{"id":17688,"date":"2026-03-26T00:29:25","date_gmt":"2026-03-25T17:29:25","guid":{"rendered":"https:\/\/cstc.vn\/blogtsk\/these-ceramic-lamps-look-like-90s-caramel-candy-and-stack-any-way\/"},"modified":"2026-03-26T00:29:25","modified_gmt":"2026-03-25T17:29:25","slug":"these-ceramic-lamps-look-like-90s-caramel-candy-and-stack-any-way","status":"publish","type":"post","link":"https:\/\/cstc.vn\/blogtsk\/these-ceramic-lamps-look-like-90s-caramel-candy-and-stack-any-way\/","title":{"rendered":"These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way"},"content":{"rendered":"<\/p>\n

The interiors most people aspire to these days tend to share a common trait: they\u2019re clean, restrained, and almost aggressively neutral. Scandinavian minimalism, Japandi aesthetics, and muted palettes have dominated home design for years, and while there\u2019s nothing wrong with a well-curated beige room, a lot of modern spaces have started to feel emotionally flat, like showrooms rather than places where people actually live.<\/p>\n

That\u2019s where the Caramel collection comes in. Designed by Moscow-based product designer Maxim Tatarintsev in collaboration with Russian brand Svoy Design, this new series of ceramic lighting and furniture takes a very different approach to interior objects. Rather than adding another understated piece to a polished shelf, it reaches back to a simpler, sweeter time, asking whether a lamp or a side table can carry something as intangible as joy.<\/p>\n

Designer: Maxim Tatarintsev<\/a><\/p>\n<\/p>\n

Tatarintsev\u2019s inspiration came from a period of deep personal reflection. Amid what he describes as the noise of contemporary life, he looked inward and found his answer in childhood, specifically in the candy that practically every kid growing up in the 90s and early 2000s would recognize. That small, glossy, jewel-toned caramel sweet became both his muse and his design vocabulary, shaping everything from the forms to the color palette.<\/p>\n<\/p>\n

The collection spans pendant lights, ceiling fixtures, and wall-mounted lamps, all crafted from semi-porcelain, as well as a low-profile side table made from a proprietary composite material. What stands out is the modular approach: each ceramic unit can be combined and reconfigured, letting you stack or cluster them into different lighting arrangements depending on the mood or corner of the room you\u2019re working with.<\/p>\n<\/p>\n

Think of it like assembling your own arrangement from a jar of sweets. One configuration might call for a single pendant above a kitchen island; another might cluster a few units along the ceiling of a reading nook. The point isn\u2019t to follow a prescribed layout but to put that creative decision in the hands of the person actually living in the space, not just the designer who furnished it.<\/p>\n<\/p>\n

The craftsmanship behind the lighting is traditional and deliberate. Each piece starts as a slip-cast semi-porcelain form, drying for several days before being fired at 1,100\u00b0C inside a muffle furnace. A coat of glaze and paint follows, giving the finished modules their signature smooth, candy-like sheen. It\u2019s a fairly labor-intensive process for what might look like a simple geometric shape, but that\u2019s precisely what gives each piece its quiet depth.<\/p>\n<\/p>\n

The side table takes a different manufacturing route altogether. Made from a proprietary composite rather than ceramic, it\u2019s significantly more durable and comes in two versions, one for indoor use and one for covered outdoor settings. At first glance, it reads as a low, rounded ottoman, and people will probably be unable to resist using it as a delicious seat instead.<\/p>\n<\/p>\n

None of that is accidental. Tatarintsev\u2019s stated goal wasn\u2019t to produce pretty objects but to create what he calls \u201cemotional anchors,\u201d pieces capable of sparking a genuine reaction in whoever encounters them. A set of lamps you can rearrange on a whim, a table that moonlights as a seat, and a color palette borrowed from childhood treats make for a collection that gives any room a personality it actually earned.<\/p>\n<\/p>\n

The post These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way<\/a> first appeared on Yanko Design<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

The interiors most people aspire to these days tend to share a common trait: they\u2019re clean, restrained, and almost aggressively neutral. Scandinavian minimalism, Japandi aesthetics, and muted palettes have dominated home design for years, and … <\/p>\n","protected":false},"author":0,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[16],"tags":[],"yoast_head":"\nThese Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way - Blog TSK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cstc.vn\/blogtsk\/these-ceramic-lamps-look-like-90s-caramel-candy-and-stack-any-way\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"These Ceramic Lamps Look Like 90s Caramel Candy and Stack Any Way - Blog TSK\" \/>\n<meta property=\"og:description\" content=\"The interiors most people aspire to these days tend to share a common trait: they\u2019re clean, restrained, and almost aggressively neutral. 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