A-POC ABLE ISSEY MIYAKE x atelier o\u00ef<\/a><\/p>\n<\/p>\nFor the O Series, that same pleated textile becomes a lampshade. Atelier o\u00ef, the Swiss studio with a practice spanning architecture, interiors, and product design, contributed the oval wire frame that holds it all together. The shade is designed to be detached and swapped out, which means the lamp can shift its mood depending on what material, color, or texture you choose. It\u2019s modular in the quietest, most intentional way: not a gimmick, but a reflection of how both studios think about longevity and use.<\/p>\n<\/p>\n
The second edition of the O Series was presented at 3 Days of Design in Copenhagen this past June, marking A-POC ABLE ISSEY MIYAKE\u2019s debut at the festival. The new colors were inspired by nature, which feels right for a material that transforms through something as elemental as heat. The exhibition at Gallery 2112 was set up so visitors could actually handle the lamps rather than just look at them from a careful distance. That decision says a lot about the confidence behind the design. When you make something this considered, you want people to touch it.<\/p>\n<\/p>\n
The collaboration is credited to designer Yoshiyuki Miyamae of A-POC ABLE ISSEY MIYAKE, working alongside atelier o\u00ef, with lighting expertise brought in from Ambientec. The TYPE-XIII project first debuted at Milan Design Week 2025, so Copenhagen represents a growing body of work rather than a one-off moment. That continuity matters. It suggests the two studios are genuinely exploring this territory rather than producing a collection for the press and moving on.<\/p>\n<\/p>\n<\/p>\n
Somewhere in the details of the O Series is an idea that fashion has understood for decades: what you put in a room, like what you put on your body, can shift with context. The lampshade is interchangeable, almost seasonal. But unlike a cushion cover or a tablecloth, it arrives carrying real process. The structure comes from heat and fiber rather than scissors and glue, which gives it a kind of intellectual weight that most lighting objects simply don\u2019t have.<\/p>\n<\/p>\n
It\u2019s also worth saying that the lamps are just beautiful. The pleating catches light with the same kind of movement and depth you\u2019d expect from an Issey Miyake garment, and the oval wire frame reads as restrained and precise without being cold. The portable format means they\u2019re not anchored to a single room or a fixed power source, which opens up how and where you might actually use one.<\/p>\n<\/p>\n
Design collaborations between fashion and other disciplines can easily feel like branding exercises, two logos on one object with little else to show for it. The TYPE-XIII Atelier O\u00ef project is not that. It\u2019s a real conversation between two studios that understand materials deeply, and the O Series is the kind of outcome that makes you reassess what a lamp can actually be. Cloth and wire. Pleat and light. Sometimes the most interesting objects are the ones with the fewest elements.<\/p>\n<\/p>\n
The post Issey Miyake Just Made a Lamp That Wears Pleated Clothes<\/a> first appeared on Yanko Design<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"When a fashion brand turns its most iconic textile technology into a lampshade, you pay attention. That\u2019s the short version of what A-POC ABLE ISSEY MIYAKE and Swiss design studio atelier o\u00ef managed to do with the O Series, the latest chapter in their ongoing TYPE-XIII collaboration. Portable, pleated, and quietly radical, these lamps feel […]<\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[],"yoast_head":"\n
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That\u2019s the short version of what A-POC ABLE ISSEY MIYAKE and Swiss design studio atelier o\u00ef managed to do with the O Series, the latest chapter in their ongoing TYPE-XIII collaboration. 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