Alex Da Corte, performance view, Kermit The Frog, Even, Fridericianum, Kassel, 7 September 2024. \u00a9 Alex Da Corte. courtesy the artist and Fridericianum, Kassel. photo: Nicolas Wefers<\/p>\n<\/p>\n<\/div>\n<\/div><\/div>\n
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Harry Nuriev \u2014 Objets Trouv\u00e9s
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Harry Nuriev<\/strong> <\/a>transforms the Chapelle des Petits-Augustins into a site of exchange with Objets Trouv\u00e9s (2025), a participatory installation inviting visitors to leave behind an object they no longer need and take one left by others. Arranged in supermarket-style boxes, each contribution is certified as an artwork, with all exchanges later compiled into a Yellow Pages\u2013style publication, preserving the fleeting process as a collective archive. Rooted in Nuriev\u2019s notion of Transformism \u2014 the reimagining of everyday materials into new forms and meanings \u2014 the project turns the act of exchange into a gesture of shared authorship and social interaction. Objets Trouv\u00e9s is on view from October 21st to 26th, 2025 and is part of the Art Basel Paris 2025 Public Program.<\/p>\n \u00a0<\/p>\n what: <\/strong>Objets Trouv\u00e9s Harry Nuriev, Objets Trouv\u00e9s, 2025 | image courtesy of the artist<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Ugo Rondinone<\/strong><\/a> installs the innocent (2024) on the parvis of the Institut de France, a monumental figure over four meters tall, composed of stacked bluestone blocks evoking heads, torsos, and legs. Archaic in form yet shifting with the light and weather, the work embodies both permanence and transience. Continuing Rondinone\u2019s exploration of elemental sculpture as a reflection of the human condition, the innocent stands as sentinel and witness in the historic heart of Paris \u2014 at once timeless, fragile, and profoundly human. Presented in collaboration with the City of Paris and as part of the Art Basel Paris 2025 Public Program, the installation is on view from October 17th to 28th, 2025.<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>the innocent Ugo Rondinone, the innocent, 2024 | image courtesy of the artist<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n The third edition of Design Miami.Paris<\/strong><\/a> returns to the historic H\u00f4tel de Maisons, bringing together over 25 leading international galleries and designers to present rare and unique examples of historic and contemporary collectible design across the house and gardens. Set within the 18th-century mansion, the fair continues to explore the dialogue between architecture, craftsmanship, and innovation through curated exhibitions, site-specific installations, and its Design at Large program. Alongside the main fair, a series of talks, collaborations, and special projects will highlight new perspectives on design and its evolving role in culture and daily life.<\/p>\n what: <\/strong>Design Miami.Paris <\/a>2025 image courtesy of Design Miami.Paris<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \nAs part of the Design Miami.Paris 2025 program, Friedman Benda<\/strong><\/a> (New York) presents a cross-section of contemporary design practice, showcasing designers, architects, and artists who push the discipline\u2019s formal and conceptual limits. Among the highlights is the European debut of Frida Escobedo\u2019s Creek Chair, a study in material poetics where delicate nickel ball chains cascade over a geometric frame.<\/p>\n Creek Chair 02, 2023 by Frida Escobedo for Friedman Benda at Design Miami.Paris 2025 (Image courtesy of Friedman Benda Gallery)<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n On the occasion of Design Miami.Paris 2025, Galerie Gastou<\/strong><\/a> and Galerie Desprez-Br\u00e9h\u00e9ret<\/strong><\/a> (Paris) present Early Birds, a joint curation celebrating the art of mixing and dialogue across eras. The presentation brings together an ensemble of works by the Artisans de Marolles alongside pieces spanning from the early 1900s to contemporary design. Unified by the recurring motif of birds, the selection reflects both galleries\u2019 shared sensibility for craftsmanship, symbolism, and timeless form.<\/p>\n image courtesy of Galerie Gastou and Galerie Desprez-Br\u00e9h\u00e9ret<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Making its French debut at Design Miami.Paris 2025, Patrick Parrish Studio<\/strong><\/a> (New York) presents a solo exhibition dedicated to Carl Aub\u00f6ck. The presentation spotlights the Austrian designer\u2019s mastery of everyday objects \u2014 bells, dishes, baskets, and bookends \u2014 reframing them as refined objets d\u2019art. Focusing on Aub\u00f6ck\u2019s post-Bauhaus era, the curation highlights his signature blend of material sensitivity and craftsmanship, expressed through hand-sewn leather, polished brass, bamboo, and fine woods.<\/p>\n Assorted Objects, 1950s by Werkst\u00e4tte Carl Aub\u00f6ck for Patrick Parrish Studio at Design Miami.Paris 2025 | image courtesy of Clemens Kois<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Also making its debut at Design Miami.Paris 2025, ATRA (Mexico City) presents Aerial Symmetry, a collaboration with Pedro Reyes<\/strong><\/a> exploring geometry, time, and memory. The installation comprises a series of sculptural, pyramid-like structures arranged around a central chair by Reyes, conceived as a spatial marker visible from above. Referencing the cosmic alignments of ancient civilizations, Aerial Symmetry invites reflection on humanity\u2019s enduring impulse to organize space in dialogue with the stars and the passage of time.<\/p>\n \t<\/p>\n Aerial Symmetry, 2025 by Pedro Reyes for ATRA at Design Miami.Paris 2025 | image courtesy of ATRA<\/p>\n<\/p>\n<\/div>\n<\/div><\/div>\n \t\t<\/p>\n \u00a0<\/p>\n At Design Miami.Paris 2025, Maison Parisienne<\/strong><\/a> (Paris) presents a site-specific installation by Aude Franjou<\/strong><\/a>, showcasing the artist\u2019s hand-crafted linen sculptures throughout the H\u00f4tel de Maisons. Franjou\u2019s vivid, vine-like forms unfurl across the balcony of the \u00e9tage noble and weave through the metal arches of the garden, creating a dialogue between textile and architecture. Rendered in radiant shades of yellow, orange, and red, the works highlight the expressive potential of linen while casting a vibrant contrast against the building\u2019s neoclassical ironwork.<\/p>\n Embrassade en rouge op\u00e9ra, 2024 by Aude Franjou for maison parisienne at Design Miami.Paris 2025 | image by Vincent Leroux<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Design Miami.Paris and Apple present Designers of Tomorrow, a special initiative highlighting four emerging designers whose creative practices are deeply integrated with the iPad Pro. Curated by AGO Projects co-founder Rodman Primack, and selected by a jury including Apple\u2019s Alan Dye and Molly Anderson, the exhibition showcases how technology empowers innovation, from research to the final crafted work. Beyond the presentation, the project provides a platform for visibility, professional connection, and future opportunities within the global design community.<\/p>\n image \u00a9 Elodie \u039catcha<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Returning for its 11th edition, Paris Asian Art Fair \u2013 Asia NOW<\/strong><\/a> once again brings together leading and emerging voices from across Asia and its diaspora. Held at the historic Monnaie de Paris, the fair reaffirms its role as a platform for dialogue and discovery, transcending geographic and cultural boundaries. Guided by the decentering mission initiated by My East is Your West, the fair continues to challenge traditional frameworks of presentation and perception\u2014amplifying underrepresented narratives and expanding the understanding of what \u201cAsian art\u201d can mean today. Through its curated program, Paris Asian Art Fair invites visitors to experience Asia not as a fixed place, but as a methodology, a lens, and a movement shaping the global art landscape.<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>Paris Asian Art Fair \u2013 Asia NOW<\/a>\u00a0 image courtesy of Asia NOW<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n On October 25th, the Fondation Cartier pour l\u2019art contemporain<\/strong><\/a> inaugurates its new home at 2 Place du Palais-Royal, directly opposite the Louvre. Housed within a Haussmann-era building from 1855, the space has been entirely reimagined by architect Jean Nouvel<\/strong><\/a>, who designed the Fondation\u2019s original glass structure on Boulevard Raspail in 1994. The new site unfolds across 8,500 square meters, including 6,500 square meters of exhibition space distributed over five adjustable platforms capable of shifting to eleven different heights. Conceived as a flexible \u2018scenographic device,\u2019 the architecture adapts to exhibitions spanning visual arts, film, performance, craft, and science, while fostering public exchange and dialogue.<\/p>\n \u00a0<\/p>\n To mark its inauguration, the Fondation presents Exposition G\u00e9n\u00e9rale, a sweeping showcase of works from its collection tracing over 40 years of contemporary creation\u2014from early commissions to recent landmark projects. Accompanied by live performances and spoken word events, the exhibition signals a new chapter for the Fondation Cartier: one that expands its architectural, cultural, and social reach within the very heart of Paris.<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>Exposition G\u00e9n\u00e9rale rendering of platform 1 looking onto the Rue de Rivoli | image \u00a9 Jean Nouvel\/ADAGP, Paris, 2024<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n The Fondation Louis Vuitton<\/strong><\/a> presents a landmark retrospective dedicated to Gerhard Richter<\/strong><\/a>, featuring 270 works from 1962 to 2024. Spanning paintings, glass and steel sculptures, drawings, watercolors, and overpainted photographs, the exhibition offers the most comprehensive view yet of Richter\u2019s six-decade career.<\/p>\n Tracing his evolution from photo-based realism to lyrical abstraction, the show highlights the artist\u2019s lifelong exploration of perception, memory, and the possibilities of painting. Occupying the entire museum, this exhibition continues the Fondation\u2019s series of major monographs devoted to 20th- and 21st-century masters such as Basquiat, Mitchell, Rothko, and Hockney.<\/p>\n \u00a0<\/p>\n \nwhat:<\/strong> Gerhard Richter: Retrospective Gerhard Richter, Gudrun, 1987 | image courtesy of Fondation Louis Vuitton<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Coinciding with the major retrospective of Richter\u2019s work at the Fondation Louis Vuitton, David Zwirner\u2019s<\/strong><\/a> exhibition presents a selection of paintings, drawings, and glass works by Gerhard Richter<\/strong><\/a> at its Paris gallery. This marks Richter\u2019s third exhibition with the gallery since his representation was announced in 2023, following solo shows in New York and London.\u00a0<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>Gerhard Richter exhibition Gerhard Richter,\u00a0Abstraktes Bild (Abstract Painting), 2001 (detail) | image courtesy of\u00a0Gerard\u00a0Richter<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Bourse de Commerce \u2014 Pinault Collection<\/strong><\/a> presents Minimal, an exhibiton that examines the global evolution of Minimalism, a movement since the 1960s that redefined the artwork and its relationship to the viewer. With a focus on simplicity, formal clarity, and spatial experience, artists worldwide used natural and industrial materials to create works emphasizing perception, presence, and direct interaction. The show is organized into seven themes \u2014 Light, Mono-ha, Balance, Surface, Grid, Monochrome, and Materialism \u2014 and spans North American, South American, Asian, Middle Eastern, and European perspectives. Featuring works from the Pinault Collection, Dia Art Foundation, and other major collections, the show highlights Minimalism\u2019s global reach and experiential impact.<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>Minimal image courtesy of Bourse de Commerce \u2014 Pinault Collection<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n For her solo exhibition at Lafayette Anticipations<\/strong><\/a>, Meriem Bennani<\/strong><\/a> transforms the foundation into a vast resonating chamber with Sole Crushing, a monumental sound installation spanning the building\u2019s full height. Nearly two hundred pairs of flip-flops and slides form an automated orchestra, striking surrounding surfaces to create a rhythmic composition between symphony and uprising. Echoing crowds in movement \u2014 whether at protests, stadiums, or traditional dakka marrakchia ceremonies \u2014 the work explores the balance between individuality and collective rhythm, where the simple slap of a flip-flop becomes a shared pulse of resistance and connection. Reimagined from its first presentation at Fondazione Prada (2024\u201325), this new version features an original soundtrack by Reda Senhaji (Cheb Runner) and a site-specific design for Lafayette Anticipations.\u00a0<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>Sole Crushing preparatory drawing Sole crushing, sound installation work-in-progress (2025). reinterpretation of the work originally presented in For My Best Family at Fondazione Prada in 2024\u201325 \u00a9 Meriem Bennani<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Steffani Jemison\u2019s<\/strong><\/a>\u00a0solo exhibition\u00a0 at Lafayette Anticipations<\/strong><\/a> explores how physical and social forces shape our ability to move, act, and perceive. Developed during her residency at the foundation, the exhibition features a new sculpture and a video installation that examine movement, gravity, and orientation as frameworks for understanding power and resistance. Through these works, Jemison considers how bodies navigate systems of control and liberation, connecting geographies of violence with practices of resilience. The artist approaches atmosphere not simply as weather, but as a condition charged with history and tension \u2014 one that influences how we move, respond, and inhabit space.<\/p>\n \u00a0<\/p>\n what: <\/strong>clear skies \/ troubled water research still, video work-in-progress (2025) \u00a9 Steffani Jemison<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n India Mahdavi<\/strong><\/a> teams up with Luca Pronzato\u2019s WE ARE ONA<\/strong><\/a> on Rose, c\u2019est la vie !, an immersive one-week dining installation. Set inside a former car repair shop in Paris\u2019 7\u1d49 arrondissement, the project transforms the space into a hidden speakeasy \u2014 a parallel world that carries the spirit of APT, Mahdavi\u2019s first New York nightclub, reinterpreted for today.<\/p>\n \u00a0<\/p>\n At the heart of the experience is Mahdavi\u2019s signature \u2018all-over\u2019 approach: a bespoke textile inspired by the Rose d\u2019Ispahan envelops the space entirely, from tablecloths and napkins to aprons, creating a tactile, poetic cocoon. The menu, conceived by guest chef Jes\u00fas Dur\u00f3n, mirrors the setting with a multi-course experience designed exclusively for the occasion.<\/p>\n \u00a0<\/p>\n what: <\/strong>Rose, c\u2019est la vie ! image courtesy of India Mahdavi and WE ARE ONA<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n AGO Projects<\/strong><\/a>, the Mexico City\u2013based collectible design gallery, presents Parenchyma, a solo exhibition by the design studio Kauani, in Project Room #20, India Mahdavi\u2019s<\/strong><\/a> open platform for international design. This marks AGO Projects\u2019 third year participating, showcasing innovative approaches to material, form, and spatial experience in a space designed to connect Paris with the global design community.<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>Parenchyma image by Ines Llasera<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n India Mahdavi\u2019s<\/strong><\/a> Tiny Room #7 presents Folk City, a solo project by Serban Ionescu<\/a><\/strong> exploring the form and memory of the chair. Using raw materials, Ionescu treats wood like drawing or clay, improvised and direct, embracing accidents. Inspired by his Balkan roots and heirloom traditions, the Folk Chairs series began after visiting the Museum of the Peasant in Bucharest in 2015, where simple wooden chairs from around 1900 sparked a spontaneous creative response. These fast, rough chairs, made from discarded materials without plans, grow through improvisation, reflecting childhood memories of joy and sadness.<\/p>\n \u00a0<\/p>\n \nwhat:<\/strong> Folk City image by Thierry Depagne<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n To mark the centenary of Shalimar, its iconic fragrance created in 1925, Maison Guerlain<\/strong><\/a> presents Straight to the Heart: A Century of Pure Love, in partnership with Art Basel Paris. The exhibition explores how our understanding of love has evolved over the past hundred years, bringing together more than thirty artists across generations and disciplines\u2014from Louise Bourgeois, Marina Abramovi\u0107 & Ulay, and Robert Mapplethorpe to Camille Henrot, Alex Gardner, and Pierre et Gilles. Spread across three floors of Guerlain\u2019s historic flagship designed by Charles Mew\u00e8s, the show unfolds as a multi-sensory journey through painting, photography, sculpture, video, and performance. An olfactory installation by Guerlain perfumer Delphine Jelk and Magique Studio complements the artworks, translating emotion into scent and creating what Guerlain calls \u2018love potions to see, smell, and feel.\u2019 Drawing inspiration from Shalimar\u2019s origin \u2014 a tale of eternal devotion that inspired the Taj Mahal \u2014 the exhibition reflects on love as a force that transforms, endures, and reappears in ever-changing forms.<\/p>\n \u00a0<\/p>\n what: <\/strong>Straight to the Heart: A Century of Pure Love RongRong&inri, Untitled 2008 No.25, 2008<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Maison Perrier-Jou\u00ebt<\/strong><\/a> presents a new collaboration with botanical artist Marcin Rusak<\/strong><\/a>, featuring an installation that lets viewers see, hear, and interpret the hidden signals of plants. Drawing on its botanical heritage, Rusak transforms natural phenomena into an immersive sensory experience, blurring the boundaries between art, science, and nature.<\/p>\n At the same time, the Maison transforms Maxim\u2019s into the House of Wonder, a sensorial celebration of champagne, art, and floral gastronomy inside one of the city\u2019s most iconic venues.<\/p>\n image courtesy of Maison Perrier-Jou\u00ebt<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n From October 13th to November 2nd, French design duo Studio GGSV<\/strong><\/a> presents The Salons of Imagination, an immersive installation created for the newly established Manufactures Nationales<\/strong><\/a> as part of its inaugural PAVILLON program. Conceived for this first edition at the invitation of the institution, the project gives contemporary designers free rein to imagine the interiors of tomorrow while honoring the role of the interior designer. Housed inside the Pavillon d\u2019Angiviller at the historic Manufacture des Gobelins in Paris, it\u00a0t<\/strong>ransforms\u00a0a 200-square-meter apartment into three interconnected interiors where art, architecture, and craftsmanship converge to offer profound sensory experiences. For this commission, Ga\u00eblle Gabillet and St\u00e9phane Villard, founders of\u00a0Studio GGSV\u00a0and known for their experimental use of illusion and trompe-l\u2019\u0153il, designed every piece of furniture and d\u00e9cor, presenting several never-before-seen works. The three environments \u2014 the Reception Salon, the Conversation Salon, and the Reading Salon \u2014 are conceived as spaces that stimulate the mind as much as they invite contemplation, encouraging visitors to imagine, exchange, and dream while celebrating French savoir-faire.<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>The Salons of Imagination image \u00a9 Jean Allard<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Gagosian<\/strong><\/a> presents Ed Ruscha: Talking Doorways, an exhibition of new paintings that mark a striking shift in the artist\u2019s six-decade exploration of architecture and language \u2014 from public facades to the quiet intimacy of private interiors. In these works, Ruscha depicts sparse rooms defined by molding and doorframes, each pierced by a doorway through which a painted phrase appears, accompanied by trailing bands that evoke both beams of light and soundwaves. The series draws inspiration from Vilhelm Hammersh\u00f8i, the Danish painter known for his restrained, light-filled interiors, whose influence led Ruscha to explore the emotional resonance of empty spaces.<\/p>\n \u00a0<\/p>\n \nwhat: <\/strong>Ed Ruscha: Talking Doorways Ed Ruscha, Says I to Myself Says I, 2025. acrylic and graphite on canvas, 54 \u00d7 120 inches (137.2 \u00d7 304.8 cm) \u00a9 Ed Ruscha. photo:\u00a0Jeff\u00a0McLane<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Gagosian<\/strong><\/a> Le Bourget presents The Singular Experience exhibition, curated by Donna De Salvo, marking what would have been American artist, sculptor, illustrator and composer Walter De Maria\u2019s 90th birthday. At its center is Truck Trilogy (2011\u201317), De Maria\u2019s final sculpture, shown for the first time outside the U.S., featuring three polished 1950s Chevrolet pickup trucks transformed into minimalist monuments of geometry and reflection. The exhibition also includes 13, 14, 15 Meter Rows (1985), drawings, films, and archival materials that trace the artist\u2019s lifelong exploration of measurement, rhythm, and perception.<\/p>\n \u00a0<\/p>\n \nwhat:<\/strong> The Singular Experience Walter De Maria, Truck Trilogy, 2011\u20132017, installation view at Dia Art Foundation, Beacon, New York, 2017\u201319<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n \nMagma Journal launches its third issue, Magma<\/strong><\/a> No. 3: Archive of the Future, with the support of Bottega Veneta<\/strong><\/a>. Conceived as a forum for artistic expression, Magma revives the tradition of the twentieth-century revues d\u2019art, inviting artists and writers to collaborate on original, previously unseen works. The new volume will debut on October 19th, accompanied by a month-long exhibition presenting the featured artworks within an immersive scenography by Mati\u00e8re Noire.<\/p>\n \u00a0<\/p>\n what: <\/strong>Magma<\/a>\u00a0No. 3: Archive of the Future \t<\/p>\n Jos de Gruyter & Harald Thys, Interior, 2025. Die Vier von der Tankstelle, 2023 \u00a92025 Jos de Gruyter & Harald Thys. courtesy of the artists, photography by Fabrice Schneider<\/p>\n<\/p>\n<\/div>\n<\/div><\/div>\n \t\t<\/p>\n \u00a0<\/p>\n \u00a0<\/p>\n Japanese multidisciplinary artist Eugene Kangawa<\/strong><\/a> and A-POC ABLE ISSEY MIYAKE<\/strong><\/a> unveil a new textile innovation, the result of a three-year creative dialogue between Kangawa and designer Yoshiyuki Miyamae and his team. Inspired by Kangawa\u2019s ongoing series Light and shadow inside me (2021\u2013), the textile reinterprets the gradations of photographic paper through weaving alone, achieving shifts from black to white without dyes or multiple thread colours. The project debuts in Paris in an exhibition conceived by architect Tsuyoshi Tane<\/strong><\/a>, presenting the new textile alongside test pieces, artworks, and creative tools, and accompanied by guided tours and hands-on workshops. Following its Paris premiere, the exhibition is scheduled to travel to Tokyo and Osaka.<\/p>\n \u00a0<\/p>\n what: <\/strong>A-POC ABLE ISSEY MIYAKE<\/a> x Eugene Kangawa<\/a> exhibition
\nwhen: <\/strong>21 \u2013 26 October 2025
\nwhere: <\/strong>Chapelle des Petits-Augustins, Beaux-Arts de Paris
\n<\/strong><\/p>\nUgo Rondinone \u2014 the innocent<\/h2>\n
\nwhen: <\/strong>17 \u2013 28 October 2025
\nwhere: <\/strong>Parvis de l\u2019Institut de France, Paris<\/p>\n\u00a0<\/h2>\n
design Miami.Paris 2025 presents its third edition<\/h2>\n
\nwhen:<\/strong> 21 \u2013 26 October 2025
\nwhere:<\/strong> L\u2019H\u00f4tel de Maisons, 51 Rue de l\u2019Universit\u00e9, Paris<\/p>\nFriedman Benda<\/h2>\n
Galerie Gastou and Galerie Desprez-Br\u00e9h\u00e9ret<\/h2>\n
Patrick Parrish Studio<\/h2>\n
ATRA x Pedro Reyes<\/strong>
\n<\/h2>\nMaison Parisienne
\n<\/h2>\nDesigners of Tomorrow \u2013 Design Miami.Paris x Apple
\n<\/h2>\nthe 11th Edition of PARIS ASIAN ART FAIR
\n<\/h2>\n
\nwhen: <\/strong>22 \u2013 26 October 2025\u00a0
\nwhere:<\/strong> Monnaie de Paris<\/a>, 11 Quai de Conti, 75006 Paris<\/p>\nexhibitions, events and galleries AROUND PARIS<\/h2>\n
Fondation Cartier Opens New Site at Place du Palais-Royal<\/h2>\n
\nwhen: <\/strong>25 October 2025 \u2013 23 August 2026\u00a0
\nwhere: <\/strong>2 Place du Palais-Royal, 75001 Paris<\/p>\nGerhard Richter Retrospective at Fondation Louis Vuitton<\/h2>\n
\nwhen:<\/strong> 17 October 2025 \u2013 2 March 2 2026
\nwhere:<\/strong> Fondation Louis Vuitton<\/a>, 8 Avenue du Mahatma Gandhi, Paris<\/p>\nGerhard Richter at David Zwirner<\/h2>\n
\nwhen: <\/strong>20 October \u2013 20 December 2025\u00a0
\nwhere: <\/strong>David Zwirner Gallery<\/a>, 108, rue Vieille du Temple\u00a075003 Paris<\/p>\n\u00a0<\/h2>\n
\nMinimal at Bourse de Commerce \u2014 Pinault Collection<\/h2>\n
\nwhen: <\/strong>8 October 2025 \u2013 19 January 2026
\nwhere: <\/strong>Bourse de Commerce \u2014 Pinault Collection<\/a>, 2 rue de Viarmes, 75001 Paris<\/p>\nMeriem Bennani\u2019s Sole Crushing at Lafayette Anticipations<\/h2>\n
\nwhen: <\/strong>22 October 2025 \u2013 8 February 2026
\nwhere: <\/strong>Lafayette Anticipations<\/a>, 9 Rue du Pl\u00e2tre, 75004 Paris<\/p>\nSteffani Jemison\u2019s clear skies \/ troubled water at Lafayette Anticipations<\/h2>\n
\nwhen: <\/strong>from 22 October 2025
\nwhere: <\/strong>Lafayette Anticipations<\/a>, 9 Rue du Pl\u00e2tre, 75004 Paris<\/p>\nIndia Mahdavi x WE ARE ONA present Rose, c\u2019est la vie !
\n<\/h2>\n
\nwhen: <\/strong>20 \u2013 26 October 2025
\nwhere:<\/strong> Secret location, 7\u1d49 arrondissement<\/p>\nPROJECT ROOM #20: Parenchyma by KAUANI \/ India Mahdavi<\/h2>\n
\nwhen: <\/strong>21 October \u2013 7 November 2025
\nwhere: <\/strong>Project Room, 29 rue de Bellechasse<\/p>\nINDIA MAHDAVI PROJECT ROOM #7: FOLK CITY by Serban Ionescu
\n<\/h2>\n
\nwhen:<\/strong> 21 October \u2013 7 November 2025
\nwhere:<\/strong> Tiny Room, 3 rue Las Cases<\/p>\nMaison Guerlain presents Straight to the Heart: A Century of Pure Love<\/h2>\n
\nwhen:<\/strong> 22 October \u2013 16 November 2025
\nwhere:<\/strong>\u00a0Guerlain<\/a>, 68 Avenue des Champs-\u00c9lys\u00e9es, Paris<\/p>\nMaison Perrier-Jou\u00ebt<\/h2>\n
The Salons of Imagination by Studio GGSV
\n<\/h2>\n
\nwhen: <\/strong>13 October \u2013 2 November 2025
\nwhere: <\/strong>Manufactures Nationales<\/a>, 42 avenue des Gobelins 75013 Paris\u00a0<\/p>\nEd Ruscha: Talking Doorways at Gagosian<\/h2>\n
\nwhen:<\/strong> 22 October \u2013 3 December 2025
\nwhere: <\/strong>Gagosian<\/a>, rue de Castiglione, Paris<\/p>\nThe Singular Experience at Gagosian Le Bourget<\/h2>\n
\nwhen: <\/strong>19 October 2025-18 April 2026
\nwhere: <\/strong>Gagosian<\/a>, 26 Avenue de l\u2019Europe, Le Bourget<\/p>\n\nMagma No. 3: Archive of the Future<\/h2>\n
\nwhen: <\/strong>19 October \u2013 19 November 2025
\nwhere:<\/strong> FORMA<\/a>, 127 rue de Turenne 75003, Marais district, Paris<\/p>\nA-POC ABLE ISSEY MIYAKE x Eugene Kangawa<\/h2>\n
\n<\/strong>when: <\/strong>24 \u2013 25 October 2025 (11:00 \u2013 19:00) and 26 October 2025 (11:00 \u2013 18:00)
\nwhere: <\/strong>Lyc\u00e9e Turgot Paris, 40 Rue Volta, 75003 Paris<\/p>\n