beds never manage to cover. The design is deliberately neutral enough to grow with the child, which is a courtesy to both the family budget and the environment. Furniture that lasts longer is, by default, furniture that performs better.

Few things in furniture design are as genuinely satisfying as a piece that has clearly been thought through from every angle. Not just aesthetically, not just practically, but both at once. SAULUTĖ manages to be a beautiful object that also happens to serve a child’s actual daily life. That’s not a low bar. In children’s furniture, it’s almost revolutionary.

The post The Children’s Bed Adults Keep Wishing Came in Their Size first appeared on Yanko Design.

This Retro Apple IndyCar Livery Looks Like The Perfect Next Step After The Company’s F1 Partnership

Apple loves racing. Apple TV just became the exclusive US home of Formula 1. Apple funded a movie about Formula 1 that made more money than most actual Formula 1 teams see in a season. Apple even talked Porsche into repainting two race cars in a 46-year-old rainbow scheme this year. What Apple has not done, despite all that motorsport enthusiasm, is show up to IndyCar, which remains a genuinely weird oversight for a company that loves a good only-in-America story.

Designer Daniel Rodriguez decided to render the version Apple apparently hasn’t gotten around to yet. His concept dresses a Dallara IR-18 in the full spectrum of Apple history, from the 1977 rainbow stripes and Motter Tektura lettering down to modern Apple Pay and Apple TV+ badges sitting right next to them. It is a mashup of eras that has no business looking this good, but somehow does.

Designer: Daniel Rodriguez

The stripes themselves do something clever depending on where you look. The nose, wing endplates, and mainplane get the flat, hard-edged six-color treatment straight out of 1977, while the sidepods and engine cover run a soft, airbrushed gradient that looks like it was pulled off a modern Apple wallpaper. Seen from above, the two halves mirror each other perfectly, with rainbow spears launching off the sidepod intakes and racing back over the engine cover in a symmetry that feels distinctly Cupertino rather than distinctly IndyCar.

The words “Apple Computer” run down the nose in Motter Tektura, the quirky Austrian display face Rob Janoff picked in 1977 because its rounded letterforms echoed the curves of the apple mark itself. That typeface has been dormant on race cars for decades, and seeing it wrapped around a modern aeroscreen is a genuinely fun bit of type nerdery most viewers will feel before they can name it.

Rodriguez went really tongue-in-cheek with the sponsors. Apple Pay, Apple TV+, and Apple Podcasts logos sit shoulder to shoulder with the vintage six-color apple, like four different decades of the same company got dressed for the same race. Real IndyCar suppliers such as Bosch, BBS, Sachs, and Firestone fill out the rest of the livery, which keeps the whole thing grounded instead of drifting into pure fantasy render territory.

None of this happens in a vacuum, either. Apple actually had a rainbow racing moment already, back in 1980, when it sponsored a Porsche 935 K3 run by Dick Barbour Racing and driven by Bobby Rahal, Allan Moffat, and Bob Garretson. That car ran a short, unglamorous IMSA season, blew a piston at Le Mans, and wore a tail sticker that read “Don’t upset the Apple Car.” Porsche revived that exact livery this past May at Laguna Seca to mark 75 years of Porsche Motorsport and Apple’s 50th birthday, which is clearly the spark behind this whole concept.

The bigger question the render quietly asks is why IndyCar is still waiting. Apple has spent nine figures on Formula 1 rights and greenlit a Porsche throwback livery for a sports car series most Americans do not watch on Sunday afternoons. IndyCar runs ovals, street courses, and an actual American underdog story every single season, and it is about to roll out a lighter, faster Dallara IR-28 in 2028. If Apple wants a paddock that already looks this good in rainbow stripes, the invitation is right here.

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Weber Is Shutting Off the June Oven’s AI Camera, and a $90 Air Fryer Already Does The Same Thing

Somewhere in a warehouse in Illinois, someone at Weber is about to flip a switch that turns a $999 oven back into a very expensive toaster. On September 22, the June Oven loses its cloud, its app, and the camera trick that made it famous in the first place. You can still push the manual buttons. You just lose the part where the oven looks at your chicken thighs and quietly figures out what to do with them.

Here’s the kicker. That exact party trick, the camera that scans your food and picks a cook program for you, now lives inside air fryers that cost less than a nice dinner out. June invented food recognition cooking in 2015 for fifteen hundred bucks. A decade later you can buy the same basic idea for under a hundred dollars on Amazon. The technology didn’t get worse. It just stopped being special enough to protect.

Weber hasn’t put out a press release about any of this, which tells you plenty on its own. Owners found out by email. Meanwhile the company has been actively expanding Weber Connect, the smart grilling platform June’s own engineers helped build, across its charcoal and gas lineup. So the message, whether Weber meant to send it or not, is that connected cooking tech is worth investing in when it’s attached to a grill, and worth quietly switching off when it’s attached to a toaster oven nobody’s manufacturing anymore.

Daewoo’s Actuate is the cheapest, dumbest version of June’s original idea, and I mean dumbest as a compliment. An internal camera peeks at whatever’s in the basket, matches it against twelve presets like chips, sausages, and chicken, and sets the time and temperature without asking you to tap through a menu. It runs about ninety to a hundred dollars depending on the retailer and the day. No app, no account, no subscription. It just watches your dinner and gets on with it.

Here’s where it gets fun. Culinix sells an 8.5 quart fryer in the US with an AI camera that recognizes twelve foods, and the list reads like it was lifted straight off Daewoo’s spec sheet. Chicken goujon. Fish finger. Beef joint. Chick pea. That is oddly specific British supermarket vocabulary to land on two unrelated product pages by coincidence. My guess is neither brand invented this camera module, they just bought the same one off a factory shelf and slapped their own logo on the box, the same way every USB charger secretly comes from three factories in Shenzhen.

Emerson skipped the camera entirely and gave its SmartVoice fryers ears instead. Say “cook pork chops” and it just does it, no app, no wifi, all the processing happening locally on the device. It’s not glamorous, but it solves a real problem for people who find touchscreens fiddly, whether that’s arthritis, low vision, or just being elbow deep in raw chicken and unable to tap anything. I’d argue this is the most quietly useful of the three schools, even though it’ll never trend on a gadget blog.

Xiaomi and Dreo took the opposite bet and gave up on guessing entirely. Xiaomi’s Mijia Pro adds a water tank so it can steam and sous vide alongside the usual hot air, which actually changes the physics of what comes out the other end. Dreo’s ChefMaker goes further and sticks a probe straight into the meat, measuring real internal temperature instead of inferring anything from a camera. It’s the only method here that isn’t a guess.

Which brings us back to June. Anova’s newer oven has the same food recognition camera, except the feature only works if you’re actively paying a subscription. So the actual choice in 2026 isn’t camera versus voice versus probe. It’s whether you own the smarts in your kitchen outright, or you’re just renting them from a company that can turn them off the second it stops making sense on a spreadsheet.

The post Weber Is Shutting Off the June Oven’s AI Camera, and a $90 Air Fryer Already Does The Same Thing first appeared on Yanko Design.

The Cleaning Robot That Knows When a Bathroom Needs It

Public restrooms have, for the longest time, been a design afterthought. They get built, they get scheduled for cleaning twice a day, and everything that happens in between is considered someone else’s problem. Nobody glamorizes it. Nobody puts it on a mood board. And yet the state of public restrooms affects millions of people daily in ways that are deeply tied to comfort, dignity, and public health.

That’s exactly the gap that Yangwoo Choi and Ye Jin Lee, two designers from South Korea, decided to address with Spot, a concept for an autonomous cleaning robot built specifically for public restrooms. Published in June 2026, the project has been picking up attention in design communities, and I think it deserves more eyes than it’s gotten so far.

Designers: Yangwoo Choi, Ye Jin Lee

The premise is straightforward but smart: rather than waiting for the next scheduled cleaning, Spot detects contamination after a user exits and automatically cleans the affected area. It plugs directly into the most persistent failure of public restroom maintenance: the window between cleanings. That window is real, measurable, and for years it’s been treated as an acceptable cost of running a public facility. Facilities managers can only do so much with fixed schedules, and when traffic is high, things go wrong fast.

What the designers have created is not just a functional concept but a genuinely considered one. The robot’s form is compact and minimal, rendered in a calm blue that reads as clean, clinical, and intentional all at once. It doesn’t try to be cute or conspicuous. It belongs in the background, doing its job without demanding attention, which is exactly the right design language for something operating in a space that people want to move through quickly and without thinking too hard.

The contamination detection element is where the concept earns its credibility. Autonomous cleaning machines already exist, but most operate on timers or fixed routes with little real awareness of actual conditions. Building detection into the process means Spot responds to reality rather than routine, which is a fundamentally different way of thinking about maintenance. That shift matters more than it might seem at first glance.

I think about the places where this would change things most: airports, train stations, shopping centers, schools. These are environments where restroom traffic is constant and unpredictable, where a single cleaning cycle scheduled at 10am has already become irrelevant by 10:45. The problem isn’t laziness or negligence. It’s a structural mismatch between human-managed schedules and the actual pace of use. A robot that responds to contamination as it happens, rather than as it’s predicted, addresses that mismatch directly.

There’s also a human element worth naming. Cleaning restrooms is physically demanding, often invisible labor, and not a job that gets celebrated or compensated in proportion to how much it matters. A concept like Spot isn’t about replacing people outright; it’s about redirecting effort. If autonomous systems handle reactive cleaning between scheduled visits, human cleaners can focus on deeper maintenance, restocking, and the kind of attention that machines genuinely cannot replicate. That’s a more sensible division of labor.

Whether Spot ever moves beyond concept stage is a separate question, and a legitimate one. Autonomous robots in public restrooms face real hurdles: sensor reliability, durability in wet environments, safety around users, cost of deployment at scale. None of these are trivial. But that’s not the conversation the project is asking us to have right now. What Choi and Lee are doing is pointing clearly at a problem and proposing a direction. The execution can evolve. The clarity of the problem statement is the part that sticks.

Good design doesn’t always originate in places we expect. Some of the most interesting work right now is coming out of South Korea, where designers seem particularly willing to take on overlooked, unglamorous problems with serious intention. Spot is that kind of project. It’s not trying to be beautiful for beauty’s sake. It’s trying to make a specific, difficult experience better. That’s the kind of design that actually changes things.

The post The Cleaning Robot That Knows When a Bathroom Needs It first appeared on Yanko Design.

Where Sculptural Balconies Meet Mediterranean Light and Coastal Living

Along the Athenian Riviera, balconies are not simply architectural accessories. They are extensions of domestic life—places for shade, conversation, sea air, and long afternoons under the Mediterranean sun. In Voula, 314 Architecture Studio takes this familiar element and transforms it into the defining character of an entire building.

Known as Rêve en suspens, the residential project appears to be caught in a permanent state of bloom. Its layered balconies extend outward in sweeping, petal-like forms, wrapping around the structure and softening the geometry of the urban block. From the street, the building seems less constructed than unfurled.

Designer: 314 architecture studio

Completed in 2022, the development replaces the conventional stacked façade with a composition defined by curves, repetition, and movement. Each floor becomes part of a larger sculptural rhythm, with the balconies shifting in depth and direction as they rise. The effect is expressive, but never arbitrary. Behind the building’s floral silhouette is a careful response to climate, privacy, and everyday living.

The generous projections shield the glazed interiors from direct sunlight, reducing heat exposure during the brightest hours of the day. Their curved edges create privacy between neighboring apartments while maintaining views toward the surrounding coastal landscape. At the same time, the balconies provide substantial outdoor rooms rather than narrow platforms, allowing life inside the apartments to expand naturally beyond the façade.

This is where the project becomes most compelling: its visual identity is inseparable from its function. The balconies act simultaneously as shading devices, privacy screens, terraces, and architectural structure. Ornament is not applied to the building; it emerges from the way the building performs.

The sense of softness is supported by a considerably more technical framework. A reinforced-concrete structure forms the building’s core, while steel substructures support the more complex cantilevered balcony profiles. Smooth cladding conceals the construction beneath, preserving the illusion of continuous, weightless surfaces.

A predominantly white material palette further sharpens the architectural concept. Rather than competing with the form, the restrained finishes allow light and shadow to animate it. Under the intense Greek sun, the building is constantly changing. Curves appear crisp in direct light, then dissolve into soft gradients as shadows move across the façade.

The use of white also creates continuity between interior and exterior. Living spaces appear to flow toward the terraces, while the terraces read as open-air extensions of the rooms behind them. The result is a bright, seamless environment that reflects the rhythms of coastal life.

At ground level, a perforated metal enclosure balances openness with privacy. Light and partial views pass through its surface, while recessed entrances create a gradual transition from the street to the residences within.

With Rêve en suspens, 314 Architecture Studio demonstrates how a single architectural element can shape both image and experience. The building’s petals are striking, but they are more than a visual signature. They frame views, filter sunlight, shelter residents, and redefine the relationship between home and horizon.

In a neighbourhood shaped by the sea, the project does not merely face the landscape. It opens toward it.

The post Where Sculptural Balconies Meet Mediterranean Light and Coastal Living first appeared on Yanko Design.

This LEGO Phoenix’s Talons Actually Grip the Perch, and It’s Weirdly Convincing

LEGO’s official phoenix, the 597-piece Fawkes from the Harry Potter line, does one trick. You turn a crank at the back and the wings flap up and down, forever, in the same arc, like a very committed but slightly limited stage performer. It’s a lovely little set and it looks great on a shelf, but the bird has exactly one thing it can do, and it will do that one thing until the end of time or until you stop turning the handle, whichever comes first.

Swas has taken a different approach on LEGO Ideas. His Blazing Phoenix doesn’t animate, it poses, which turns out to be the better idea for a creature this dramatic. Photograph it upright and it’s regal. Sweep the wings forward and drop the head and it’s about to ruin someone’s afternoon.

Designer: Swas

The wings are where the engineering flexes hardest. Each one runs off a Technic spine with visible pin and axle connections at the root and mid-span, and that hidden skeleton is what lets the whole assembly hold a pose instead of flopping. Four or five overlapping feather ranks are shingled per wing, small scalloped coverts near the shoulder giving way to long individually mounted primaries at the tips that actually fan and separate rather than sitting as one flat slab. Bright yellow stripes run along the length of each feather like flame traveling outward from the body, which is a genuinely smart color call and does more storytelling than the shape alone ever could.

The tail gets the same individual-feather treatment, a long fan of striped blades that either gathers low behind the perch or spreads wide depending on the pose you land on. Every feather looks independently mounted, so the tail reads as one more articulating surface rather than a fixed decorative wedge bolted on as an afterthought.

The head is where the personality lives, and also where my favorite detail is hiding. The beak transitions from bright orange into yellow with a nicely hooked profile, and above the eye Swas has used a small red feathered wing piece as a stand-in eyebrow. That’s the kind of part repurpose that separates builders who are just following a shape from builders who understand how a face actually reads.

Down at the perch, the legs are jointed at hip, knee, and ankle, bending the correct backward-bird way, ending in curved nougat talons that genuinely wrap around the rail instead of resting near it. Swas says the claws grasp, and looking at the renders, that’s not a marketing line, the grip looks load-bearing.

Swas has said the phoenix stuck with him since his teenage years, when the fantasy novels he was reading collided with the mythological stories his grandmother used to tell, and the message that every end is a new beginning is one he still carries around. That’s a nice thing to build a thousand-plus bricks around.

The Blazing Phoenix just crossed 1,000 supporters and is now working toward the 5,000 mark, with 591 days left on the clock. If a poseable, fully articulated phoenix sounds better to you than one that only knows a single flap, head over to LEGO Ideas and give it your vote.

The post This LEGO Phoenix’s Talons Actually Grip the Perch, and It’s Weirdly Convincing first appeared on Yanko Design.

ESR Atelier Magnetic iPhone 17 Pro Max Case Review: Vegan Leather Done Right

Phone cases occupy a strange middle ground in the accessories market. The more protective options tend to look utilitarian, all rugged textures and chunky frames that trade elegance for toughness. The ones that do look refined often use faux leather, which can stain, fade, or scuff with daily handling. Finding something that sits comfortably between both worlds has always been easier said than done.

ESR’s Atelier Magnetic Case for the iPhone 17 Pro and iPhone 17 Pro Max tries to answer that question. It’s the brand’s first vegan leather iPhone case, built from a silicone-based material that carries the soft, warm feel of leather without the upkeep that usually comes with it. Paired with an integrated FlexStand, strong MagSafe magnets, and layered protection, it feels more personal and more resolved than a typical protective shell. But is it all just marketing speak, or does it really pack more than what our eyes, and hands, perceive? We slap this bold new case on our large iPhone to find out.

Designer: ESR

Click Here to Buy Now: $45.99

Aesthetics

The ESR Atelier’s back is its most immediate and telling detail. The silicone-based vegan leather carries a refined grain texture and a warmth to the touch that doesn’t register as plasticky or clinical, the way many textured phone cases can. It’s the kind of surface that encourages contact rather than avoiding it, settling naturally into the hand in a way that plain silicone and polycarbonate cases rarely manage.

The leather finish is only part of what sets the back apart. Equally notable is what’s absent. Many MagSafe-compatible cases leave a visible circular ring pattern on their backs, a telltale sign of the magnets beneath. The Atelier keeps its rear surface completely smooth and unbroken, with no ring to interrupt the leather. That absence alone makes the overall look feel more cohesive and considered.

One of the more practical arguments for the Atelier’s vegan leather material is longevity. Designed for long-lasting everyday use, the material resists scratches, wear, and fading while maintaining its appearance over time. Traditional faux leather cases often start showing their age within months from regular holding and pocket wear, which means the case is likely to look considerably better after a year of daily handling than many alternatives in the same category.

An anti-fouling surface coating and stain-resistant frame treatment add to that picture. Spills and smudges wipe away easily with a soft cloth, without needing specialized cleaning products. This silicone-based vegan leather, similar to the material pioneered in high-contact automotive interior surfaces, is designed to maintain its appearance under the kind of daily conditions that would visibly wear down most conventional leather finishes over time.

The camera surround anchors the Atelier’s visual identity while adding practical function. Rather than hiding the iPhone 17 Pro Max’s large camera island behind a flush cutout, ESR frames it with a distinctive metallic guard that immediately draws the eye and doubles as a camera-protecting stand. In its closed position, the guard sits flat and clean, giving the case a confident, top-weighted silhouette. When opened, it provides a convenient way to prop up the phone. It’s a design detail that does more than make the Atelier stand out; it makes the case stand out with purpose.

Running a thumb along the side reveals what the back suggests: the Atelier is more carefully constructed than it might initially seem. The TPU frame has a subtle micro-texture that feels slightly different from the smoother leather panel, providing grip without calling attention to itself. That material contrast is understated, but it adds some welcome depth to what is otherwise a clean and quiet form.

Two colors were available for this review, Black and Deep Burgundy, and both make a strong case for the Atelier’s design language. Black keeps things understated and versatile, almost disappearing as a deliberate choice. Deep Burgundy, on the other hand, is far more expressive, with a rich, wine-like tone that brings out the warmth and softness of the vegan leather even more.

The Atelier rounds out its lineup with four colors in total, Light Gray and Misty Blue joining the Black and Deep Burgundy reviewed here. The palette is deliberately quiet and wear-anywhere, skipping bold or trend-chasing tones in favor of shades that feel considered rather than seasonal. That restraint runs through the whole design, where nothing on the surface feels accidental or arbitrarily decorative.

Ergonomics

Slipping the Atelier onto the iPhone 17 Pro Max for the first time, the fit is snug and confident. The case doesn’t shift or creak under pressure, and the soft microfiber lining helps the phone slide in cleanly. Button access is well handled, with the case’s profile keeping all controls accessible and tactile, so there’s no need to press hard through a thick wall of material just to adjust volume.

ESR includes a built-in Camera Control cover on the case’s side, a detail that’s easy to overlook but matters for anyone using that feature regularly. The cover preserves access without leaving an awkward gap in the frame. For a phone this size, the Atelier also adds enough grip to make single-handed use feel more manageable, without the bulk that typically comes with heavily protective cases.

Carrying the phone in a pocket with the Atelier on feels different from a plain silicone case. The material has a subtly grippier quality that keeps the phone from sliding around freely, and it doesn’t attract lint or dust the way softer cases sometimes do. Set it down on a desk or table, and it stays put, which is a small but consistently welcome trait.

In practice, the headlining FlexStand’s mechanism feels smooth. Opening the guard takes a deliberate nudge rather than snapping open accidentally, and once propped, the stand supports both landscape and portrait viewing, with angles from 15 to 69 degrees. It works in landscape for video calls just as well as in portrait for reading or scrolling. When closed, the guard does raise the camera’s profile even higher than what it already has without any case, a necessary tradeoff for a creative solution to two problems in one.

Performance

The FlexStand is the Atelier’s most interesting functional detail, because it solves two problems at once. ESR’s FlexStand combines a camera guard to protect the device’s camera lenses when closed and an adjustable stand for hands-free viewing when open. On a phone with a camera island this large, exposed lenses are a genuine vulnerability, and folding that protection into the stand mechanism itself is a smarter solution than treating them as separate concerns.

The stand supports viewing angles from 15 to 69 degrees, which covers enough range for upright reading and low-angle watching from across a desk. Shallower angles work well on uneven surfaces like an airplane tray table or a lap, while steeper ones put the screen more directly in view. Both portrait and landscape orientations are supported, with no additional mechanism or adjustment needed between the two. That said, vertical orientation pretty much means just tilting the back of the phone up, enough for scrolling or reading but definitely not for video calls.

Beyond the stand, the Atelier handles everyday protection through a combination of a shock-absorbing TPU frame, and raised-edge protection. ESR rates the case for 3x military-grade protection, and the overall construction feels solid and deliberate rather than rubbery or flimsy. You can expect some added bulk and heft, but not more than any rugged protective case worth its salt.

MagSafe performance is strong. The Atelier uses built-in magnets rated at 1,400g of force, and compatible chargers and accessories snap on with a reassuring click. Because the back panel carries no visible ring or hardware, the magnetic experience feels clean and uncluttered from the outside.

Sustainability

Most phone cases don’t come with a sustainability story worth telling, and the ones that do tend to lean on recycled packaging rather than anything in the product itself. The Atelier’s more grounded argument is that a case built to resist early aging is more responsible than one that looks worn within months of purchase, and the silicone-based vegan leather is central to that reasoning.

Being animal-free by construction, the vegan leather adds appeal for buyers thoughtful about materials but still wanting a leather-like aesthetic. It isn’t positioned as an environmental product in the way that a recycled-material case might be, but choosing a durable, easy-care surface that resists early replacement adds up meaningfully over time. A case that doesn’t need swapping out every few months is quietly a more sustainable choice.

Value

The Atelier is priced at $42.99 for Black and $45.99 for the remaining three colorways, including Deep Burgundy. Those figures sit toward the upper end of what most buyers expect to spend on a phone case, but the price reflects a package that bundles considerably more than leather. A built-in stand, strong MagSafe compatibility, and multi-layer protection are all part of what that cost covers.

For comparison, many premium leather-style cases fall into a similar price range, but often without integrated stand functionality, and a dedicated kick grip would be an added accessory on top of that. The Atelier handles both without making the back look overcrowded or adding any structural compromise. That combination, at this price, represents a reasonably compelling package for buyers who care about aesthetics and functionality in equal measure.

Where the Atelier’s value becomes most clear is in how long it’s designed to hold up. Buyers who regularly replace cases because of fading, stains, or surface wear will likely get considerably more time out of this one before that becomes a concern. That longevity also means less time hunting for a replacement case that ticks the same boxes, which is rarely as easy as it sounds.

Verdict

The ESR Atelier Magnetic Case finds its innovation in restraint, representing a new design direction for ESR’s protective case lineup and combining a more refined aesthetic with the everyday functionality ESR is known for. It finds a more sensible middle ground through better material choices, a stand that genuinely belongs to the case’s geometry, and a visual language that doesn’t rely on aggressive branding or drama to make an impression.

It suits buyers who want their iPhone 17 Pro Max to feel considered at every touchpoint, designed for users who appreciate the premium look and feel of leather but want a more durable and easy-to-maintain alternative for daily use. The Deep Burgundy variant, in particular, carries a character and warmth that’s genuinely hard to find in most protective cases, making it a compelling choice for sophisticated buyers who have grown tired of flashy and gimmicky accessories.

Click Here to Buy Now: $45.99

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