Oppenheim Architecture reveals 21-story landmark in Albania
Set against the shimmering backdrop of the Adriatic Sea, Vlore Beach Tower by Oppenheim Architecture introduces a striking presence to Albania’s fast-changing waterfront skyline as part of the city’s Beach Urban Development (find designboom’s previous coverage here).
Just three kilometers south of Vlore’s historic center, this all-red architectural landmark is taking shape and is currently under construction. Rising 21 stories from a prominent corner site along the developing marina district of the city, the project responds to a place in flux. As Vlore grows and its waterfront transforms, this residential tower aims to anchor that change.
all visualizations by MIR
all-red concrete facade envelopes Vlore Beach Tower
For the design, the Miami- and Basel-based team at Oppenheim Architecture design takes cues from the idea of genius loci, the spirit of place, a concept made famous by Norwegian architect and theorist Christian Norberg-Schulz. Vlore Beach Tower aims to belong to its setting, an intention that comes through in its material choices. The facade is made of bush-hammered concrete, its warm reddish tone reflecting the mineral palette of southern Albania. Loggias wrap around each residential level, offering shade, air, and framed views of the sea, extending daily life outdoors in a way that feels natural for the Mediterranean climate.
At street level, a large volumetric carve-out forms a public plaza and retail frontage, activating the base of the tower and connecting it to the beach and the adjacent Vlore Beach Masterplan. This threshold invites passersby into the space, encouraging movement between the promenade, the marina, and the tower’s public realm. Part of this base includes a media wall of vertical LED strips, which can display digital art, storytelling, or even local events.
this all-red architectural landmark is taking shape and is currently under construction
107 residential units compose the project
Vlore Beach Tower houses 107 residential units, ranging from compact one-bedrooms to expansive duplex penthouses, each oriented for optimal views and daylight. The uppermost floor is reserved as a private sanctuary for the penthouses’ resting spaces, while a rooftop bar offers panoramic views of the water and the city beyond — becoming a shared social landmark. Circulation is kept clear and intuitive, with dedicated entrances for residences, offices, the rooftop venue, and the underground garage, the latter of which preserves the ground plane as a fully walkable and public urban surface.
Through this project, Oppenheim Architecture aims to contribute meaningfully to the transformation of Albania’s southern coastline with a design that suggests a model of contextual sensitivity.
the project responds to a place in flux
at street level, a large volumetric carve-out forms a public plaza and retail frontage
a striking presence to Albania’s fast-changing skyline
this residential tower aims to anchor the Vlore waterfront transformation
the warm reddish tone reflects the mineral palette of southern Albania
extending daily life outdoors
loggias wrap around each residential level, offering shade, air, and framed views of the sea
Vlore Beach Tower houses 107 residential units
the uppermost floor is reserved as a private sanctuary for the penthouses’ resting spaces
encouraging movement between the promenade, the marina, and the tower’s public realm
rising 21 stories from a prominent corner site along the developing marina district of the city
a media wall of vertical LED strips can display digital art, storytelling, or even local events
project info:
name: Vlore Beach Tower
architect: Oppenheim Architecture | @oppenheimarchitecture
location: Vlore, Albania
land area: 1,558 square meters
built-up area: 16,576 square meters
client: Materia Cons 01
architect of record: Laago Architects
Oppenheim team: Chad Oppenheim, Beat Huesler, Tom McKeogh, Rasem Kamal, Jose Maria Urbiola, Joana Sousa, Kristijan Markoc, Daniela Abella, Olha Tymczuk, Martino Cucurnia, Inaya Berger, Samuel Heitz
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